Matthew O'Toole, Supreeth Achar, Srinivasa Narasimhan, Kiriakos Kutulakos
Felix Knoppel, Keenan Crane, Ulrich Pinkall, Peter Schroder
Eakta Jain, Yaser Sheikh, Ariel Shamir, Jessica Hodgins
M. Ersin Yumer, Siddhartha Chaudhuri, Jessica Hodgins, Levent Burak Kara
Moritz Bacher, Stelian Coros, Bernhard Thomaszewski
Shihong Xia, Congyi Wang, Jinxiang Chai, Jessica Hodgins
Jesus Perez, Bernhard Thomaszewski, Stelian Coros, Bernd Bickel, Jose Canabal, Robert Sumner, Miguel Otaduy
Leonid Sigal, Moshe Mahler, Spencer Diaz, Kyna McIntosh, Elizabeth Carter, Timothy Richards, Jessica Hodgins
: Here’s how it’s done: an object is selected in an image, be it a chair, an origami crane, or a fireplug. The system matches the object with currently extant 3D models taken from various sources, and then, by connecting the models with the actual objects, they are able to simulate what the object would look like in the photograph. While this database of objects is obviously fairly limited, it does allow for some clever tricks including making taxi cabs in photos flip around to display their undercarriage and then zoom off into space. Read more at , and . |
will join the CMU Graphics Lab in 2015 as an Assistant Professor in the and . Keenan received a PhD from Caltech in 2013, as part of the and ; he is currently an NSF Mathematical Sciences Postdoctoral Fellow at . Keenan's research draws on insights from differential geometry and computer science to develop fast numerical algorithms and fundamental representations for real-world geometric data. This work has been used in production at companies such as and , and has been covered by popular media including National Public Radio and . Hear Keenan talk about his work via the . |
Matt Stanton, Ben Humberstron, Brandon Kase, James O'Brien (UC Berkeley), Kayvon Fatahalian, Adrien Treuille Yong He, Yan Gu, Kayvon Fatahalian Natasha Kholgade, Tomas Simon, Alexei Efros (UC Berkeley), Yaser Sheikh Ido Arev, Hyun Soo Park, Yaser Sheikh, Jessica Hodgins, Ariel Shamir (Ido and Ariel are affiliated with: Interdisciplinary Center Herzliya, Disney Research Pittsburgh) |
from Cornell University and from Stanford University will visit CMU this Fall to receive the Katayanagi Prizes in Computer Science. Prof. James will give a distinguished lecture Sept. 12th, and Prof. Hanrahan will give a distinguished lecture on Sept 26th. Details will be announced shortly at would like to add that he has been lucky to have some great advisors. |
In this keynote presented at High Performance Graphics 2022, Petrik Clarberg shares an update on real-time path tracing and the next steps for real-time graphics research.
Real-time graphics is on the cusp of a historic transition to path tracing. With recent advances in hardware ray tracing, systems research, stochastic light sampling, and denoising, we show that complex light transport effects can be path traced in real time on scenes with billions of triangles and millions of emitters. This includes the well-known PBRT research scenes. These results can fundamentally transform real-time graphics research. The talk is divided into two parts. First, we show visual results and discuss how we built the research path tracer. Second, we discuss the research questions that come next for our field, building on the foundation of real-time path tracing. We focus on what will be required to reach our dream of photorealistic rendering of truly lifelike content in real time.
@misc{ClarbergHPG2022, author = {Petrik Clarberg and Simon Kallweit and Craig Kolb and Pawel Kozlowski and Yong He and Lifan Wu and Edward Liu and Benedikt Bitterli and Matt Pharr}, title = "{Real-Time Path Tracing and Beyond}", howpublished = {HPG 2022 Keynote}, month = {July}, year = {2022}, }
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Cornell is a leader in computer graphics, an interdisciplinary area that draws on many specialties including algorithms, physics, computation, psychology, computer vision, and architecture. The Cornell graphics tradition has roots going back to the earliest days of the field, when the Program of Computer Graphics (PCG) was established in 1974 and went on to make breakthrough contributions in areas including light reflection models, physics-based rendering, and visual perception for graphics. Today graphics research at Cornell flows across boundaries to cover a broad area of graphics and related topics, with research in graphics and vision in the Computer Science department , research in rendering and architecture in PCG , and research in human-computer interfaces in the Information Science program, all densely interconnected.
Current research in graphics covers a broad range of topics across the field. Examples include global illumination, scattering models, volume scattering, interactive rendering, cloth simulation, acoustics for graphics, content creation, multiview geometry, computational photography and videography, human visual perception, and appearance capture. Our research addresses applications ranging from visual effects, animation, and games to architecture, surgery simulation, advertising, photography, and photo browsing.
Kavita Bala specializes in computer graphics and computer vision, leading research in visual recognition, search, and discovery; material modeling and acquisition, physically-based rendering; and material perception. In her computer graphics research she uses knowledge of human perception to develop new rendering algorithms for large-scale models for architectural visualization, and new algorithms for material acquisition and representation of complex materials like cloth. In her computer vision research, she develops algorithms for material recognition, fine-grained visual search for products in ecommerce, and large-scale visual discovery for planet-wide events, from global fashion discovery to event detection of forest fires in satellite imagery. Applications of her work include virtual prototyping, sustainability, virtual-reality training, architectural planning, and e-commerce.
Donald Greenberg , the founder of the Program of Computer Graphics , has been researching and teaching in the field of computer graphics from 1966. During the last 15 years, he has been primarily concerned with research advancing the state-of-the-art in computer graphics and with utilizing these techniques as they may be applied to a variety of disciplines. His specialities include hidden surface algorithms, geometric modeling, color science, and realistic image generation. Donald Greenberg is the Jacob Gould Schurman Professor of Computer Graphics and the Director of the Program of Computer Graphics.
Abe Davis works on a range of topics in graphics, vision, and HCI, with a focus on how to apply work in these fields to new problems and application spaces. His work ranges across video and image analysis, photography, video editing, augmented reality, and computational fabrication, with applications from civil engineering to video editing and scene modeling to quilting.
Steve Marschner works on modeling materials for graphics , ranging from their optics to thier mechanics, often using techniques that draw from computer vision. For rendering, material modeling is the fundamental problem of understanding and simulating the interaction of light with materials. Recent work has focused on models for the materials that are important for realistic virtual characters—skin, cloth, hair—as well as other materials with complex three-dimensional structure. These materials can often be rendered as volumes of structured, translucent material. Optics works together with shape and motion to define the appearance of a material, so another focus is on realistic models for the mechanics of materials, particularly cloth.
Noah Snavely is primarily interested in analyzing large image collections to automatically recover the geometry and appearance of real-world scenes, and in using this derived structure to create better visualizations of photo collections and 3D scenes. Noah is particularly interested in leveraging the vast, rich collections of imagery available on the Internet to recreate the world in 3D. This research encompasses problems in both computer vision and computer graphics, including structure from motion, multi-view stereo, graph algorithms for analyzing large image collections, image-based rendering, and 3D navigation interfaces. Noah is also interested in creating systems and techniques that make it simple to create 3D models using a hand-held camera.
NVIDIA investigations often encompass more than one research area; the list of research areas allows for one way to organize our publications, people and projects.
3D DEEP LEARNING
ALGORITHMS AND NUMERICAL METHODS
APPLIED PERCEPTION
APPLIED RESEARCH
ARTIFICIAL INTELLIGENCE AND MACHINE LEARNING
CIRCUITS AND VLSI DESIGN
COMPUTATIONAL PHOTOGRAPHY AND IMAGING
COMPUTER ARCHITECTURE
COMPUTER GRAPHICS
COMPUTER VISION
HIGH PERFORMANCE COMPUTING
HUMAN COMPUTER INTERACTION
HYPERSCALE GRAPHICS
PERCEPTION, ACTION, REASONING & DEEP LEARNING
PROGRAMMING LANGUAGES, SYSTEMS AND TOOLS
REAL-TIME RENDERING
RESILIENCE AND SAFETY
VR, AR AND DISPLAY TECHNOLOGY
University of california - berkeley.
Prof. O'Brien quoted in New York Times Article on Inappropriate Duplication of Images in Biomedical Research. March 8, 2017
Findings of fraud in biomedical research have surged in recent years, whether from an actual increase in misconduct or from heightened caution ... [more] Findings of fraud in biomedical research have surged in recent years, whether from an actual increase in misconduct or from heightened caution. NYT Article [less]
Berkeley Graphics Alums, Hayley Iben and Sarah Beth Eisinger have been featured in Khan Acedemy's Pixar in a Box series of tutorials. December 12, 2016
Pixar in a Box is a behind-the-scenes look at how Pixar artists do their jobs. You will be able to animate bouncing balls, build a swarm of robots ... [more] Pixar in a Box is a behind-the-scenes look at how Pixar artists do their jobs. You will be able to animate bouncing balls, build a swarm of robots, and make virtual fireworks explode. The subjects you learn in school — math, science, computer science, and humanities — are used every day to create amazing movies at Pixar. This collaboration between Pixar Animation Studios and Khan Academy is sponsored by Disney. Hair Simulation 101 Introduction to Particle Systems [less]
Prof. O'Brien receives Technical Achievement award from The Academy of Motion Picture Arts and Sciences for Finite Element Destruction Modeling January 12, 2015
Prof. James O'Brien will be receiving a Technical Achievement award from The Academy of Motion Picture Arts and Sciences for Finite Element ... [more] Prof. James O'Brien will be receiving a Technical Achievement award from The Academy of Motion Picture Arts and Sciences for Finite Element Destruction Modeling. The software he developed has been used in over 60 Feature films during the last five years, including Harry Potter, Man of Steel, 300: Rise of an Empire, Godzilla, Life of Pi, Maleficent, and Guardians of the Galaxy. DMM Software [less]
Scientific American selected Brian Barsky and Fu-Chung Huang's research on vision correcting displays as one of 2014s ten World Changing Ideas December 1, 2014
Research by Brian Barsky and Fu-Chung and their colleagues at MIT on displays that correct for the viewer's vision problems has been selected ... [more] Research by Brian Barsky and Fu-Chung and their colleagues at MIT on displays that correct for the viewer's vision problems has been selected as one of 2014's ten "World Changing Ideas" by Scientific American . Scientific American article [less]
To be presented at the SIGGRAPH 2014 conference in Vancouver August 10, 2014
Adaptive Tearing and Cracking of Thin Sheets Tobias Pfaff, Rahul Narain, Juan Miguel de Joya, and James O'Brien Exposing Photo Manipulation from ... [more] Adaptive Tearing and Cracking of Thin Sheets Tobias Pfaff, Rahul Narain, Juan Miguel de Joya, and James O'Brien Exposing Photo Manipulation from Shading and Shadows Eric Kee, James O'Brien, and Hany Farid Self-Refining Games using Player Analytics Matt Stanton, Ben Humberston, Brandon Kase, James O'Brien, Kayvon Fatahalian, and Adrien Treuille Factored Axis-Aligned Filtering for Rendering Multiple Distribution Effects Soham Mehta, Ravi Ramamoorthi, and Fredo Durand Eyeglasses-free Display: Towards Correcting Visual Aberrations with Computational Light Field Displays Fu-Chung Huang, Gordon Wetzstein, Brian A. Barsky, and Ramesh Raskar High-Order Similarity Relations in Radiative Transfer Shuang Zhao, Ravi Ramamoorthi, and Kavita Bala Discrete Stochastic Microfacet Models Wenzel Jakob, Milos Hasan, Ling-Qi Yan, Jason Lawrence, Ravi Ramamoorthi, and Steve Marschner Rendering Glints on High-Resolution Normal-Mapped Specular Surfaces Ling-Qi Yan, Milos Hasan, Wenzel Jakob, Jason Lawrence, Steve Marschner, and Ravi Ramamoorthi 3D Object Manipulation in a Single Image using Stock 3D Models Natasha Kholgade, Tomas Simon, Alexei Efros, and Yaser Sheikh 2014 Papers [less]
Truth in Motion: The Unprecedented Risks and Opportunities of Extended Reality Motion Data Vivek Nair, Louis Rosenberg, James F. O'Brien, Dawn Song IEEE S&P
Berkeley Open Extended Reality Recordings 2023 (BOXRR-23): 4.7 Million Motion Capture Recordings from 105,000 XR Users Vivek Nair, Wenbo Guo, Rui Wang, James F. O'Brien, Louis Rosenberg, Dawn Song IEEE VR 2024
Unique Identification of 50,000+ Virtual Reality Users from Head and Hand Motion Data Vivek Nair, Wenbo Guo, Justus Mattern, Rui Wang, James F. O'Brien, Louis Rosenberg, Dawn Song USENIX Security 23
Exploring the Unprecedented Privacy Risks of the Metaverse Vivek Nair, Gonzalo Munilla Garrido, Dawn Song, James F. O'Brien PoPETS 2023
KBody: Balanced monocular whole-body estimation Nikolaos Zioulis, James F. O'Brien CVFAD 2023
KBody: Towards general, robust, and aligned monocular whole-body estimation Nikolaos Zioulis, James F. O'Brien RHOBIN 2023
Monocular Facial Performance Capture Via Deep Expression Matching Stephen Bailey, Jérémy Riviere, Morten Mikkelsen, James F. O'Brien SCA 2022
This photograph has been altered: Testing the effectiveness of image forensic labeling on news image credibility Cuihua Shen, Mona Kasra, James F. O'Brien Misinformation Review
Fast and Deep Facial Deformations Stephen Bailey, Dalton Omens, Paul Dilorenzo, James F. O'Brien SIGGRAPH 2020
Fake images: The effects of source, intermediary, and digital media literacy on contextual assessment of imag credibility online Cuihua Shen, Mona Kasra, Wenjing Pan, Grace A. Bassett, Yining Malloch, James F. O'Brien New Media and Society
Computer graphics and AI are cornerstones of NVIDIA. Combined, they’re bringing creators closer to the goal of cinema-quality 3D imagery rendered in real time.
At a series of graphics conferences this summer, NVIDIA Research is sharing groundbreaking work in real-time path tracing and content creation, much of it based on cutting-edge AI techniques. These projects are tackling the hardest unsolved problems in graphics with new tools that advance the state of the art in real-time rendering.
One goal is improving the realism of rendered light as it passes through complex materials like fur or fog. Another is helping artists more easily turn their creative visions into lifelike models and scenes.
Presented at this week’s SIGGRAPH 2021 — as well as the recent High-Performance Graphics conference and the Eurographics Symposium on Rendering — these research advancements highlight how NVIDIA RTX GPUs make it possible to further the frontiers of photorealistic real-time graphics.
Rendering photorealistic images in real time requires accurate simulation of light, modeling the same laws that govern light in the physical world. The most effective approach known so far, path tracing, requires massive computational resources but can deliver spectacular imagery.
The NVIDIA RTX platform, with dedicated ray-tracing hardware and high-performance Tensor Cores for efficient evaluation of AI models, is tailor made for this task. Yet there are still situations where creating high-fidelity rendered images remains challenging.
Consider, for one, a tiger prowling through the woods.
To make a scene completely realistic, creators must render complex lighting effects such as reflections, shadows and visible haze.
In a forest scene, dappled sunlight filters through the leaves on the trees and grows hazy among the water molecules suspended in the foggy air. Rendering realistic real-time imagery of clouds, dusty surfaces or mist like this was once out of reach. But NVIDIA researchers have developed techniques that often compute the visual effect of these phenomena 10x more efficiently.
The tiger itself is both illuminated by sunlight and shadowed by trees. As it strides through the woods, its reflection is visible in the pond below. Lighting these kinds of rich visuals with both direct and indirect reflections can require calculating thousands of paths for every pixel in the scene.
It’s a task far too resource-hungry to solve in real time. So our research team created a path-sampling algorithm that prioritizes the light paths and reflections most likely to contribute to the final image, rendering images over 100x more quickly than before.
Another group of NVIDIA researchers achieved a breakthrough in global illumination with a new technique named neural radiance caching . This method uses both NVIDIA RT Cores for ray tracing and Tensor Cores for AI acceleration to train a tiny neural network live while rendering a dynamic scene.
The neural network learns how light is distributed throughout the scene. It evaluates over a billion global illumination queries per second when running on an NVIDIA GeForce RTX 3090 GPU , depicting the tiger’s dense fur with rich lighting detail previously unattainable at interactive frame rates.
As rendering algorithms have progressed, it’s crucial that the 3D content available keeps up with the complexity and richness that the algorithms are capable of.
NVIDIA researchers are diving into this area by developing a variety of techniques that support content creators in their efforts to model rich and realistic 3D environments. One area of focus is on materials with rich geometric complexity, which can be difficult to simulate using traditional techniques.
The weave of a polo shirt, the texture of a carpet, or blades of grass have features often much smaller than the size of a pixel, making it difficult to efficiently store and render representations of them. NVIDIA researchers are addressing this with NeRF-Tex , an approach that uses neural networks to represent these challenging materials and encode how they respond to lighting.
Complex geometric objects also vary in their appearance depending on how close they are to the viewer. A leafy tree is one example: Close up, there’s enormous detail in its branches, leaves and bark. From afar, it may appear to be little more than a green blob.
It would be a waste of time to render detailed bark and leaves on a tree that’s on the other end of the forest in a scene. But when zooming in for a close-up, the model should be as realistic as possible.
This is a classic problem in computer graphics known as level of detail. Artists have often been burdened with this challenge, manually modeling multiple versions of each 3D object to enable efficient rendering.
NVIDIA researchers have developed a new approach that generates simplified models automatically based on an inverse rendering method . With it, creators can generate simplified models that are optimized to appear indistinguishable from the originals, but with drastic reductions in their geometric complexity.
More than 200 scientists around the globe make up the NVIDIA Research team, focusing on AI, computer graphics, computer vision, self-driving cars, robotics and more. At SIGGRAPH, which runs from Aug. 9-13, our researchers are presenting the following papers:
Don’t miss NVIDIA’s special address at SIGGRAPH on Aug. 10 at 8 a.m. Pacific, revealing our latest technology, demos and more. Catch our Real Time Live demo on Aug. 10 at 4:30 p.m. Pacific to see how NVIDIA Research creates AI-driven digital avatars .
We’re also discussing esports as a real-time graphics challenge in a panel on Aug. 11. An interactive esports demo is available on demand through the SIGGRAPH Emerging Technologies program.
For more, check out the full lineup of NVIDIA events at SIGGRAPH 2021 .
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Writing a scientific paper is as complex as it is gratifying.
To take one on, researchers have to complete literature reviews and orchestrate tests — which they have to design, conduct, and debug. After that, they write pages upon pages of dense text, respond to peer feedback, and more before they can get their foot in a journal’s door.
That’s enough screen time to make one wish for blue light-blocking glasses and a few days staring out at Walden Pond.
According to Miaomiao Zhang, a postdoc at the MIT Concrete Sustainability Hub and in the Department of Civil and Environmental Engineering , something that often gets lost in the shuffle of writing a paper is a concern for the figures and tables inside it.
“When researchers take on a paper, I find that we focus a lot on the writing process. This is to be expected, of course, but I find that we can obsess over the language of our papers to the detriment of the big picture,” observes Zhang, whose research at the MIT Concrete Sustainability Hub focuses on the sectoral environmental footprints and avoided emissions associated with paving materials decisions. “I feel that civil engineers are especially likely to fall into this trap.”
If you skim a few civil engineering publications and compare them to top journals in disciplines like biology or chemistry, you might notice that the graphics in the former tend to be less sophisticated.
“You can tell that authors in different disciplines emphasize different things. Civil engineers tend to take less pride in their figures, which they frequently make in Excel rather than a graphics program,” she adds.
To Zhang, this is a stumbling block for civil engineering research, as poor figures can make even incredible work less accessible. She is attempting to change this, one engineer at a time.
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“At the Concrete Sustainability Hub, I am notorious for being a stickler about quality figures. I am always commenting on my fellow researchers’ charts and tables while offering to help make them better. I feel that it’s my responsibility toward them to help make their work as accessible as possible, so that we can all grow as a research community.”
While researchers often crowd her desk at the Materials Systems Laboratory to ask for help, she didn’t always place importance on the graphics component of research writing.
Up through her PhD, Zhang preferred to keep her figures bare-bones, thinking of them as secondary to her writing.
“I was perfectly happy to make my figures with graphic programs like R, Python, and PowerPoint. Then it struck me that I could more effectively communicate my research if I took the time to thoughtfully lay out my tables and charts and do my best to draw graphics. I still wouldn’t say that I’m good at it, but the effort is what matters!”
Zhang credits her close friends with giving her a passion for figure design, which she describes as infectious. “As scientists, we have to feed off the passion of our peers to make it far,” she notes.
One day, Zhang hopes to take her communication-first approach to research to her own lab.
“A goal of mine is to become a professor or research scientist who is really there for my students. Especially the ones early in their academic careers, who need the most help and motivation. I want to push my students beyond being ‘good enough,’ encouraging them to take on topics with their best effort.”
“I think that my current advisor, Dr. Randolph Kirchain , is a good model for the type of advisor I’d want to be. He takes entire days to hear about what each of us is working on and is patient. He reminds us that we should be focusing on conveying our research, and not just performing it,” she adds.
Zhang credits her father for giving her the drive to become a high-performing academic. “He will always think of me, and I hope through my work I can meet his expectations to become the best I can be.”
Ultimately, if you ever find yourself in Zhang’s lab, be prepared for a crash course in graphics. One figure at a time, she is changing the landscape of civil engineering research for the better.
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Kaolin is a PyTorch library that accelerates 3D Deep Learning research. It massively reduces the time needed to implement a new paper from 2-3 weeks down to a couple of days.
Kaolin is ideal for:
Falcor is an open-source real-time rendering framework designed specifically for rapid prototyping.
Falcor accelerates discovery by providing a rich set of graphics features, typically available only in complex game engines, in a modular design that leaves the researcher in command.
Falcor is professionally designed and maintained by NVIDIA. It is open source and we welcome and encourage contributions from the community. We especially invite researchers to contribute implementations of published algorithms.
ORCA is a library of professionally-created 3D assets donated to the research community. ORCA enables researchers to develop, test and discover new ideas using challenging, high-quality assets.
ORCA assets are in FBX format, available for use in any rendering system. Each asset includes a Falcor scene file containing camera and lighting configuration.
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A peridynamics---sph coupling approach to simulate soil fragmentation induced by shock waves.
In this work, a nonlocal peridynamics---smoothed particle hydrodynamics (SPH) coupling formulation has been developed and implemented to simulate soil fragmentation induced by buried explosions. A peridynamics---SPH coupling strategy has been developed ...
Natural cavitation is defined as the formation of vapor bubbles in a flow due to the pressure falling below the liquid's vapor pressure. The inception of the cavitation bubble is influenced by a lot of aspects, such as impurities, turbulence, liquid ...
In this work a mass-conserved diffuse interface method is proposed for simulating incompressible flows of binary fluids with large density ratio. In the method, a mass correction term is introduced into the Cahn-Hilliard equation to compensate the mass ...
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Public trust in the federal government, which has been low for decades, has increased modestly since 2023 . As of April 2024, 22% of Americans say they trust the government in Washington to do what is right “just about always” (2%) or “most of the time” (21%). Last year, 16% said they trusted the government just about always or most of the time, which was among the lowest measures in nearly seven decades of polling.
Date | . | Individual polls | Moving average |
---|---|---|---|
5/19/2024 | PEW | 22 | 22 |
6/11/2023 | PEW | 16 | 19 |
5/01/2022 | PEW | 20 | 20 |
4/11/2021 | PEW | 24 | 21 |
8/2/2020 | PEW | 20 | 24 |
4/12/2020 | PEW | 27 | 21 |
3/25/2019 | PEW | 17 | 17 |
12/04/2017 | PEW | 18 | 18 |
4/11/2017 | PEW | 20 | 19 |
10/04/2015 | PEW | 19 | 18 |
7/20/2014 | CNN | 14 | 19 |
2/26/2014 | PEW | 24 | 18 |
11/15/2013 | CBS/NYT | 17 | 20 |
10/13/2013 | PEW | 19 | 19 |
5/31/2013 | CBS/NYT | 20 | 20 |
2/06/2013 | CBS/NYT | 20 | 22 |
1/13/2013 | PEW | 26 | 23 |
10/31/2012 | NES | 22 | 19 |
10/19/2011 | CBS/NYT | 10 | 17 |
10/04/2011 | PEW | 20 | 15 |
9/23/2011 | CNN | 15 | 18 |
8/21/2011 | PEW | 19 | 21 |
2/28/2011 | PEW | 29 | 23 |
10/21/2010 | CBS/NYT | 22 | 23 |
10/01/2010 | CBS/NYT | 18 | 21 |
9/06/2010 | PEW | 24 | 23 |
9/01/2010 | CNN | 25 | 23 |
4/05/2010 | CBS/NYT | 20 | 23 |
4/05/2010 | PEW | 25 | 22 |
3/21/2010 | PEW | 22 | 24 |
2/12/2010 | CNN | 26 | 22 |
2/05/2010 | CBS/NYT | 19 | 21 |
1/10/2010 | GALLUP | 19 | 20 |
12/20/2009 | CNN | 20 | 21 |
8/31/2009 | CBS/NYT | 24 | 22 |
6/12/2009 | CBS/NYT | 20 | 23 |
12/21/2008 | CNN | 26 | 25 |
10/15/2008 | NES | 31 | 24 |
10/13/2008 | CBS/NYT | 17 | 24 |
7/09/2007 | CBS/NYT | 24 | 24 |
1/09/2007 | PEW | 31 | 28 |
10/08/2006 | CBS/NYT | 29 | 29 |
9/15/2006 | CBS/NYT | 28 | 30 |
2/05/2006 | PEW | 34 | 31 |
1/20/2006 | CBS/NYT | 32 | 33 |
1/06/2006 | GALLUP | 32 | 32 |
12/02/2005 | CBS/NYT | 32 | 32 |
9/11/2005 | PEW | 31 | 31 |
9/09/2005 | CBS/NYT | 29 | 30 |
6/19/2005 | GALLUP | 30 | 35 |
10/15/2004 | NES | 46 | 39 |
7/15/2004 | CBS/NYT | 40 | 41 |
3/21/2004 | PEW | 36 | 38 |
10/26/2003 | GALLUP | 37 | 36 |
7/27/2003 | CBS/NYT | 36 | 43 |
10/15/2002 | NES | 55 | 46 |
9/04/2002 | GALLUP | 46 | 46 |
9/02/2002 | CBS/NYT | 38 | 40 |
7/13/2002 | CBS/NYT | 38 | 40 |
6/17/2002 | GALLUP | 44 | 43 |
1/24/2002 | CBS/NYT | 46 | 46 |
12/07/2001 | CBS/NYT | 48 | 49 |
10/25/2001 | CBS/NYT | 55 | 54 |
10/06/2001 | GALLUP | 60 | 49 |
1/17/2001 | CBS/NYT | 31 | 44 |
10/31/2000 | CBS/NYT | 40 | 38 |
10/15/2000 | NES | 44 | 42 |
7/09/2000 | GALLUP | 42 | 39 |
4/02/2000 | ABC/POST | 31 | 38 |
2/14/2000 | PEW | 40 | 34 |
10/03/1999 | CBS/NYT | 30 | 36 |
9/14/1999 | CBS/NYT | 38 | 33 |
5/16/1999 | PEW | 31 | 33 |
2/21/1999 | PEW | 31 | 31 |
2/12/1999 | ABC/POST | 32 | 32 |
2/04/1999 | GALLUP | 33 | 34 |
1/10/1999 | CBS/NYT | 37 | 34 |
1/03/1999 | CBS/NYT | 33 | 37 |
12/01/1998 | NES | 40 | 33 |
11/15/1998 | PEW | 26 | 30 |
11/01/1998 | CBS/NYT | 24 | 26 |
10/26/1998 | CBS/NYT | 26 | 28 |
8/10/1998 | ABC/POST | 34 | 31 |
2/22/1998 | PEW | 34 | 35 |
2/01/1998 | GALLUP | 39 | 33 |
1/25/1998 | CBS/NYT | 26 | 32 |
1/19/1998 | ABC/POST | 31 | 32 |
10/31/1997 | PEW | 39 | 31 |
8/27/1997 | ABC/POST | 22 | 31 |
6/01/1997 | GALLUP | 32 | 26 |
1/14/1997 | CBS/NYT | 23 | 27 |
11/02/1996 | CBS/NYT | 25 | 27 |
10/15/1996 | NES | 33 | 28 |
5/12/1996 | GALLUP | 27 | 31 |
5/06/1996 | ABC/POST | 34 | 29 |
11/19/1995 | ABC/POST | 25 | 27 |
8/07/1995 | GALLUP | 22 | 22 |
8/05/1995 | CBS/NYT | 20 | 21 |
3/19/1995 | ABC/POST | 22 | 20 |
2/22/1995 | CBS/NYT | 18 | 21 |
12/01/1994 | NES | 22 | 21 |
10/29/1994 | CBS/NYT | 22 | 22 |
10/23/1994 | ABC/POST | 22 | 20 |
6/06/1994 | GALLUP | 17 | 19 |
1/30/1994 | GALLUP | 19 | 20 |
1/20/1994 | ABC/POST | 24 | 22 |
3/24/1993 | GALLUP | 22 | 25 |
1/17/1993 | ABC/POST | 28 | 25 |
1/14/1993 | CBS/NYT | 24 | 25 |
10/23/1992 | CBS/NYT | 22 | 25 |
10/15/1992 | NES | 29 | 25 |
6/08/1992 | GALLUP | 23 | 29 |
10/20/1991 | ABC/POST | 35 | 35 |
3/06/1991 | CBS/NYT | 47 | 42 |
3/01/1991 | ABC/POST | 45 | 46 |
1/27/1991 | ABC/POST | 46 | 40 |
12/01/1990 | NES | 28 | 33 |
10/28/1990 | CBS/NYT | 25 | 32 |
9/06/1990 | ABC/POST | 42 | 35 |
1/16/1990 | ABC/POST | 38 | 38 |
6/29/1989 | CBS/NYT | 35 | 39 |
1/15/1989 | CBS/NYT | 44 | 41 |
11/10/1988 | CBS/NYT | 44 | 43 |
10/15/1988 | NES | 41 | 41 |
1/23/1988 | ABC/POST | 39 | 40 |
10/18/1987 | CBS/NYT | 41 | 43 |
6/01/1987 | ABC/POST | 47 | 43 |
3/01/1987 | CBS/NYT | 42 | 44 |
1/21/1987 | CBS/NYT | 43 | 43 |
1/19/1987 | ABC/POST | 44 | 42 |
12/01/1986 | NES | 39 | 44 |
11/30/1986 | CBS/NYT | 49 | 43 |
9/09/1986 | ABC/POST | 40 | 44 |
1/19/1986 | CBS/NYT | 42 | 44 |
11/06/1985 | CBS/NYT | 49 | 43 |
7/29/1985 | ABC/POST | 38 | 42 |
3/21/1985 | ABC/POST | 37 | 40 |
2/27/1985 | CBS/NYT | 46 | 42 |
2/22/1985 | ABC/POST | 43 | 45 |
11/14/1984 | CBS/NYT | 46 | 44 |
10/15/1984 | NES | 44 | 41 |
12/01/1982 | NES | 33 | 39 |
11/07/1980 | CBS/NYT | 39 | 32 |
10/15/1980 | NES | 25 | 30 |
3/12/1980 | CBS/NYT | 26 | 27 |
11/03/1979 | CBS/NYT | 30 | 28 |
12/01/1978 | NES | 29 | 31 |
10/23/1977 | CBS/NYT | 33 | 32 |
4/25/1977 | CBS/NYT | 35 | 34 |
10/15/1976 | NES | 33 | 36 |
9/05/1976 | CBS/NYT | 40 | 35 |
6/15/1976 | CBS/NYT | 33 | 35 |
3/01/1976 | GALLUP | 33 | 34 |
2/08/1976 | CBS/NYT | 36 | 35 |
12/01/1974 | NES | 36 | 36 |
10/15/1972 | NES | 53 | 53 |
12/01/1970 | NES | 54 | 54 |
10/15/1968 | NES | 62 | 62 |
12/01/1966 | NES | 65 | 65 |
10/15/1964 | NES | 77 | 77 |
12/01/1958 | NES | 73 | 73 |
When the National Election Study began asking about trust in government in 1958, about three-quarters of Americans trusted the federal government to do the right thing almost always or most of the time.
Trust in government began eroding during the 1960s, amid the escalation of the Vietnam War, and the decline continued in the 1970s with the Watergate scandal and worsening economic struggles.
Confidence in government recovered in the mid-1980s before falling again in the mid-’90s. But as the economy grew in the late 1990s, so too did trust in government. Public trust reached a three-decade high shortly after the 9/11 terrorist attacks but declined quickly after. Since 2007, the shares saying they can trust the government always or most of the time have not been higher than 30%.
Today, 35% of Democrats and Democratic-leaning independents say they trust the federal government just about always or most of the time, compared with 11% of Republicans and Republican leaners.
Democrats report slightly more trust in the federal government today than a year ago. Republicans’ views have been relatively unchanged over this period.
Since the 1970s, trust in government has been consistently higher among members of the party that controls the White House than among the opposition party.
Republicans have often been more reactive than Democrats to changes in political leadership, with Republicans expressing much lower levels of trust during Democratic presidencies. Democrats’ attitudes have tended to be somewhat more consistent, regardless of which party controls the White House.
However, Republican and Democratic shifts in attitudes from the end of Donald Trump’s presidency to the start of Joe Biden’s were roughly the same magnitude.
Date | . | Democrat/Lean Dem | Republican/Lean Rep |
---|---|---|---|
5/19/2024 | PEW | 35 | 11 |
6/11/2023 | PEW | 25 | 8 |
5/1/2022 | PEW | 29 | 9 |
4/11/2021 | PEW | 36 | 9 |
8/2/2020 | PEW | 12 | 28 |
4/12/2020 | PEW | 18 | 36 |
3/25/2019 | PEW | 14 | 21 |
12/04/2017 | PEW | 15 | 22 |
4/11/2017 | PEW | 15 | 28 |
10/04/2015 | PEW | 26 | 11 |
7/20/2014 | CNN | 17 | 11 |
2/26/2014 | PEW | 32 | 16 |
11/15/2013 | CBS/NYT | 31 | 8 |
10/13/2013 | PEW | 27 | 10 |
5/31/2013 | CBS/NYT | 30 | 8 |
2/06/2013 | CBS/NYT | 34 | 8 |
1/13/2013 | PEW | 37 | 15 |
10/31/2012 | NES | 29 | 16 |
10/19/2011 | CBS/NYT | 13 | 8 |
10/04/2011 | PEW | 27 | 12 |
9/23/2011 | CNN | 20 | 11 |
8/21/2011 | PEW | 25 | 13 |
3/01/2011 | PEW | 34 | 24 |
10/21/2010 | CBS/NYT | 36 | 7 |
10/01/2010 | CBS/NYT | 27 | 13 |
9/06/2010 | PEW | 35 | 13 |
9/01/2010 | CNN | 31 | 18 |
4/05/2010 | CBS/NYT | 27 | 14 |
3/21/2010 | PEW | 32 | 13 |
2/12/2010 | CNN | 34 | 18 |
2/05/2010 | CBS/NYT | 31 | 9 |
1/10/2010 | GALLUP | 23 | 16 |
12/20/2009 | CNN | 25 | 16 |
8/31/2009 | CBS/NYT | 34 | 12 |
6/12/2009 | CBS/NYT | 35 | 10 |
12/21/2008 | CNN | 30 | 22 |
10/15/2008 | NES | 34 | 31 |
10/13/2008 | CBS/NYT | 12 | 19 |
7/09/2007 | CBS/NYT | 18 | 31 |
1/09/2007 | PEW | 22 | 43 |
10/08/2006 | CBS/NYT | 20 | 50 |
9/15/2006 | CBS/NYT | 20 | 44 |
2/05/2006 | PEW | 20 | 53 |
1/20/2006 | CBS/NYT | 23 | 51 |
1/06/2006 | GALLUP | 20 | 44 |
12/02/2005 | CBS/NYT | 19 | 52 |
9/11/2005 | PEW | 19 | 49 |
9/09/2005 | CBS/NYT | 21 | 42 |
6/19/2005 | GALLUP | 24 | 36 |
10/15/2004 | NES | 35 | 61 |
3/21/2004 | PEW | 24 | 55 |
10/26/2003 | GALLUP | 35 | 42 |
7/27/2003 | CBS/NYT | 25 | 51 |
10/15/2002 | NES | 52 | 63 |
9/04/2002 | GALLUP | 38 | 55 |
9/02/2002 | CBS/NYT | 32 | 52 |
7/13/2002 | CBS/NYT | 34 | 45 |
6/17/2002 | GALLUP | 33 | 55 |
1/24/2002 | CBS/NYT | 39 | 56 |
12/07/2001 | CBS/NYT | 39 | 60 |
10/25/2001 | CBS/NYT | 47 | 70 |
10/06/2001 | GALLUP | 52 | 68 |
1/17/2001 | CBS/NYT | 26 | 38 |
10/15/2000 | NES | 48 | 43 |
7/09/2000 | GALLUP | 42 | 41 |
4/02/2000 | ABC/POST | 38 | 24 |
2/14/2000 | PEW | 46 | 37 |
10/03/1999 | CBS/NYT | 31 | 27 |
9/14/1999 | CBS/NYT | 42 | 35 |
5/16/1999 | PEW | 36 | 30 |
2/21/1999 | PEW | 35 | 25 |
2/12/1999 | ABC/POST | 41 | 21 |
2/04/1999 | GALLUP | 38 | 29 |
1/10/1999 | CBS/NYT | 42 | 33 |
1/03/1999 | CBS/NYT | 37 | 29 |
12/01/1998 | NES | 45 | 35 |
11/19/1998 | PEW | 31 | 23 |
11/01/1998 | CBS/NYT | 28 | 22 |
10/26/1998 | CBS/NYT | 28 | 25 |
8/10/1998 | ABC/POST | 40 | 30 |
2/22/1998 | PEW | 42 | 28 |
2/01/1998 | GALLUP | 52 | 26 |
1/25/1998 | CBS/NYT | 31 | 22 |
10/31/1997 | PEW | 46 | 32 |
6/01/1997 | GALLUP | 39 | 25 |
1/14/1997 | CBS/NYT | 29 | 20 |
11/02/1996 | CBS/NYT | 31 | 20 |
10/15/1996 | NES | 40 | 27 |
5/12/1996 | GALLUP | 32 | 20 |
5/06/1996 | ABC/POST | 41 | 35 |
11/19/1995 | ABC/POST | 27 | 26 |
8/07/1995 | GALLUP | 24 | 21 |
8/05/1995 | CBS/NYT | 20 | 20 |
3/19/1995 | ABC/POST | 27 | 20 |
2/22/1995 | CBS/NYT | 18 | 19 |
12/01/1994 | NES | 26 | 18 |
10/29/1994 | CBS/NYT | 26 | 19 |
10/23/1994 | ABC/POST | 27 | 16 |
6/06/1994 | GALLUP | 23 | 11 |
1/30/1994 | GALLUP | 25 | 14 |
1/20/1994 | ABC/POST | 30 | 18 |
3/24/1993 | GALLUP | 32 | 11 |
1/17/1993 | ABC/POST | 32 | 25 |
1/14/1993 | CBS/NYT | 26 | 21 |
10/23/1992 | CBS/NYT | 17 | 31 |
10/15/1992 | NES | 31 | 34 |
6/08/1992 | GALLUP | 17 | 31 |
10/20/1991 | ABC/POST | 31 | 41 |
3/06/1991 | CBS/NYT | 40 | 56 |
3/01/1991 | ABC/POST | 41 | 52 |
12/01/1990 | NES | 26 | 32 |
10/28/1990 | CBS/NYT | 21 | 31 |
9/06/1990 | ABC/POST | 37 | 48 |
1/16/1990 | ABC/POST | 32 | 46 |
6/29/1989 | CBS/NYT | 27 | 45 |
1/15/1989 | CBS/NYT | 37 | 54 |
11/10/1988 | CBS/NYT | 36 | 58 |
10/15/1988 | NES | 35 | 51 |
1/23/1988 | ABC/POST | 31 | 51 |
10/18/1987 | CBS/NYT | 36 | 47 |
6/01/1987 | ABC/POST | 38 | 59 |
3/01/1987 | CBS/NYT | 34 | 54 |
1/21/1987 | CBS/NYT | 36 | 51 |
1/19/1987 | ABC/POST | 39 | 51 |
12/01/1986 | NES | 31 | 53 |
11/30/1986 | CBS/NYT | 37 | 63 |
9/09/1986 | ABC/POST | 30 | 51 |
1/19/1986 | CBS/NYT | 36 | 51 |
11/06/1985 | CBS/NYT | 42 | 59 |
7/29/1985 | ABC/POST | 30 | 48 |
3/21/1985 | ABC/POST | 29 | 49 |
2/22/1985 | ABC/POST | 30 | 62 |
11/14/1984 | CBS/NYT | 36 | 59 |
10/15/1984 | NES | 41 | 50 |
12/01/1982 | NES | 32 | 41 |
11/07/1980 | CBS/NYT | 40 | 42 |
10/15/1980 | NES | 31 | 23 |
3/12/1980 | CBS/NYT | 30 | 22 |
11/03/1979 | CBS/NYT | 32 | 28 |
12/01/1978 | NES | 33 | 26 |
10/23/1977 | CBS/NYT | 40 | 25 |
4/25/1977 | CBS/NYT | 37 | 34 |
10/15/1976 | NES | 30 | 42 |
9/05/1976 | CBS/NYT | 38 | 45 |
6/15/1976 | CBS/NYT | 36 | 36 |
3/01/1976 | GALLUP | 31 | 40 |
12/01/1974 | NES | 36 | 38 |
10/15/1972 | NES | 48 | 62 |
12/01/1970 | NES | 52 | 61 |
10/15/1968 | NES | 66 | 60 |
12/01/1966 | NES | 71 | 54 |
10/15/1964 | NES | 80 | 73 |
12/01/1958 | NES | 71 | 79 |
Date | . | Liberal Dem/Lean Dem | Cons-Moderate Dem/Lean Dem | Moderate-Lib Rep/Lean Rep | Conservative Rep/Lean Rep |
---|---|---|---|---|---|
5/19/2024 | PEW | 33 | 36 | 17 | 7 |
6/11/2023 | PEW | 23 | 27 | 14 | 4 |
5/1/2022 | PEW | 26 | 32 | 13 | 7 |
4/11/2021 | PEW | 31 | 40 | 16 | 5 |
8/2/2020 | PEW | 8 | 16 | 31 | 27 |
4/12/2020 | PEW | 12 | 22 | 37 | 37 |
3/25/2019 | PEW | 13 | 15 | 21 | 20 |
12/04/2017 | PEW | 15 | 16 | 26 | 20 |
4/11/2017 | PEW | 15 | 16 | 32 | 26 |
10/04/2015 | PEW | 28 | 25 | 14 | 9 |
7/20/2014 | CNN | 19 | 16 | 15 | 7 |
2/26/2014 | PEW | 31 | 33 | 21 | 13 |
11/15/2013 | CBS/NYT | 38 | 25 | 13 | 5 |
10/13/2013 | PEW | 25 | 27 | 16 | 7 |
5/31/2013 | CBS/NYT | 30 | 30 | 16 | 4 |
2/06/2013 | CBS/NYT | 35 | 34 | 9 | 7 |
1/13/2013 | PEW | 34 | 37 | 17 | 14 |
10/31/2012 | NES | 26 | 32 | 18 | 15 |
10/19/2011 | CBS/NYT | 9 | 13 | 11 | 7 |
10/04/2011 | PEW | 30 | 25 | 14 | 9 |
9/23/2011 | CNN | 30 | 16 | 11 | 11 |
8/21/2011 | PEW | 26 | 24 | 18 | 10 |
3/01/2011 | PEW | 36 | 33 | 32 | 18 |
10/21/2010 | CBS/NYT | 37 | 35 | 12 | 4 |
10/01/2010 | CBS/NYT | 34 | 22 | 10 | 16 |
9/06/2010 | PEW | 39 | 31 | 19 | 10 |
9/01/2010 | CNN | 36 | 30 | 28 | 11 |
4/05/2010 | CBS/NYT | 37 | 21 | 23 | 7 |
3/21/2010 | PEW | 36 | 31 | 19 | 11 |
2/12/2010 | CNN | 36 | 34 | 25 | 9 |
2/05/2010 | CBS/NYT | 31 | 32 | 13 | 7 |
1/10/2010 | GALLUP | 29 | 22 | 20 | 12 |
12/20/2009 | CNN | 31 | 23 | 18 | 13 |
8/31/2009 | CBS/NYT | 38 | 30 | 14 | 10 |
6/12/2009 | CBS/NYT | 42 | 34 | 13 | 8 |
12/21/2008 | CNN | 36 | 28 | 28 | 17 |
10/15/2008 | NES | 37 | 34 | 48 | 28 |
10/13/2008 | CBS/NYT | 16 | 12 | 26 | 12 |
7/09/2007 | CBS/NYT | 14 | 21 | 38 | 28 |
1/09/2007 | PEW | 15 | 25 | 41 | 45 |
10/08/2006 | CBS/NYT | 14 | 22 | 50 | 51 |
9/15/2006 | CBS/NYT | 11 | 23 | 44 | 44 |
2/05/2006 | PEW | 13 | 23 | 52 | 54 |
1/20/2006 | CBS/NYT | 27 | 21 | 52 | 50 |
1/06/2006 | GALLUP | 10 | 26 | 33 | 56 |
12/02/2005 | CBS/NYT | 16 | 21 | 60 | 47 |
9/11/2005 | PEW | 13 | 22 | 39 | 54 |
9/09/2005 | CBS/NYT | 12 | 26 | 46 | 41 |
6/19/2005 | GALLUP | 25 | 24 | 31 | 41 |
10/15/2004 | NES | 24 | 39 | 63 | 59 |
3/21/2004 | PEW | 23 | 24 | 53 | 56 |
10/26/2003 | GALLUP | 23 | 39 | 31 | 52 |
7/27/2003 | CBS/NYT | 21 | 27 | 55 | 47 |
10/15/2002 | NES | 53 | 56 | 66 | 61 |
9/04/2002 | GALLUP | 31 | 40 | 50 | 60 |
9/02/2002 | CBS/NYT | 32 | 32 | 55 | 53 |
7/13/2002 | CBS/NYT | 37 | 33 | 50 | 42 |
6/17/2002 | GALLUP | 30 | 36 | 59 | 55 |
1/24/2002 | CBS/NYT | 38 | 39 | 58 | 54 |
12/07/2001 | CBS/NYT | 34 | 43 | 61 | 58 |
10/06/2001 | GALLUP | 46 | 55 | 66 | 69 |
1/17/2001 | CBS/NYT | 33 | 24 | 41 | 33 |
10/15/2000 | NES | 58 | 52 | 54 | 44 |
7/09/2000 | GALLUP | 41 | 42 | 50 | 35 |
4/02/2000 | ABC/POST | 38 | 39 | 28 | 20 |
10/03/1999 | CBS/NYT | 26 | 33 | 29 | 24 |
9/14/1999 | CBS/NYT | 38 | 45 | 42 | 27 |
2/12/1999 | ABC/POST | 40 | 43 | 26 | 16 |
2/04/1999 | GALLUP | 36 | 40 | 33 | 27 |
1/10/1999 | CBS/NYT | 39 | 44 | 40 | 28 |
1/03/1999 | CBS/NYT | 34 | 39 | 31 | 26 |
12/01/1998 | NES | 45 | 46 | 39 | 34 |
11/01/1998 | CBS/NYT | 28 | 28 | 23 | 22 |
10/26/1998 | CBS/NYT | 30 | 28 | 22 | 26 |
8/10/1998 | ABC/POST | 38 | 35 | 24 | 27 |
2/01/1998 | GALLUP | 55 | 52 | 33 | 23 |
1/25/1998 | CBS/NYT | 24 | 31 | 24 | 19 |
6/01/1997 | GALLUP | 41 | 38 | 31 | 21 |
1/14/1997 | CBS/NYT | 30 | 28 | 25 | 14 |
11/02/1996 | CBS/NYT | 30 | 32 | 21 | 19 |
10/15/1996 | NES | 38 | 39 | 30 | 25 |
5/12/1996 | GALLUP | 25 | 35 | 25 | 18 |
5/06/1996 | ABC/POST | 41 | 41 | 39 | 33 |
11/19/1995 | ABC/POST | 26 | 27 | 26 | 28 |
8/07/1995 | GALLUP | 16 | 27 | 17 | 25 |
8/05/1995 | CBS/NYT | 21 | 19 | 19 | 23 |
3/19/1995 | ABC/POST | 24 | 28 | 22 | 17 |
2/22/1995 | CBS/NYT | 20 | 18 | 22 | 17 |
12/01/1994 | NES | 22 | 28 | 21 | 16 |
10/29/1994 | CBS/NYT | 26 | 27 | 23 | 15 |
10/23/1994 | ABC/POST | 32 | 25 | 22 | 11 |
6/06/1994 | GALLUP | 16 | 26 | 15 | 9 |
1/30/1994 | GALLUP | 20 | 27 | 18 | 12 |
1/20/1994 | ABC/POST | 26 | 31 | 25 | 10 |
1/17/1993 | ABC/POST | 30 | 33 | 28 | 22 |
1/14/1993 | CBS/NYT | 17 | 30 | 20 | 20 |
10/23/1992 | CBS/NYT | 20 | 15 | 30 | 32 |
10/15/1992 | NES | 26 | 33 | 37 | 31 |
6/08/1992 | GALLUP | 13 | 19 | 31 | 30 |
10/20/1991 | ABC/POST | 25 | 33 | 42 | 39 |
3/06/1991 | CBS/NYT | 46 | 39 | 57 | 56 |
3/01/1991 | ABC/POST | 39 | 41 | 54 | 50 |
12/01/1990 | NES | 27 | 26 | 31 | 33 |
9/06/1990 | ABC/POST | 34 | 39 | 49 | 45 |
1/16/1990 | ABC/POST | 28 | 34 | 50 | 39 |
6/29/1989 | CBS/NYT | 27 | 27 | 38 | 55 |
1/15/1989 | CBS/NYT | 33 | 38 | 56 | 54 |
11/10/1988 | CBS/NYT | 24 | 40 | 65 | 52 |
10/15/1988 | NES | 34 | 35 | 52 | 51 |
1/23/1988 | ABC/POST | 30 | 31 | 54 | 49 |
10/18/1987 | CBS/NYT | 34 | 37 | 47 | 49 |
6/01/1987 | ABC/POST | 34 | 41 | 60 | 55 |
1/21/1987 | CBS/NYT | 34 | 37 | 54 | 48 |
1/19/1987 | ABC/POST | 37 | 38 | 52 | 51 |
12/01/1986 | NES | 25 | 36 | 53 | 53 |
9/09/1986 | ABC/POST | 25 | 34 | 55 | 44 |
1/19/1986 | CBS/NYT | 34 | 38 | 51 | 52 |
11/06/1985 | CBS/NYT | 42 | 43 | 60 | 56 |
7/29/1985 | ABC/POST | 26 | 33 | 53 | 41 |
3/21/1985 | ABC/POST | 27 | 29 | 52 | 48 |
2/22/1985 | ABC/POST | 28 | 33 | 62 | 63 |
10/15/1984 | NES | 34 | 47 | 52 | 46 |
12/01/1982 | NES | 29 | 35 | 48 | 38 |
11/07/1980 | CBS/NYT | 38 | 42 | 44 | 41 |
10/15/1980 | NES | 34 | 28 | 28 | 18 |
3/12/1980 | CBS/NYT | 31 | 29 | 25 | 18 |
11/03/1979 | CBS/NYT | 34 | 31 | 28 | 26 |
12/01/1978 | NES | 38 | 33 | 24 | 24 |
10/23/1977 | CBS/NYT | 41 | 41 | 32 | 16 |
4/25/1977 | CBS/NYT | 41 | 38 | 33 | 36 |
10/15/1976 | NES | 27 | 34 | 49 | 41 |
9/05/1976 | CBS/NYT | 33 | 42 | 45 | 45 |
6/15/1976 | CBS/NYT | 35 | 35 | 39 | 34 |
12/01/1974 | NES | 36 | 40 | 39 | 40 |
10/15/1972 | NES | 44 | 53 | 62 | 66 |
Among Asian, Hispanic and Black adults, 36%, 30% and 27% respectively say they trust the federal government “most of the time” or “just about always” – higher levels of trust than among White adults (19%).
During the last Democratic administration, Black and Hispanic adults similarly expressed more trust in government than White adults. Throughout most recent Republican administrations, White Americans were substantially more likely than Black Americans to express trust in the federal government to do the right thing.
Date | . | Hispanic | Black | White | Asian |
---|---|---|---|---|---|
5/19/2024 | PEW | 30 | 27 | 19 | 36 |
6/11/2023 | PEW | 23 | 21 | 13 | 23 |
5/1/2022 | PEW | 29 | 24 | 16 | 37 |
4/11/2021 | PEW | 36 | 37 | 18 | 29 |
8/2/2020 | PEW | 28 | 15 | 18 | 27 |
4/12/2020 | PEW | 29 | 27 | 26 | |
3/25/2019 | PEW | 28 | 9 | 17 | |
12/04/2017 | PEW | 23 | 15 | 17 | |
4/11/2017 | PEW | 24 | 13 | 20 | |
10/04/2015 | PEW | 28 | 23 | 15 | |
7/20/2014 | CNN | 9 | |||
2/26/2014 | PEW | 33 | 26 | 22 | |
11/15/2013 | CBS/NYT | 12 | |||
10/13/2013 | PEW | 21 | 24 | 17 | |
5/31/2013 | CBS/NYT | 15 | |||
2/06/2013 | CBS/NYT | 39 | 15 | ||
1/13/2013 | PEW | 44 | 38 | 20 | |
10/31/2012 | NES | 38 | 38 | 16 | |
10/19/2011 | CBS/NYT | 15 | 15 | 8 | |
10/04/2011 | PEW | 29 | 25 | 17 | |
9/23/2011 | CNN | 10 | |||
8/21/2011 | PEW | 28 | 35 | 15 | |
3/01/2011 | PEW | 28 | 25 | 30 | |
10/21/2010 | CBS/NYT | 40 | 15 | ||
10/01/2010 | CBS/NYT | 17 | |||
9/06/2010 | PEW | 37 | 37 | 20 | |
9/01/2010 | CNN | 21 | |||
4/05/2010 | CBS/NYT | 18 | |||
3/21/2010 | PEW | 26 | 37 | 20 | |
2/12/2010 | CNN | 22 | |||
2/05/2010 | CBS/NYT | 16 | |||
1/10/2010 | GALLUP | 16 | |||
12/20/2009 | CNN | 21 | 18 | ||
8/31/2009 | CBS/NYT | 21 | |||
6/12/2009 | CBS/NYT | 16 | |||
12/21/2008 | CNN | 22 | |||
10/15/2008 | NES | 34 | 28 | 30 | |
10/13/2008 | CBS/NYT | 18 | |||
7/09/2007 | CBS/NYT | 11 | 25 | ||
1/09/2007 | PEW | 35 | 20 | 32 | |
10/08/2006 | CBS/NYT | 31 | |||
9/15/2006 | CBS/NYT | 31 | |||
2/05/2006 | PEW | 26 | 36 | ||
1/20/2006 | CBS/NYT | 19 | 34 | ||
1/06/2006 | GALLUP | 33 | |||
12/02/2005 | CBS/NYT | 35 | |||
9/11/2005 | PEW | 12 | 32 | ||
9/09/2005 | CBS/NYT | 12 | 29 | ||
6/19/2005 | GALLUP | 32 | |||
10/15/2004 | NES | 34 | 50 | ||
3/21/2004 | PEW | 17 | 41 | ||
10/26/2003 | GALLUP | 39 | |||
7/27/2003 | CBS/NYT | 19 | 37 | ||
10/15/2002 | NES | 41 | 58 | ||
9/04/2002 | GALLUP | 46 | |||
9/02/2002 | CBS/NYT | 39 | |||
7/13/2002 | CBS/NYT | 39 | |||
6/17/2002 | GALLUP | 48 | |||
1/24/2002 | CBS/NYT | 48 | |||
12/07/2001 | CBS/NYT | 51 | |||
10/25/2001 | CBS/NYT | 60 | |||
10/06/2001 | GALLUP | 61 | |||
1/17/2001 | CBS/NYT | 33 | |||
10/15/2000 | NES | 32 | 46 | ||
7/09/2000 | GALLUP | 41 | |||
4/02/2000 | ABC/POST | 28 | |||
2/14/2000 | PEW | 36 | 40 | ||
10/03/1999 | CBS/NYT | 28 | |||
9/14/1999 | CBS/NYT | 30 | 39 | ||
5/16/1999 | PEW | 28 | 31 | ||
2/21/1999 | PEW | 32 | 31 | ||
2/12/1999 | ABC/POST | 32 | |||
2/04/1999 | GALLUP | 33 | |||
1/10/1999 | CBS/NYT | 37 | 35 | ||
1/03/1999 | CBS/NYT | 39 | 31 | ||
12/01/1998 | NES | 57 | 36 | 38 | |
11/19/1998 | PEW | 27 | 26 | ||
11/01/1998 | CBS/NYT | 29 | 22 | ||
10/26/1998 | CBS/NYT | 26 | 25 | ||
8/10/1998 | ABC/POST | 33 | |||
2/22/1998 | PEW | 42 | 33 | ||
2/01/1998 | GALLUP | 36 | |||
1/25/1998 | CBS/NYT | 25 | |||
10/31/1997 | PEW | 39 | 38 | ||
6/01/1997 | GALLUP | 31 | 32 | ||
1/14/1997 | CBS/NYT | 15 | 24 | ||
11/02/1996 | CBS/NYT | 31 | 30 | 24 | |
10/15/1996 | NES | 35 | 32 | ||
5/12/1996 | GALLUP | 24 | |||
5/06/1996 | ABC/POST | 34 | |||
11/19/1995 | ABC/POST | 26 | |||
8/07/1995 | GALLUP | 22 | |||
8/05/1995 | CBS/NYT | 24 | 19 | ||
3/19/1995 | ABC/POST | 27 | 21 | ||
2/22/1995 | CBS/NYT | 20 | 17 | ||
12/01/1994 | NES | 22 | 20 | ||
10/29/1994 | CBS/NYT | 16 | 22 | ||
10/23/1994 | ABC/POST | 21 | |||
6/06/1994 | GALLUP | 15 | |||
1/30/1994 | GALLUP | 17 | |||
1/20/1994 | ABC/POST | 34 | 21 | ||
3/24/1993 | GALLUP | 20 | |||
1/17/1993 | ABC/POST | 45 | 25 | ||
1/14/1993 | CBS/NYT | 22 | 24 | ||
10/23/1992 | CBS/NYT | 21 | 23 | ||
10/15/1992 | NES | 37 | 27 | 28 | |
6/08/1992 | GALLUP | 23 | |||
10/20/1991 | ABC/POST | 29 | 36 | ||
3/06/1991 | CBS/NYT | 30 | 49 | ||
3/01/1991 | ABC/POST | 35 | 46 | ||
12/01/1990 | NES | 39 | 22 | 27 | |
10/28/1990 | CBS/NYT | 26 | 25 | ||
9/06/1990 | ABC/POST | 39 | 43 | ||
1/16/1990 | ABC/POST | 35 | 38 | ||
6/29/1989 | CBS/NYT | 26 | 36 | ||
1/15/1989 | CBS/NYT | 33 | 46 | ||
11/10/1988 | CBS/NYT | 33 | 45 | ||
10/15/1988 | NES | 25 | 43 | ||
1/23/1988 | ABC/POST | 29 | 41 | ||
10/18/1987 | CBS/NYT | 32 | 41 | ||
6/01/1987 | ABC/POST | 34 | 49 | ||
3/01/1987 | CBS/NYT | 20 | 45 | ||
1/21/1987 | CBS/NYT | 27 | 46 | ||
1/19/1987 | ABC/POST | 31 | 47 | ||
12/01/1986 | NES | 21 | 42 | ||
11/30/1986 | CBS/NYT | 23 | 52 | ||
9/09/1986 | ABC/POST | 26 | 42 | ||
1/19/1986 | CBS/NYT | 22 | 45 | ||
11/06/1985 | CBS/NYT | 34 | 52 | ||
7/29/1985 | ABC/POST | 22 | 40 | ||
3/21/1985 | ABC/POST | 29 | 40 | ||
2/22/1985 | ABC/POST | 24 | 46 | ||
10/15/1984 | NES | 33 | 46 | ||
12/01/1982 | NES | 26 | 34 | ||
11/07/1980 | CBS/NYT | 30 | 40 | ||
10/15/1980 | NES | 26 | 25 | ||
3/12/1980 | CBS/NYT | 35 | 24 | ||
11/03/1979 | CBS/NYT | 36 | 29 | ||
12/01/1978 | NES | 29 | 29 | ||
10/23/1977 | CBS/NYT | 28 | 34 | ||
4/25/1977 | CBS/NYT | 34 | 35 | ||
10/15/1976 | NES | 22 | 35 | ||
6/15/1976 | CBS/NYT | 35 | 34 | ||
3/01/1976 | GALLUP | 23 | 34 | ||
12/01/1974 | NES | 19 | 38 | ||
10/15/1972 | NES | 32 | 56 | ||
12/01/1970 | NES | 40 | 55 | ||
10/15/1968 | NES | 62 | 61 | ||
12/01/1966 | NES | 65 | 65 | ||
10/15/1964 | NES | 77 | 77 | ||
12/01/1958 | NES | 62 | 74 |
Note: For full question wording, refer to the topline . White, Black and Asian American adults include those who report being one race and are not Hispanic. Hispanics are of any race. Estimates for Asian adults are representative of English speakers only.
Sources: Pew Research Center, National Election Studies, Gallup, ABC/Washington Post, CBS/New York Times, and CNN Polls. Data from 2020 and later comes from Pew Research Center’s online American Trends Panel; prior data is from telephone surveys. Details about changes in survey mode can be found in this 2020 report . Read more about the Center’s polling methodology . For analysis by party and race/ethnicity, selected datasets were obtained from searches of the iPOLL Databank provided by the Roper Center for Public Opinion Research .
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ABOUT PEW RESEARCH CENTER Pew Research Center is a nonpartisan fact tank that informs the public about the issues, attitudes and trends shaping the world. It conducts public opinion polling, demographic research, media content analysis and other empirical social science research. Pew Research Center does not take policy positions. It is a subsidiary of The Pew Charitable Trusts .
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Recently, NOAA announced that levels of carbon dioxide measured at NOAA’s Mauna Loa Atmospheric Baseline Observatory (MLO) surged to a seasonal peak of just under 427 parts per million (ppm) in May. When combined with 2023’s increase of 3.0 ppm, the period from 2022 to 2024 has seen the largest two-year jump in the May peak in the NOAA record . As atmospheric greenhouse gas (GHG) levels continue to rise, it is important to understand the basics of what these gases are, how NOAA monitors them, and what they mean for our global climate. Continue reading to learn all about carbon dioxide and why it keeps making headlines.
Basics of carbon dioxide
Carbon dioxide is a gas produced when an organic carbon compound (such as wood) or fossilized organic matter (such as coal, oil, or natural gas) is burned in the presence of oxygen. Carbon dioxide is removed from the atmosphere by “sinks”, such as absorption by seawater and photosynthesis by plants and plankton . Despite comprising a small and sometimes tiny fraction of the atmosphere, many of these trace gases , including carbon dioxide, have a significant influence on Earth’s climate due to a phenomenon called the “ Greenhouse Effect “.
The Greenhouse Effect is a naturally occurring process that regulates Earth’s climate by trapping heat from escaping our atmosphere. Without carbon dioxide, Earth’s natural greenhouse effect would be too weak to keep the average global surface temperature above freezing . However, as atmospheric concentrations of GHGs increase, more infrared radiation is absorbed and less escapes directly to space, resulting in amplified warming. This amplified warming is called the Enhanced Greenhouse Effect .
Causes and consequences of rising carbon dioxide levels
Carbon dioxide levels in the atmosphere have varied naturally throughout Earth’s history. However, current atmospheric carbon dioxide levels are comparable to what levels were around 4.3 million years ago during the mid-Pliocene epoch . Burning fossil fuels is a major culprit of rising emissions because fossil fuels contain carbon that plants pulled out of the atmosphere through photosynthesis over millions of years. Now, we are releasing that carbon to the atmosphere in less than 200 years. About half of the carbon dioxide humans release into the air is absorbed at Earth’s surface, split roughly equally between land and ocean. About half of the carbon dioxide humans release into the air stays in the atmosphere for up to thousands of years.
In addition to warming temperatures, rising carbon dioxide levels can cause increased hurricane intensity , sea level rise , ocean acidification , and social inequities experienced by underserved and overburdened communities that face higher risks of illness and death from extreme heat. If global energy demand continues to grow rapidly and we meet it mostly with fossil fuels, human emissions of carbon dioxide could reach 75 billion tons per year or more by the end of the century. Atmospheric carbon dioxide could be 800 ppm or higher—conditions not seen on Earth for close to 50 million years.
How NOAA monitors carbon dioxide
NOAA has been collecting carbon dioxide measurements directly from the atmosphere for 50 years at MLO, with measurements that run in parallel with those taken by the Scripps Institution of Oceanography beginning in 1958. The data collected at MLO, as well as measurements from sampling stations around the world , are incorporated into the Global Greenhouse Gas Reference Network . This network is a foundational research dataset for international climate scientists and a benchmark for policymakers attempting to address the causes and impacts of climate change.
In addition to the data collected at in-situ sites such as MLO, the NOAA Global Monitoring Laboratory monitors carbon dioxide and other GHGs via an aircraft program , cooperative flask sampling network , and the AirCore atmospheric sampling system . By using these various methods to collect data, scientists are able to develop a comprehensive view of global carbon dioxide levels and how they are changing with time.
Below you can find resources for more information on carbon dioxide and other GHGs:
To stay up to date on current GHG and carbon dioxide research happening at NOAA, check out our website and follow us on Instagram , Twitter , and Facebook .
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Written by Lanette Mayes
Modified & Updated: 01 Jun 2024
Reviewed by Jessica Corbett
Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.
This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.
So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.
Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.
Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.
Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.
The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.
Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.
Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.
Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.
Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.
Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.
The city is known for its well-established educational institutions, providing quality education to students of all ages.
Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy , materials science, and engineering.
The city is blessed with numerous beautiful lakes , offering scenic views and recreational opportunities for locals and visitors alike.
Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.
Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.
Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.
Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.
Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.
The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.
Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.
Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.
Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.
The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.
The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.
Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.
Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.
Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.
The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.
The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.
Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development .
Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.
Elektrostal is proud of its sports legacy , with several successful sports teams competing at regional and national levels.
Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.
Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.
Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.
The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.
Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.
Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.
The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.
The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.
Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.
In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.
Q: What is the population of Elektrostal?
A: As of the latest data, the population of Elektrostal is approximately XXXX.
Q: How far is Elektrostal from Moscow?
A: Elektrostal is located approximately XX kilometers away from Moscow.
Q: Are there any famous landmarks in Elektrostal?
A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.
Q: What industries are prominent in Elektrostal?
A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.
Q: Are there any universities or educational institutions in Elektrostal?
A: Yes, Elektrostal is home to XXXX University and several other educational institutions.
Q: What are some popular outdoor activities in Elektrostal?
A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.
Q: Is Elektrostal well-connected in terms of transportation?
A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.
Q: Are there any annual events or festivals in Elektrostal?
A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.
Elektrostal's fascinating history, vibrant culture, and promising future make it a city worth exploring. For more captivating facts about cities around the world, discover the unique characteristics that define each city . Uncover the hidden gems of Moscow Oblast through our in-depth look at Kolomna. Lastly, dive into the rich industrial heritage of Teesside, a thriving industrial center with its own story to tell.
Our commitment to delivering trustworthy and engaging content is at the heart of what we do. Each fact on our site is contributed by real users like you, bringing a wealth of diverse insights and information. To ensure the highest standards of accuracy and reliability, our dedicated editors meticulously review each submission. This process guarantees that the facts we share are not only fascinating but also credible. Trust in our commitment to quality and authenticity as you explore and learn with us.
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Friday, June 28, at 10:00 a.m. to Wednesday, July 3, 2024, at 8:00 p.m. local time
New costumed Pokémon will appear during this event!
Grimer wearing a party hat* Muk wearing a party hat
When you use the Mystery Box during this event, you might encounter Shiny Meltan—if you’re lucky!
In addition, you’ll be able to open the Mystery Box more frequently.
In addition to the above, the 8th Anniversary Party will have special bonuses on certain days!
June 28 at 10:00 a.m. – June 29 at 11:59 p.m. local time
June 30 at 12:00 a.m. – July 1 at 11:59 p.m. local time
July 2 at 12:00 a.m. – July 3 at 8:00 p.m. local time
The following Pokémon will appear more frequently in the wild.
Bulbasaur wearing a party hat* Charmander wearing a party hat* Squirtle wearing a party hat* Pikachu wearing a cake hat* Grimer wearing a party hat* Eevee wearing a party hat* Sprigatito Fuecoco Quaxly
Some Trainers might even encounter the following!
Alolan Grimer*
The following Pokémon will appear more frequently on these dates.
June 28 at 10:00 a.m. – June 29 at 11:59 p.m. local time Chikorita* Cyndaquil* Totodile* Treecko* Torchic* Mudkip*
June 30 at 12:00 a.m. – July 1 at 11:59 p.m. local time Turtwig* Chimchar* Piplup* Snivy* Tepig* Oshawott*
July 2 at 12:00 a.m. – July 3 at 8:00 p.m. local time Chespin* Fennekin* Froakie* Rowlet* Litten* Popplio
The following Pokémon will appear in raids. Pokémon appearing in one-star raids will have a greater chance of being a Shiny Pokémon than when found in the wild.
One-Star Raids Bulbasaur wearing a party hat* Charmander wearing a party hat* Squirtle wearing a party hat* Pikachu wearing a cake hat* Grimer wearing a party hat*
Event-themed Field Research tasks will be available!
Complete them to earn encounters with first-partner Pokémon, such as Bulbasaur, Cyndaquil, Mudkip, and more!
Some Field Research tasks will also award Mega Energy for the following Pokémon.
Venusaur Charizard Blastoise Sceptile Blaziken Swampert
Event-themed Timed Research will be available throughout the event.
Complete tasks to earn XP, Stardust, and encounters with event-themed Pokémon such as Raticate wearing a party hat, Nidorino wearing a party hat, Wobbuffet wearing a party hat, Meltan, and more!
For US$2.00 (or the equivalent pricing tier in your local currency), you’ll be able to access event-exclusive Timed Research.*
Complete the event-themed research tasks, such as spinning eight PokéStops or evolving eight Pokémon, to receive the following.
For US$5.00 (or the equivalent pricing tier in your local currency), you’ll be able to pick up a Masterwork Research story, Whispers in the Woods, which leads to an encounter with Shiny Celebi!*
Shiny Celebi originally appeared in Pokémon GO in the Distracted by Something Shiny Special Research story, and it’s returning once more as part of our 8th Anniversary Party. Once purchased, you’ll be able to access a Masterwork Research story, which are special kinds of research that are intended to be completed over a long period of time.
Tickets for this Masterwork Research story will be available to purchase until Wednesday, July 3, 2024, at 8:00 p.m. local time.
Ticket holders will gain access to the Masterwork Research story during the 8th Anniversary Party event. To receive the Masterwork Research, you must open Pokémon GO at some point between Friday, June 28, at 10:00 a.m. and Wednesday, July 3, 2024, at 8:00 p.m. local time. After you’ve received the Masterwork Research, you can complete it at any time.
Trainers who purchase this Masterwork Research story or have previously received the Distracted by Something Shiny Special Research story (either active or completed) can also enjoy the following bonuses for the duration of our 8th Anniversary Party event.
The Pokémon GO Web Store is celebrating this exciting milestone with the Anniversary Box! This offer features three Remote Raid Passes, one Incubator, and three Premium Battle Passes for US$4.99 (or the equivalent pricing tier in your local currency). Make sure to check it out!
Now even more Trainers can enjoy the web store! Trainers with Pokémon Trainer Club (PTC) accounts will now be able to log in to the Pokémon GO Web Store with the same credentials used to log in to Pokémon GO.
The following avatar items will be available to purchase in the in-game shop during this event.
Noctowl Loose-Fitting Jacket Mankey Loose-Fitting Jacket Loose-Fitting Pants (Dark Gray) Pom-Pom Style Oricorio Hat Pa’u Style Oricorio Hat Baile Style Oricorio Hat Sensu Style Oricorio Hat
You’ll be able to get event-themed stickers by spinning PokéStops, opening Gifts, and purchasing them from the in-game shop.
Be on the lookout for Showcases at different PokéStops where you can enter event-themed Pokémon!
Please be aware of your surroundings and follow guidelines from local health authorities when playing Pokémon GO. Upcoming events are subject to change. Be sure to follow us on social media, opt in to receiving push notifications, and subscribe to our emails to stay updated.
—The Pokémon GO team
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Time difference
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City coordinates
Coordinates of elektrostal in degrees and decimal minutes, utm coordinates of elektrostal, geographic coordinate systems.
WGS 84 coordinate reference system is the latest revision of the World Geodetic System, which is used in mapping and navigation, including GPS satellite navigation system (the Global Positioning System).
Geographic coordinates (latitude and longitude) define a position on the Earth’s surface. Coordinates are angular units. The canonical form of latitude and longitude representation uses degrees (°), minutes (′), and seconds (″). GPS systems widely use coordinates in degrees and decimal minutes, or in decimal degrees.
Latitude varies from −90° to 90°. The latitude of the Equator is 0°; the latitude of the South Pole is −90°; the latitude of the North Pole is 90°. Positive latitude values correspond to the geographic locations north of the Equator (abbrev. N). Negative latitude values correspond to the geographic locations south of the Equator (abbrev. S).
Longitude is counted from the prime meridian ( IERS Reference Meridian for WGS 84) and varies from −180° to 180°. Positive longitude values correspond to the geographic locations east of the prime meridian (abbrev. E). Negative longitude values correspond to the geographic locations west of the prime meridian (abbrev. W).
UTM or Universal Transverse Mercator coordinate system divides the Earth’s surface into 60 longitudinal zones. The coordinates of a location within each zone are defined as a planar coordinate pair related to the intersection of the equator and the zone’s central meridian, and measured in meters.
Elevation above sea level is a measure of a geographic location’s height. We are using the global digital elevation model GTOPO30 .
Phone 8 (496) 575-02-20 8 (496) 575-02-20
Phone 8 (496) 511-20-80 8 (496) 511-20-80
Limitless character ai, ai research group limited, designed for ipad.
Description.
Ultimate Character AI Turn words into your perfect AI character with PromptApp: AI Image Generator! Just enter a prompt and generate any AI image you can imagine. Enjoy free and high-quality AI image creation in a range of different styles, from Anime, Cinematic, to Art. PromptApp features the most advanced models for AI character, AI anime, and AI art creation. It allows you to design your perfect AI character with the best results. Create Bring your ideal character to life with PromptApp AI, the best AI art generator for mobile. With the highest quality AI images, dive into styles like Anime, Cinematic, and Art. Harness the latest AI tech and shape the perfect AI companion. Edit Easily upload and fine-tune any image to create your ideal AI character. Just choose a section and modify it as you wish. Experience the simplest AI character photo editing yet. Character AI Simply select an AI photo, type in any situation or setting, and watch as it generates a lifelike AI-generated companion. Choose from Realistic, Anime, or Artistic art styles. Explore A vast library of over 10 million AI characters, crafted by our community. Clone and customize any image to your liking, and unleash your creativity. Terms of Service: https://promptaiapp.com/termsofservice Privacy Policy: https://promptaiapp.com/privacypolicy Fair Use Policy: https://promptaiapp.com/fairusepolicy
Version 1.2.5
Interface: Enjoy a new look!
659 Ratings
Works pretty well for a mobile app, even though I prefer the full browser. It would be better if the app gave iPad users the ability to rotate the screen left or right instead of restricting use to portrait mode. Until that feature is added, I don’t see myself using the app that much.
Solid app but the only ways to get gems is to share the app (sorry but no thanks) or buy them (it’s better than most similar products & at a better price) but it could have another feature to benefit both parities As a task you could watch ads to earn gems, that way those who quit the app after the first free gems will keep producing revenue over time & those who already buy it don’t have to wait the longer time. Also I was thinking about getting a subscription but I’m quite hesitant to because it says “advanced features” or “all features” but I’m not quite sure what that means. I saw that an ai bot was available but I’m not sure if gifs or videos are possible. If you could clarify that on the app that would probably encourage a lot more people to actually get it. Overall an amazing quality app but an ad system that gives gems in exchange for viewing advertisements & clarification on what the subscriptions provide would greatly benefit the experience & increase profit margins.
Not sure how this has any good reviews, first of all you can’t even use it. I was prompted to join from the browser version with the promise of getting extra gems to my account. I open the app and log in, and not only are there zero gems at all, making it completely unusable, but all my history is gone too. Both in app and in the browser version now. Not just unviewable without the pro version, but gone entirely. It is unusable, and all my pics are just gone forever it seems.
The developer, AI Research Group Limited , indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy .
The following data may be used to track you across apps and websites owned by other companies:
The following data may be collected and linked to your identity:
The following data may be collected but it is not linked to your identity:
Privacy practices may vary, for example, based on the features you use or your age. Learn More
EditApp: AI Photo Editor
NYMF: Art Nude Female Beauty
Hotify - Hot Body Editor
Superlook AI
Nufa: AI Body Photo Editor
AI Boost-AI Image Editor
AI Marvels - AI Photo Editor
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Overview. The GPU Research organization at Intel is a global team of world-class researchers who are focused on delivering world-leading transformational visual experiences with discrete and integrated graphics product families from Intel. Researchers on this team collaborate with Intel Labs and luminaries in industry and academia to ...
An International Journal of Systems & Applications in Computer Graphics. Computers & Graphics is dedicated to disseminate information on research and applications of computer graphics (CG) techniques. The journal encourages articles on: 1. Research and applications of interactive computer graphics.We are particularly interested in novel interaction techniques and applications of CG to problem ...
Explore State of the Art Generative AI, Graphics, and More. NVIDIA Research is passionate about developing the technology and finding the breakthroughs that bring positive change to the world. Beyond publishing our work in papers and at conferences, we apply it to NVIDIA solutions and services, share resources and code, and offer hands-on ...
Around 20 NVIDIA Research papers advancing generative AI and neural graphics — including collaborations with over a dozen universities in the U.S., Europe and Israel — are headed to SIGGRAPH 2023, the premier computer graphics conference, taking place Aug. 6-10 in Los Angeles. The papers include generative AI models that turn text into ...
Computer Graphics Forum 30 (4) (EGSR 2011) Decoupled Sampling for Graphics Pipelines. Jonathan Ragan-Kelley, Jaakko Lehtinen, Jiawen Chen, Michael Doggett, Frédo Durand. ACM Transactions in Graphics 30 (3) (To be presented at SIGGRAPH 2011) A Local Image Reconstruction Algorithm for Stochastic Rendering.
The Carnegie Mellon Graphics Lab conducts cutting-edge research on computer graphics and computer vision. Home People Publications Courses Software/Data. News. 19 October 2023 Jun-Yan Zhu named 2023 Packard Fellow. 17 August 2022 CVPR 2022 Best Paper Honorable Mention. 17 April 2021
NVIDIA Real-Time Graphics Research. Welcome to the team page for NVIDIA's real-time graphics research group! We aim to define the future of 3D scene creation, manipulation, and rendering with cutting-edge research covering real-time rendering; differentiable rendering; machine learning; light transport; material and shape generation, modeling, and acquisition; image metrics; graphics systems ...
Setting AIs on SIGGRAPH: Top Academic Researchers Collaborate With NVIDIA to Tackle Graphics' Greatest Challenges. NVIDIA co-authors are presenting a record 16 research papers at the year's most important graphics conference, pushing forward the fields of neural rendering, 3D simulation, holography and more. May 4, 2022 by Isha Salian.
Abstract. Real-time graphics is on the cusp of a historic transition to path tracing. With recent advances in hardware ray tracing, systems research, stochastic light sampling, and denoising, we show that complex light transport effects can be path traced in real time on scenes with billions of triangles and millions of emitters.
Advances the computer graphics field, including new methods and research techniques and developing new insight from professionals in industry.
Cornell is a leader in computer graphics, an interdisciplinary area that draws on many specialties. Learn about the faculty, topics, and applications of graphics research at Cornell, from rendering and vision to human-computer interfaces and computational photography.
MEDICAL. NETWORKING. PERCEPTION, ACTION, REASONING & DEEP LEARNING. PROGRAMMING LANGUAGES, SYSTEMS AND TOOLS. REAL-TIME RENDERING. RESILIENCE AND SAFETY. ROBOTICS. VR, AR AND DISPLAY TECHNOLOGY. Groundbreaking technology begins right here with the world's leading researchers.<br/><br/>.
IEEE S&P. Berkeley Open Extended Reality Recordings 2023 (BOXRR-23): 4.7 Million Motion Capture Recordings from 105,000 XR Users. Vivek Nair, Wenbo Guo, Rui Wang, James F. O'Brien, Louis Rosenberg, Dawn Song. IEEE VR 2024. Unique Identification of 50,000+ Virtual Reality Users from Head and Hand Motion Data.
Computer graphics and AI are cornerstones of NVIDIA. Combined, they're bringing creators closer to the goal of cinema-quality 3D imagery rendered in real time. At a series of graphics conferences this summer, NVIDIA Research is sharing groundbreaking work in real-time path tracing and content creation, much of it based on cutting-edge AI ...
Computer graphics refers to a technology that generates images on a computer screen. It's used in digital photography, film and television, video games, and on electronic devices and is responsible for displaying images effectively to users. Think of computer graphics as the intersection of design and computer science, with the purpose of ...
Using a multitude of creative disciplines and visual resources, we use graphic design, cartography, and data visualizations to tell beautiful and informative scientific stories. Our favorites from 2022 covered a range of research areas, from astronomy to biology to robotics, and many places in between. V. ALTOUNIAN/SCIENCE.
Overview. The Computer Graphics Group studies scientific visualization, physically-based rendering, animation, computer-aided geometric design, rapid prototyping, computer aided cornea modeling and visualization, medical imaging, tele-immersive environments for geographically distributed collaboration, and virtual environments for surgical simulation.
"I was perfectly happy to make my figures with graphic programs like R, Python, and PowerPoint. Then it struck me that I could more effectively communicate my research if I took the time to thoughtfully lay out my tables and charts and do my best to draw graphics. I still wouldn't say that I'm good at it, but the effort is what matters!"
Falcor. Falcor is an open-source real-time rendering framework designed specifically for rapid prototyping. Falcor accelerates discovery by providing a rich set of graphics features, typically available only in complex game engines, in a modular design that leaves the researcher in command. Falcor is professionally designed and maintained by ...
Multiple fluid simulation has raised wide research interest in recent years. Despite the impressive successes of current works, simulation of scenes containing mixing or unmixing of high-density-ratio phases using particle-based discretizations still remains a challenging task.
Sources: Pew Research Center, National Election Studies, Gallup, ABC/Washington Post, CBS/New York Times, and CNN Polls. Data from 2020 and later comes from Pew Research Center's online American Trends Panel; prior data is from telephone surveys. Details about changes in survey mode can be found in this 2020 report.
Graphic depicting the carbon cycle. Credit: NOAA Global Monitoring Laboratory. ... NOAA Research. NOAA has been collecting carbon dioxide measurements directly from the atmosphere for 50 years at MLO, with measurements that run in parallel with those taken by the Scripps Institution of Oceanography beginning in 1958.
40 Facts About Elektrostal. Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to ...
For US$5.00 (or the equivalent pricing tier in your local currency), you'll be able to pick up a Masterwork Research story, Whispers in the Woods, which leads to an encounter with Shiny Celebi!*. Shiny Celebi originally appeared in Pokémon GO in the Distracted by Something Shiny Special Research story, and it's returning once more as part of our 8th Anniversary Party.
Foray into AI industry with established JV partner. Valuetronics (SGX:BN2) will invest HK$7.7m in cash for a 55% interest in the JV, Trio AI, to provide GPU and AI related value-added cloud services. Valuetronics will acquire the GPU-enabled servers and ancillary hardware required for the JV and lease them back to Trio AI for a term of 60 months at a rent calculated to principally cover the ...
Geographic coordinates of Elektrostal, Moscow Oblast, Russia in WGS 84 coordinate system which is a standard in cartography, geodesy, and navigation, including Global Positioning System (GPS). Latitude of Elektrostal, longitude of Elektrostal, elevation above sea level of Elektrostal.
State Housing Inspectorate of the Moscow Region Elektrostal postal code 144009. See Google profile, Hours, Phone, Website and more for this business. 2.0 Cybo Score. Review on Cybo.
Turn words into your perfect AI character with PromptApp: AI Image Generator! Just enter a prompt and generate any AI image you can imagine. Enjoy free and high-quality AI image creation in a range of different styles, from Anime, Cinematic, to Art. PromptApp features the most advanced models for A…
Information graphics of Moscow Oblast (1 C, 12 F) M. Medicine in Moscow Oblast (3 C, 20 F) N. Nature of Moscow Oblast (48 C, 97 F) O. Objects in Moscow Oblast (7 C, 1 F) P. People of Moscow Oblast (60 C, 62 F) Police in Moscow Oblast (2 C, 7 F)
Also helping to dazzle are new graphics capabilities for the vehicle's dashboard screens, which now rely on the Unreal Engine 3D creation tool to provide more compelling graphics and animations. Rivian. Choose Your Horsepower From More Motor Configurations. For 2025, Rivian has moved the production of all of its electric motors in-house.