essay on myths and legends

Essay on Myths And Legends

Students are often asked to write an essay on Myths And Legends in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

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100 Words Essay on Myths And Legends

Understanding myths and legends.

Myths and legends are stories from long ago. They are full of adventure and often teach lessons. Myths usually explain how something in nature or human behavior began. Legends are tales about heroes and their brave deeds. Both are passed down through generations and are important in every culture.

Differences Between Myths and Legends

Myths are often about gods and magic, and they explain mysteries of life. Legends are usually about people who might have lived. They tell about their courage and strength. While myths are more about belief, legends can be partly true.

Why Myths and Legends Matter

These stories are more than just tales. They give us morals and show us how to act. They connect us to our past and to people everywhere. Myths and legends help us understand different cultures and their values. They are a bridge to the world’s history.

250 Words Essay on Myths And Legends

What are myths and legends.

Myths and legends are stories that have been told for a very long time. They are like a bridge that connects us to the past. Myths are often about gods, goddesses, and supernatural beings. They try to explain how the world was made and why things happen. Legends are a bit different. They are usually about heroes and famous people. Both myths and legends teach us lessons and share the values of the culture they come from.

The Purpose of Myths and Legends

It’s important to know that myths and legends are not the same as fairy tales or fables. Myths are mostly about gods and are sacred to the people who believe in them. Legends are often based on real events or people but are exaggerated over time. Unlike fairy tales, legends can sometimes be true.

Why We Still Love These Stories

Even today, we love these old stories. They are exciting and full of adventure. They help us dream and imagine. Plus, they bring people together because they are stories everyone can share. Myths and legends are like treasures from long ago that still sparkle and shine for us to enjoy.

500 Words Essay on Myths And Legends

Long ago, before science could explain the mysteries of the world, people used stories to make sense of things. These stories are what we call myths and legends. Myths are tales that were told to explain natural events, like thunder and lightning, or the changing of the seasons. Legends are a bit different; they are stories that are told about people and their actions or great events, and sometimes they are based on real historical figures, but they are often exaggerated.

You might wonder why we should care about these old stories today. Myths and legends are important because they were the way our ancestors shared their values and beliefs. They helped to teach younger generations about the culture and traditions of their people. Even in today’s world, these stories can teach us a lot about how people in the past saw the world and can help us understand different cultures better.

The Heroes and Creatures

One exciting part of myths and legends is the heroes and magical creatures. Heroes like Hercules from Greek mythology or King Arthur from British legends were admired for their strength and bravery. Then there are the creatures like dragons, unicorns, and the Loch Ness Monster, which add a touch of magic and mystery to these stories. These characters often face challenges or go on quests that test their courage and wisdom.

Lessons from Myths and Legends

Myths and legends around the world.

Every culture has its own set of myths and legends. From the Norse tales of Odin and Thor to the Native American stories of the trickster coyote, these stories vary widely. By sharing myths and legends from around the world, we can learn to appreciate the diversity of human storytelling and the shared themes that connect us all.

Keeping Myths and Legends Alive

Even though myths and legends are old, they are still very much alive today. They can be found in books, movies, and even video games. Many modern stories are inspired by these ancient tales, and by keeping them alive, we ensure that the wisdom and creativity of our ancestors continue to inspire us.

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Tragic Tales and Epic Adventures: Essay Topics in Greek Mythology

Table of contents

• 1 Tips on Writing an Informative Essay on a Greek Mythical Character
• 2.1 Titles for Hero Essays 
• 2.2 Ancient Greece Research Topics
• 2.3 Common Myth Ideas for Essays
• 2.4 Topics about Greek Gods
• 2.5 Love Topics in the Essay about Greek Mythology

With its rich pantheon of gods, heroes, and timeless tales, Greek mythology has been a source of inspiration and fascination for centuries. From the mighty exploits of Hercules to the cunning of Odysseus, these myths offer a window into ancient Greek culture, values, and understanding of the world. This exploration delves into various aspects of Greek mythology topics, providing a wealth of ideas for a captivating essay. How do myths impact today’s society? Whether you’re drawn to the legendary heroes, the powerful gods, or the intricate relationships within these stories, there’s a trove of ideas to explore in Greek mythology research topics.

Tips on Writing an Informative Essay on a Greek Mythical Character

Crafting an informative essay on a Greek mythical character requires a blend of passionate storytelling, rigorous research, and insightful analysis. Yet, there are some tips you can follow to reach the best result. Read this student essay written about the Greek mythology guide.

• Select a Fascinating Character. Choose a Greek mythical character that genuinely interests you. Your passion for the character will enhance your writing and engage your readers.
• Conduct Thorough Research. Dive into the character’s background, roles in various myths, and their significance in Greek mythology. Use reliable sources such as academic papers, respected mythology books, and scholarly articles to gather comprehensive and accurate information.
• Analyze Characteristics and Symbolism. Explore the deeper meanings behind your character’s actions and traits. Discuss what they symbolize in Greek culture and mythology.
• Use a Clear Structure. Organize your essay logically. Ensure each paragraph flows smoothly to the next, maintaining a coherent and compelling narrative.
• Incorporate Quotes and References. Use quotes from primary sources and reference key scholars to support your points. This adds credibility and depth to your essay.
• Edit and Revise. Finally, thoroughly revise your essay for clarity, coherence, and grammatical accuracy. A well-edited essay ensures your ideas are conveyed effectively.

By following these tips, you can create a compelling essay that recounts famous myths and explores the rich symbolic and cultural significance of these timeless tales.

Greek Mythology Topics for an Essay

Explore the rich tapestry of Greek mythology ideas with these intriguing essay topics, encompassing legendary heroes, ancient gods, and the timeless themes that have captivated humanity for millennia. Dive into the stories of Hercules, the wisdom of Athena, the complexities of Olympian deities, and the profound lessons embedded in these ancient tales. Each topic offers a unique window into the world of Greek myths, inviting a deep exploration of its cultural and historical significance.

Titles for Hero Essays  

• Hercules: Heroism and Humanity 
• Achilles: The Warrior’s Tragedy
• Odysseus: Cunning over Strength
• Theseus and the Minotaur: Symbolism and Society
• Perseus and Medusa: A Tale of Courage
• Jason and the Argonauts: The Quest for the Golden Fleece
• Atalanta: Challenging Gender Roles
• Ajax: The Unsung Hero of the Trojan War
• Bellerophon and Pegasus: Conquest of the Skies
• Hector: The Trojan Hero
• Diomedes: The Underrated Warrior of the Iliad
• Heracles and the Twelve Labors: A Journey of Redemption
• Orpheus: The Power of Music and Love
• Castor and Pollux: The Gemini Twins
• Philoctetes: The Isolated Warrior

Ancient Greece Research Topics

• The Trojan War: Myth and History. Examining the blending of mythological and historical elements in the story of the Trojan War.
• The Role of Oracles in Ancient Greek Society. Exploring how oracles influenced decision-making and everyday life in Ancient Greece.
• Greek Mythology in Classical Art and Literature. Analyzing the representation and influence of Greek myths in classical art forms and literary works.
• The Historical Impact of Greek Gods on Ancient Civilizations. Investigating how the worship of Greek gods shaped the societal, cultural, and political landscapes of ancient civilizations.
• Mythology’s Influence on Ancient Greek Architecture. Studying the impact of mythological themes and figures on the architectural designs of Ancient Greece.
• Athenian Democracy and Mythology. Exploring the connections between the development of democracy in Athens and the city’s rich mythological traditions.
• Minoan Civilization and Greek Mythology. Delving into the influence of Greek mythology on the Minoan civilization, particularly in their art and religious practices.
• The Mycenaean Origins of Greek Myths. Tracing the roots of Greek mythology back to the Mycenaean civilization and its culture.
• Greek Mythology and the Development of Theater. Discuss how mythological stories and characters heavily influenced ancient Greek plays.
• Olympic Games and Mythological Foundations. Examining the mythological origins of the ancient Olympic Games and their cultural significance.
• Maritime Myths and Ancient Greek Navigation. Investigating how Greek myths reflected and influenced ancient Greek seafaring and exploration.
• The Impact of Hellenistic Culture on Mythology. Analyzing how Greek mythology evolved and spread during the Hellenistic period.
• Alexander the Great and Mythological Imagery. Studying the use of mythological symbolism and imagery in portraying Alexander the Great.
• Greek Gods in Roman Culture. Exploring how Greek mythology was adopted and adapted by the Romans.
• Spartan Society and Mythological Ideals. Examining Greek myths’ role in shaping ancient Sparta’s values and lifestyle.

Common Myth Ideas for Essays

• The Concept of Fate and Free Will in Greek Myths. Exploring how Greek mythology addresses the tension between destiny and personal choice.
• Mythological Creatures and Their Meanings. Analyzing the symbolism and cultural significance of creatures like the Minotaur, Centaurs, and the Hydra.
• The Underworld in Greek Mythology: A Journey Beyond. Delving into the Greek concept of the afterlife and the role of Hades.
• The Role of Women in Greek Myths. Examining the portrayal of female characters, goddesses, and heroines in Greek mythology.
• The Transformation Myths in Greek Lore. Investigating stories of metamorphosis and their symbolic meanings, such as Daphne and Narcissus.
• The Power of Prophecies in Greek Myths. Discussing the role and impact of prophetic declarations in Greek mythological narratives.
• Heroism and Hubris in Greek Mythology. Analyzing how pride and arrogance are depicted and punished in various myths.
• The Influence of Greek Gods in Human Affairs. Exploring stories where gods intervene in the lives of mortals, shaping their destinies.
• Nature and the Gods: Depictions of the Natural World. Examining how natural elements and phenomena are personified through gods and myths.
• The Significance of Sacrifice in Greek Myths. Investigating the theme of voluntary and forced sacrifice in mythological tales.
• Greek Mythology as a Reflection of Ancient Society. Analyzing how Greek myths mirror ancient Greek society’s social, political, and moral values.
• Mythical Quests and Adventures. Exploring the journeys and challenges heroes like Jason, Perseus, and Theseus face.
• The Origins of the Gods in Greek Mythology. Tracing the creation stories and familial relationships among the Olympian gods.
• Lessons in Morality from Greek Myths. Discussing the moral lessons and ethical dilemmas presented in Greek mythology.
• The Influence of Greek Myths on Modern Culture. Examining how elements of Greek mythology continue to influence contemporary literature, film, and art.

Topics about Greek Gods

• Zeus: King of Gods. Exploring Zeus’s leadership in Olympus, his divine relationships, and mortal interactions.
• Athena: Goddess of Wisdom and War. Analyzing Athena’s embodiment of intellect and battle strategy in myths.
• Apollo vs. Dionysus: Contrast of Sun and Ecstasy. Comparing Apollo’s rationality with Dionysus’s chaotic joy.
• Hera: Marriage and Jealousy. Examining Hera’s multifaceted nature, focusing on her matrimonial role and jealous tendencies.
• Poseidon: Ruler of Seas and Quakes. Investigating Poseidon’s dominion over the oceans and seismic events.
• Hades: Lord of the Underworld. Delving into Hades’s reign in the afterlife and associated myths.
• Aphrodite: Essence of Love and Charm. Exploring Aphrodite’s origins, romantic tales, and divine allure.
• Artemis: Protector of Wilderness. Discussing Artemis’s guardianship over nature and young maidens.
• Hephaestus: Craftsmanship and Fire. Analyzing Hephaestus’s skills in metallurgy and his divine role.
• Demeter: Goddess of Harvest and Seasons. Investigating Demeter’s influence on agriculture and seasonal cycles.
• Ares: Embodiment of Warfare. Delving into Ares’s aggressive aspects and divine relations.
• Hermes: Divine Messenger and Trickster. Exploring Hermes’s multifaceted roles in Olympian affairs.
• Dionysus: Deity of Revelry and Wine. Analyzing Dionysus’s cultural impact and festive nature.
• Persephone: Underworld’s Queen. Discussing Persephone’s underworld journey and dual existence.
• Hercules: From Hero to God. Examining Hercules’s legendary labors and deification.

Love Topics in the Essay about Greek Mythology

• Orpheus and Eurydice’s Tragedy. Analyzing their poignant tale of love, loss, and music.
• Aphrodite’s Influence. Exploring her role as the embodiment of love and beauty.
• Zeus’s Love Affairs. Investigating Zeus’s romantic escapades and their effects.
• Eros and Psyche’s Journey. Delving into their story of trust, betrayal, and love’s victory.
• Love and Desire in Myths. Discussing the portrayal and impact of love in Greek myths.
• Hades and Persephone’s Love. Analyzing their complex underworld relationship.
• Paris and Helen’s Romance. Examining their affair’s role in sparking the Trojan War.
• Pygmalion and Galatea’s Tale. Exploring the theme of transcendent artistic love.
• Alcestis and Admetus’s Sacrifice. Investigating the implications of Alcestis’s self-sacrifice.
• Apollo’s Unrequited Love for Daphne. Discussing unreciprocated love and transformation.
• Hercules and Deianira’s Tragic Love. Exploring their love story and its tragic conclusion.
• Jason and Medea’s Turmoil. Analyzing their intense, betrayal-marred relationship.
• Cupid and Psyche’s Resilience. Delving into the strength of their love.
• Baucis and Philemon’s Reward. Exploring their love’s reward by the gods.
• Achilles and Patroclus’s Bond. Discussing their deep connection and its wartime impact.

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Greek Mythology

By: History.com Editors

Updated: August 15, 2023 | Original: December 2, 2009

Ancient Greek mythology is a vast group of legends about gods and goddesses, heroes and monsters, warriors and fools, that were an important part of everyday life in the ancient world. Greek myths explained everything from religious rituals to the weather, and gave meaning to the world that people saw around them. While many of these myths are fanciful tales, such as the legends of greedy King Midas or heroic Hercules, other stories like the Trojan War epic have a basis in historical fact.

Sources of Greek Mythology

There is no single original text, like the Christian Bible or the Hindu Vedas, that introduces all Greek myths’ characters and stories. Instead, the earliest Greek myths were part of an oral tradition that began in the Bronze Age , and their plots and themes unfolded gradually in the written literature of the archaic and classical periods of the ancient Mediterranean world.

The poet Homer ’s 8th-century BC epics, The Iliad and The Odyssey , for example, tell the story of the Trojan War as a divine conflict as well as a human one. They do not, however, bother to introduce the gods and goddesses who are their main characters, since readers and listeners would already have been familiar with them.

Around 700 BC, the poet Hesiod’s Theogony offered the first written cosmogony, or origin story, of Greek mythology. The Theogony tells the story of the universe’s journey from nothingness (Chaos, a primeval void) into being, and details an elaborate family tree of elements, gods and goddesses who evolved from Chaos and descended from Gaia (Earth), Ouranos (Sky), Pontos (Sea) and Tartaros (the Underworld).

Later Greek writers and artists used and elaborated upon these sources in their own work. For instance, mythological figures and events appear in the 5th-century plays of Aeschylus, Sophocles and Euripides and the lyric poems of Pindar. Writers such as the 2nd-century BC Greek mythographer Apollodorus of Athens and the 1st-century BC Roman historian Gaius Julius Hyginus compiled the ancient myths and legends for contemporary audiences.

Did you know? Many consumer products get their names from Greek mythology. Nike sneakers are the namesake of the goddess of victory, for example, and the website Amazon.com is named after the race of mythical female warriors. Many high school, college and professional sports teams (Titans, Spartans and Trojans, for instance) also get their names from mythological sources.

Greek Gods and Goddesses

At the center of Greek mythology is the pantheon of gods and goddesses who were said to live on Mount Olympus, the highest mountain in Greece. From their lofty perch, they ruled every aspect of human life. Olympian deities looked like men and women (though they could change themselves into animals and other things) and were — as many myths recounted — vulnerable to human foibles and passions..

The twelve main Olympians are:

• Zeus (Jupiter, in Roman mythology): the king of all the gods (and father to many) and god of weather, law and fate
• Hera (Juno): the queen of the gods and goddess of women and marriage
• Aphrodite (Venus): goddess of beauty and love
• Apollo (Apollo): god of prophesy, music and poetry and knowledge
• Ares (Mars): god of war
• Artemis (Diana): goddess of hunting, animals and childbirth
• Athena (Minerva): goddess of wisdom and defense
• Demeter (Ceres): goddess of agriculture and grain
• Dionysus (Bacchus): god of wine, pleasure and festivity
• Hephaestus (Vulcan): god of fire, metalworking and sculpture
• Hermes (Mercury): god of travel, hospitality and trade and Zeus’s personal messenger
• Poseidon (Neptune): god of the sea

Other gods and goddesses sometimes included in the roster of Olympians are:

• Hades (Pluto): god of the underworld
• Hestia (Vesta): goddess of home and family
• Eros (Cupid): god of sex and minion to Aphrodite

6 Mythical Monsters

From birds of prey with fearsome strength to rooster‑snake hybrids capable of killing with their eyes, find out more about six legendary beasts from history.

How the Ancient Greeks Designed the Parthenon to Impress—And Last

This icon of classical architecture perched atop the Acropolis has dominated the Athens skyline for 2,500 years.

The story of the Trojan War—the Bronze Age conflict between the kingdoms of Troy and Mycenaean Greece–straddles the history and mythology of ancient Greece.

Greek Mythology: Heroes and Monsters

Greek mythology does not just tell the stories of gods and goddesses, however. Human heroes — including Heracles (aka Hercules), the adventurer who performed 12 impossible labors for King Eurystheus (and was subsequently worshipped as a god for his accomplishment); Pandora, the first woman, whose curiosity brought evil to mankind; Pygmalion, the king who fell in love with an ivory statue; Arachne, the weaver who was turned into a spider for her arrogance; handsome Trojan prince Ganymede who became the cupbearer for the gods; Midas, the king with the golden touch; Narcissus, the young man who fell in love with his own reflection; and Kratos, a god of strength and power—are just as significant.

Monsters and “hybrids” (human-animal forms) also feature prominently in the tales: the winged horse Pegasus, the horse-man Centaur, the lion-woman Sphinx and the bird-woman Harpies, the one-eyed giant Cyclops, automatons (metal creatures given life by Hephaestus), manticores and unicorns, Gorgons, pygmies, minotaurs, satyrs and dragons of all sorts. Many of these creatures have become almost as well known as the gods, goddesses and heroes who share their stories.

The Legacy of Greek Myths

The characters, stories, themes and lessons of Greek mythology have shaped art and literature for thousands of years. They appear in Renaissance paintings such as Botticelli ’s Birth of Venus and Raphael ’s Triumph of Galatea and writings like Dante ’s Inferno ; Romantic poetry and libretti; and scores of more recent novels, plays and movies. Much of the mythology was recorded in D'Aulaires' Book of Greek Myths , published in 1962 and still in print today.

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English Studies

This website is dedicated to English Literature, Literary Criticism, Literary Theory, English Language and its teaching and learning.

Legends in Literature

Legends in literature serve as enduring narratives that transcend time, weaving together elements of myth, history, and cultural identity.

Legends in Literature: Introduction

Table of Contents

Legends in literature serve as enduring narratives that transcend time, weaving together elements of myth, history, and cultural identity . Rooted in the collective imagination of societies, these tales often feature heroic figures, supernatural beings, or events that shape the cultural and moral landscape. Legends function as repositories of shared wisdom, providing insights into social values, historical perspectives, and the perennial human quest for meaning.

As dynamic expressions of storytelling, legends illuminate the intersections of mythic imagination and the cultural fabric, fostering a connection between the past and the present through the artistry of literary representation.

Legends in Literature: Examples

• The Arthurian legends, encompassing tales of the legendary King Arthur, the wizard Merlin, and the Knights of the Round Table, explore themes of chivalry, honor, and the pursuit of an idealized kingdom.
• Homer’s epic poems are foundational in Western literature, presenting legendary figures like Achilles, Odysseus, and gods of Mount Olympus. These tales delve into heroism, the consequences of war, and the challenges of the heroic journey.
• An Old English epic, Beowulf narrates the heroic deeds of its eponymous protagonist as he battles monstrous creatures, embodying themes of heroism, loyalty, and the inevitable confrontation with mortality.
• An ancient Indian epic , the Ramayana recounts the adventures of Prince Rama, his wife Sita, and the monkey god Hanuman. The narrative explores duty, morality, and the cosmic battle between good and evil.
• Washington Irving’s short story introduces the iconic character Ichabod Crane and the ghostly figure of the Headless Horseman, blending folklore with a humorous and eerie depiction of the supernatural.
• A medieval French epic, The Song of Roland, recounts the heroic deeds of Charlemagne’s knight Roland and his companions in the Battle of Roncevaux. It explores themes of loyalty, honor, and the clash between Christianity and Islam.

These examples showcase the diversity of legendary narratives across different cultures and time periods, highlighting their enduring impact on literature and cultural imagination.

Legends in Literature: Foreign

• The “Popol Vuh” is a Maya-K’iche’ creation myth and legendary narrative that explores the origins of the world, humanity, and the adventures of heroic figures in the Mayan mythology.
• A collection of Middle Eastern folk tales, including “Aladdin,” “Ali Baba and the Forty Thieves,” and “Sindbad the Sailor,” the Arabian Nights offers a rich tapestry of legendary stories from the Islamic Golden Age.
• Attributed to Wu Cheng’en, this Chinese classic follows the legendary Monkey King, Sun Wukong, on a journey to retrieve sacred scriptures, blending mythology, Buddhist teachings, and adventure.
• Compiled by Elias Lönnrot, the “Kalevala” is an epic poem that gathers Finnish folklore and mythology, featuring legendary heroes like Väinämöinen and Lemminkäinen and exploring themes of creation and magic.
• One of the earliest known literary works, the Epic of Gilgamesh tells the story of the legendary king Gilgamesh and his quest for immortality, offering insights into Mesopotamian mythology and the human condition.
• An epic account of the Genpei War, “The Tale of Heike” portrays legendary samurai warriors and Buddhist themes, providing a cultural and historical narrative deeply ingrained in Japanese literature.

These foreign examples exemplify the rich tapestry of legendary narratives across various cultures, offering insights into the unique perspectives, values, and mythologies of different societies.

Legends in Literature: Relevance in Literary Theories

• Legends are subject to close textual analysis, emphasizing elements such as symbolism, imagery, and narrative structure.
• Examining legends through a gender lens to uncover underlying power dynamics, representations of women, and the impact of cultural narratives on gender roles.
• Analyzing legends to understand how colonial histories and power imbalances are reflected, challenged, or perpetuated in literary narratives.
• Investigating legends for depictions of social class, economic structures, and power relations, highlighting the ways in which literature reflects and critiques societal inequalities.
• Exploring the psychological dimensions of legendary characters and motifs, uncovering symbolic meanings and unconscious desires within the narrative.
• Interpreting legends through a queer theoretical lens to examine representations of sexuality, gender identity, and non-normative relationships.
• Investigating how readers engage with and interpret legends, considering the impact of cultural backgrounds and personal experiences on the reading experience.
• Analyzing legends for contradictions, ambiguities, and moments of instability, aligning with deconstructive principles that challenge fixed meanings and binary oppositions.
• Using legends to explore cultural identities, examining how they contribute to the construction of national, ethnic, or regional narratives.
• Studying the structure and conventions of legends within the broader framework of narrative theory, exploring how storytelling shapes meaning and understanding.

The relevance of legends in literary theories showcases their adaptability to various critical approaches, allowing scholars to uncover layers of meaning, cultural significance, and societal implications within these timeless narratives.

Legends in Literature: Relevant Terms

This table provides a concise overview of key terms relevant to the study and understanding of legends in literature.

Legends in Literature: Suggested Readings

• Tolkien, J.R.R. The Silmarillion. Houghton Mifflin, 1977.
• Hamilton, Edith. Mythology: Timeless Tales of Gods and Heroes. Grand Central Publishing, 2011.
• Gaiman, Neil. Norse Mythology. W. W. Norton & Company, 2017.
• Malory, Sir Thomas. Le Morte d’Arthur. Oxford University Press, 2010.
• Riordan, Rick. Percy Jackson & the Olympians series. Disney Hyperion, 2005-2009.
• Chretien de Troyes. Arthurian Romances . Penguin Classics, 1991.
• Bulfinch, Thomas. Bulfinch’s Mythology. Modern Library, 1998.
• Garcia Marquez, Gabriel. One Hundred Years of Solitude. Harper & Row, 1970.
• Rowling, J.K. Harry Potter series. Scholastic, 1997-2007.

Related posts:

• Rhyme: Using and Writing
• Satire: Literary Device
• Writing Style: Writing and Critiquing
• Plot: Creating and Critiquing It

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Myths and Legends: Concepts of Ancient Myths and Modern Scientific Thoughts Essay

• To find inspiration for your paper and overcome writer’s block
• As a source of information (ensure proper referencing)
• As a template for you assignment

Mythology is an interwoven and complex subject, which is most often seen as fictional, unreal, and fabulous. However, modern scientific thoughts sometimes have a lot in common with myths that prove the fact that mythology is not only a fairy tale, but it also contains an important message from previous generations to their offspring. The examples of myths that are supported by modern historical, astronomical, medical, physical, economic, and even philosophical findings are multiple including the myth of Ramayana, the creation story of Zuni’s emergence, the Native American myths, the myths by famous storytellers of ancient times such as Homer, Ovid, and Hesiod, etc. In the following paper, common patterns and concepts of Ancient myths and modern scientific thoughts will be observed to identify the objectives that people from previous generations had when they created myths.

Although today, the very word “myth” is seen as an unreal story, something not to be believed in, and something having a romanticized nature, there exist common patterns and messages in Ancient methodology and modern scientific thoughts that suggest a different point of view on myths. First of all, modern literature has its origin in ancient myths. For example, myths help explain the movement of the Sun and changing of seasons in the creation story of Zuni’s emergence (Thury and Devinney 95). It is the source of the cultural rituals that exist until now and is mostly practiced by different religions like the burning of effigies on pyre for Heracles in commemoration of his burning on a funeral pyre on Mt. Seat (Thury and Devinney 496). It is also considered as the source of societal expression of social practices like the patriarchal tradition in the myth of Ramayana, where King Dasaratha as a father hesitates at first to send his son Rama to interact with the Titans because he wants to protect his son from danger (Thury and Devinney 245).

Next, the incorporation of ancient mythology to modern scientific thoughts tends to discuss not only the story of an individual, time or place, but also beliefs, and lifestyle importance. This means that it does consider not only what can be seen, but also the things unseen. Every myth has a basis of its creations, characters, and adventures including destruction or victory that may be represented by the duality of our reality, yet most share common patterns and thoughts causing the existence of similar modern thoughts and patterns. Some common patterns and messages shared by the ancient cultural mythological stories to the modern tales are individual characters, journeys, facts of existence, place, and object.

Further, myths offer the popular idea that an individual is sometimes concerned about the model of “god or goddess”, the concept of a hero, and the perception of natural objects or animals, which are shown as personages. For example Odysseus as a hero character in the myth Iliad and Odyssey by Homer is also indicated in the work of James Joyce Ulysses based on Homers epic (Thury and Devinney &729). In the relationship of narrative to a myth, “James Joyce’s Ulysses showed incorporation of its own, the figure and theme of traditional mythology” (Thury and Deviney 727). The pattern tends to exist because modern writers show great respect to old themes, but use the modern literary devices, which their audience expect, and create narratives from their own belief system, and alter them as aspects of that system change (Thury and Devinney 728). One more illustration of the personified natural objects or animals is “the raven” similar to the man “Silva” (Thury and Devinney 370; 718). These two Native American mythical characters are similar figures as a trickster and mythological animals. The writers of the Native American oral myths in a contemporary context enrich their storytelling using the concepts from their mythic heritage (Thury and Devinney 714). This means that the Native American writers tend to give voice to a diverse and changing cultural value, identity or belief. The concept of “god” and “goddess” characters can be considered as metaphors for elements of human society. In the myth of Heracles, Zeus is considered a patriarch, a father, and a husband, and Hera is a mother, and a wife. Their family is a reflection of our families; their hierarchies establish a relationship of a tale to myth in the modern society (Thury and Devinney 549).

In addition, journeys may deal with heroic endeavors or mythical events. In the incorporation of tale to myth, this pattern may be shown in the work of Vladimir Propp, who “classified characters according to their actions and analyzes each tale into series of plots called function” (Thury and Devinney 551). Like in the myth of Odyssey, Odysseus underwent series of hardships before going home to Ithaca (Thury and Devinney 11).

Besides, the Fact of existence may be concerned about commemorative cultural rituals and celebrations or as a standard of conduct. According to Turner, “ritual is not just only a symbolic language but also series of actions performed by participants” (417). His work The Forest of symbol: Aspects of Ndembu Ritual focuses on the rite of passage (419), which can be seen in the work of Joseph Campbell as an element to a heros journey by “crossing of the threshold” (185) like the myth of Heracles who underwent the same rites of passage in a period of his military training for becoming a soldier (496), and in order to become immortal, he would have to undergo series of labors (497). As ritual patterns, in a fairytale-like myths, there are origins of the collective “folk” mind (546). The essential similarities indicate collective authorship to attempt to make earth-conscious of itself. For example of ritual pattern is the Odysseus itself a literary hero and a mytho-religious figure, whose journey is rooted in a ritual pattern involving loss, descent, and rebirth (14). This is similar to humanity’s story of loss and rebirth, leading to inversion of social roles in The Goose Girl in society (581). As standard of conduct, Freud believes that all men are subject to the “Oedipus complex” based on myth of King Oedipus (406). Freud’s view of myth became a part of the explanation or rationalization for why the story had retained its significance throughout centuries ( Thury and Devinney 406).

Finally, stories of mythical places and objects exist within many cultures today, and are used as sources of entertainment and research. Like mythical place, the archeological evidence of the Trojan War called “Troy Villa” suggests that it is not just a false story. Archeologist Carl Blegen believes that this confirmed Homers account of the Trojan war (Thury and Devinney 11). All in all, ancient mythology shared different characteristics to modern thoughts according to Freud and Jeung:

Folktales are related to dreams like myth may represent something that is essential to what it is to be human. Fairy tales share similar characteristics to myths like handed down orally rather than being written like the Native American myths. They are related to rituals and that they are stories that give meaning to the pattern of action practiced in the society that tells them (547).

As a final point, mythology and modern science often have common concepts and patterns. For example, myths help explain the movement of the Sun and changing of seasons in the creation story of Zuni’s emergence, and establish a relationship of a tale to reality in the modern society in the myth of Heracles, where Zeus is considered a patriarch, a father, and a husband, and Hera is a mother, and a wife, which reflects modern concepts of a family. The presence of numerous similarities between ancient myths and modern scientific thoughts can be explained by the fact that mythology is not just a piece of ancient fiction, as it is accepted by many people, but it is a powerful message containing eternal wisdom that ancient people aimed to communicate to their descendants.

Works Cited

Thury, Eva, and Margaret Devinney. Introduction to mythology , 3rd. ed. The United States: Oxford University Press, 2012. Print.

Turner, Victor. The Forest of symbol: Aspects of Ndembu Ritual, The United States: Cornell University Press, 1970. Print.

• Ancient Greek Mythology: Deities of the Universe
• Dragon Combats in Greek Culture
• Forum: The Character of Odysseus
• Odysseus' Personal Qualities and the Epic Hero Image
• Greek Mythology and Christianity
• The Main Idea of “Oedipus Rex” by Sophocles
• The Ghosts in Henry James’s the Turn of the Screw
• "Of Water and Spirit" by Malidoma Patrice Somé: Magic and Ritual
• "The Homeric Hymn to Demeter" by Homer Review
• Campbell's "The Hero With a Thousand Faces"
• Chicago (A-D)
• Chicago (N-B)

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WHERE DO MYTHS, LEGENDS AND FOLKTALES COME FROM?

The British Isles have a very long history, stretching back well before written records began. Much of what we might think of as early history is really legend – tales about the Druids, the story of Cædmon (the ‘father of English poetry’, who lived at Whitby Abbey) and the exploits of King Arthur for example. Interwoven with our understanding of history are the threads of myth, legend and folklore; these shape and colour our understanding of both our past and our present.

WHAT ARE MYTHS, LEGENDS AND FOLKLORE?

Myths  are usually understood as stories about gods or divine figures. They answer big questions such as: how was the world created? Where do humans come from? How did we learn to make fire, or to smith metal? What is the origin of the gods? The term ‘myth’ may be used more loosely to cover whole cycles of tales, like the stories of the Irish gods or the Four Branches of the Mabinogi, dealing with Welsh semi-divine characters. Stories that explain where certain peoples come from are known as ‘origin myths’; the most important and enduring origin myth for Britain is the legend of Brutus, a refugee from Troy who sailed to these shores and slew all the giants who were then the only inhabitants, giving his name to the British Isles.

Legends  deal with heroes, imagined as human or superhuman, such as St George, Robin Hood, or Hereward the Wake. Sometimes there is a semi-historical basis for these stories. Hereward was a real person, descended from Viking lords on the one hand and English nobility on the other, who led a resistance movement to the Normans after  the Conquest . Legends usually have a close connection with a particular place, such as Sherwood Forest, home of Robin Hood, or  Tintagel , where King Arthur is said to have been conceived,  Stonehenge , or  Dover Castle , where the skull of Arthur’s famous knight, Sir Gawain, was long preserved.

Folklore  covers a range of beliefs, from the existence of fairies who dance in certain places when the moon is full, to the habits of the Loch Ness Monster, to the belief that witches can turn into hares and steal milk from cows. Many of our most familiar stories, of dragons, black dogs, kelpies or hobs, are folkloric; they contain motifs which are commonly found in other stories told across Europe, or they tap into beliefs that are widely held across the British Isles.

Myths and legends have the remarkable property of often being rooted in particular places, and yet their general outlines tend to be surprisingly universal. Similar stories occur all over the world, varying only in particular details. So, versions of Cinderella or the Three Men who went to Search for Death can be found in places as far apart as China, India, Britain and North America. Sometimes it’s clear that these stories spread through migration, and were then passed down by word of mouth across the generations – thus, quite a few English folktales and ballads made it to North America and are still in circulation to this day.

WHY ARE THEY SHARED?

The explanation for these internationally shared tales may be that they are rooted in general human experience. Our shared biology and universally similar life-cycles, from birth, marriage, child-rearing, ageing and death, may generate broadly similar stories: about true love or the perils of raising children, or futile attempts to surmount the barrier between life and death. Such dilemmas and difficulties are common to humans wherever they live, giving rise to universal patterns in the world’s store of traditional tales.

Experts are divided about exactly how stories develop and spread from place to place, but it is clear that myths and legends have always had important roles in our culture. Short tales are crucial in imparting vital information or life lessons in a memorable form – think of The Boy Who Cried “Wolf”, for example. Useful lore is transmitted from generation to generation in a brief and comprehensible form. They explain why small children shouldn’t be allowed to stray near a dangerous body of water or why it may be a bad idea to go up into the mountains alone. Groups that know how to pass on such stories improve the life-chances of those who hear them, and those folk in turn pass on the stories to their children.

Traditional tales often hinge on ethical or moral issues, or they permit insight into the way other people think. So they insist that you should keep your promises – and should avoid making rash ones; that courage and perseverance will be rewarded and that the wicked do not prevail in the end. It’s not always the big, beefy hero that is lauded in such tales; cunning and quick-wittedness, associated very often with the youngest child, or with a poor person can solve the immediate problem and win the day for the hero.

The arrival of Uther Pendragon and Merlin at Tintagel (© Bibliothèque nationale de France)

FAMOUS BRITISH MYTHS

The British Isles have their myths and legends, preserved in some of our earliest written records. The story of Beowulf, a Scandinavian hero who battled monsters and a dragon, probably originated in eighth-century Northumbria, although it was not written down until the early eleventh century. Irish legends of gods and heroes were also written down in the twelfth century or later. In Welsh there are heroic poems from as early as the sixth century; one such poem contains the first ever reference to the hero Arthur.

England’s most famous heroes are probably King Arthur and Robin Hood.

KING ARTHUR

Arthur is a blended type of heroic figure. Some of his characteristics stem from a legendary Welsh hero who fought monster-cats and dog-headed men and who went off to the Underworld to steal a magic cauldron. Yet Arthur also takes inspiration from a British war-leader, mentioned in early chronicles, who led his people against the invading Saxons. Arthur’s first full biography was related by Geoffrey of Monmouth in 1138, but elements of the story were already widely known across Europe. In the mid-fifteenth-century, Sir Thomas Malory who was confined as a prisoner in the Tower of London, wrote down the best-known version of the Arthur story, incorporating into it tales of the Knights of the Round Table, and the Holy Grail. Malory included the ancient mythic ending, in which Arthur does not die after his last battle, but rather is borne away by boat to the Isle of Avalon. He will return to come to the country’s aid in Britain’s darkest hour.

There are references to various men called Robin Hood in thirteenth-century records, though it is not until 1377 that we hear of tales of ‘Robin the Outlaw’ being told in the tavern. Legends about Robin and his men, clad in Lincoln Green, who haunt Sherwood Forest, stealing from the rich and giving to the poor, are first printed in the late fifteenth century. Later still, Robin is transformed from a thuggish and immoral thief to a dispossessed nobleman in exile in the greenwood.

These two myths became very popular once again in the Victorian period. Both stories were mobilised for political and ideological purposes. Arthur, the great king who ruled over much of the west and whose knights battled evil, rescued maidens and sought the Holy Grail, served as a model for Britain’s imperial and enlightened rule. Wherever the British went, the myth suggested, they tried to behave nobly, to establish law and order, and to bring Christian values to ‘less civilised’ peoples. Robin Hood and his Merry Men spoke to ideas of a peculiarly English democratic tradition and independence of mind. Robin stood for fairness and justice, for a certain amount of distribution of wealth, and he hated the hypocrisy and corruption of the establishment: the evil Sheriff of Nottingham and the bloated and greedy churchmen whose treasures Robin regularly stole. Robin came to stand for the sturdy average Englishman, mistrustful of authority, but loyal to his rightful king, gallant towards women and with a marked sense of humour. Both these mythic figures had important work to do in the contemporary culture of the nineteenth and early twentieth centuries.

HOW DO WE KNOW ABOUT THESE STORIES?

British myths, legends and folktales have survived in all kinds of different contexts. Some – like the stories of Brutus or Hereward the Wake – are recorded in medieval chronicles that purport to be ‘actual’ history. Others were written down as entertaining tales in early manuscripts, and from there were put into book form once the printing press was invented. Still other stories were not written down until the eighteenth or nineteenth centuries, when people captured legends and folktales that were on the verge of dying out; many of our best sources for traditional stories are to be found in late eighteenth-century books of ballads or in Victorian folk-tale compilations.

Myths and legends began to be recorded just as soon as humans mastered the technology of writing. Often the very first texts were hymns to the gods or collections of mythological stories that became organised into cycles, explaining how the world was created, how humans came into existence or why Death is necessary. Such stories are recorded in the Bible – the Fall, Noah’s Flood, for example – and in Greek myth. Hero-tales are also among the most ancient of story-types.

In contrast to these very ancient written sources, most of the world’s myths and legends have been preserved in oral versions, passed on by word of mouth from one generation to the next. The recording of these tales began only in the nineteenth and twentieth centuries when explorers, scholars and anthropologists became interested in tradition, and were motivated to learn tribal languages and to record with pen and ink (and subsequently electronically) the vivid and unfamiliar tales they were told.

MYTHS AND THE MODERN WORLD

Over the course of the nineteenth and early twentieth centuries myths, legends and folktales began to be seen as the province of children. They could be retold in simple and wholesome ways, shaped in order to point up important morals and to recommend particular models of behaviour. The King Arthur myth became a staple of children’s literature, and the Knights of the Round Table, in particular such figures as Sir Galahad or Sir Lancelot, were held up as exemplifying the ideal of chivalry.

In the twentieth century, writers such as J. R. R. Tolkien, C. S. Lewis, and after them, Alan Garner, Susan Cooper, Philip Pullman and J. K. Rowling seized on the myths and legends of the British Isles to inspire new fantasy worlds for both children and adults. The Old English epic of Beowulf, the first dragon-fighter in our tradition, inspired Tolkien’s Smaug in The Hobbit. The legend of King Arthur and the Sleeping Knights features in Garner’s stories about Alderley Edge; he also transposes a story from the Fourth Branch of the Mabinogi to contemporary Wales in The Owl Service. Susan Cooper melds together Welsh legend, Arthurian myth and the tradition of Herne the Hunter. Pullman and Rowling appropriate both English and wider European folk-tradition in the worlds of their novels: house-elves and black dogs jostle with giants, witches and fairies, talking bears and hippogriffs.

These authors wrote initially for a young adult audience, but the children and teenagers that learned to love this kind of story-telling grew up to appreciate – and to write their own – fantasy of various kinds. From the Star Wars films, which depend on classic models of the hero and the princess, good and evil, quests and family identity, to the powerful mythological elements that underlie the work of George R. R. Martin and the hit HBO TV series ‘Game of Thrones’, the elements of traditional story have crossed over into popular culture. ‘Game of Thrones’ contains elements of Old Norse myth – the ravens and direwolves, the Long Winter and the wights. The tale of Atlantis is reflected in the history of Valyria, and Westeros has its very own King Arthur, the lost heir who must reclaim his kingdom, in the form of Jon Snow.

Vampires and werewolves, creatures from European tradition symbolise contrasting elements in human nature: violence and desire, beauty and horror, featuring in titles such as the Twilight series and Buffy the Vampire-Slayer. Also drawing on myth from Scandinavia is the Thor franchise, while other superhero series use similar tropes of hero and monster, re-tooling and modernising many of the characters, themes and stereotypes of myth and legend. They are staples of video games that are often set in fantasy universes and structured around the quest as a framework.

THE IMPORTANCE OF PLACE IN MYTH

Alongside the grand figures of gods, demi-gods, heroes and monsters that feature in the great myths and legends of the British Isles, there are many less well-known stories that often adhere to particular landscapes and places. One such is the story of how Merlin came to magic the Giant’s Dance stone circle away from Ireland across the sea to form  Stonehenge  as a monument to the great Romano-British battle leader Ambrosius Aurelius.

Many  famous historic sites  of the British Isles have long and fascinating pasts, and have played their part in the events that have shaped the nation. But just as many – perhaps even more – are linked to myths, legends and folktales, from the great legendary cycles of Arthur or Robin Hood, to figures such as Wayland of  Wayland’s Smithy  on the Ridgeway. He was a legendary smith, the most skilled craftsman of all, whose brutal story of maiming and cruel vengeance is retold in Anglo-Saxon sculpture and poetry, and in Old Norse legend. Britain’s landscapes and historic buildings form the backdrop to the vivid and exciting myths, legends and folktales of our spoken and written heritage; stories that fascinate, astonish and move us still today.

Carolyne Larrington teaches medieval literature at the University of Oxford and researches widely into myths, legends and folklore, in particular in Old Norse-Icelandic and Arthurian literature. She is the author of The Land of the Green Man: A Journey through the Supernatural Landscapes of the British Isles (2015); Winter is Coming: the Medieval World of Game of Thrones (2015), and The Norse Myths (2017).

Myths, legends and folktales are well established in the fabric of English culture. But where do these often fantastical stories come from? Carolyne Larrington, Professor of medieval European literature at the University of Oxford, examines the origins of these stories, from dragons, kelpies and hobs to the legend of King Arthur.

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A Brief Analysis of the Importance of Myths and Legends to Cultures

Myths are the stories created by the humans of ancient civilizations in order to explain how the world and nature work. Since, for the ancient civilizations, it was almost impossible to explain how certain natural events occur all around the world. Human nature, inherently, needs to feel safe and secure in the midst of mysterious chaos and the unknown; therefore, some stories, which describe mighty Gods that protect humans as well as the underworld of evil, are made up by humans to calm their anxieties and fears, stemming from what they call evil. After that, these stories spread amongst people and, finally, become an integral part of the culture of their society.

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This paper aims at exploring myth as a phenomenon of culture. The authors have used anthropological integrative approach, semiotic method of representing myth as a language of culture, as well as phenomenological method. Myths provide meaning and purpose to all elements of culture. Myth underlies cultural reality – it is a core of culture. If we imagine culture as an onion comprised of different layers (the “onion” model of culture), than myth is the center of it – it is a core beyond articulation. It generates our beliefs and assumptions that are rarely explicated, however there beliefs and assumptions shape both the structure of personality and culture. They are taken for granted, but support any culture. They manifest themselves in an explicit form in values, purposes, goals, strategies, philosophies, which motivate us and shape our reality. Mythology is one of the ways to comprehend and interpret the world around us. Its basic concepts are the “world” and “human”. Through the lens of these concepts, people realized their destiny in the world and formed life attitudes during the early stages of human development. Giving place to philosophy and science, mythology has not lost its important place in human history. Mythological narratives were borrowed by many religions. In recent decades, representatives of literature and art have intentionally used myths to express their ideas. They have not only rethought ancient myths, but have created new mythological symbols. Nowadays, an interest in myths and mythologies has dramatically increased, and it is not by chance. The famous researchers of the primitive cultures and mythologies as the ways of mastering and interpreting the world have demonstrated the creative power and heuristic potential of myths that will be manifested in the future.

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Humans have always speculated about their past. As a result, traditions of mythology exist in every society around the globe, with most cultures having developed their own independent foundation myths to explain why society is as it is. Their abundance throughout human history argumentatively embodies the notion that myth provides the underlying essence of human culture and social organization.

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Generally mythology is understood as the collection of stories of deities, superhuman beings and contains several miracles. The term is a combination of two words- ‘mythos’ and ‘logos’. ‘Mythos’ is the utterance prone to imagination, rather than truth and ‘logos’ is the meaning conveyed by this utterance. But the term ‘mythology’ goes even beyond a simplistic meaning and connotes a systematic study of myths. Myths take us to the remote period when the world was young and when the humans were close to nature. The myths are the innocent expressions of the perceptions of human minds. There are several types of myths. Nearly every civilisation has myths about the origin of universe. Since there was awe about phenomena of nature many myths were connected to performance of rituals- the rituals being considered as solutions to natural calamities. Myths about the divine origin of dynasties offered legitimacy to their political rule. The incident of death has been a riddle to humans because of the inquisitiveness as to what happens to the soul when it departs from the body. Consequently, myths sprang on the life-after-death world. In the absence of development of science, human body was considered to be under the vigilance of divine and superhuman powers and any disobedient behaviour on the part of human beings was ascribed to the wrath of these powers. Hence myths were formed on the theme of diseases. With the renaissance and reformation during medieval times and mainly with the advance of science myths seemed to evaporate. But the quest of human mind for the universe is unending and hence the process of myth-making continues. Myths have not vanished but have assumed many forms like science- fictions or the movies picturing the mysteries of other worlds.

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If there is anything that radically set the 20 th century apart from what had gone before, it is the two unprecedented developments: the birth of psychology and the rise of the fantastic. The two processes were not unrelated: psychology came in the wake of discovering that the human mind contains a dimension that is only partially accessible to consciousness. The literary fantastic, in turn, was an attempt to explore this dimension and its influence on the human mind. Both psychology and the fantastic identified myth to be foundational for their fields, either as a record of alternative modes of thought or as a narrative strategy hardwired into human cognitive architecture. One result of this rediscovery of myth has been the proliferation of myth theories. In this chapter I look at four approaches to myth that have not made it into the myth theory canon. These include Immanuel Velikovsky's euhemerist reading of world myths as a memory of cosmic catastrophes and near-extinction events witnessed by various human societies in the past; Julian Jaynes' proposal about Greek myths—especially those recorded in the Iliad—as narrative accounts of bicameral consciousness that preceded our modern subjective consciousness; Sean Kane's comparative perspective on world mythtelling traditions as forms of humanity's dialogue with nature; and Jonathan Gottschall's social Darwinist reading of the Iliad and the Odyssey that positions these texts as narrative testimonies of a struggle for Darwinian fitness within an exacting eco-cultural niche. Starting with a brief taxonomy of myth theories, their types, and contexts in which they emerged and functioned, I call attention to the fact that any theoretical approach to myth is inescapably mythopoeic. Theories of myth are attempts to recreate the meaning of myths once their literal account is " no longer accepted, " 1 and also attempts to identify the source and urgency of specific myths both to the people Züleyha Çetiner-Öktem. Ed. Mythmaking Across Boundaries. Newcastle, UK: Cambridge Scholars Press, 2016

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Departing from the proposition that the formation of myths is a typical feature of being human, their truth or falsehood is explored. Referring primarily to classical mythology, a myth is defined as a story which attempts to make sense of our inner and external environments. Supernatural agents are the main actors. Various theories about the functions of myths are discussed. Their basic embeddedness within the premodern three-storeyed vision of the cosmos, is set out. The value of myth analysis is illustrated by referring to New Testament Studies, Political Studies, Film Studies, Sociology, Psychology, Communication Studies, and the Science of Management. The article concludes by demonstrating the dangers of reading myths literally, as in fundamentalist Christianity, undermining free and open critical inquiry and leading to mind-control, manipulation, and persecution.

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How To Write A Myth in 16 Steps With Examples

Have you ever wondered how ancient myths and legends were created? Fancied having a go at writing your own tall tale? Well, you’ve come to the right place! In this blog post, we’ll be walking through a simple 16-step process to teach you exactly how to write a myth from start to finish. From deciding on your mythological characters and settings to plotting your story arc and bringing it all to life with feedback and editing – we’ve got you covered. So if you’re ready to unleash your inner Homer or Aesop and try crafting your own mythical masterpiece, read on for a fun, easy-to-follow guide on how to write a myth that would make the ancient storytellers proud!

Types of Myths

Myths vs. legends, examples of famous myths, step 1: think of a theme, step 2: decide on the moral, step 3: incorporate symbolic elements, step 4: idea summary, step 5: character development, step 6: setting development, step 7: define the conflict, step 8: outline the beginning, step 9: plan the resolution, step 10: develop a plot outline, step 11: write the first draft, step 12: choose a title, step 13: edit and revise, step 14: seek feedback, step 15: final edit, step 16: publish and share, how do i write my own myth, what are the 5 elements of a myth, what is an example of a myth, how do myths start.

• What is an example of a kids' myth?

What is a Myth?

Myths are influential fictional stories that have been passed down for generations across different cultures. They have had enduring appeal as they often explore timeless themes about human existence – from birth and love to conflict and death. Myths also offer explanations about our world – why the sun rises, how different languages originated, and what happens after death.

While myths are fictional rather than factual accounts, for ancient civilizations they represented a reality grounded in their unique cultural contexts and belief systems. Myths helped shape worldviews, values and customs within these societies. Modern society may classify myths as fantasy , fairytales or legends but their imaginative power and symbolic meaning still resonates.

The fantastical elements in myths like all-powerful gods, mystical quests or monstrous beings capture our imagination. Talking animals and shape-shifting tricksters teach us moral lessons. Heroes overcoming epic trials represent the universal theme of the underdog defeating mighty opponents against the odds. Myths reveal both human flaws and virtues – jealousy and deception but also courage, ambition and redemption.

So myths continue to have significance and value. Their timeless quality means they can be reinterpreted to explore modern challenges – from ethical issues posed by technology to current social dynamics about gender and race. Myths also inspire contemporary pop culture through comic book heroes on quests to computer games built around mythic themes and imagery. Their metaphorical style adds depth to any form of storytelling across genres and mediums.

Myths come in many forms, serving distinct purposes across cultures and eras. Though myths may intertwine multiple elements, some main categories include:

• Creation Myths : Explain the origins of the universe, Earth, and humanity. They often involve gods, goddesses, or supernatural beings.
• Heroic Myths: Focus on the adventures and exploits of heroic figures. These myths often follow a hero’s journey , involving challenges, trials, and a transformation.
• Trickster Myths: Feature characters who are clever, mischievous, and often disrupt the natural order of things. The trickster figure challenges societal norms and brings about change.
• Etiological Myths: Explain the origins of customs, traditions, or natural features. These myths provide cultural explanations for certain practices or phenomena.
• Cosmogonic Myths: Similar to creation myths, cosmogonic myths address the origin and order of the cosmos, including the relationships between various celestial bodies.
• Didactic Myths: Also known as folktales or fables. Convey moral lessons or teachings. These myths often involve characters facing moral dilemmas and making choices that lead to consequences.
• Afterlife Myths: Explore beliefs about what happens after death. They may describe different realms, deities, or rituals associated with the afterlife.
• Eschatological myths: Focus on endings/destruction. Like flood or rapture myths depicting world catastrophes.
• Apocalyptic Myths: Envision the end of the world or a significant transformation of the existing order. They often involve prophecies, divine judgments, or catastrophic events.
• Liminal Myths: Focus on transitions or thresholds, such as rites of passage, initiation ceremonies, or rituals marking significant life changes.
• Ancestral Myths: Explain the origins of a particular people, tribe, or community. These myths often involve the creation of the first humans or the founding of a civilization.
• Deification Myths: Describe how certain individuals or beings become gods or achieve divine status. This may involve heroic deeds, ascension, or divine intervention.

This list covers some of the major types of myths recorded from civilizations worldwide based on their central themes and messages. The great diversity illustrates myth’s enduring capacity to both explain and explore the human condition in creative ways that still influence how we tell stories today across artistic mediums.

Myths and Legends share similarities in being tales passed down over generations that take on symbolic meaning. However, they have some distinct differences:

• Origins : Myths trace back to ancient oral storytelling traditions grounded in religion /spirituality. Legends originate from perceived historical events and may incorporate real people or places.
• Timeframes : Myths are set in ancient, timeless settings like the beginnings of Earth or humanity. Legends occur in knowable eras of antiquity but details remain unreliable or obscure.
• Characters : Myths utilize archetypal non-human characters like all-powerful gods, magical beasts or the forces of nature in human form. Legends may feature heroic human characters accomplishing exaggerated feats.
• Believability : Ancient societies often took myths as literal explanations of divine truths. Legends blur fact and fiction but don’t demand faith in the same way religious myths did.
• Functions : Myths cemented ideological belief systems and helped impart cultural values. Legends tend to inspire national/community pride in past heroes and events.

In essence, the distinction depends on whether supernatural, sacred narratives of myths give way to more grounded tales of extraordinary mortal exploits in legends.

There’s certainly overlap – legends borrow mythic tropes while myths may incorporate historical elements. But generally, myths emerge from faith and legends from memories of remarkable deeds. Evaluating the context and purpose behind fantastical tales illuminates how they spread and the significance they held.

Mythology has spawned countless captivating tales across ancient cultures that remain influential. Here are a few iconic myths and their significance:

• Icarus and Daedalus: In a Greek myth, there’s a skilled builder named Daedalus. He and his son, Icarus, were stuck on an island called Crete. To escape, Daedalus created wings using feathers and wax. He warned Icarus not to fly too high or too low. Excited, Icarus flew too close to the sun. The sun melted the wax on his wings, and he fell into the ocean and drowned. This story teaches us about the dangers of being overly ambitious without thinking. It also represents how humans strive for greatness and creativity.
• Thor vs the Midgard Serpent : In a Norse myth, there’s a big battle between Thor, the thunder god, and the enormous serpent called Jörmungandr. This happens before Ragnarök, a big event where the gods and the world are supposed to be destroyed. Thor goes fishing for the serpent using an ox-head as bait. He hooks the massive serpent, but even with his powerful belt and gloves, he can’t beat it before the line breaks, and he gets thrown backwards. This myth shows the constant struggle between opposing forces in the world, and how they balance each other through their fights for control.
• Pandora’s Box: In an ancient Greek story, there’s a woman named Pandora. The gods made her very beautiful and charming. She came with a sealed jar, and she was told not to open it. But Pandora couldn’t resist her curiosity and opened the jar. This let out all kinds of troubles like sorrow, sickness, and plague, which then affected people forever. The only thing left inside the jar was hope. This story tells us that even when faced with difficulties, people can still keep going with hope.
• The Buddha: In a story from Hindu and Buddhist traditions, there’s a prince named Siddhartha Gautama who later becomes the Buddha, which means the Awakened One. He leaves behind his comfortable life as a prince, including his wife and son, after seeing how much suffering exists in the world. He goes on a spiritual journey for many years, trying extreme ways to find enlightenment. After a simple meal, he sits under a tree and enters deep meditation. During this time, a demon named Mara tries to distract him with desires and fears, but the Buddha remains focused. He reaches a state called nirvana, gaining profound insights. The teachings of Buddhism come from these insights, suggesting that letting go of material desires and fixed ideas can free people from worldly sorrows. This myth shows that humans can transcend difficulties and reach a state of enlightenment.
• Hercules (Heracles): From Greek mythology Hercules, the son of Zeus and a mortal woman named Alcmena, faced a series of challenges known as the Twelve Labors as a punishment for a crime committed in a fit of madness. One of these labours was to clean the Augean stables, which housed an immense number of cattle and had not been cleaned for years. It seemed like an impossible task. Hercules, known for his strength, devised a clever plan. He redirected the rivers Alpheus and Peneus to flow through the stables, cleaning them in a single day. Despite his initial disbelief, King Augeas, who owned the stables, refused to honour his agreement to reward Hercules. This myth illustrates Hercules’ wit and problem-solving skills, showcasing that strength alone is not always the solution. It also highlights the theme of justice as Hercules faced an unfair situation and ultimately demonstrated his capabilities through intelligence and resourcefulness.

These represent just snippets of legendary tales full of symbolic details that have endured for millennia. They remind us of myth’s storytelling power – using fantasy and imagination to probe poignant universals that still compel audiences today.

How To Write A Myth in 16 Steps

Myths have charmed readers for millennia thanks to their imaginative worlds and timeless themes. If you want to join the ranks of storytellers like Homer, the Brothers Grimm, and J.R.R Tolkien, follow these 16 simple steps to learn how to write a myth:

Choosing a theme is the foundational step in crafting a myth. It involves selecting a fundamental concept, value, or message that will serve as the core focus of your narrative. Themes can range from love and courage to justice or any other overarching idea. This choice not only provides direction to your tale but also shapes the underlying philosophy that will resonate with your audience. Consider what profound concept you want to explore and what moral or lesson might emerge from it.

You might want to take a look at our collection of myth ideas for some inspiration on possible themes for your own myth.

Here is a list of common themes found in myths:

• Courage: Exploring the inner strength needed to face adversity and overcome fears.
• Love and Sacrifice: I nvestigating the transformative power of love and the sacrifices one might make for it.
• Justice and Redemption: Delving into the pursuit of justice and the possibility of redemption, even in the face of past mistakes.
• Wisdom and Knowledge: Uncovering the value of wisdom, knowledge, and the pursuit of understanding.
• Fate and Free Will: Examining the interplay between destiny and the choices individuals make, challenging the concept of fate.
• Friendship and Loyalty: Exploring the bonds of friendship and loyalty, and the challenges faced in maintaining them.
• Nature and Balance: Reflecting on the interconnectedness of nature and the importance of maintaining balance in the world.
• Perseverance and Resilience: Illustrating the power of persistence and resilience in the face of trials and tribulations.
• Forgiveness and Reconciliation: Focusing on the themes of forgiveness and reconciliation, exploring the healing power of letting go.
• Self-Discovery and Identity: Following characters on a journey of self-discovery, exploring questions of identity and purpose.
• Hope and Despair: Investigating the contrast between hope and despair, and the transformative impact of hope in challenging situations.
• Duty and Honour: Examining the concepts of duty and honour, and the conflicts that may arise when these principles are tested.

These themes provide a starting point for beginners, offering broad and profound concepts that can be explored in various ways within the structure of a myth. As a beginner, choose a theme that resonates with you and sparks your imagination. Remember, the theme is the soul of your myth, anchoring it with a deeper purpose beyond the surface narrative.

If your theme is “Courage,” your myth might revolve around characters facing daunting challenges and finding inner strength to overcome them. The theme of courage can be expressed through the characters’ actions, decisions, and personal growth throughout the mythic journey.

Once you’ve identified the theme of your myth, the next crucial step is to determine the moral or lesson you want your audience to take away from the narrative. The moral is the guiding principle or truth about living a good life that aligns with your chosen theme. This element gives depth and purpose to your myth, as it imparts meaning beyond the surface storyline.

Here are some key elements to consider in this step:

• Alignment with Theme: Ensure that the chosen moral resonates with and complements the theme you’ve selected. It should be a natural extension of the theme, reinforcing the central concept.
• Universal Applicability: Aim for a moral that possesses universal appeal, allowing readers to relate to and find personal relevance in the lessons imparted by your myth.
• Character Transformation: Consider how the moral will contribute to the transformation of your protagonist. The mythic journey often involves personal growth, and the moral serves as a compass guiding this transformation.

Deciding on the moral is crucial because it gives your myth a purpose beyond entertainment. It elevates the narrative to a realm of meaningful storytelling, allowing readers to connect with the characters and events on a deeper level. The moral provides a guiding light, shaping the overall message you wish to convey and leaving a lasting impact on those who engage with your myth.

Example:  

If your theme is “Courage,” your moral might be centred around the idea that true courage is found not in the absence of fear but in the face of it. This moral aligns with the theme and encourages readers to reflect on the nature of courage in their own lives.

Once you’ve established the theme and decided on the moral, the next step involves weaving symbolic elements into your myth. These elements can take various forms, including items, characters, colours, numbers, and more. Symbolism adds depth and layers of meaning to your story, enhancing its richness and reinforcing the themes and messages you wish to convey.

• Relevance to Theme and Moral: Ensure that the symbolic elements chosen are relevant to the theme and moral of your myth. They should enhance the narrative rather than feel forced or arbitrary.
• Metaphorical Representation: Symbolic elements often carry metaphorical meaning. Consider how they can represent deeper concepts, emotions, or aspects of the human experience.
• Consistency and Coherence: Maintain consistency in the use of symbolism throughout your myth. Symbolic elements should contribute to the overall narrative rather than feeling disjointed.
• Reader Engagement: Allow room for reader engagement with the symbolism. Some elements may be more clear, while others might be subtle, encouraging readers to interpret and discover meanings on their own.

Incorporating symbolic elements adds layers of meaning to your myth, making it a more immersive and thought-provoking experience for readers. Symbols have the power to evoke emotions, create connections between elements in the story, and reinforce the overarching themes. Well-executed symbolism enhances the myth’s impact, allowing readers to explore deeper levels of interpretation and engage with the narrative on a more profound level.

Example: 

For the theme of courage, you might incorporate a symbolic element like a Phoenix feather. The Phoenix, known for its mythical rebirth from its ashes, becomes a symbol of resilience and the ability to rise anew despite challenges. The feather, handed down through generations, represents the legacy of courage within a family or community. As characters face daunting trials, the presence of the Phoenix feather serves as a reminder that courage isn’t the absence of fear but the determination to confront and overcome it, emerging stronger on the other side. In this way, the Phoenix feather becomes a metaphorical representation of the theme, adding layers of meaning to the narrative and reinforcing the message about the nature of courage.

After establishing the theme, deciding on the moral, and incorporating symbolic elements, it’s time to create a concise idea summary for your myth. This summary serves as a condensed version of your myth, outlining the basic premise, main characters, central conflict, supernatural aspects, and the moral message in a paragraph or two.

• Protagonist and Basic Arc: Introduce the main character (or characters) and briefly outline their journey or character arc. What challenges do they face, and how do they evolve throughout the myth?
• Main Conflict: Identify the central conflict that drives the narrative forward. Is it a moral dilemma, a battle against dark forces, or a quest for self-discovery?
• Supernatural Aspects: If your myth involves supernatural or fantastical elements (common in many myths), provide a glimpse of these aspects. This could include gods, magical creatures, or enchanted objects.
• Moral Message: Summarize the moral or lesson that readers should take away from your myth. How does the protagonist’s journey and the resolution contribute to this message?

The idea summary serves as a roadmap for your myth, providing a clear and concise overview of its key elements. It acts as a guide for the subsequent steps, ensuring that your narrative remains focused on its core themes and messages. Additionally, having a well-defined idea summary can be a valuable tool for pitching or sharing your myth with others.

Aria, a young girl from the mystical land of Eldoria, finds an ancient prophecy about a looming darkness that will consume the world. She is chosen by the gods to stop it, armed with a Phoenix feather inherited from her ancestors. Along her perilous quest, she encounters mythical creatures and faces moral dilemmas that test her courage. She learns that courage is not the lack of fear, but the will to act despite it. In the final showdown, she faces the source of the darkness, a monstrous entity that feeds on fear. She musters all her courage and stabs the Phoenix feather into its core willing to sacrifice herself, triggering a massive blast of light and heat. The darkness is burned away, and the land is restored to its natural beauty.  She realizes that the Phoenix feather symbolizes courage, a powerful force that can overcome any evil.

Character development is a crucial aspect of crafting a compelling myth. In this step, you’ll outline your characters, delving into their backgrounds, motivations, flaws, and the growth they undergo throughout the mythic journey.

Here are the key components of developing characters:

• Protagonist : Introduce your main character—the protagonist—who will navigate the challenges of the myth. What makes them unique? What are their strengths and weaknesses?
• Backstories : Provide backgrounds for your characters. What events or experiences have shaped them into who they are at the beginning of the myth?
• Motivations : Explore the motivations driving your characters. What do they desire, fear, or hope to achieve? Motivations often propel characters forward in the face of adversity.
• Flaws : Characters with flaws are relatable and dynamic. What imperfections or internal struggles do your characters grapple with? How do these flaws contribute to their arcs?
• Character Arc : Consider how the challenges and trials of the myth will lead to the growth and transformation of your characters. What lessons will they learn, and how will they evolve?
• Supporting Characters: You should also consider introducing supporting characters who complement and challenge the protagonist. These characters can provide additional layers to the narrative and contribute to the growth of the protagonist.

Well-developed characters contribute to the emotional appeal of your myth. Readers connect with characters who feel real and undergo meaningful transformations. Character development adds depth, authenticity, and relatability to your narrative, making the myth more engaging and impactful.

• Aria is a young and determined girl from Eldoria. 
• Background: Her background reveals a lineage of courageous ancestors, instilling in her a sense of responsibility. 
• Weakness: Aria struggles with self-doubt and the fear of not living up to her family’s legacy. 
• Motivation : Her motivation stems from a deep desire to prove her courage and protect Eldoria from the impending darkness.
• Character Arc: As Aria faces mythical creatures and moral dilemmas, her flaws become apparent. She must confront her self-doubt and overcome her fear, learning that courage is not about being fearless but about acting despite fear. Through the challenges, Aria experiences significant character growth. By the end of the myth, she emerges as a resilient and self-assured individual, having discovered the true meaning of courage.
• Cyrus, a wise elder and mentor, becomes a pivotal supporting character in Aria’s journey. 
• Background: With a mysterious past tied to ancient prophecies, Cyrus possesses knowledge crucial to Eldoria’s survival. 
• Motivation: His motivations are rooted in a deep sense of duty to guide and protect the realm. 
• Weakness: Despite his wisdom, Cyrus grapples with a past mistake that haunts him, serving as a reminder that even the wise have imperfections.
• Character Arc: Throughout the myth, Cyrus serves as both guide and challenge to Aria. He imparts valuable lessons about courage, sacrifice, and the interconnectedness of all things. As Aria faces the trials ahead, Cyrus’s guidance becomes instrumental in her growth. In turn, Aria’s courage inspires Cyrus to confront his own lingering fears.

Setting development is the process of creating and detailing the world in which your myth unfolds. The setting encompasses not only the physical locations but also the cultural, historical, and magical elements that contribute to the overall atmosphere of the narrative.

Here are the key elements for this step:

• Primary Setting: Define the primary location or realm where the events of your myth take place. Is it a fantastical land, an ancient city, or a mythical kingdom? Consider the geography, climate, weather patterns , and overall ambience.
• Crucial Locations: Identify specific locations within the primary setting that play a key role in the narrative. These could be sacred sites, enchanted forests, mythical caves, or significant landmarks.
• Cultural Elements: Explore the cultural aspects of your setting. What beliefs, traditions, and customs shape the characters’ lives? Cultural elements add depth and authenticity to the world you’re creating.
• Historical Backstory: Develop a historical backstory for your setting. What events have shaped the world, and how do they influence the characters and conflicts in the present? A rich history can enhance the myth’s sense of depth.
• Magical Aspects: If your myth involves magic or supernatural elements, detail how these aspects manifest in the setting. Are there magical creatures, artefacts, or ley lines that influence the characters’ journeys?

Setting development establishes the backdrop against which your characters’ journeys unfold. A well-crafted setting immerses readers in the world of your myth, making it more striking and captivating. Additionally, the setting can influence the characters’ beliefs and actions, contributing to the overall atmosphere and thematic appeal of the narrative.

Eldoria, the mystical land in which our myth unfolds, is a realm steeped in magic and ancient prophecies. The primary setting consists of diverse landscapes, from sprawling enchanted forests to majestic mountain ranges. Eldoria is governed by the principles of balance, with natural forces and magical energies interwoven into the fabric of everyday life. Crucial locations include the Sacred Grove, where prophecies are whispered by ancient trees, and the Luminous Falls, a source of magical energy that sustains the land. The cultural elements of Eldoria centre around a deep reverence for nature and a belief in the interconnectedness of all living things. Eldorians celebrate seasonal festivals that honour the cycles of nature. The historical backstory reveals a time when Eldoria faced a similar threat of darkness, and a legendary hero emerged to restore balance. This hero’s legacy echoes through the ages, influencing the characters’ beliefs and motivations. Magical aspects include mythical creatures like the ethereal Moonlight Stags and the elusive Starlight Foxes, both guardians of ancient secrets.

In Step 7, you will define the central conflict that drives the narrative of your myth. The conflict is the driving force that moves the characters forward, creating tension, drama, and opportunities for growth. This step involves determining what challenges, obstacles, or moral dilemmas your characters will face as they embark on their mythic journey.

Here are the key elements of defining the conflict:

• Nature of the Conflict: Clearly state the central conflict that forms the core of your myth. Is it a physical threat, a moral dilemma, an internal struggle, or a combination of these elements? Define what the characters are up against.
• Stakes: Outline the stakes involved in the conflict. What is at risk if the characters fail to overcome the challenges they face? Stakes add urgency and significance to the narrative.
• Antagonistic Forces: Identify the antagonistic forces that oppose the protagonist. These could be external entities, internal struggles, or even the consequences of their own choices. Antagonistic forces create opposition and obstacles.
• Moral Complexity: If your conflict involves moral dilemmas, explore the ethical complexities surrounding the choices your characters must make. This adds depth and nuance to the narrative.

The conflict is the driving force behind your myth, shaping the characters’ journeys and providing a narrative arc. A well-defined conflict creates suspense, engages readers emotionally, and sets the stage for the characters’ growth and transformation. It establishes the challenges that must be overcome, making the myth compelling and resonant.

• Self-Doubt: Aria doubts her magical abilities, fearing that she lacks the strength to combat the darkness. This self-doubt hinders her from fully embracing her role as the chosen one.
• Moral Dilemmas: Aria encounters a village torn between two factions, each seeking her assistance. The moral dilemma forces her to choose between conflicting values, challenging her understanding of justice.
• Fear of Failure: Aria envisions the consequences of failing in her mission, haunted by the idea of Eldoria succumbing to eternal darkness. This fear propels her forward but also tests her resilience.
• Corrupted Mythical Creatures: Aria faces a once-gentle unicorn corrupted by the darkness. Overcoming the creature requires both physical combat and a demonstration of empathy to restore its purity.
• Monstrous Entity: The monstrous entity, fueled by fear, creates illusions that prey on Aria’s deepest fears. Overcoming this external threat demands Aria to confront her personal demons while battling the monster.
• Isolation: Aria finds herself alone in the eerie Whispering Woods, where shadows play tricks on the mind. The isolation intensifies her internal struggles and challenges her ability to trust her instincts.
• Environmental Hazards: Eldoria’s magical landscape shifts unpredictably, creating illusions and mirages. Aria must discern reality from illusion, adding an external layer of challenge to her journey.

In Step 8, you will outline the beginning scenes of your myth. This involves crafting the opening moments that introduce readers to the world, characters, and central conflict. The beginning sets the tone for the entire narrative, hooking readers and drawing them into the mythic journey.

Here are the key elements to consider:

• Introduction of the Protagonist: Establish the main character, providing essential details about their identity, background, and current situation. Create a connection between the protagonist and the readers.
• Introduction of the World: Describe the setting and the mystical elements of the world in which the myth takes place. Transport readers to a realm filled with magic, wonder, and potential challenges.
• Foreshadowing: Drop subtle hints or clues about the impending conflict or challenges the protagonist will face. Foreshadowing adds intrigue and anticipation, encouraging readers to delve deeper into the narrative.
• Establishing the Normal World: Present the protagonist’s everyday life before the call to adventure. This normal world provides a baseline against which readers can measure the transformative journey that lies ahead.
• Introduction of Key Elements: Introduce any key elements, symbols, or objects that will play a significant role in the myth. These elements may include magical artifacts, prophecies, or mythical creatures.

The beginning of the myth serves as the narrative’s foundation, establishing the characters, world, and conflict. A well-crafted beginning captivates readers, prompting them to invest emotionally in the protagonist’s journey. It also sets the stage for the transformation that will unfold as the myth progresses.

The myth begins with Aria, a young girl from Eldoria, going about her daily life in the quaint village of Lumara. The sun-dappled streets and the laughter of children provide a sense of the normal world. Aria is introduced as a relatable character, known for her kindness and curiosity. As Aria practices her magical abilities in a secluded grove, readers witness the first hint of foreshadowing—an ancient prophecy etched into the bark of an ancient tree. The words speak of a looming darkness and a chosen one who will stand against it. Aria, unaware of her destiny, continues her routine. The normal world is disrupted when mysterious shadows start encroaching on Eldoria. Aria witnesses the corruption of once-gentle creatures and feels an unexplained calling. The call to adventure begins as Aria discovers the Phoenix feather, a family heirloom that glows with newfound intensity. This sets the stage for her journey to confront the darkness and fulfil the prophecy.

In Step 9, you will plan the resolution of your myth. This step involves scripting the conclusion of the narrative, determining how the central conflict will be resolved, and outlining the fate of the characters. The resolution should bring closure to the story while imparting the moral lesson or universal truth you want readers to take away.

Here are the key elements of this step:

• Climax: Identify the highest point of tension in the story, often referred to as the climax. This is the moment of greatest conflict or confrontation between the protagonist and the antagonist.
• Resolution of the Central Conflict: Determine how the central conflict will be resolved. Will the protagonist succeed in overcoming the challenges, or will there be a tragic outcome? The resolution should align with the overarching theme of the myth.
• Character Arc Completion: Ensure that the resolution reflects the growth and transformation of the protagonist. Characters should undergo significant changes, learning important lessons or discovering newfound strengths.
• Impact on the World: Consider how the resolution will impact the world of the myth. Will there be a restoration of balance, a transformation of the realm, or a lasting change in the characters’ lives?
• Moral Message: Clarify the moral or universal truth that the resolution will convey. This is the lesson or insight that readers should take away from the mythic journey.

The resolution is the culmination of the mythic journey, providing a sense of closure and fulfilment. It is the moment where the themes, conflicts, and characters come together to deliver a powerful message. A well-planned resolution leaves a lasting impression on readers and reinforces the moral or universal truth embedded in the myth.

As Aria confronts the monstrous entity fueled by fear in the climactic showdown, the Phoenix feather becomes the key to the resolution. The entity, representing the embodiment of darkness, is relentless in its attempt to consume Aria’s courage. The climax unfolds as Aria, drawing strength from within, stabs the Phoenix feather into the entity’s core killing herself in the process. This courageous act triggers a blinding blast of light and intense heat, burning away the darkness that had threatened to engulf Eldoria. The world is restored to its natural beauty, and the once-corrupted mythical creatures regain their purity. Aria, however, is presumed dead in the aftermath. In a poignant twist, Aria’s soul emerges from the light, having absorbed the darkness into the Phoenix feather. Aria is transformed, now radiating with a brilliant glow like a phoenix rising from the ashes. Aria’s character arc is complete, as she learns that true courage involves self-sacrifice and that even the darkest aspects can be transformed into light. The resolution leaves a lasting impact on Eldoria, symbolizing the triumph of courage over fear. The realm is forever changed, and Aria’s sacrifice becomes a legendary tale told across generations.

In Step 10, you will develop a comprehensive plot outline for your myth. This involves mapping out the narrative structure, key events, and character developments from the beginning to the resolution. The plot outline serves as a roadmap, guiding your writing process and ensuring a coherent and engaging story.

Here are the key elements of outlining the plot:

• Hooking Opening: Craft an engaging opening that captures the readers’ attention and introduces the world of your myth. This could involve an intriguing event, a mysterious prophecy, or the introduction of a compelling character.
• Rising Action: Outline the series of events that build tension and propel the story forward. This includes challenges, conflicts, and discoveries that the protagonist faces on their journey.
• Climax: Identify the highest point of tension in the story, where the central conflict reaches its peak. The climax is a pivotal moment that often involves a confrontation between the protagonist and antagonist.
• Falling Action: Detail the events that follow the climax, showing the aftermath of the central conflict. This phase may include resolutions to secondary conflicts and the beginning of the resolution.
• Resolution: Script the conclusion of the narrative, bringing closure to the central conflict and showcasing the transformation of the characters and the world. The resolution should align with the overarching theme and moral message.

Developing a plot outline provides a structured framework for your myth, ensuring a cohesive and engaging narrative. It helps you visualize the entire story, identify key beats, and maintain a sense of direction throughout the writing process. A well-crafted plot outline serves as a valuable tool for both planning and executing a compelling mythic journey.

• Aria discovers an ancient prophecy foretelling a darkness threatening Eldoria.
• Introduction of Aria’s normal world in Lumara, a village filled with magical beings.
• Aria finds the Phoenix feather, setting her on the path of the chosen one.
• Encounters corrupted mythical creatures and faces moral dilemmas.
• Discovers the nature of the darkness and her role in stopping it.
• Confrontation with the monstrous entity fueled by fear.
• Aria’s self-sacrifice with the Phoenix feather to burn away the darkness.
• Eldoria transforms as the darkness recedes.
• Reveal of Aria’s presumed death and the impact on the realm.
• Aria’s soul emerges, transformed into a radiant figure
• Symbolic restoration of Eldoria’s purity and balance.
• The Phoenix feather becomes a beacon of courage and hope.

In Step 11, you embark on the actual writing process, crafting the first draft of your myth. This step involves translating your plot outline, character developments, and key themes into the myth. The primary goal is to get the narrative flow down on paper without obsessing over perfection.

Here are some elements to consider during this step:

• Follow the Plot Outline: Refer to the plot outline you developed in Step 10 as a guide. While writing, allow for creative detours if they enhance the narrative, but ensure that the core structure remains intact.
• Establish the Tone: Set the tone of your myth through your writing style. Consider the atmosphere you want to create—whether it’s mysterious, adventurous, or poignant—and infuse your story with appropriate language and imagery.
• Character Voices: Give each character a distinct voice and personality. Their dialogue, actions, and internal thoughts should align with their individual traits and arcs.
• Show, Don’t Tell : Use descriptive language to evoke vivid imagery and engage readers’ senses. Show character emotions, the magic of the world, and the impact of key events rather than simply stating them.
• Build Atmosphere: Create a rich and immersive atmosphere that draws readers into the mythical realm. Pay attention to the details of settings, sounds, and even the cultural nuances that contribute to the world-building.
• Maintain Consistency: Ensure consistency in character traits, world-building details, and the overall tone of the myth. This consistency enhances the believability of the fictional world.
• Embrace Creativity: Allow your imagination to flourish. Don’t be afraid to explore new ideas or unexpected twists that may enhance the narrative. The first draft is an opportunity to discover the full potential of your myth.
• Focus on Narrative Flow: Prioritize the narrative flow over perfection. The goal is to convey the essence of the story, and you’ll have opportunities for refinement in later editing stages.

Writing the first draft is a crucial step in bringing your myth to life. It allows you to explore the narrative in its raw form, discovering variations, character depths, and unexpected turns. The first draft is a creative space where you can experiment, refine your voice, and build the foundation for subsequent editing and polishing stages. It’s an exciting phase that captures the essence of your mythic journey.

Dawn’s rosy fingers stretched across the clear morning sky as Aria awoke, brimming with excitement for the Solstice Fair. She leaned out the window, drinking in the crisp air as the village of Lumara began to stir. Golden light spilled over the cobblestone streets below while the mouth-watering aroma of sweet cakes and pies drifted from the bustling bakery next door. After washing and dressing hurriedly, Aria bounced downstairs where her mother was brewing hot honey-mint tea. She wolfed down a still-warm spice bun, listening with half an ear as her mother fussed over the handwoven shawls they would sell at their fabric stall. The thrill of the annual fair left no room in Aria’s 12-year-old mind to focus on such mundane matters though. The whole village seemed infected by the frenetic energy as Aria skippered down the main thoroughfare. Everywhere colorful banners and Lantern flowers garlanded the buildings in preparation for the legendary nights of feasting ahead. Weaving through the crowds, Aria felt as if the very air tingled with festive magic. Her steps slowed as she passed the looming stone wall shrouded in emerald ivy that marked the edge of the Twilight Grove which held far greater enchantment for Aria than any Solstice Fair. The wall enclosed a forest clearing that called to Aria in a way she had never been able to explain…

Choosing a title is a crucial step in the myth-writing process. The title serves as the first impression and a guiding beacon for readers, encapsulating the essence of your myth. It should be graphic, intriguing, and reflective of the themes or central elements of the story.

Here are some key elements to consider during this step:

• Reflect the Essence: The title should capture the core theme, message, or unique elements of your myth. It should give readers a glimpse into what makes your story special.
• Evoke Emotion or Curiosity: A compelling title evokes emotion or piques curiosity. It should make potential readers want to explore the mythical world you’ve crafted.
• Avoid Spoilers: While the title should provide insight, avoid giving away major plot twists or spoilers. Maintain an element of mystery to engage readers.
• Consider Symbolism: If there are symbolic elements, key objects, or motifs in your myth, consider incorporating them into the title. This adds depth and intrigue.
• Clarity and Simplicity: Ensure that the title is clear and not overly complex. Simplicity can be powerful, making it easier for readers to remember and relate to.
• Check for Availability: Before finalizing the title, check for its availability. Ensure that it’s not already in extensive use by other works to avoid confusion.

Choosing a title is important because it serves as a gateway for readers to enter your mythical world. A well-crafted title not only attracts attention but also sets the tone for the narrative. It becomes a concise representation of the myth’s identity, making it memorable and inviting. The title is the first step in creating a connection between your story and its audience, drawing them into the enchanting realm you’ve created.

• Embers of the Eternal Phoenix

The title emphasizes the enduring nature of the Phoenix, suggesting a timeless quality to the myth. The use of “Embers” hints at both the fiery aspect and the remnants of ancient magic. “Embers” also evokes a sense of warmth and sparks curiosity about the Phoenix’s eternal flame, inviting readers to explore the myth’s mystical journey. The title maintains a level of intrigue without revealing specific plot details, leaving room for discovery within the narrative. It is also clear and concise, making it easy to remember while conveying the myth’s focus on the eternal aspect of the Phoenix.

Editing and revising are integral steps in refining your myth, enhancing its overall quality, and ensuring that it resonates effectively with your audience. This step involves a thorough examination of the narrative, language, character development, and overall coherence.

Here are the key elements of editing and revising:

• Language Refinement: Scrutinize the language used in your myth. Look for opportunities to elevate descriptions, choose graphic words, and create a more immersive reading experience. Ensure clarity and coherence in your sentences.
• Tighten Pacing: Evaluate the pacing of your myth. Ensure that the narrative flows smoothly, building tension where needed and allowing moments of reflection or revelation. Trim unnecessary details or scenes that may slow down the pace.
• Character Motivations and Development: Revisit your characters. Ensure that their motivations are clear, their actions align with their personalities, and their development arcs are compelling. Characters should feel authentic and contribute meaningfully to the story.
• Emotional Beats: Enhance emotional beats within the story. Whether it’s moments of triumph, tragedy, or self-discovery, make sure these emotional points resonate with readers. Readers should feel connected to the characters and invested in their journeys.
• World-Building Consistency: Check for consistency in your world-building. Ensure that the rules of the mythical world are adhered to and that details about locations, magical elements, and cultural elements remain coherent.
• Address Plot Gaps: Identify any plot gaps or inconsistencies. Make sure that the sequence of events is logical, and that resolutions align with the established conflicts. Fill in any gaps in the narrative that may leave readers confused.
• Balance Descriptive and Action Scenes: Strike a balance between descriptive scenes that establish the atmosphere and action scenes that drive the plot forward. Too much description without progression can lead to pacing issues.
• Check for Redundancy: Eliminate redundant or repetitive elements. Ensure that each scene, character trait, or piece of information contributes meaningfully to the overall narrative.
• Consistent Tone: Maintain a consistent tone throughout your myth. Ensure that the mood and atmosphere align with the themes you want to convey. Consistency enhances the immersive experience for readers.
• Grammar and Syntax: Pay attention to grammar, syntax, and punctuation. Correct any errors to ensure a polished and professional presentation of your myth.

Editing and revising are crucial steps that transform your initial draft into a polished and compelling myth. This process allows you to refine the language, tighten the narrative, and address any inconsistencies or weaknesses in the storytelling. Effective editing ensures that your myth engages readers, conveys its themes effectively, and leaves a lasting impression. It is an opportunity to elevate your work to its fullest potential before sharing it with a wider audience.

• Original Sentence: “Aria, feeling the Phoenix feather pulse, bravely uttered words she didn’t know she had.”
• Revised Sentence: “Feeling the pulsating warmth of the Phoenix feather, Aria courageously spoke words she never knew resided within her.”

Seeking feedback is a crucial phase in the myth-writing process. It involves sharing your work with others, gathering diverse perspectives, and gaining insights that can help improve and refine your narrative. Constructive feedback provides valuable guidance for enhancing your myth before its finalization.

Here are some elements to consider in this step

• Selecting Trusted Readers: Choose individuals whose opinions you value and who can provide constructive criticism. This could include fellow writers, beta readers, or individuals with an interest in mythology and storytelling.
• Ask Specific Questions: When sharing your myth, provide specific questions or areas you would like feedback on. This helps readers focus their feedback and ensures you receive insights into the aspects that matter most to you.
• Remaining Open-Minded: Approach feedback with an open mind. Be open to various perspectives and consider how different suggestions align with your vision for the myth. Remember that feedback is a tool for improvement, not a directive for rewriting.
• Balancing Positive and Constructive Feedback: Acknowledge both positive aspects and areas that need improvement. Positive feedback highlights strengths, while constructive criticism points to areas for refinement. A balanced perspective helps you build on what works well while addressing weaknesses.
• Multiple Rounds of Feedback: Consider gathering feedback in multiple rounds. Initial feedback can focus on broad aspects like plot and character development, while subsequent rounds can delve into finer details such as language and pacing.
• Implementing Changes Thoughtfully: After receiving feedback, take time to reflect on the suggestions. Decide which recommendations align with your creative vision and make changes thoughtfully. Not all feedback needs to be incorporated, and retaining your unique voice is crucial.

Feedback is a vital tool for refining your myth and ensuring it resonates with your intended audience. Other perspectives can highlight blind spots, offer fresh insights, and identify areas that might need clarification or expansion. Constructive feedback is a collaborative process that contributes to the overall quality of your myth, making it a more compelling and engaging narrative. Embracing feedback is an essential aspect of growth as a writer and contributes to the success of your myth when shared with a broader audience.

When sharing your myth with a trusted reader, you might ask specific questions such as the following:

• Did the beginning of the story grab your attention? Why or why not?
• What part of the story did you find the most exciting or interesting?
• Did you feel like you got to know the characters well? Who was your favourite, and why?
• Were there any characters whose actions or feelings you didn’t understand?
• Did the story move at a good pace, or were there parts that felt too slow or too fast?
• What was your favourite part of the story?
• Did the central conflict drive the tension effectively, and was it resolved satisfactorily?
• Were there any parts of the story where you felt confused or wanted to know more?
• Could you picture the magical world in your mind? Were there things you found confusing?
• Did you feel like you understood how the magic worked in the story?
• Did the language used in the myth enhance the storytelling, or were there areas where it could be improved?
• Were the descriptions of settings, characters, and magical elements detailed enough?
• Did you feel emotionally connected to the characters and their journeys? Were there specific moments that stood out emotionally?
• What do you think the story was trying to teach or tell you?
• Were the symbolic elements effectively woven into the narrative, or were they confusing?
• Were there unexpected twists or surprises that you enjoyed?
• Did you find any parts of the plot predictable, and if so, did it impact your enjoyment of the story?
• What did you enjoy most about the myth?
• Is there anything you think could be improved or expanded upon?

The Final Edit is the penultimate step in the process of crafting your myth. During this phase, you focus on thorough polishing, ensuring that your narrative is finely tuned, error-free, and ready to captivate your audience. The Final Edit involves both a macro and micro-level examination of your myth, addressing broader structural elements as well as minute details.

Here are the key elements to consider during this step:

• Flow and Pacing: Ensure the overall flow of your myth is smooth and engaging. Check that each scene transitions seamlessly to the next, maintaining a cohesive narrative rhythm.
• Consistency: Verify that your story maintains consistency in character traits, world-building rules, and any established magical or mythic elements.
• Word Choice: Carefully choose words that enhance the mood, tone, and imagery of your myth. Replace any repetitive or weak language with more vibrant and graphic alternatives.
• Sentence Structure: Vary sentence lengths and structures to maintain reader interest. Ensure clarity and avoid overly complex or complicated sentences.
• Dialogue : Review and refine character dialogues, ensuring they align with each character’s personality and contribute to the plot. Dialogue should feel natural and authentic.
• Character Consistency: Double-check that characters’ actions, motivations, and growth align with their established traits and arcs.
• Visual Imagery: Enhance descriptive elements to vividly paint scenes and characters in the reader’s mind. Engage the senses through rich, immersive details.
• Show, Don’t Tell: Where possible, use descriptive language to “show” the reader what’s happening, rather than simply “telling” them.
• Emotional Connection: Amplify emotional moments by fine-tuning language and expressions. Ensure that readers can connect with the characters on an emotional level.
• Pacing of Emotional Beats: Confirm that emotional peaks and valleys are well-paced, allowing readers to experience a range of feelings throughout the myth.
• Spelling and Grammar : Conduct a meticulous review for spelling and grammatical errors. Consider using grammar-checking tools, but also manually inspect the text for issues that automated tools might miss.
• Consistent Style: Ensure consistency in writing style, whether it’s formal, casual, or a blend of both.
• Clarity: Verify that the narrative is clear and easily comprehensible. Address any areas where confusion might arise.
• Readability for the Intended Audience: Consider the age group or demographic your myth targets and adjust language and complexity accordingly.
• Consistent Theme Weaving: Confirm that the chosen theme is consistently woven throughout the narrative. Every aspect of the myth should contribute to reinforcing the central theme.
• Author’s Vision: Evaluate whether the final draft aligns with your initial vision for the myth. Ensure that your unique voice and storytelling style shine through.
• Reader’s Experience: Consider how the myth will be perceived by readers. Aim to create an immersive and satisfying experience.

The Final Edit is crucial for presenting a polished and professional myth to your audience. It elevates the overall quality of your storytelling, providing readers with a seamless and enjoyable reading experience. This step is the last opportunity to catch any lingering issues and ensure your myth is ready for publication. The Final Edit reflects your commitment to delivering a well-crafted and thoughtful narrative to your audience.

Sunlight crept over the forested peaks, casting its golden glow over the sleepy village of Lumara. Aria stirred slowly from a night filled with vivid dreams of soaring over emerald treetops. As she rubbed the sleep from her eyes, the scent of baking bread and sweet honey-mint tea beckoned from the kitchen below. After changing out of her nightclothes, Aria drifted downstairs where dawn’s light streamed through the open windows. Her mother, Rhea, was stoking the brick oven’s dying embers while a kettle whistled on the stove.  “Good morning, my little owl,” said Rhea. “Ready for some cinnamon spice buns?” Aria seated herself at the hand-carved oak table as Rhea placed a hot mug of fragrant tea and two gooey pastries before her. Famished after her nighttime adventures in the dreaming world, Aria wasted no time devouring her treat. As she licked sticky cinnamon from her fingers, thoughts turned to the annual Solstice Fair which would flood Lumara with visitors and magic unlike any other day. “This year the fair will be more wondrous than ever before,” said Rhea, interrupting Aria’s delicious daydreams. There was joy but also solemnity in her mother’s voice which puzzled Aria. But before she could question it, a knock sounded at the front door…

Step 16 is the completion of your journey as a myth creator — it’s the moment you share your crafted tale with the world. This step involves taking the necessary actions to publish your myth, making it accessible to your intended audience. Here’s a breakdown of the key components within this step:

Here are the elements to consider:

• Choose Your Publishing Platform: Decide where and how you want to publish your myth. Options include traditional publishing through literary agents and publishers, or self-publishing through online platforms like Amazon Kindle or other e-book distributors. If you prefer a physical copy, consider print-on-demand services.
• Formatting and Presentation: Ensure your myth is formatted appropriately for the chosen publishing platform. Pay attention to font styles, page layouts, and any illustrations or images you plan to include. A polished and professional presentation enhances the reader’s experience.
• Cover Design: Create an eye-catching and relevant cover design. The cover is often the first thing potential readers notice, so it should reflect the essence of your myth and entice them to explore further. If you’re not artistically inclined, consider hiring a professional cover designer.
• Metadata and Descriptions: Craft compelling metadata and descriptions for your myth. This includes a concise and engaging book description, relevant keywords, and categories. This information is crucial for attracting the right audience and improving the discoverability of your myth.
• Distribution Channels: Decide whether you want to make your myth available exclusively on a single platform or distribute it widely across multiple channels. Each distribution choice has its advantages and considerations, so weigh them based on your goals.
• Marketing and Promotion: Develop a marketing strategy to promote your myth. Utilize social media, author websites, book blogs, and other platforms to build anticipation and reach potential readers. Consider offering promotional discounts or free giveaways to generate initial interest.
• Author Platform: If you haven’t already, establish an author platform. This could be a personal website, social media profiles, or an author page on platforms like Goodreads. An author platform helps you connect with readers and build a community around your work.
• Engage with Readers: Actively engage with readers who discover and read your myth. Respond to reviews, participate in discussions, and consider organizing virtual or local events. Building a connection with your audience can foster a loyal readership.
• Feedback and Iteration: Remain open to feedback from readers. Use constructive criticism to improve your future works and consider releasing updated editions of your myth based on valuable insights.
• Legal Considerations: Be aware of any legal considerations related to publishing, especially if you choose to use traditional publishing contracts or self-publishing platforms. Understand copyright, licensing, and any contractual agreements.
• Celebrate Your Achievement: Take a moment to celebrate the completion and publication of your myth. Whether it’s a personal accomplishment or the beginning of a larger writing career, acknowledge the effort and creativity you poured into your work.

Publishing and sharing your myth marks the end of your creative endeavour. This step transforms your narrative from a personal project to a piece of art meant to be experienced by others. Sharing your myth with the world allows you to connect with readers, receive feedback, and contribute to the rich tapestry of storytelling. Whether you aim for a wide readership or a niche audience, publishing and sharing are essential steps in the lifecycle of your myth.

Following this straightforward process on how to write a myth will have you conjuring up incredible lands and beloved characters in no time. Soon you’ll be weaving magical narratives that speak to universal truths and capture imaginations for generations to come.

Frequently Asked Questions 

If you want to try your hand at crafting an epic mythic tale, the good news is getting started is straightforward. While myths often deal with grand themes tied to a culture’s cosmology, at their core they relate compelling narratives about universal struggles facing heroes and gods.

The first step is to decide on the core concept or message you want to explore through allegory. Think of timeless ideas surrounding morality, the meaning of life, good vs evil. Themes of love, courage, justice, and temptation are mythic staples.

Next, build your wondrous setting and characters who will bring everything to life. Unleash your creativity when conceiving locations, magical elements, immortal beings and the hero’s adventure. Traditionally myths incorporate fantasy tropes like enchanted weapons, supernatural transformations and talking animals.

Outline the sequence of events from the Call to Adventure trigger that disrupts the known world to the climatic showdown. Follow conventions from famous myth cycles but put your unique spin to surprise audiences. Monitor the pace so stakes escalate as the tale builds to an epic showdown settling conflicts in a satisfying way.

While crafting memorable dialogue and vivid imagery, focus on imparting the moral perspective intended to guide mortals. Let symbolic motifs reinforce your themes of choice. Execute revisions until you have a tight, well-structured myth for the ages! Share printed or online and enjoy as readers lose themselves in this new compelling mini-universe.

Myths across cultures and time periods tend to share certain essential ingredients that capture the imagination. If you want to write a compelling mythic tale, make sure to incorporate these 5 essential elements:

• Supernatural Beings: Myths typically feature immortal gods, goddesses, magical creatures or humans with extraordinary abilities as characters. Their supernatural feats provide that sense of awe and wonder.
• Universal Themes: Fundamental, timeless concepts like love, courage, temptation, jealousy or the battle of good vs evil form the thematic backbone that gives myths appeal.
• Symbolic Elements: Metaphors and motifs like special objects, numbers, colours or seasons litter mythic narratives, representing abstract ideas related to their universal themes.
• Moral Lesson: A teaching or worldview on how mortals can live just, meaningful lives tend to be imparted. Myths establish cultural values.
• Heroic Journeys: The protagonist tends to embark on an adventurous quest or perilous journey of self-discovery that transforms them, allowing them to conquer whatever threatens their world.

By incorporating all these ingredients, you’ll craft a myth capable of enduring for generations as great iconic stories regularly do. So unleash your imagination and get writing!

One famous mythic tale which contains quintessential ingredients from across cultures is the ancient Greek story of Icarus and Daedalus. It features hubris, suspense, sorrow and a moral warning.

The tale goes that skilled inventor Daedalus fashioned wings made of feathers and wax for himself and his son Icarus to escape imprisonment, warning Icarus not to fly too close to the sun. But filled with exhilaration soaring above the azure sea, Icarus ignored his father’s warning and soared higher towards the sun’s warmth. The heat soon melted the wax binding his wings, and young Icarus plunged into the sea where he drowned.

The myth of Icarus incorporates gods, as the imprisonment was by King Minos to punish Daedalus for helping Minos’ wife give birth to the minotaur. It demonstrates man’s temptation to defy the gods and overreach. Beyond just entertainment, it imparts a moral about respecting limits placed on mortals. And it serves as an allegory for hubris or excessive pride leading to downfall.

With its familial love, suspense, tragedy and ominous warning, the legend of Icarus’ doomed flight remains impactful centuries later. All key traits of an unforgettable myth!

Myths take root in civilizations seeking to make sense of the mysteries of nature, life and death. So myths often originate as imaginative explanations of phenomena like storms, illness or conflict that frighten or confuse early humans lacking science.

Gods representing natural forces like thunder, the moon, fertility or the seas feature in nascent creation myths constructed to bring order through storytelling. Likewise, myths emerge accounting for the genesis of mankind and the cosmos featuring supernatural machinations. pantheons of gods, titans clashing or primordial cosmic eggs hatching all aim to elucidate existence.

Myths also arise from ancestors weaving fantastical histories that provide shared identity. Hence national epics like the Hindu Mahabharata or Anglo-Saxon legend Beowulf offer early tribes and dynasties storied lineage and famous deeds to rally around. Veritable characters gain superhuman qualities over centuries of oral retelling before being penned.

Often myths encode guidelines for living through the actions of deities, spirits, heroes and villains. Moral perspectives thus enter the collective consciousness. By dramatizing consequences for vice and virtues myths solidify proper codes of conduct around hospitality, war, infidelity etc.

So while methods differ, mythology always starts with imagination conjuring worlds that resonate enough to endure across generations. The rest is persistent retelling until myths become a tradition.

What is an example of a kids’ myth?

A delightful myth perfect for children is the story of the race between the tortoise and the hare. It’s a fable similar to Aesop’s animal tales, imparting a lesson in a child-friendly way that’s easy to grasp.

As the title suggests, a humble hard-shelled tortoise and an arrogant speedy hare have a contest to settle who’s faster. When they decide to race to a tree and back, the hare sprints ahead swiftly and then lies down napping certain she has won. But steady and determined, the tortoise passes the sleeping hare close to the tree to win while the hare awakes shocked learning a lesson in humility.

The simple story of the race incorporates fun personified animals children adore. It also has suspense – who will triumph? Children can absorb the moral of resilient perseverance defeating complacency or arrogance. And the visualization of a plodding tortoise improbably overtaking the speedy hare stays etched in memories.

So like the best children’s myths, “The Tortoise and the Hare” wraps the fundamental lesson of not underestimating others within an entertaining tale of a sporting rivalry that upset kids find uproariously satisfying. An enduring cautionary myth passed through generations.

We’ve covered the essential ingredients that go into crafting a memorable myth, from incorporating supernatural elements, symbols and heroic arcs to imparting profound themes or cultural values in imaginative ways. Now over to you aspiring myth-makers!

Whether you create a fantastical origin story for your favourite childhood toy or write a tragic saga extolling the virtues of perseverance like the tortoise fable, embrace your boundless creativity. As this guide on how to write a myth has shown, compelling mythology can emerge from any inspiring spark. Once you have brought your new addition to mythology to life through tireless writing and revision, share your remarkable tales far and wide.

Now, we want to hear from you! Have you embarked on your mythical odyssey, or are you inspired to begin one? Share your thoughts, ideas, or questions in the comments below.

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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• McClintock and Strong Biblical Cyclopedia - Myth
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• The Minneapolis Institute of Art - World Myths and Legends in Art - What is myth?
• Campus Manitoba Pressbooks EDU Network - Transforming English Language Arts with Visual Art, Poetry, and Related Texts - Myths and Legends Through Art, Poetry, and Story
• CORE - The Concept of Myth
• mythology - Children's Encyclopedia (Ages 8-11)
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myth , a symbolic narrative, usually of unknown origin and at least partly traditional, that ostensibly relates actual events and that is especially associated with religious belief. It is distinguished from symbolic behaviour (cult, ritual) and symbolic places or objects (temples, icons). Myths are specific accounts of gods or superhuman beings involved in extraordinary events or circumstances in a time that is unspecified but which is understood as existing apart from ordinary human experience. The term mythology denotes both the study of myth and the body of myths belonging to a particular religious tradition.

As with all religious symbolism , there is no attempt to justify mythic narratives or even to render them plausible. Every myth presents itself as an authoritative , factual account, no matter how much the narrated events are at variance with natural law or ordinary experience. By extension from this primary religious meaning, the word myth may also be used more loosely to refer to an ideological belief when that belief is the object of a quasi-religious faith; an example would be the Marxist eschatological myth of the withering away of the state.

While the outline of myths from a past period or from a society other than one’s own can usually be seen quite clearly, to recognize the myths that are dominant in one’s own time and society is always difficult. This is hardly surprising, because a myth has its authority not by proving itself but by presenting itself. In this sense the authority of a myth indeed “goes without saying,” and the myth can be outlined in detail only when its authority is no longer unquestioned but has been rejected or overcome in some manner by another, more comprehensive myth.

The word myth derives from the Greek mythos , which has a range of meanings from “word,” through “saying” and “story,” to “fiction”; the unquestioned validity of mythos can be contrasted with logos , the word whose validity or truth can be argued and demonstrated. Because myths narrate fantastic events with no attempt at proof, it is sometimes assumed that they are simply stories with no factual basis, and the word has become a synonym for falsehood or, at best, misconception. In the study of religion , however, it is important to distinguish between myths and stories that are merely untrue.

The first part of this article discusses the nature, study, functions, cultural impact, and types of myth, taking into account the various approaches to the subject offered by modern branches of knowledge. In the second part, the specialized topic of the role of animals and plants in myth is examined in some detail. The mythologies of specific cultures are covered in the articles Greek religion , Roman religion , and Germanic religion .

The nature, functions, and types of myth

Myth has existed in every society. Indeed, it would seem to be a basic constituent of human culture . Because the variety is so great, it is difficult to generalize about the nature of myths. But it is clear that in their general characteristics and in their details a people’s myths reflect, express, and explore the people’s self-image. The study of myth is thus of central importance in the study both of individual societies and of human culture as a whole.