Julia Roberts, Viola Davis, James Franco, Javier Bardem, Richard Jenkins, Billy Crudup
Ryan Murphy
Jennifer Salt, Ryan Murphy based upon book by Elizabeth Gilbert
Rated PG-13
133 Mins.
Columbia Pictures
Ryan Murphy’s Journey with Eat Pray Love
the new Ryan Murphy helmed film that stars Julia Roberts as a woman on a year-long journey of self-discovery, is a flawed film. It bears repeating. is a flawed film. At 133 minutes in length, starts to wear out its good will well within the film's two-hour mark. features pop theology, grandiose Oprah-like platitudes, bumper sticker sentimentality and what may very well be the worst cinematic lighting in a wide-release in 2010 that very nearly ruins such exotic locales as Los Angeles, Bali, India and Italy. Convinced that I hated the film? Obviously not. Despite everything, is an immensely entertaining, occasionally inspiring and genuinely feel good film that remains surprisingly faithful to the source material, a novel by Elizabeth Gilbert based upon her own experiences. Julia Roberts is Gilbert, a highly successful travel writer with a seemingly idyllic life that she sculpted who finds herself ditching her less than ambitious husband of a year (Billy Crudup) and losing everything in the divorce. Actually, Gilbert must not lose everything since after a period of floundering she concocts a plan to spend a year either finding herself or losing herself by spending 4 months in Italy eating, 4 months in India praying and 4 months in Bali following up on an earlier visit with a shaman-type (Hadi Subiyanto) and attempting to meld all of her spiritual lessons into a reasonably functional, peaceful human being. I've lost everything before. Usually, it involves eating mac n' cheese, wearing the same clothing on multiple days and living in my car. I suppose, in hindsight, I could have tried to take my car to Bali. Who'd have thunk it? Lapses in logic and romanticized enlightenment aside, however, Julia Roberts is well within her element as Gilbert, a rather sparkly blend of adventurous spirit, social butterfly, self-absorbed seeker and faux emotive wounded soul. doesn't so much require Roberts to have tremendous range, though she does exhibit a widened ability to venture into darker spaces, but the film does require Roberts to look beautiful, act "ordinary," flash those stunningly beautiful eyes as a display of vulnerability and to convincingly communicate Mr. Obvious moments of spirituality with absolute conviction. Mission accomplished. Fans of the book will most likely be ecstatic with creator Ryan Murphy's adaptation of Gilbert's writing, an adaptation that remains largely faithful to the book despite obviously having to trim down the material lest we be in the theatre for a few hours. Much like the book itself, is likely to play more successfully to a female audience though the males in the Indianapolis promo screening who provided feedback almost uniformly considered the film to be a tolerable or enjoyable "chick flick." is arguably more satisfying in Gilbert's first stop on her year long journey, a four-month stint in Italy that finds her quickly bonding with Sofi (Tuva Novotny), a beautiful young woman seemingly on a similar journey, and a small group of locals who manage to give her a genuine sense of community that gives this segment a rather authentic emotional resonance that is largely non-existent in the next two segments. Ask most readers of to name their favorite character from the book, and many of them will cite Richard, an irascible and cantankerous Texan who is at the India-based ashram where Gilbert visits following her departure from Italy. Played by the delightful Richard Jenkins ( here, Richard's character here feels muted when compared to the extensive character development he receives in the book. Here, Richard seems to primarily exist as a checkpoint for Gilbert's enlightment and to spew forth trival eastern philosophy that is so fundamental that it makes the 10 Commandments read like Shakespeare. While the scene in India may wax fundamental, the cinematic duo of Richard Jenkins and and Julia Roberts provides the entire scenario with an emotional substance that allows the dialogue to grow beyond its fundamental nature. The film winds down as Gilbert returns to Bali, where she'd first received insight that her life needed to change and she returns the scene to follow through on a commitment to the shaman and to attempt to bring together all her lessons into a neat and tidy package. Of course, it helps when that package is represented by Javier Bardem, whose presence in Bali is symbolic of his own life journey, shortcomings, aspirations and growing enlightenment. The film benefits from the convincing pairing of Bardem and Roberts, both of whom mine tremendous humanity from their characters with tremendous results. The cinematic wraps it all up infinitely tighter and neater than does Gilbert's book, however, kudos to Murphy and co-screenwriter Jennifer Salt for balancing the obligatory Hollywood ending with an awareness that the love that Gilbert discovers is a love that redefines how she exists in relationship and how she does so without abandoning herself. It's a difficult balance but, for the most part, manages to find it. While photographing a film such as isn't particularly the most grueling task known to a D.P., vet Robert Richardson nicely captures the film's exotic locales while largely holding on to the film's more intimate scenes. While the exotic locales are captured fine, Richardson's camera work appears too often to work in conjunction with a lighting design that offers Roberts a distracting halo effect in which her hair seemingly glows in scene after scene...an effect that is untrue for any other cast member. Dario Marianelli's original score is a wonder of journey and discovery, while the production design of Bill Groom nicely complements the well stated goals at each stop of Gilbert's journey. The film's remaining supporting players aren't given nearly as much to do, though Viola Davis redeems herself quite nicely and Billy Crudup manages to elicit tremendous sympathy as Gilbert's first husband. James Franco, as a younger man and relatively brief diversion for Gilbert post-divorce, is the only one here who really doesn't quite register convincingly. While Franco certainly fits the bill physically, his chemistry with Roberts is minimal and a television conversation between he and Gilbert later in the film feels forced and lacking in the emotional conviction necessary to truly make the scene about closure. As much as it may sound like this review is hyper-critical of it bears emphasizing that the film manages to work, satisfy and entertain despite a myriad of problems that would have sunk a lesser cast and director. is one of those films that, should the box-office stars align themselves, is relatively critic proof with its intertwining of quintessential Julia Roberts and a story that is tremendously meaningful and popular with Gilbert's legion of readers. |
11 comments
World-travel, on its own, has always had an amazing appeal – learning about different routes of life, history, art, culture, architecture, people, food, and experiencing the kindness of strangers along the way. Born and raised in Indonesia, I was one of those kids who dreamed to travel around the world and believed that there’s something more out there for me.
While the story has all the ingredients of a best-selling book, the film is overwhelmingly underwhelming, not to mention running long past its time for this type of tale. Broken down into three segments (or four, if you count the prologue in New York) – Italy, India, Bali – it sweeps the details of Gilbert’s (Julia Roberts’) life events under the glossy cover.
Roberts (bless her heart), with her warmth and down-to-earth vibe, does the best she can and hopes that we will root for her. The backstory with the husband (Billy Crudup) doesn’t depict the struggles and fights, those irreconcilable differences in a marriage that would lead to her exit. Instead, it’s as if Gilbert wakes up one day and decides she’s fallen out of love. The only moment where I could feel the emptiness she feels about her life is during her desperate prayer. This is a moment where she asks for guidance from above to tell her what to do.
Hopping into an affair right after the split with her husband, Gilbert jumps into a relationship with a young Broadway actor that looks like James Franco. All her life she’s always in some sort of relationship, so this is not surprising.
The film fails to mention that Gilbert received payment in advance for her globe trotting from her publisher, and it does beg the question whether she would have gone without it. It makes the reality less ‘authentic’ than if she would “go for broke” and embark on the quest “just because.”
A soul-searching journey, the longing to discover more about oneself and something greater resonates well, especially these days where it’s easy to become disillusioned.
Italy embodies the “eat” portion of the book and is a feast for foodies. Aside from the historic ruins and language, the parade of good food and fine wine showcases Italy as a culinary marvel. The hilarious hand-gestures and wee-hours of the morning of Thanksgiving dinner highlight this sojourn. It is true that there’s a difference between pleasure and merely entertainment.
India, “pray,” is in stark contrast to Italy. From the slum to the ashram, it’s certainly a contrast to Italy. India is where the human connections seem most genuine. There’s a moment in time where Gilbert connects with an Indian girl being thrown into an arranged marriage. There are meaningful walks and talks with Richard (Richard Jenkins), an American from Texas who shares his painful past and relationship with his family.
Here Gilbert learns that just because she is at the center of a sacred place, it doesn’t necessarily mean that she would feel more present. All the meditation and devotion won’t do anything as long as she’s in the pity-party mode. Harmony and happiness are not to be pursued; they’re already inside if only she could clear her mind and heart, trust and let things happen.
The beauty of Bali, “love,” is shown through the rain-forests, terraced rice paddies and tropical flowers. Gilbert re-connects with Ketut Liyer, a Balinese palm-reader and healer who she met previously. She gets to know Wayan, a divorced woman with her daughter. Wayan treats Gilbert’s leg injury after her bike was nearly run over by a jeep-driving Brazilian, Felipe (Javier Bardem). Felipe is her soon-to-be lover and husband, which all seems a little out of nowhere and a bit rushed.
In the end, “Eat Pray Love” is passable but not palatable enough. When the interactions among the characters are not believable, it’s hard to care. Instead of genuine emotional healing and spiritual awakening, Gilbert is simply swimming along from on set of events to another. “Eat Pray Love” is more of a romanticized travelogue, rather than a truly transformative one.
Copyright (c) 2010. Nathalia Aryani
Nathalia Aryani is a Rotten Tomatoes-approved film critic (rottentomatoes.com/critic/nathalia-aryani). She has a movie blog, The MovieMaven (sdmoviemaven.blogspot.com). Twitter: @the_moviemaven. She can be reached at [email protected] .
Your email address will not be published. Required fields are marked *
Currently you have JavaScript disabled. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page. Click here for instructions on how to enable JavaScript in your browser.
Subscribe today, sign up today to receive the latest content updates and subscriber perks, other topics.
Your Source for Everything San Diego
Copyright © 2018 SDEntertainer.
Dove review.
This is an unconventional story of a woman’s (Julia Roberts) search for meaning in life as well as love. When a relationship goes bad she decides to leave her home and travel abroad and experience what else is out there. It is not explained how she could afford all this travel and she doesn’t appear to be rich, but I digress.
Her search for meaning at times is a bit unusual. She prays in India but the Bible is not the focus. A comment is made that the god within you is you! However, it is the more conventional story of her search for love which carries more weight in this film. A nice romance is concocted and it is among the film’s best moments. It is nice that a character cares about learning if there is a greater meaning to her life, but it would have been nice if she would have wound up helping feed the needy, or some concrete example like that.
Needless to say, Italy and India have some good and bad moments for Liz Gilbert (Roberts). Likewise, there are some good and bad moments for the audience. But, with some frank sexual remarks included in the movie, and very strong language, not to mention rear male nudity and a lot of drinking scenes; this film falls short of receiving our Dove “Family-Approved” Seal. “Despicable Me” is still showing, and it is not a despicable film at all! In fact, it is Dove approved, as is “Step Up”.
A woman is almost run over by a character on a bike; woman falls on road and receives a bloody leg as a result.
Frank sexual comments; innuendos; slang for having sex; kissing; a couple is briefly seen making out; sex outside of marriage is implied; a comment about sleeping with someone else's wife.
GD-1; G/OMG-7; J-2; F-1; S-7; A-3; Crap-3; D-3; H-2; Slang for having sex-2; Slang for male genitalia-1
A comment about having too much alcohol and too many drugs in the past; several scenes with drinking including drinking wine with meals; it is stated a character "was bombed"; brief smoking scene.
Male rear nudity; woman sees frontal nudity of man but audience doesn't; cleavage; shirtless men; statue of nude man but not explicit; top of panties seen.
Praying in India is featured but the Bible is not the focus; a comment about god being within one's self as one's self; some bad attitudes are featured; a few hand gestures including a few obscene ones.
Film information, dove content.
The Dagger - Local News with an Edge
August 13, 2010 By Adam Mehring 18 Comments
It’s quite ironic that Eat Pray Love , the film adaptation of Elizabeth Gilbert’s bestselling memoir, is being pegged as “boring” or “uneventful.” It is in these very qualities—the estimations of our immediate perceptions, or reactions from a persistent quest for superficial gratification—that the film cautions against placing value. Rather, Eat Pray Love champions soul-searching in quiet spaces and, ultimately, everyday places.
To uncover this truth, however, writer Liz Gilbert (Julia Roberts) must depart from the everyday. She divorces her husband of eight years (Billy Crudup), leaving behind an unfulfilling daily routine to embark on a journey of self-reflection and personal discovery. First, a rebound romance (and a wholly unnecessary story segment) with a younger man (James Franco); then, the title’s promise: eating in Italy, prayer in India, and love, finally, in Bali, Indonesia.
Each chapter moves along leisurely yet gracefully, handled with care and precision by director Ryan Murphy. The pace is deliberately slow, and the impact is slow to coalesce. Neither Murphy’s direction nor his script, penned in tandem with Jennifer Salt, assaults with life lessons or teachable moments, and Liz’s journey is overseen by a certain self-awareness—a proper suspicion in its own premise—that prevents the story from feeling preachy or didactic. It’s refreshing that a film is able convey a point of view without pounding us over the head or intruding on our own sensibilities.
The weight of Eat Pray Love is never obvious, but it does ever-so-slowly seep into the edges of the frame, like the heavenly aura of sunlight poking through cracks in ancient walls, or the fuzzy glow of headlights reflected in bubbles of rain on a car’s windshield, or feathery parmesan flakes floating toward a destination of noodles.
On a few occasions, a swirl of present motion morphs into a memory for Liz: a memory of her life pre-sabbatical, often involving her now ex-husband. Here we can apply the pleasant pull of the present to the gentle, even joyful tug of the past. The mere proposition, entirely underutilized by the film, of stepping back into the real world, of examining the deficits of a former existence, is stirring—disquieting as much as it is quietly depicted.
Too quiet, perhaps, are the simple pleasures stacked throughout the film. Murphy handles the material so carefully that at times he seems hesitant to tackle anything that could prove even slightly jarring. Liz befriends a man from Texas while practicing prayer in India, and when he, named Richard and portrayed by a sensitive Richard Jenkins, describes his falling-out with his family back home, we see him only from the side. It’s as if Murphy was afraid that Richard Jenkins’ distraught face might crack the camera lens. A lengthy catharsis is muted, and a potential power chord is wasted.
Similarly, the film doesn’t get too specific about the sticky situation that drove Liz away from her former life. An anxious gaze, an unnerving atmosphere, and words—Liz’s admission of discontent—are all we have to go on. (Indeed, we witness most of the film’s events—the desires, the transformations, and the general goings-on—but seldom do we feel them.)
It’s a good thing, then, that we are in the company of so many trusting faces: Viola Davis and Mike O’Malley as Liz’s friends and a functional married pair, the aforementioned Billy Crudup, James Franco, and Richard Jenkins, an eventual lover in Javier Bardem, and, lest we should forget, Ms. Roberts herself.
Julia Roberts carries the film elegantly and effortlessly. Did we expect anything less? There is never any question that she (or Liz, for that matter) is entirely committed to the journey. Though the role does not require too much from her beyond the skill of slight gesture and subtle expression, the far-too-few times she is allowed to further extend herself, Roberts’ ear-to-ear grin and infectious cackle reignite the screen.
That’s not to say the flame of the film ever truly dies: it’s a slow burn that flickers occasionally, offering gentle insight but lacking the punch of resonance. And even though the film is a tad too long and relies a bit too often on mainstream machinations—caricaturized local players, pizza and pasta (and not much else) in Italy, and an M.I.A. song heralding our arrival in India—it’s hard to come down too hard on something so sensibly crafted with such good intentions.
Directed by Ryan Murphy. Written by Ryan Murphy & Jennifer Salt. Rated PG-13 (a light PG-13) for brief strong language (very brief), some sexual references (very slight) and male rear nudity (one, maybe two, nude rears). Runtime is 2 hours, 13 minutes.
Tickets & Showtimes» Watch the Trailer» Visit the Website»
August 14, 2010 at 2:13 am
I was fearful to see this movie – and yet headed out the day of its release to see it. I love the book and couldn’t see how a movie could do it justice. The movie was touching and relayed the important messages from the book beautifully. Nicely done. I agree it was a little slow. I would have loved more raw emotion at the start (as her despair at the beginning of the book was very powerful). And, yes, we could have skipped the rebound relationship in the movie. I also wanted to see more about her struggles with meditation – and maybe more voice-over (ugh) to reach her inner dialogue. Can’t wait to read it and see it again. Nice review.
August 14, 2010 at 2:40 am
Oh, yeah? Blah-Blah-Blah…If a movie is “boring” and “unenetful”, guess what? That’s exactly what it is! Bucko! It’s a movie! It is SUPPOSED TO be interesting and entertaining! And this one definitely is not. I just came back from seeing it at the Rave in LA, and I literally fell asleep one-third way into the movie…I’ve never fell asleep in a movie before. If it were not because I went with another person, I would have walked out and spared myself of the other 2/3 of the movie that just went on and on…What a disappointment! I was expecting it to be at least decently entertaining…Boy! It failed even that by a long shot! If you’re a gluten for self-punishment, then take the risk of seeing it. Otherwise, do your soul-searching elsewhere. This one will only make you regret you boought the large popcorn…”for this?!”
August 14, 2010 at 2:50 am
In response to John’s comment…you are intitled BUT I would not expect a guy to GET this movie! For all the ladies who have read the book and can relate to the author even a little I think will fully enjoy the movie. Girls dont take your husbands or boyfirends unless they are in touch with their feminine side or are a bit more evolved spiritually. Simple guys wont get it.
August 14, 2010 at 5:10 am
Wow, I sure am relieved to have all of you “spiritually evolved” women out there to help me get through this life. Reading Stieg Larson novels, drinking herbal tea and getting chinese characters tatooed on your ankle doesn’t make you “spiritually evolved.” Get off your high horse you narcisist. Maybe us neaderthal men just have a better capacity to understand what really sucks. And yes that does include this movie.
August 18, 2010 at 7:27 pm
In response to April’s comment, I have to agree with John…boring is as boring does. I am a “Spiritually evolved” female and that film taught me NOTHING!! If you’re really spiritually evolved I don’t see how you could have gleaned anything from this movie….it was all talk and no action. It was faaar less than SPIRITUALITY 101. I’m so sorry that I wasted my hard earned dough on his movie, talk about overhype. There wasn’t much eating either…I expected far more. The only interesting part of this movie was the alluring Javier Bardem and beautiful Bali. This movie did more for Bali that any tourism brochure. I hope they’re prepared for an onslaught of tourists.
August 14, 2010 at 2:47 am
There was many middle aged and older woman in the theatre I was one of the only men with my nephew and friend a female, we all found the movie was a good adventure into the spirit and senses and recommend it to those of like mind. Not a chick flick but close.
August 14, 2010 at 2:58 am
In all fairness, my sister who also saw it said the book was much better, and it’s hard to jam all the details from the book into a 2-hour-plus (yes! It was that long or felt like it.) movie. So, it’s not the story, it’s how it was presented.
August 14, 2010 at 3:18 am
Check out this review, by a woman (Theda)! http://www.huffingtonpost.com/social/Theda/pbs-this-emotional-life-e_n_410418_37539570.html
“I thought “Eat, Love, Pray” was a little boring and uninspiring. It was cliche-ridden and seemed somewhat unreal. The movie with Julia Roberts will probably be better.”
Wow! So maybe it was the book, and not Julia Robert’s or the director’s fault.
Gosh! I wish I could tell Theda and save her the money…Oh, well, maybe she needs to ‘swim the moat to get to the castle’…
August 14, 2010 at 4:05 am
This review is right-on-the-money!
‘Eat Pray Love’ Review: Pretty to Look at, Hard to Care About.
“Eat Pray Love” exists to please lovers of the best-selling book of the same name – and anyone who prefers pretty postcards to nuanced storytelling.
http://bighollywood.breitbart.com/cftoto/2010/08/13/eat-pray-love-review-pretty-to-look-at-hard-to-care-about/
August 14, 2010 at 10:27 am
Julia Roberts is missed. Hopefully we will see her back in roles that are more suitable for her acting chops. They put her in a box when she needed to fly……..that movie was a rehearsal for her….let’s see what’s in store for her.
August 14, 2010 at 11:51 am
The movie did not even come CLOSE to doing the book justice. (Although Javier Bardem was delicious.) Here’s why: http://whitefluffyicing.com/2010/08/eat-pray-love-movie/
August 15, 2010 at 12:35 pm
Hey if you like Italian food & Javier Bardem go see the movie if not don’t bother as it is a little long winded but still a very sweet film.
August 15, 2010 at 12:37 pm
it was Ok if u like Italian food (& I do ) & Javier Bardem (& i do a lot)..film is a little long-winded in parts but a very sweet film nonetheless.
August 18, 2010 at 12:42 am
A movie based on a marketing ploy… http://www.independent.co.uk/arts-entertainment/films/news/eat-pray-love-then-sell-out-to-the-forces-of-materialism-2051300.html
(“Eat, Pray, Love” author) Elizabeth Gilbert. She recently admitted, to the surprise of fans, that the supposedly free-wheeling trip described in Eat, Pray, Love (yoga tuition fees and all) had actually been funded by a publisher’s advance on the eventual book. It is easy to see it as a somewhat contrived spiritual odyssey designed by a bookseller eager to cash in on a wealthy demographic: middle-aged women who for some reason feel unfulfilled.
August 18, 2010 at 5:54 pm
I was counting down for this film…as I was so moved by the book. What a wonderful journey the author takes you on, sadly the movie goer won’t take this same journey!
Like most adaptions, I was let down…more so than usual! I guess if you haven’t read the book, you might think it’s a sweet movie. I do think the acting was good for what the script offered. Sadly, I was so disappointment with what was brought to screen. As a side note, I’m wondering if it’s just me…it seemed that a good portion of the relationship Liz actually had on her journey, they were all presented different….
If you really want to experience the journey of Eat Pray Love, read the book. The movie doesn’t even scratch the surface…
August 18, 2010 at 6:05 pm
Adam, I hope the Dagger reimbursed your ticket expense. This movie was brutal!
August 20, 2010 at 1:02 am
About “Eat, Pray, Love”. I had high hopes for the movie based upon the book’s top reviews (which I never did read). But all that I can say is that nothing in the movie saved it from itself. After the first 10 minutes, the main character, Liz, (whom Julia plays) comes off as a selfish female focused only upon herself. Never mind that her husband loves her, does not want the divorce, has not cheated on her, and the only thing Liz can come up with as a reason for them to divorce is that they have grown apart. Jeepers, wouldn’t we all want to move on when we get a little bored with our significant other? She immediately falls into the bed of a 28 year old before she divorces, but figures out 2 minutes (I mean 2 weeks) later that they are not as passionate anymore, so off to Italy she flies in search of her self. Good for her, but pity Italy. Though the scenes from the streets, cafes, and restaurants in Rome are nostalgic, there is no great, Italian scenery to thrill the traveling heart….OK, maybe a couple of 2 second clips in Tuscany, but that’s it. In Italy, she drinks lots of wine, indulges in plates of spaghetti, and learns that life is about really living in the moment and loving yourself (oh brother). After 3 months of self indulgence in Italy, she’s off to a compound in Calcutta in search of the Guru who will bring her peace. There she learns that through scrubbing floors on her hands and knees, attending early morning prayers to the Guru, and befriending a rough-edged ex pat from Texas who is also there to worship the Guru, that love and God are within yourself (yawn). And finally (thank God, because all this shallow soul searching is getting tedious) she leaves India for Bali to meditate at the feet of a medicine man and ends up in bed with the Brazilian ex pat who now calls Bali his home and whom she later marries (not in the movie). And if one thinks that finally, she has now found true love and inner peace, the poor Brazilian schmuck who seduces her falls very hard for her and wants her to spend the rest of her life with him. But oh no, after weeks of nothing but constant sex with several seconds of coming up for air, she leaves him in tears on the beach because the thought of commitment is so scary to her. Instead, she must go back to the medicine man to inquire, and decides to leave Bali for good and return to the States. Two hours before her plane is scheduled to leave, (yup, we can all see what is coming), she suddenly realizes that she has found true love and runs down to the beach to meet Brazilian sex hunk and they sail off on a boat out into the sunset (or something like that). Poor Liz……I kept thinking the whole way through the movie until the final second (and it took 2 1/2 hours of plodding through the muck to get there) that all that she really needed was Jesus. In summation, a very self indulgent, spiritually empty, and dull woman has somehow written about her shallow existence and search for meaning in such a way that it became a best selling book and now a movie. Go figure.
August 20, 2010 at 1:22 am
Did anybody read my previous post?
The book was a contrived marketing ploy! There was no spiritual soul searching! It was all for the sake of selling a book to wealthy middle-aged women who feel unfulfilled.
Now a movie based on this faked journey…I don’t understand why so many wealthy middle-aged women are so quick and willing to be scammed. Sad, really.
“…Elizabeth Gilbert. She recently admitted, to the surprise of fans, that the supposedly free-wheeling trip described in Eat, Pray, Love (yoga tuition fees and all) had actually been funded by a publisher’s advance on the eventual book…”
You must be logged in to post a comment.
This site uses Akismet to reduce spam. Learn how your comment data is processed .
Enter your email address to subscribe to The Daily Dagger and receive new articles by email.
IMAGES
VIDEO
COMMENTS
Elizabeth Gilbert's book "Eat, Pray, Love," unread by me, spent 150 weeks on the New York Times best seller list and is by some accounts a good one. It is also movie material, concerning as it does a tall blond (Gilbert) who ditches a failing marriage and a disastrous love affair to spend a year living in Italy, India and Bali seeking to find the balance of body, mind and spirit.
In Theaters At Home TV Shows. Liz Gilbert (Julia Roberts) thought she had everything she wanted in life: a home, a husband and a successful career. Now newly divorced and facing a turning point ...
Full Review | Original Score: 3/5 | Oct 16, 2023. Mariana Tinoco Rivera En Filme. Unlike the original source, Eat Pray Love presents a flawless caricature that's on an idyllic, hiccup-free trip in ...
Executive producers: Brad Pitt Jeremy Kleiner, Stan Wlodkowski. Director of photography: Robert Richardson. Production designer: Bill Groom. Music: Dario Marianelli. Costume designer: Michael ...
Running time: 2 hours 13 minutes. WITH: Julia Roberts (Liz Gilbert), James Franco (David Piccolo), Richard Jenkins (Richard From Texas), Viola Davis (Delia Shiraz), Billy Crudup (Stephen), Javier ...
Albeit that the (non sexual, or invisible sexual) romance dominates above the spiritual message. The movie is a bit on the soft side though: without raw, real emotions. And another note: the characters operate all in humid warm environments, but their hair stays too shampooed, and the clothes too ironed.
Eat Pray Love: Directed by Ryan Murphy. With Julia Roberts, I. Gusti Ayu Puspawati, Hadi Subiyanto, Billy Crudup. A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Eat Pray Love is a 2010 American biographical romantic drama film starring Julia Roberts as Elizabeth Gilbert, based on Gilbert's 2006 memoir of the same name. Ryan Murphy co-wrote and directed the film, which was released in the United States on August 13, 2010. It received mixed reviews from critics, but was a financial success, grossing $204.6 million worldwide against a $60 million budget.
By Betsy Sharkey, Los Angeles Times Film Critic. Aug. 13, 2010 12 AM PT. If there is one constant in "Eat Pray Love," the imperfect yet beautifully rendered adaptation of Elizabeth Gilbert's ...
Movie Review - 'Eat Pray Love' - Have Bucks, ... Eat, Pray, Love, was a smash hit. Now Gilbert's best-seller has been adapted into a wannabe blockbuster starring a sun-kissed Julia Roberts.
To bolt. Based on the real-life Elizabeth Gilbert's best-selling memoir, Eat Pray Love is one woman's year-long attempt to find unparalleled food and spiritual self-actualization. First, she finds a lover, David. Then she divorces her husband, Stephen—even though he begs her to work on the relationship with him.
In 'Eat Pray Love,' Julia Roberts plays a newly divorced 30-something in search of herself, based on Elizabeth Gilbert's memoir. Francois Duhamel/Sony/AP Julia Roberts is shown in a scene from ...
Eat Pray Love Movie Review. 1:59 Eat Pray Love Official trailer. Eat Pray Love. Community Reviews. See all. Parents say (6) Kids say (12) age 15+ Based on 6 parent reviews . Lana R. Adult. June 23, 2020 age 13+ Bad film
For all the things Eat Pray Love does right, it must constantly overcome its cardinal sin of turning a quick little book into a bloated monster of a movie.Eat Pray Love is nearly two and a half ...
Eat Pray Love. By Peter Travers. August 12, 2010. Having not read Elizabeth Gilbert's bestseller about her yearlong journey to Italy, India and Bali to achieve balance and spiritual ...
Bottom Line: Eat Pray Love is escapist entertainment, taking its viewers on a whirlwind tour of exotic locations. But the film is little more than a naively romantic travelogue and its pretensions get it into trouble. Episode: #302 (August 22, 2010) Sounds of Cinema review of Eat Pray Love directed by Ryan Murphy and starring Julia Roberts ...
All these impulses characterize Elizabeth Gilbert's wildly successful spiritual memoir Eat, Pray, Love, which was published in 2006, endorsed by Oprah's Book Club, and spent three years on The New York Times bestseller list. Now Ryan Murphy ( Running with Scizzors and TV's Glee) has directed a sensuous and emotionally cathartic screen version ...
Eat Pray Love (United States, 2010) August 11, 2010. A movie review by James Berardinelli. Eat Pray Love is a muddle of a film - an overlong bore that either mistakenly thinks it's something more than a humdrum romance or has incorporated a variety of pretentions as window-dressing. In either case, the movie's quasi-preachy attitude effectively ...
Eat Pray Love - Metacritic. Summary While trying to get pregnant, a happily married woman realizes her life needs to go in a different direction, and after a painful divorce, she takes off on a round-the-world journey. Based on the memoir by Elizabeth Gilbert. Biography. Drama.
133 Mins. It would be difficult to deny that Eat Pray Love, the new Ryan Murphy helmed film that stars Julia Roberts as a woman on a year-long journey of self-discovery, is a flawed film. It bears repeating. Eat Pray Love is a flawed film. At 133 minutes in length, Eat Pray Love starts to wear out its good will well within the film's two-hour mark.
Movie Review: "Eat Pray Love". Even without having read Elizabeth Gilbert's memoir, "Eat Pray Love," moviegoers can still have something to look forward to in the film adaptation. At the ...
Eat Pray Love. Liz Gilbert (Roberts) had everything a modern woman is supposed to dream of having - a husband, a house, a successful career - yet like so many others, she found herself lost, confused, and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything ...
About "Eat, Pray, Love". I had high hopes for the movie based upon the book's top reviews (which I never did read). But all that I can say is that nothing in the movie saved it from itself. After the first 10 minutes, the main character, Liz, (whom Julia plays) comes off as a selfish female focused only upon herself.