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The Eduqas Art and Design GCSE is designed to provide engaging, challenging, coherent and meaningful learning experiences through a flexible structure that supports the sequential and incremental development of creative practice. Our rewarding and immersive programme of study broadens experience, develops imagination and technical skills, fosters creativity and promotes personal and social development. The focus of the GCSE Art and Design specification is to nurture an enthusiasm for Art, Craft and Design and, through a broad introductory foundation programme, to develop critical, practical and theoretical skills that enable students to gain a holistic understanding of a range of practices and contexts in the visual arts, crafts and design fields. Advantages of the Eduqas GCSE Art and Design course include:
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You have art coursework and need to research artworks for it. Where do you start? How do you find relevant inspiration? How have other artists approached the themes?Our thematic coursework guides provide ideas and inspiration to get you started. Try our 'Have A Go!' section at the bottom of our guides for activities to keep you motivated!
Past coursework guides, we recommend, closeness and simplicity to nature coursework guide.
From the gardens and paradise to land art, discover the artworks in our collection that explore the themes of closeness and proximity to nature
From machines to humans, discover the artworks in our collection that explore the themes of simple and complex movement
From optical illusions and repeating forms to instructions, discover the artworks in our collection that explore the theme of simple processes, complex outcomes
From photoreal to dreams, discover the artworks in our collection that explore the themes of details and the uncanny
From stacking and painting to collage and hidden layers, discover the artworks in our collection that explores the techniques of layering
From the uncanny and personal to advertisement and politics, discover the artworks in our collection that explores the themes of object
From touch and taste to sight and smell, discover the artworks in our collection that explores the themes of the senses
From mirror and glass to water and fractals, discover the artworks in our collection that explores the themes and techniques of reflection
From sun worshipers, cloud gazers and storm chasers to artists who use the weather to explore broader themes and ideas
From 'usual' to unlikely art materials: explore textures, qualities, techniques and symbolism of things artists use to make their work
Not just fruit and flowers, explore still lifes from realistic to abstract and familiar to unexpected
Explore how artists use marks and colour to suggest motion or make kinetic, performance and video art to explore movement
From art about landmarks to art that is itself a landmark: get some inspiration on the theme of landmarks
From sketchbooks to video diaries and the everyday to big life events, explore how artists use diaries to record the world around them
Explore the different ways artists use marks and expressive qualities
Discover surprising ways artists use outlines in art from graphic to graffiti or abstract and animated
Explore art and fashion, from clothes and identity to shapes, patterns and textures of clothing inspired by art
Explore how artists have used masks in their work, to protect, disguise, hide and amuse
From atmosphere and symbolism to textures and abstract shapes, explore how trees have inspired artists
Explore memories of the past, memories of people and fading memories to see how artists recall and reminisce in art
Can a humble bag of chips or slice of pizza become a masterpiece? Explore some tasty art about food
Explore how different artists have used colour in their work and sketches
What exactly is form? And how can you explore it in your sketchbook?
What does play mean for you? Is it sports, or music? Perhaps it’s drifting into a personal imaginary world, or maybe it’s social – board games, card games, or just meeting others
About 70 percent of the Earth is covered in water. It’s probably the least-explored part of our planet - we’ve explored more of space than the oceans. But maybe because of that, for artists, water has been a theme, a subject and even a medium to work with
See how artists use the power of a line and try some ideas in your sketchbook
Learn how you can use tone in your sketchbook
Discover works in which artists explore the complex ways humans spread thoughts and ideas
Recently we have all had to deal with long and short periods of isolation. How have artists explored the ideas of isolation in their work, and what can you learn from those experiences?
Discover tender images of new mums and babies and artists' in-depth explorations of mother and child relationships
From physical journeys and migration to journeys of self-discovery, get ideas and inspiration about journeys in art
Exploring relationships in art, as a connection or association between people, things or ideas
Discover how artists use letters and words in their art
From forces of nature and forceful feelings to force as a method, explore how artists have used force in art
What is a ritual? Discover how ritual has been used as a theme in art
Explore how artists have represented themselves, and others, using portraiture
Explore how artists have transformed objects and ideas through their work
Explore the theme of details through works in our collection
Explore people drawn, painted or sculpted from life and art that explores abstract ideas about being human
Look at artists responses to news, from headline-grabbing events and social or political issues, to stories of the extraordinary everyday
Look at artworks made from light and shadow to the symbolic use of light and dark to make powerful statements
Explore art that interweaves materials, ideas, experiences and histories
From vanishing points to points of view, explore perspective in art
Busy crowded streets, eerie empty rooms, explore spaces in art
From art about home life to art that highlights the impact of climate change and pollution on natural habitats
Explore textures in art from woven textures and textured fabrics and materials to gestural marks and patterns
From pop art to gender politics, see toys in a new light and get some inspiration for your coursework
Be inspired by myths and legends – or create your own!
From changing their own identities to changing the identity of objects, how have artists explored the theme of changed identity?
From the space race to heavenly bodies, find some coursework inspiration
Explore plastic in art for some research inspiration
Uncover ways of thinking of Old and New in art
Uncover ways of exploring the theme of Circus for coursework inspiration
Explore artworks with rhythm for some coursework inspiration
Maths meets art to inspire your coursework
See how artists respond to moments in time to inspire your coursework
Pack in tightly for some inspiration for your coursework
Student resources.
Discover more for students from Tate
How to make art inspired by artists like Rachel Whiteread, Andy Warhol and Frank Bowling
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Gcse art and design: teacher standardisation 2024/2025, course summary.
The purpose of these free events is to standardise marking for the specification (8201-8206) using exhibitions of work for GCSE Art and Design covering all titles and the full ability range.
A maximum of two delegates per school/college per series on daytime sessions. If you require more than two places, you can now book up to four additional places on twilight sessions. Please follow this link to view twilight session locations.
Location | Date | Time | Fee | Status | Book |
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London | 2 December 2024 | 13:30-16:30 | £0 | Available | |
London | 2 December 2024 | 09:30-12:30 | £0 | Available | |
London | 3 December 2024 | 13:30-16:30 | £0 | Available | |
London | 3 December 2024 | 09:30-12:30 | £0 | Available | |
London | 4 December 2024 | 13:30-16:30 | £0 | Available | |
London | 4 December 2024 | 09:30-12:30 | £0 | Available | |
London | 5 December 2024 | 13:30-16:30 | £0 | Available | |
London | 5 December 2024 | 09:30-12:30 | £0 | Available | |
London | 6 December 2024 | 13:30-16:30 | £0 | Available | |
London | 6 December 2024 | 09:30-12:30 | £0 | Available | |
London | 7 December 2024 | 13:30-16:30 | £0 | Available | |
London | 7 December 2024 | 09:30-12:30 | £0 | Available | |
Manchester | 9 December 2024 | 13:30-16:30 | £0 | Available | |
Manchester | 9 December 2024 | 09:30-12:30 | £0 | Available | |
Manchester | 10 December 2024 | 13:30-16:30 | £0 | Available | |
Manchester | 10 December 2024 | 09:30-12:30 | £0 | Available | |
Manchester | 11 December 2024 | 13:30-16:30 | £0 | Available | |
Manchester | 11 December 2024 | 09:30-12:30 | £0 | Available | |
Manchester | 12 December 2024 | 13:30-16:30 | £0 | Available | |
Manchester | 12 December 2024 | 09:30-12:30 | £0 | Available | |
Chester | 13 December 2024 | 13:30-16:30 | £0 | Available | |
Chester | 13 December 2024 | 09:30-12:30 | £0 | Available | |
Nottingham | 16 December 2024 | 13:30-16:30 | £0 | Available | |
Nottingham | 16 December 2024 | 09:30-12:30 | £0 | Available | |
Nottingham | 17 December 2024 | 13:30-16:30 | £0 | Available | |
Nottingham | 17 December 2024 | 09:30-12:30 | £0 | Available | |
Portsmouth | 13 January 2025 | 13:30-16:30 | £0 | Available | |
Portsmouth | 13 January 2025 | 09:30-12:30 | £0 | Available | |
Southampton | 14 January 2025 | 13:30-16:30 | £0 | Available | |
Southampton | 14 January 2025 | 09:30-12:30 | £0 | Available | |
Salisbury | 15 January 2025 | 13:30-16:30 | £0 | Available | |
Salisbury | 15 January 2025 | 09:30-12:30 | £0 | Available | |
Kent | 16 January 2025 | 13:30-16:30 | £0 | Available | |
Kent | 16 January 2025 | 09:30-12:30 | £0 | Available | |
Kent | 17 January 2025 | 13:30-16:30 | £0 | Available | |
Kent | 17 January 2025 | 09:30-12:30 | £0 | Available | |
Hull | 20 January 2025 | 13:30-16:30 | £0 | Available | |
Hull | 20 January 2025 | 09:30-12:30 | £0 | Available | |
York | 21 January 2025 | 13:30-16:30 | £0 | Available | |
York | 21 January 2025 | 09:30-12:30 | £0 | Available | |
York | 22 January 2025 | 13:30-16:30 | £0 | Available | |
York | 22 January 2025 | 09:30-12:30 | £0 | Available | |
Sheffield | 23 January 2025 | 13:30-16:30 | £0 | Available | |
Sheffield | 23 January 2025 | 09:30-12:30 | £0 | Available | |
Sheffield | 24 January 2025 | 13:30-16:30 | £0 | Available | |
Sheffield | 24 January 2025 | 09:30-12:30 | £0 | Available | |
Bristol | 27 January 2025 | 13:30-16:30 | £0 | Available | |
Bristol | 27 January 2025 | 09:30-12:30 | £0 | Available | |
Bristol | 28 January 2025 | 13:30-16:30 | £0 | Available | |
Bristol | 28 January 2025 | 09:30-12:30 | £0 | Available | |
Bristol | 29 January 2025 | 13:30-16:30 | £0 | Available | |
Bristol | 29 January 2025 | 09:30-12:30 | £0 | Available | |
Truro | 30 January 2025 | 13:30-16:30 | £0 | Available | |
Truro | 30 January 2025 | 09:30-12:30 | £0 | Available | |
Exeter | 31 January 2025 | 13:30-16:30 | £0 | Available | |
Exeter | 31 January 2025 | 09:30-12:30 | £0 | Available | |
Newcastle | 3 February 2025 | 13:30-16:30 | £0 | Available | |
Newcastle | 3 February 2025 | 09:30-12:30 | £0 | Available | |
Newcastle | 4 February 2025 | 13:30-16:30 | £0 | Available | |
Newcastle | 4 February 2025 | 09:30-12:30 | £0 | Available | |
Newton Aycliffe | 5 February 2025 | 13:30-16:30 | £0 | Available | |
Newton Aycliffe | 5 February 2025 | 09:30-12:30 | £0 | Available | |
Appleby-in-Westmorland | 6 February 2025 | 13:30-16:30 | £0 | Available | |
Appleby-in-Westmorland | 6 February 2025 | 09:30-12:30 | £0 | Available | |
Blackpool | 7 February 2025 | 13:30-16:30 | £0 | Available | |
Blackpool | 7 February 2025 | 09:30-12:30 | £0 | Available | |
Leeds/Bradford | 10 February 2025 | 13:30-16:30 | £0 | Available | |
Leeds/Bradford | 10 February 2025 | 09:30-12:30 | £0 | Available | |
Leeds/Bradford | 11 February 2025 | 13:30-16:30 | £0 | Available | |
Leeds/Bradford | 11 February 2025 | 09:30-12:30 | £0 | Available | |
Liverpool | 12 February 2025 | 13:30-16:30 | £0 | Available | |
Liverpool | 13 February 2025 | 13:30-16:30 | £0 | Available | |
Liverpool | 13 February 2025 | 09:30-12:30 | £0 | Available | |
Oxford | 14 February 2025 | 13:30-16:30 | £0 | Available | |
Oxford | 14 February 2025 | 09:30-12:30 | £0 | Available | |
Manchester | 24 February 2025 | 13:30-16:30 | £0 | Available | |
Manchester | 24 February 2025 | 09:30-12:30 | £0 | Available | |
Manchester | 25 February 2025 | 13:30-16:30 | £0 | Available | |
Manchester | 25 February 2025 | 09:30-12:30 | £0 | Available | |
Manchester | 26 February 2025 | 13:30-16:30 | £0 | Available | |
Manchester | 26 February 2025 | 09:30-12:30 | £0 | Available | |
Manchester | 27 February 2025 | 13:30-16:30 | £0 | Available | |
Manchester | 27 February 2025 | 09:30-12:30 | £0 | Available | |
Derby | 28 February 2025 | 13:30-16:30 | £0 | Available | |
Derby | 28 February 2025 | 09:30-12:30 | £0 | Available | |
Birmingham | 3 March 2025 | 13:30-16:30 | £0 | Available | |
Birmingham | 3 March 2025 | 09:30-12:30 | £0 | Available | |
Birmingham | 4 March 2025 | 13:30-16:30 | £0 | Available | |
Birmingham | 4 March 2025 | 09:30-12:30 | £0 | Available | |
Birmingham | 5 March 2025 | 13:30-16:30 | £0 | Available | |
Birmingham | 5 March 2025 | 09:30-12:30 | £0 | Available | |
Brighton | 6 March 2025 | 13:30-16:30 | £0 | Available | |
Brighton | 6 March 2025 | 09:30-12:30 | £0 | Available | |
Farnborough | 10 March 2025 | 13:30-16:30 | £0 | Available | |
Farnborough | 10 March 2025 | 09:30-12:30 | £0 | Available | |
Farnborough | 11 March 2025 | 13:30-16:30 | £0 | Available | |
Farnborough | 11 March 2025 | 09:30-12:30 | £0 | Available | |
Cambridge | 14 March 2025 | 13:30-16:30 | £0 | Available | |
Cambridge | 14 March 2025 | 09:30-12:30 | £0 | Available | |
London | 17 March 2025 | 13:30-16:30 | £0 | Available | |
London | 17 March 2025 | 09:30-12:30 | £0 | Available | |
London | 18 March 2025 | 13:30-16:30 | £0 | Available | |
London | 18 March 2025 | 09:30-12:30 | £0 | Available | |
London | 19 March 2025 | 13:30-16:30 | £0 | Available | |
London | 19 March 2025 | 09:30-12:30 | £0 | Available | |
London | 20 March 2025 | 13:30-16:30 | £0 | Available | |
London | 20 March 2025 | 09:30-12:30 | £0 | Available | |
London | 21 March 2025 | 13:30-16:30 | £0 | Available | |
London | 21 March 2025 | 09:30-12:30 | £0 | Available |
ARTGSF11 – use this in communications with us.
Registration will start 15 minutes before the session and will begin with a short briefing. You will then be given the opportunity to view GCSE practical work from each title and carry out a marking exercise using the marking criteria found within the specification. Feedback on GCSE marks will be given before the end of the session.
Please bring your specification with you.
Tel: 0161 696 5994
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Part of the book series: Encyclopedia of Seas ((EOS))
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Chukotka Autonomous Okrug – a federal subject of the Russian Federation. It was formed on December 10, 1930 as Chukotka National District. Since 1953, it had been a part of the Magadan Region, RSFSR. In 1980 it became autonomous, and since July 1992, it has been part of the Russian Federation. Ch. is located in the far northeast of Russia. It occupies a part of the continent, the Chukchi Peninsula, and a number of islands (Wrangel, Ayon, Diomede (Ratmanova), etc.). It is washed by the East Siberian Sea, the Chukchi Sea, and the Bering Sea. A significant portion of the Okrug is located above the Arctic Circle. Ch. is part of the Far East Region of Russia. It covers an area of 737.7 thousand km 2 . The population is 50.5 thousand (2015). The administrative center of Ch. is Anadyr. Other cities include Bilibino and Pevek. The population is comprised of Russians, Chukchi, Evens, Eskimos, Chuvans, Yukagirs, and others. There are 8 administrative districts, 3 cities, and 15 villages. The...
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Editors and affiliations.
Engineering Research Production, Center For Water Management, Land Reclamation and Ecology, Moscow, Russia
Igor S. Zonn
P.P. Shirshov Institute of Oceanology, Russian Academy of Sciences, Moscow, Russia
Andrey G. Kostianoy
S.Yu. Witte Moscow University, Moscow, Russia
Aleksandr V. Semenov
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© 2016 Springer International Publishing Switzerland
Cite this entry.
(2016). Chukotka Autonomous Okrug. In: Zonn, I.S., Kostianoy, A.G., Semenov, A.V. (eds) The Eastern Arctic Seas Encyclopedia. Encyclopedia of Seas. Springer, Cham. https://doi.org/10.1007/978-3-319-24237-8_135
DOI : https://doi.org/10.1007/978-3-319-24237-8_135
Published : 25 October 2016
Publisher Name : Springer, Cham
Print ISBN : 978-3-319-24236-1
Online ISBN : 978-3-319-24237-8
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How it's assessed. No time limit. 96 marks. 60% of GCSE. Non-exam assessment (NEA) set and marked by the school/college and moderated by AQA during a visit. Moderation will normally take place in June. Component 2: Externally set assignment. What's assessed. Students respond to their chosen starting point from an externally set assignment paper ...
A useful image to pin or keep as a reminder when you mark your GCSE art and design coursework. Free Resources; Register for Free; About Me; FAQ's; Blog; Contact; Subscribe; Login; Menu. Resources. 3D; Art Assessment; Art Literacy ... If you've found this blog post about AQA GCSE Art & Design Grade Boundaries useful and would like to be kept ...
The subjects that have coursework are Food Preparation & Nutrition, Drama, Art, Music, DT (Design Technology), and PE (Physical education). What percentage of creative or practical GCSEs is coursework? No GCSE is currently 100% coursework. There will always be some weighting placed on final exams.
Assessment objectives. Assessment objectives (AOs) are set by Ofqual and are the same across all GCSE Art and Design specifications and all exam boards. The exams and non-exam assessment will measure how students have achieved the following assessment objectives. AO1: Develop ideas through investigations, demonstrating critical understanding of ...
Here are the trends in the latest art and design GCSE results for summer 2021. The proportion of grade 9 results achieved by art and design subject students, equivalent to a high A* under the old GCSE system, rose to 7 per cent, compared to 6.5 per cent in 2020 and 4.7 per cent in 2019. You can find the full list of 2021 GCSE results tables by ...
The seven specification titles cover the breadth of art and design, both traditional and digital. Specification code: J170—J176 Qualification number: 601/8086/9 This qualification is available in English only. Download GCSE specification Specification at a glance >
GCSE Art and Design Student guide. Version 1.0 Lisa Milroy Lisa Milroy is a painter, who was born in Vancouver, Canada and lives and works in London. My art teachers and school art rooms I took what I discovered back to the art room at high school to share with my fellow students. I was already hooked on making paintings; through the course
GCSE subject content and requirements. Subject content, aims and learning objectives for GCSE in art and design for teaching from 2016.
Course Structure 6 Assessment 7 AQA GCSE Art Assessment Grid 9 Vocabulary 11 AQA Exam Board 13 Useful Resources 13 2. Rules and Expectations in GCSE Art 1. S pend at l east T HRE E hours per week on I ndependent Learni ng 2. Read and remember t he f our Assessmen t O b j ecti ves (or A O s) t o hel p you make sure t hat you
Component 1: must show evidence of working in areas of study drawn from two or more of the titles taking into account the distinguishing characteristics of art, craft and design. Component 2: must show evidence of areas of study drawn from one or more of the titles. The areas of study selected for Component 1 can be the same as, or different ...
The focus of the GCSE Art and Design specification is to nurture an enthusiasm for Art, Craft and Design and, through a broad introductory foundation programme, to develop critical, practical and theoretical skills that enable students to gain a holistic understanding of a range of practices and contexts in the visual arts, crafts and design ...
Underwater Coursework Guide. About 70 percent of the Earth is covered in water. It's probably the least-explored part of our planet - we've explored more of space than the oceans. But maybe because of that, for artists, water has been a theme, a subject and even a medium to work with.
Art Gcse Coursework Percentage - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Scribd is the world's largest social reading and publishing site.
Design based study can be defined as practice that involves developing a response to a specific need, brief or starting point, taking account of established requirements, constraints and/or parameters. 3.1 Knowledge and understanding. 3.2 Skills. 3.3 Titles. 3.4 Art, craft and design. 3.5 Fine art.
Wild barley (Hardeuom), Anadyr, Chukotka Autonomous Okrug, Russia Photographic Print by Keren Su. Find art you love and shop high-quality art prints, photographs, framed artworks and posters at Art.com. 100% satisfaction guaranteed.
It was founded in 1889 as the easternmost outpost of the Russian Empire. The Camel Hill—the highest point in Anadyr—offers the best view of the city. A 10-metre high Orthodox cross is erected on top of the hill. The Holy Trinity Orthodox Cathedral proudly rises on the bank of the estuary, on the opposite side of the city.
Chukotka is primarily populated by ethnic Russians, Chukchi, and other indigenous peoples.It is the only autonomous okrug in Russia that is not included in, or subordinate to, another federal subject, having separated from Magadan Oblast in 1992. It is home to Lake Elgygytgyn, an impact crater lake, and Anyuyskiy, an extinct volcano.The village of Uelen is the easternmost settlement in Russia ...
Course details GCSE Art and Design: Teacher standardisation 2024/2025 Course summary. The purpose of these free events is to standardise marking for the specification (8201-8206) using exhibitions of work for GCSE Art and Design covering all titles and the full ability range. A maximum of two delegates per school/college per series on daytime ...
Chukotka Autonomous Okrug - a federal subject of the Russian Federation. It was formed on December 10, 1930 as Chukotka National District. Since 1953, it had been a part of the Magadan Region, RSFSR. In 1980 it became autonomous, and since July 1992, it has been part of the Russian Federation. Ch. is located in the far northeast of Russia.