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How to Write Book Titles in Your Essays

3-minute read

• 26th May 2023

When writing an essay, you’re likely to mention other authors’ works, such as books, papers, and articles. Formatting the titles of these works usually involves using quotation marks or italics.

So how do you write a book title in an essay? Most style guides have a standard for this – be sure to check that first. If you’re unsure, though, check out our guide below.

Italics or Quotation Marks?

As a general rule, you should set titles of longer works in italics , and titles of shorter works go in quotation marks . Longer works include books, journals, TV shows, albums, plays, etc. Here’s an example of a book mention:

Shorter works include poems, articles, chapters of books, episodes of TV shows, songs, etc. If it’s a piece that’s part of a biggHow to Write Book Titles in Your Essayser work, the piece considered a short work:

Exceptions to the Rule

The rule for writing book titles in italics applies specifically to running text . If the book title is standing on its own, as in a heading, there’s no need to italicize it.

Additionally, if the book is part of a larger series and you’re mentioning both the title of the series and that of the individual book, you can consider the book a shorter work. You would set the title of the series in italics and place the book title in quotation marks:

Punctuation in Book Titles

Do you need to apply italics to the punctuation in a book title? The short answer is yes – but only if the punctuation is part of the title:

If the punctuation isn’t part of the title (i.e., the punctuation is part of the sentence containing the title), you shouldn’t include in the italics:

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Summary: Writing Book Titles in Essays

We hope you’ll now feel confident when you’re writing and formatting book titles in your essays. Generally, you should set the title in italics when it’s in running text. Remember, though, to check your style guide. While the standards we’ve covered are the most common, some style guides have different requirements.

And once you finish writing your paper, make sure you send it our way! We’ll make sure any titles are formatted correctly as well as checking your work for grammar, spelling, punctuation, referencing, and more. Submit a free sample to try our service today.

Frequently Asked Questions

How do you write the title of a book in a sentence.

Set the title of the book in italics unless the book is part of a larger work (e.g., a book that’s part of a series):

When do you use quotation marks for titles?

Place titles of shorter works or pieces that are contained in a larger work in quotation marks:

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Writing A Book Title In Your Essay – The Right Way

Table of contents

• 1 APA Style: How to Write Book Titles in Essays
• 2 APA Style Essay: Writing The Name of The Author
• 3 MLA Style Essay: Citing a Book Title
• 4 Chicago Style Essay: Writing the Book Title
• 5 Writing Various Types of Titles
• 6 Should We Underline or Italicize Book Titles?

When you are writing an academic essay , the book title and author’s name should be written in italics. However, if the book title is part of a larger work (such as a journal article), it should be underlined instead. So, you’re wondering how to write a book title in an essay?

Writing an essay with a book title can be tricky, particularly because each style guide has its own formatting rules for including titles in the main text. Whether you are using MLA, APA, Chicago, or Harvard referencing styles, you will need to consider how to properly format the book title. For more complicated literature-based assignments, seeking assistance from an admission essay writing service may be wise, as they specialize in writing essays that incorporate academic sources.

In this article, we will explore how to write both titles in an essay properly so that you avoid any mistakes!

APA Style: How to Write Book Titles in Essays

When writing an essay, you must follow the style guide provided by your professor. Some teachers may require you to use APA style and others MLA style. There are some rules on how to quote a book title in an essay. You should use italics and quotation marks when writing book titles in essays. For example: “ The Rape of Nanking: The Forgotten Holocaust of World War II. “

When writing a book title in APA Style , you should be aware of these rules:

Write the book title in italics and place it after the author’s name, which is presented in reverse order (last name first).

Use quotation marks around the headline of a chapter or article.

Capitalize proper names that are not common nouns (names of people, places, organizations), but do not capitalize words such as “and,” “or,” “to,” or “and/or.”

Do not capitalize prepositions that appear at the beginning of titles if they are followed by an article (e.g., “A,” “An”), but do capitalize prepositions at the beginning of titles if they are not followed by articles (“Of”).

The first word of the headline should be capitalized, as well as any other words after a colon or hyphen. For example, “The Elements of Style: Grammar for Everyone”  or “Theories of Personality: Critical Perspectives.”

Capitalize proper names and words derived from them (e.g., the names of people, places, organizations), except proper nouns used generically (e.g., ‘a bed’).

APA Style Essay: Writing The Name of The Author

You should always use the full name and surname of the author in your APA essay because this will give proper credit to the writer. If you do not mention the author’s full name, people may not know who wrote what and will think you copied it from somewhere else. This will cause lots of problems for you and your reputation as well.

Make sure that all authors’ names appear in the same format in each entry. For example, if one person’s surname is Smith and another’s is Jones, both have first names starting with “J.” It may seem like they are being cited as different people when they’re actually written differently from each other on separate pages in your paper.

To write an APA essay without any issues, there are certain rules that you need to follow while writing an author’s name in APA essay:

• Use only one author’s name in your paper unless there are multiple authors
• If there are multiple authors, then use both their last names followed by the initials of their first names
• Only use initials of first names when there are three or more authors; otherwise, use full names with their last names

Example: Johnson, M.C., Carlson, M., Smith, J. N., & Hanover, L. E.

MLA Style Essay: Citing a Book Title

Now let’s discuss how to mention a book in an essay. The MLA Handbook for Writers of Research Papers, 7th edition, published by the Modern Language Association (2014), contains detailed rules about how to cite a book title in an essay.

The following guidelines will instruct you on how to refer to a book in an essay in MLA style :

• List your sources at the end of your paper, before the works cited page or bibliography.
• Use italics for titles of books, magazines, and newspapers, but not for articles within those publications, which should be placed in quotation marks.
• Include all relevant book information under two categories: “title” and “author.” In the former category, include the work’s title and its subtitle if there is one; do this even if neither appears on your title page (see below). In the latter category, include only primary authors who have written or edited an entire book; if there are multiple contributors, you should cite them separately under each.

The general format for citing the title of the book in an essay is as follows:

Author’s last name, first initial (Date). Title of Book with Subtitle if there is one. Publisher Name/Location of Publisher; Year Published

Chicago Style Essay: Writing the Book Title

One of the most important things to remember when writing in Chicago style is how to write the title of a book in an essay. To write a good book title in an essay, you should follow these steps:

• Write it at the beginning of your sentence.
• Capitalize it just like any other noun or proper noun.
• Put a comma after the title unless it’s an introductory clause or phrase. For example: “The Firm,” by John Grisham (not “by”) and “The Catcher in the Rye,” by J.D Salinger (not “and”).
• In addition to the book’s name, punctuation marks should also be italicized.

For example: Harry Potter and the Half-blood Prince: Children’s Edition

Writing Various Types of Titles

Now that we covered how to write a book title and author in an essay, it’s time to look at some different types of titles. When you write a book title in an essay, several things must be considered. Whether it’s a book, series, chapter title, editor’s name, or author’s name, how you write it depends on where it appears in your paper.

Here are some key rules for writing headings for novels:

•  Use capital letters to write the title of the novel. For example,  The Secret Garden by Frances Hodgson Burnett .
• Use italics and capital letters to write the name of the author and his/her other works mentioned in a book title—for example,  Jane Austen’s Pride and Prejudice (1813) .

You should use quotation marks when writing headings of short title poems, articles, and stories.

However, before deciding which format to use, it is important to understand the main idea you want to express in your essay. Additionally, you could use essay papers for sale to help you accomplish your goal of writing an essay effectively.

Should We Underline or Italicize Book Titles?

It depends on which style guide you use. The Modern Language Association and Chicago Manual of Style both suggest using italics, while the American Psychological Association suggests using quotation marks with a few exceptions.

The way you write the title of a book in an essay is different depending on the instructions you were given. For example, if you’re writing an essay in APA style, use quotation marks around the book’s name. If you’re writing for MLA or Chicago style , however, italicize the book’s name instead. If you’re writing a handwritten essay instead of using a computer, capitalize and underline the book’s name.

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How to Write a Book Title in an Essay (MLA, APA etc.)

Formatting your essay correctly ensures that you get full recognition for the hard work you put into it. Wondering what to do? There are two scenarios that lead you to the question of "how to write a book title in an essay":

• You have not been required to use a particular style guide, in which case consistency remains important.
• You have been instructed to use a particular style guide. You now simply need to ensure that you are familiar with its rules.

Regardless of which of these scenarios holds true for you, this guide is here to help.

How to Write a Book Title in an Essay

Many style manuals call on writers use title case and italics to format a book title. Title case rules vary slightly from one style guide to the next, but generally capitalize all important words — nouns, pronouns, verbs, and adverbs. Conjunctions and prepositions are not capitalized unless they are very long (generally more than four letters) or they appear at the beginning or end of a book title.

Writers who are not required to work with a specific style manual can't go wrong if they stick to this style. Some examples would be:

• To Kill a Mockingbird by Harper Lee
• The Gift of Fear and Other Survival Signals That Protect us From Violence by Gavin de Becker
• The Cat With a Feathery Tail and Other Stories by Enid Blyton

If, on the other hand, you're required to use a style guide, it will likely be one of these:

• MLA, commonly used in disciplines relating to literature and social sciences.
• APA, commonly used in psychology and other sciences.
• Chicago, often used in the publishing industry.
• Harvard style, commonly used in philosophy and social sciences.

These are certainly not the only "big players" in the style guide world, but they're ones it's good to be familiar with. There is overlap between these styles, but there are also major differences — so knowing one definitely does not mean you know the others, too.

Guidelines for Writing a Book Title in an Essay

Looking for a short and sharp answer, so you can get on with the rest of your essay? This is it.

This quick guide will help you reference the book title of your choosing in the body of your essay, but what about your Works Cited pages? Each style guide offers different rules, and we'll use the same book as an example to illustrate the differences.

• MLA uses the following format: Author Last Name, First Name. Title of Book . City of Publication, Publisher, Publication Year. Example: Card, Orson Scott. Ender's Game. Tor Books, 1985. (You only have to detail the city of publication if the book was published before 1900, the publisher has offices in many localities, or the publisher is not known in the US.)
• APA uses the following format: Author Last Name, First Name. (Year of Publication). Title of book. Example: Card, Orson Scott. (1985). Ender's game.
• Chicago style uses the following format: Author Last Name, First Name. Book Title: Subtitle . Place of publication: Publisher, Year. Example: Card, Orson Scott. Ender's Game . Tor Books, 1985.
• Harvard uses the following format: Author Last Name, First Initial. (Publication Year). Title . ed. City: Publisher. Example: Card, O. (1985). Ender's Game. Tor Books.

If, after researching, you cannot find relevant information about publication years, publishers, or the city in which a book was published, you may omit it. For a full guide, it is always best to have a physical copy of the latest edition of the style manual you are using. You can, however, get by without this if you need to.

Should you still not know what to do, it will be helpful for you to know that you can "generate" citations for a particular style manual with the help of online tools like Cite Me . These are not always accurate, so if you decide to use one, always check the citation manually.

Why Is Proper Formatting Important?

All of the well-known style manuals ultimately serve the very same set of purposes, although they were each developed for a particular niche. The goals of these style manuals are both explicit and implicit:

• Following a style guide ensures consistency throughout a document, in this case an essay.
• Consistency ensures that reader's understand precisely what the writer is talking about, without exerting any effort on figuring that out. Clarity is especially important in academic writing.
• By using a style guide within a certain discipline, you show that you understand the rules within that discipline. This adds credibility to your voice as a writer. You have done your homework, have ideally bought the style manual, and are part of the "in group".
• Sticking to a certain style guide makes it easier for relevant parties to check your references, which they can then use to perform further research.

Students are increasingly asked to refer to style guides at all levels, including in high school. In this case, formatting your essay correctly, in accordance with the right style manual, serves two additional purposes:

• You'll lose points if you don't do it right, offering you an additional reason to do your research.
• Getting used to these formats prepares you for further education. If you are in high school, it prepares you for college-level writing. If you are an undergraduate student, it prepares you for academic work at the graduate and post-graduate levels.

Can you start an essay with a book title?

Yes, you can start an essay with a book title. This is a valid stylistic choice, but you will always want to consider your introduction carefully.

How do you write a book title in handwriting?

Students sometimes ask whether it is acceptable to underline book titles instead of italicizing them. This practice indeed stems from a time in which most students wrote their essays by hand. Although it has largely fallen out of practice now, you can still underline a book title if you are handwriting your essay.

How do you write a book title and chapter in an essay?

You should mention the chapter title first: "Rat" from Ender's Game by Orson Scott Card. Consult the relevant style manual to ensure you get the formatting right.

Can you shorten a book title in an essay?

Yes, you can. Reference the full title the first time you mention it (for example: Furiously Happy: A Funny Book About Horrible Things ). The next time you mention the book, you may simply refer to Furiously Happy .

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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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How to write a book title in an essay: essential guidelines for students

Updated 13 Jun 2024

Unlocking the art of seamlessly integrating book titles in essays is a skill every writer should master. Navigating the intricate landscape of various style guides, such as MLA, APA, Harvard, or Chicago, requires a nuanced understanding of formatting rules. Whether you’re a student aiming for precision in academic writing or an aspiring author looking to enhance your literary prowess, this article will guide you through the nuances of how to write a book title in an essay in different citation styles.

Let’s delve into the subtleties and ensure your book details are written and presented with finesse!

General rules

Crafting a polished essay or writing book report involves well-thought-out content and meticulous attention to formatting, especially when writing book title. Understanding the general guidelines across popular citation styles is essential for presenting your literary references coherently. Discover where all styles agree on how to quote books in essays. 

• Following formatting requirements, self-contained and independent books, spanning genres like novels, short stories, a collection of poems, and plays, share a common trait. Are book titles italicized? Yes, they are. Consider the following masterpieces as prime examples:

• Components within a larger work, such as acts, chapters, scenes, songs, or individual poems, are embraced by quotation marks. In this case, the whole book title in an essay remains italicized. Let’s see some examples:

• When the book's name mentioned within the overarching title is typically formatted in italics, it’s advisable to employ italic letters consistently. So, the overarching title that encompasses the specific book's discussion should also be italicized. 
• If the name of book in essay (poem or novel) referenced within the overarching title typically appears within double quotation marks, it’s recommended to enclose it in single quotation marks instead. Besides, ensure the formatting is consistent throughout your text. If the main title is italicized, remember to maintain this style for the entire heading, including the nested title within quotation marks. If it’s challenging, you may pay someone to do my homework to avoid any inconsistencies in your formatting. Let’s see how these two guidelines can be implemented in the following examples:

• Both stand-alone books and subsections within a larger work adhere to title case capitalization, where major words are capitalized. Consider the following examples:

When considering how to write book titles in essays it's essential to note that capitalization rules can vary significantly between style guides, adding a layer of complexity. Therefore, the path you choose for capitalization should align with the specific style requirements, ensuring consistency and adherence to academic standards. Whether following APA, MLA, or another guide, clarity in title presentation is a key element in elevating the overall quality of your handwritten work.

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How to write a book title in different citation styles: APA, MLA, Chicago, AMA, and CSE 

Navigating the proper formatting of book titles in an essay requires understanding the diverse rules prescribed by various style guides. Whether you’re following the guidelines of the Modern Language Association, American Psychological Association, Chicago Manual of Style, or another specific style, each has unique conventions for presenting the book’s details within your text. In this exploration, we delve into the nuances of formatting an essay body containing book names and emphasize the distinct approaches dictated by different styles.

How to write a book title in an essay in APA style? The rules for indicating the names of books and authors are as follows:

Book titles:

• Italicize all the words and punctuation. Do not underline or place them in quotation marks.
• Capitalize the first word of titles of books in papers, the first word after a colon, and all major words. Avoid capitalizing minor words (e.g., articles, prepositions, conjunctions) unless they are the first word of the name or longer than four letters.
• Always place the book title after the author’s name.

Example: The Great Gatsby .

Author names:

• Write the author’s last name followed by their initials without spaces or periods.
• If multiple authors are indicated in your college papers for sale , separate their names with commas and use an ampersand (&) before the last author’s name.
• If the work has a group or corporate author (e.g., an organization), write the name in full.

Example 1 (single author): Smith, J. A.

Example 2 (multiple authors): Smith, J. A., Johnson, M. R., & Brown, P. S.

Example 3 (group author): American Psychological Association.

Should we italicize or quote book titles according to MLA style? Modern Language Association suggests the following guidelines for academic papers:

• Write the book title in essay in italics. Underlining or placing them in quotation marks is not required.
• Capitalize the first and last words of the title, as well as all major words in between. Do not capitalize minor words unless they are the first or last words of the title or come after a colon.

Example: A Good Man Is Hard to Find.

• Write the author’s full name with the last name first, followed by the first name.
• If there are multiple authors, enumerate them in the order they appear on the title page.
• If the work has a corporate author (e.g., an organization), you can use the organization’s name.

Example 1: Fitzgerald, F. Scott.

Example 2: Smith, John, and Mary Johnson.

Example 3: Modern Language Association.

“Do you italicize authors names in Chicago?” you can ask. Let’s speak about this formatting style. The rules listed in the Chicago essay guide prescribe the following:

• Italicize or underline (older tradition) the titles of larger works, including books. It's more common for readers to see italics in modern Chicago style.
• Capitalize the first and last words of the title, along with all major words in between. Do not capitalize minor words unless they are the first or last words of the title or come after a colon.

Example: Murder on the Orient Express .

• Write the author's full name with the last name first, followed by the first name.
• If there are several writers, indicate them in the order they appear on the title page.

Example 1: Ellison, Ralph.

Example 2: Wood, James, and Mary Jane.

Example 3: University of Chicago Press.

Discover how to quote a book in an essay in AMA. The American Medical Association has specific guidelines for citing and formatting. Here are the rules:

• Use italics for the titles of larger works, including books ─ no need to underline or place them in quotation marks.
• Capitalize only the first word of the title and any proper nouns. Do not capitalize the first letter of subsequent words unless they are proper nouns.

Example: The great Gatsby .

• Write the author's last name followed by their initials without spaces or periods.
• If there are multiple authors, use commas to separate them and apply an ampersand (&) before the last author’s name.
• If the work has a group or corporate author, write the name in full.

Example 1: Fitzgerald FS.

Example 2: Smith JA, Johnson MR, & Brown PS.

Example 3: American Medical Association.

The requirements of the Council of Science Editors are similar to the AMA style. If you find them challenging or need clarifications, you may always send us your “ write an essay for me ” request and get support with your formatting anytime. Let’s see the essential guidelines: 

• Italicize the title of books in essay (here, we mean larger works, not chapters or articles). Do not underline them, and avoid using quotation marks.
• Use capitalizing for only the first word of the title, proper nouns, and the first word after a colon or em dash.

Example: A tale of two cities.

• Write the author's last name followed by a space and their initials, with no commas or periods between the initials.
• If there are multiple authors, use commas to separate them, and use an ampersand (&) before the last author's name.

Example 1: Dickens C.

Example 2: Clark JB, Doe JM, & Anderson KL.

Example 3: Council of Science Editors.

Final thoughts

In conclusion, navigating the intricacies of writing a book title in an essay is an important skill for any writer. By mastering the diverse formatting rules of style guides, you’ll meet academic standards and infuse your work with professionalism. As you embark on your next writing journey, remember that precision matters. 

For personalized assistance and expert guidance in creating argumentative essays, consider EduBirdie as your go-to ally. Elevate your writing experience and achieve excellence with the support of a trusted partner. Take the first step towards impeccable papers ─ choose EduBirdie for your writing success!

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Written by Steven Robinson

Steven Robinson is an academic writing expert with a degree in English literature. His expertise, patient approach, and support empower students to express ideas clearly. On EduBirdie's blog, he provides valuable writing guides on essays, research papers, and other intriguing topics. Enjoys chess in free time.

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How to Write a Book Title in an Essay: A Simple Guide

Julia McCoy

Mastering the art of citation is crucial for academic writing, and one common dilemma writers face is how to write a book title in an essay.

In this blog post, we’ll delve into the ins and outs of citing book titles, exploring different citation styles, and providing practical tips to ensure your essays are not only well-written but also properly referenced.

Whether you’re navigating the nuances of MLA, APA, or Chicago style, we’ve got you covered with clear guidelines and examples to help you confidently write book titles in your next masterpiece.

Let’s get started!

Table Of Contents:

How to write book titles in essays, how to format book citations, writing various types of titles in essays, emphasizing book titles in essays, punctuating and capitalizing book titles, examples of writing book titles in essays, faqs – how to write a book title in an essay.

Writing book titles in essays can be tricky, especially with different style guides like MLA, APA, and Chicago. But don’t worry, I’ve got you covered with some tips and examples on how to quote a book title in your essay.

MLA Style Guide

In MLA style, book titles are italicized, both in the text of your paper and in the Works Cited list.

For example: Toni Morrison’s Beloved is a powerful novel about the lasting impact of slavery.

Similarly, in the style guide of the American Psychological Association, book titles should also be italicized in the text and the reference list.

For instance: In The Catcher in the Rye , Holden Caulfield grapples with the transition from adolescence to adulthood.

Chicago Manual

In Chicago style, book titles are italicized in the text and the bibliography.

Like this: Michael Pollan explores the origins of our food in The Omnivore’s Dilemma: A Natural History of Four Meals .

Regardless of the style guide, there are some general formatting rules to keep in mind.

Titles of books should be underlined or italicized. Titles of stories, essays, and poems are placed in quotation marks.

Refer to the text specifically as a novel, story, essay, memoir, or poem, depending on what it is.

Capitalization Rules

Use capital letters to write the title of a novel.

For example, The Secret Garden by Frances Hodgson Burnett.

Quotation Marks

Titles of stories, essays, and poems are placed in “quotation marks.” This helps differentiate them from longer works like novels or non-fiction books.

Now that we’ve covered the basics, let’s dive into some specifics for different types of titles you might encounter.

Journal Articles

If the book title is part of a larger work, like a journal article, it should be underlined instead of italicized.

Short Stories

Titles of short stories should be placed in quotation marks.

For example: “The Lottery” by Shirley Jackson.

Chapter Titles

When referencing a chapter title, enclose it in quotation marks.

For instance: “The Boy Who Lived” from Harry Potter and the Sorcerer’s Stone .

Article Titles

Article titles, like those found in English-language newspapers or magazines, should also be placed in quotation marks.

For example: “Why We Crave Horror Movies” by Stephen King.

Newspaper Titles

Italicize the names of newspapers, like The New York Times or The Wall Street Journal .

The names of websites should generally be italicized, such as The Huffington Post or BuzzFeed .

Book Series

When referring to a book series as a whole, italicize the name of the series. Individual books within the series should also be italicized.

For example: the Harry Potter series by J.K. Rowling, which includes titles like Harry Potter and the Chamber of Secrets .

Sometimes you want to draw extra attention to a book title in your essay. Here’s how to do it effectively.

When to Italicize

As a general rule, italicize the titles of longer works such as books, edited collections, movies, television series, documentaries, or albums.

When to Use Quotation Marks

Shorter works like poems, articles, book chapters, songs, TV episodes, or other shorter works should be placed in quotation marks.

Exceptions to the Rules

As with any rule, there are exceptions. Some style guides prefer underlining to italics. Others may recommend using quotation marks around the title and italicizing or underlining the name of the newspaper or magazine it appears in.

When in doubt, always check with your instructor or the publication you’re writing for.

Punctuation and capitalization are key when it comes to book titles in essays. Get it wrong, and your writing won’t look as polished.

Using Question Marks

If a book title ends with a question mark or exclamation point, include it in the italics.

For example: Do Androids Dream of Electric Sheep? by Philip K. Dick

In general, capitalize the first word and all major words (nouns, pronouns, verbs, adjectives, adverbs, and some conjunctions).

Don’t capitalize articles, prepositions, or conjunctions unless they’re the first or last word.

Some style guides recommend capitalizing prepositions five letters or longer.

Title case is the most common form of title capitalization and is found in all four major title capitalization styles (AP, APA, MLA, and Chicago).

Capitalize the first word in the title, the last word in the title, and all “major” words in between.

Proper Nouns

Always capitalize proper nouns, such as the names of people, places, organizations, or other proper nouns in a book title.

For example: Harry Potter and the Order of the Phoenix by J.K. Rowling.

Let’s look at some examples of how to write book titles in various situations.

Classic Literature

When referencing a classic work of literature, italicize the book’s title in the text of your paper.

In the Works Cited entry, include the author’s full name, the title of the book (in italics), the publisher, and the year of publication.

For example:

Austen, Jane. Pride and Prejudice . Penguin Classics, 2002.

Contemporary Literature

For a contemporary work, follow the same format in the text of your essay.

In the Works Cited entry, include the author’s name, book title (in italics), publisher, year of publication, and medium of publication (print, web, etc.).

Here’s an example:

Whitehead, Colson. The Underground Railroad . Doubleday, 2016. Print.

Non-Fiction Works

When citing a non-fiction book, use the same format as you would for a fictional work. Italicize the book title in the text and the Works Cited entry. Include the author’s name, book title (in italics), publisher, year of publication, and medium of publication.

For instance:

Krakauer, Jon.  Into the Wild . Anchor Books, 1997. Print.

How do you write the title of a book in a sentence?

In sentences, capitalize the first word and proper nouns. If it’s central to your point, italicize it.

Is a book title italicized or in quotes?

Book titles are usually italicized. Quotes are for shorter works like articles or poems.

How do you write a book title in a handwritten essay?

If handwritten, underline book titles instead of using italics to highlight them.

So there you have it – your complete guide to how to write a book title in an essay. By following these simple rules for MLA, APA, and Chicago style, you’ll be able to format your book titles correctly every time.

Remember, the key is to be consistent and pay attention to the details. Whether you’re italicizing, underlining, or using quotation marks, make sure you’re applying the rules consistently throughout your essay.

Written by Julia McCoy

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How to Write Book Titles in Essays: APA, MLA, Chicago Styles

It’s your practical and up-to-point guide on how to write a book title in an essay. You’ll get the formatting rules and examples for citing book and author names in academic papers.

We’ve covered the top three citation styles: APA, Chicago, and MLA.

How to Write the Title of a Book in an Essay

First, remember the general rules of citing book names in academic works.

Here’s how to cite books in essays :

• Use capitalization. Every word of a book’s name goes in the title case, except prepositions, articles, and coordinating conjunctions.
• Use italics for longer and independent works. Use double quotations for shorter ones (poems, articles, book chapters, or play acts and scenes).
• Use single quotations for a book’s title within another title. (When citing monographs about literary works, for example.) 

While capitalization rules depend on the citation style, some general tips have a place to be. Please, no capitalization for:

• Articles: a, the (unless the book title begins with it)
• Coordinating conjunctions and prepositions: of, and, or, but, for, to, nor, in, so (unless the book title begins or ends with it)

Subordinating conjunctions (although, unless, because, if) go in capital letters.

How to Write a Book Title in an Essay: APA

APA (American Psychological Association) is the most popular style for citing academic works. It’s common for the social sciences like Education, Psychology, Sociology, and others. The current edition: 7th (2019).

Book titles in APA stand for:

• Italics. (If a book name includes any punctuation, italicize it too.)
• Capitalization. (Capitalize all words longer than four letters , regardless of the part of speech. Also, use capital letters for two-part words and those coming after a dash or a colon.)
• Double quotations instead of italics. (When citing a short work like an article or a poem; when citing a book chapter or when the book is a part of an anthology.)

For example: 

The Lord of the Rings but “The Fellowship of the Ring” (The latter is part of the trilogy.)

Related: How to Cite a Movie in APA Format

How to Write the Name of a Book in an Essay: Chicago

The Chicago Manual of Style is a guide by the University of Chicago. It’s common for fields like History, Fine Arts, and Business. The current edition: 17th (2017).

How to format book titles in Chicago:

• Italicize longer and independent works; put shorter ones in double quotations.
• Use italics for punctuation within a title.
• Capitalize all words except articles (a, the) and ALL prepositions or conjunctions (regardless of length).

For example:

In George Orwell’s 1984 , the author presents a dystopian society characterized by pervasive government surveillance and the suppression of individual freedom. The harrowing events in “Chapter 2,” where Winston Smith begins to rebel against the Party by starting a forbidden diary, mark a pivotal moment in the novel’s exploration of resistance against totalitarianism.

The style resembles the MLA format, but it’s flexible, allowing you to “break the rules if necessary.”

How to Write a Book Title in an Essay: MLA

MLA format stands for the Modern Language Association. It’s common for humanities like Literature, Culture, Linguistics, etc. The current edition: 8th (2016). 

How to format books in MLA:

• Italicize all words, including punctuation and those of two parts or going after colons and hyphens.
• Capitalize all words except articles (a, the) , prepositions, and short conjunctions within a book title.
• Use double quotations instead of italics when writing a book chapter or a part of a book series.

In Little Women , Beth March dies in Chapter 40, “The Valley of the Shadow.”

Formatting Book Author Names in Papers

Use the author’s full name (first and last) to format it in your essay for proper credit.

If a book has two authors, use both last names and initials. For works with three or more authors, use the last name of the first one and add “et all.”

No need to italicize author names in papers.

Why Properly Cite Book Titles in Essays

The short answer:

You won’t get a high grade for an essay. Formatting blunders count as mistakes.

The longer answer:

• You prove writing skills and an understanding of the rules in academia.
• Your papers maintain consistency. It’s critical to stick to criteria to prevent confusion. The consistent format for book headings also serves to better scannability and readability.
• You learn to cite different types of references for your future projects.

Do you italicize book titles?

Yes, you put book titles in italics. Please italicize long and stand-alone works: books, movies, webpages, reports, or music albums. Shorter works’ titles (articles, essays, poems, songs, or book chapters) come in quotations. (1)

Do you underline book titles?

Underlining book titles is an outdated practice. Some still use it in handwritten essays, but it’s not a must-follow rule. Neither APA nor MLA (or Chicago) mentions underlining book names in academic papers.

How to use book title capitalization in texts?

Capitalize every word in a book’s title. Exceptions are articles (a, the), prepositions, and short (three or fewer letters) conjunctions in mid-titles.

Are books italicized in all formatting styles?

Yes, book titles come in italics in all styles: APA, MLA, and Chicago. When citing book chapters or a book as a part of a series, use quotation marks instead.

How to write a book author in an essay?

Use the author’s full name when citing their book in your papers. For works with several authors, mention their last names and initials. Unlike book titles, author names come in standard formatting with no italics.

References:

• https://english.csuci.edu/resources/essay-writing-essentials.htm
• Essay samples
• Essay writing
• Writing tips

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How To Write Book Titles The Proper Way: A Complete Guide For Writers

• February 10, 2022

Book titles within essays or papers can be tricky. There are specific rules that are given for how to include a book title in a way that sets it apart from the content of your writing given by the Modern Language Association. However, as with many other things in life, there are exceptions to the rules. This article will guide you through the rules of the writing style guides so that you can include a book’s title in your paper or essay correctly.

How to write book titles:

Style guides and book titles.

When it comes to book titles within text, there are a few different style guides that have rules you can follow, depending on your writing type. The three types that you will encounter most often are; MLA style, Chicago manual of style, and APA. A writing instructor will usually tell you what style guide you are expected to use for a particular essay or paper.

MLA Style Guide

The MLA handbook states that you should always italicize book titles when styling book titles within your text. The exception to this rule are religious texts. You would not italicize the Holy Bible or the sacred books or titles of other religions. Note the following example.

Pam had stayed most of the summer indoors, re-reading her favorite book series. She was already up to  Harry Potter and the Philosopher’s Stone , and she didn’t regret not being more active or going outside.

In the above example, the book title is italicized. Fiction titles and nonfiction titles alike must be in italics when within the text.

Series Titles in MLA

In the above example, a book from a series was used. But what if the text had not specified which book from the series Pam was reading? Would it still need to be in italics? The answer is: in this case, yes. In other cases, sometimes.

It’s really not as confusing as it seems. When you are talking about a book series but don’t want or need to include the complete series titles for the purposes of your work, you only have to put words in italics that also appear in the book titles. So, because  Harry Potter  is part of the title of all of the books in the series, you would italicize his name every time you mention the book.

However, if you were talking about Katniss Everdeen, you would not have to do this, as the book series she is featured in doesn’t use her name in the titles of  The Hunger Games  series. The same would be true of books like the Nancy Drew books.

Quotation Marks

There are instances in which titles should be placed inside of quotation marks within a paper or essay. This is done when you cite the titles of poems , a chapter title, short stories, articles, or blogs.

So, for example, if you were to write a paper that featured a poem from a book, you would put the book title in italics and the poems cited in quotation marks.

An example of an enduring love poem is “Annabel Lee” from  The Complete Tales and Poems of Edgar Allan Poe. 

Chapter Title

Another time that quotation marks should be used is when using the title of a chapter. If you are citing a specific chapter of a book, you would enclose the title of the chapter in quotation marks, and the title of the book should be in italics.

The desperation and sadness of a man on death row can be seen in the “Wild Wind Blowing” chapter of Norman Mailer’s  The Executioner’s Song. 

Short Stories

Short stories are another case. Much like the title of a chapter or poem, in which the title is placed in quotation marks, while the title of the book or collection it is found in is italics. The same can be said for sections, stories, or chapters cited within a literary journal.

Stepping away from his norm of horror and gore, Stephen King writes of trust, love, and regret in his story “The Last Rung on the Ladder,” which can be found in his short story collection  Night Shift. 

Punctuation Marks

If you are citing a story or title that includes question marks, you need to make sure to italicize the question mark when citing. Keep all punctuation, such as a question mark, comma, ellipses, colon, or exclamation mark, as it is in the original individual books.

If you want a funny and irreverent read, you’ve got to try  Are You There, Vodka? It’s Me, Chelsea.  Chelsea Handler has done a phenomenal job of being vulgar, relatable, and explaining life from her viewpoint in this hilarious and memorable book.

The Digital Age: Are Book Titles Underlined Anymore?

MLA style used to dictate that a book title should either be in italics or underlined. However, that is no longer the case. As computers started to take over as the major tool used in writing, it became unpopular to underline book titles. Therefore, this rule was dropped from the style guides.

However, it should be mentioned that when handwriting an essay or research paper, many instructors prefer that you underline book titles, as it’s relatively difficult to handwrite italics. If you are in a writing course or a class that is heavy on handwritten work, be sure to ask your instructor or teacher which method they prefer for citing a book title.

How to Come Up with Book Title Ideas

Now that quotation marks, italics, and style guides have been discussed, let’s move on to how you can come up with your own book title. If you’d like a title for your book that sounds interesting and will get a reader’s attention, you may find this article helpful.

Coming up with a good title for your book is a challenging yet essential marketing decision . The right title can make your target audience choose your new book off of the shelf instead of another writer’s work. Your book cover and your book title are quite possibly the most important marketing decisions you will make.

How to Choose a Good Book Title

Certain criteria should be met if you want to have a good book title , and there are specific steps involved in getting there. You may have assumed up until now that titles of books were just spur of the moment decisions made by authors or publishers, but a lot of work goes into writing good titles.

Grab the Reader’s Attention

As a general rule, you want your reader to remember your title and to sound interesting, even without the reader having seen the cover. There are several ways to do this. You can be a little dark with your title, be controversial, provoke the reader, or even be funny.

There are many examples of such works that use memorable and attention-seeking titles. The following are some different titles that are effective and would most likely provoke a reader to grab them from a shelf for closer inspection.

• Burn After Writing (Sharon Jones)
• Love in the Time of Cholera (Gabriel Garcia Marquez)
• Is Everyone Hanging Out Without Me? (Mindy Kaling)
• Are You There, Vodka? It’s Me, Chelsea (Chelsea Handler)
• The Devil Wears Prada (Lauren Weisberger)
• Chicken Soup for the Soul (various authors)
• God Bless You, Dr. Kevorkian (Kurt Vonnegut)

Shorter Titles

If your full title for your book is long, you may end up boring a reader or creating a situation where a reader tries to remember the title of your book, but it’s too long and ends up getting it confused with another book. Although you should always do your best to make sure that there aren’t books by other authors that share a title or have a title similar to your book (more on that in a minute), you don’t want a person to get confused and get the wrong book instead.

Research Your Title Ideas

It’s a good idea to take the titles you have considered for your book and make a list. Then, do your homework. You can use tools like Google Adwords to test out your title to see if there are others like it, or you can simply use any search engine and plug your title ideas into the search bar and see what similar or exact titles of the same words pop up.

Readers are generally busy people. They don’t have the time or the energy to ensure that writers get a title right. They’ll look for the book they are interested in, and if it proves to be too difficult, or if there are other books written that have the same title, they’ll move on to something else.

A writer really has to make sure that they have a title that isn’t going to be ignored, is interesting, isn’t too long, and isn’t too similar to other works.

The same goes for titles of short works within a larger body of work. Short works, like poems or stories, need to have unique titles as well when included in a larger body of work, such as a collection. If stories are similar in nature, be sure to title them differently so that readers will be able to tell them apart, as well.

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• APA Style - 7th edition
• Specific Rules for Authors & Titles

APA Style - 7th edition: Specific Rules for Authors & Titles

• Basic Information

Rules for Writing Author and Editor Information

Rules for writing titles.

• Media Sources
• Internet Sources
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There are certain things to keep in mind when writing the author's name according to APA style. Authors may be individual people, multiple people, groups (institutions or organizations), or a combination of people and groups. 

• You must include all the authors up to 20 for individual items. For example, if you are using an article that has 19 authors you must list them all out on your reference page. 
• Use initials for the first and middle names of authors. Use one space between initials.
• All names are inverted (last name, first initial).
• Do not hyphenate a name unless it is hyphenated on the item.
• Separate the author's names with a comma and use the ampersand symbol "&"  before the last author listed.
• Spell out the name of any organization that is listed as an author.
• If there is no author listed, the item title moves in front of the publication date and is used.

An item that you use may have an editor instead of an author or in the case of audiovisual materials a writer or director.

• For editors follow the same rules above and put the abbreviation (Ed.) or (Eds.) behind the name(s). 
• For audiovisual materials follow the same rules as above and put the specialized role (Writer) (Director) behind the name. 

Zhang, Y. H.  (one author)

Arnec, A., & Lavbic, D. (two authors)​

Kent State University (organization as author)

Barr, M. J. (Ed.). (1 editor)

Powell, R. R., & Westbrook, L. (Eds.). (2 editors)

here are certain things to keep in mind when writing a title according to APA style.

• Book titles are italicized and written using sentence case (only the first word of a title, subtitle, or proper noun are capitalized).
• Book chapter titles are written using sentence case and are not italicized.
• Journal titles are italicized and written using title case (all the important words are capitalized).
• Article titles are written using sentence case and are not italicized.
• Webpages and websites are italicized and written using sentence case.

Publication manual of the American Psychological Association (book title, American Psychological Association is a proper noun so it is capitalized)

Student perspective of plagiarism (book chapter title)

Internet plagiarism in higher education: Tendencies, trigging factors and reasons among teacher candidates (article title, Tendencies is the first word of a sub-title so it is capitalized)

Assessment & Evaluation in Higher Education (journal title)

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• Last Updated: Jul 14, 2023 4:23 PM
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How to Write a Book Title in MLA Formatting

by Joe Bunting | 2 comments

You're writing a paper for school and suddenly you stop in the middle of the sentence. You have to write a book title, but you don't how to format it. How do you format a book title in MLA style? Good news: you're in the write place (sorry, I had to).

In this post, we'll talk about MLA style and formatting, whether it's appropriate for your project, and most importantly, how to write a book title in MLA style.

What Is MLA?

MLA stands for Modern Language Association, a society primarily based in the United States but with international standing, that has a mission to “strengthen the study and teaching of language and literature”. Founded in the late 1800s by an American novelist and professor, MLA publishes a set of resources used by students and teachers, including the MLA Handbook for Writers of Research Papers .

The MLA handbook is one of the main style manuals for students and scholars in the world, especially for anyone studying literature, film, or theater.

Should You Format Based on MLA Style?

If you're writing a paper for a class in literature, theater, or film, absolutely use MLA style. Outside of that, it depends. Here are the most frequent style guides associated with various disciplines:

• Literature, Film, Theater:   MLA
• Psychology:   APA
• Science (Physics, Biology, Chemistry): CSE or APA
• Journalism:   AP
• Mathematics:   AMA
• Publishing:   Chicago

You can find a full list of international style guides here .

Now that you know if you should be using MLA style, how do you format a book title with it?

How to Format a Book Title in MLA Style: Example

In MLA style, book titles are italicized, as so:

Henry Thorough argues in Walden  that the best life is lived in deliberate simplicity so as to discover what life truly is about.

In fact, most style guides, including MLA and   Chicago style, require book titles to be italicized , not underlined.

If the book title has a subtitle, the subtitle should be italicized as well and separated by a colon to be formatted correctly for MLA style, as in:

Natural History of the Intellect: the last lectures of Ralph Waldo Emerson

Should You Underline Book Titles in MLA Style?

If you are using MLA style, you should not underline book titles. Instead, italicize the titles.

However, AP style, the guide used by journalists, suggests putting titles in quotation marks, not italicization.

Still, I wouldn't recommend underlining a book's title. In fact, I couldn't find a single style guide that requires book titles to be underlined, but if you know of one that does, let me know in the comments!

Which style guide do you use most? MLA? Chicago? APA? AP? Or do you just write based on your own rules?!  Let me know in the comments .

Let's cement this formatting lesson in our minds by putting it to use right away with the following writing exercise .

What are your favorite books of all time? Write about what you love about them and why they are your favorites for fifteen minutes . Make sure to use the correct formatting for each title!

When your time is up, post your practice in the comments section . And if you post, please be sure to read a few practices by other writers and share your feedback with them.

Happy writing!

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

how do you format the title if you’re writing on paper and can’t italicize?

When writing by hand, you can underline book titles.

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📚 Mastering the Art of Writing a Book Title in an Essay

Mastering the art of writing a book title in an essay.

Why is Book Title Formatting Important?

Understanding the rules, common mistakes to avoid, additional resources.

Should You Indent When Starting a New Paragraph in MLA Format?

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How to Write A BOOK Title In An Essay

Writing a book title in an essay can be confusing. But it is necessary for the credibility and clarity of the write-up. Plus, each writing style has its own rules for formatting titles. Hence, doing such an activity could be a real pain for the students.

Don’t worry, as you are in the right place! Since this interesting article focuses on guiding you about how to write a book title in an essay accurately. So, read it thoroughly before you search for a professional  paper writing services  provider.

Table of Contents

Understanding Formatting Guidelines

The first step in learning how to write book name in essay is to learn the basics. It means you need to get comfortable with different formatting guidelines. Let’s begin with the style guides.

Different style guides

When writing essays for college , it’s important to know the rules for formatting book titles. The three most popular style guides are MLA, APA, and Chicago.

In  MLA format , you should usually italicize book titles. You can also put them in quotation marks when a type of work demands.

For example, a book title like “To Kill a Mockingbird” would be italicized:  To Kill a Mockingbird .

However, a chapter title within a book would be placed within quotation marks. For example, “The Ewell Family.”

In  APA style , the first word of book titles is capital.

For example, a book title like “The Catcher in the Rye” would be written as The catcher in the rye

Chicago Style

Chicago style demands a book title to be in italics or quotation marks. It is very similar to the MLA style. But Chicago style gives you a bit more leeway to use italics or quotation marks. It’s best to stay consistent with what you pick throughout your essay when using the Chicago style.

Consistency within the Essay

You must be consistent when including the title of a book in an essay. Figure out what style guide you must follow and ensure you stick with it. That means all the book titles you mention should look the same.

For example, if you choose to italicize book titles according to MLA style. Ensure that all book titles in your essay are italicized consistently. Avoid mixing italicization with quotation marks or using different formatting styles within the same essay.

Inconsistency in formatting can confuse readers and undermine the professionalism of your work. Paying attention to detail and maintaining consistency will contribute to your essay’s overall clarity and readability.

Determine the Appropriate Style Guide to Follow

To determine the appropriate style guide to follow for formatting book titles in your essay, consider the following:

Assignment Requirements

See if your teacher or the instructions for the assignment mention a certain style to go by. Stick to that, if they do, to ensure everything is consistent, and you meet the expectations.

Academic Discipline

Your field of study can affect which style guide you should use. For example, humanities and literature students usually use MLA style, while social sciences usually use APA style. It’s important to know what’s typical in your discipline to choose the right guide.

Formatting Book Titles in MLA Style

Humanities and liberal arts disciplines use MLA writing rules. In MLA style, book titles are usually in italics like in APA style. But there can be variations in capitalization and punctuation. Let’s explore each aspect in detail with examples:

In MLA style, book titles are put in italics to make them stand out from the rest of the text.

Titles of shorter works, such as articles or chapters, are enclosed in quotation marks.

Example 1: Italicized Book Title

Fitzgerald, F. Scott. The Great Gatsby .

Example 2: Book Chapter (In Quotation Marks)

Smith, John. “The Art of Persuasion.” Essays on Rhetoric.

Capitalization

In MLA style, follows the title case. It means keep the first letter of each word capital. Capitalize articles, conjunctions, and prepositions only if they are the first or last words in title.

Example 3: Correct Capitalization

Lee, Harper. To Kill a Mockingbird.

Punctuation

In MLA style, there should be no special punctuation like colons or periods between the main title and any subtitles. However, if the book’s title includes a subtitle, a colon should separate it from the main title.

Example 4: Book Title with Subtitle

Gladwell, Malcolm. Outliers: The Story of Success.

Edition and Volume Numbers

To refer to a certain book edition, add the edition number after the book title. If the book is part of a multi-volume work, indicate the volume number after the title as well.

Example 5: Edition and Volume Numbers

Johnson, Mary. Chemistry in Focus. 2nd ed.

Smith, Adam. The Wealth of Nations. Vol. 1.

Translated Titles

If the book you are citing is translated from another language, include the original title and the translator’s name in the citation.

Example 6: Translated Title

Kafka, Franz. The Metamorphosis. Translated by David Wyllie.

It’s important to remember that MLA style is always changing and being updated. So always refer to the latest edition of the MLA Handbook or your institution’s writing guidelines.

Formatting Book Titles in APA Style

Usually the social sciences disciplines use APA (American Psychological Association) style. Let’s look at how you must consider capitalization, punctuation and italics in this writing style.

Just capitalize the first word of any subtitles and proper nouns.

All other words, such as articles (a, an, the), conjunctions (and, but, or), and prepositions (in, on, at), are in lowercase.

Example 1: 

“The Power of Habit: Why We Do What We Do in Life and Business”

In APA style, book titles are italicized to distinguish them from the rest of the text.

Do not italicize titles of shorter works, such as articles or chapters. Just enclose them in quotation marks.

Example 2: Italics

Here’s an example of an italicized book title:

The Catcher in the Rye

In APA style, there should be a colon (:) between the main title and any subtitle.

When citing a book title within the text of your paper, use title case and italicize it.

When including book titles in your reference list, use sentence case and italicize it.

Example 3: Punctuation

Here’s an example of proper punctuation and citation within the text and reference list:

In-text citation

According to Smith (2019),  The Theory of Everything  provides an in-depth analysis of astrophysics.

Reference list citation

Smith, J. (2019).  the theory of everything . Publisher.

Include the edition number in parentheses right after the book title when a book has a specific edition.

If a book is part of a multi-volume work, you can also indicate the volume number after the title.

Example 4: Parenthesis

Here are examples of how to format book titles with edition and volume numbers:

Edition Number

Johnson, M. (2022). Chemistry in Focus (2nd ed.).

Volume Number

Smith, A. (2021). History of the United States (Vol. 3).

Include the translator’s name in square brackets if you cite a translated book. 

Example 5: Translated Thesis 

Here’s an example of how to format a translated book title:

Kundera, M. (1984). The Unbearable Lightness of Being [Original title: Nesnesitelná lehkost bytí].

Translated by M. Henry.

Formatting Book Titles in Chicago Style

The Chicago Manual of Style is mostly used in the humanities and social sciences disciplines. Chicago style follows two systems, namely Author-Date System and the notes and bibliography system. Let’s explore both of them.

Author-Date System

In the author-date system, you include:

• In-text citations with the author’s last name
• The publication year
• A corresponding entry in the reference list

Italicization

In the author-date system, book titles are italicized. It makes them Distinguish from other elements in the citation.

Chicago style uses a title case for book titles in the author-date system. It means the first letter of the title, subtitles, and any major words are capitalized.

There should be a period at the end of the full book citation in the reference list.

Example 1: In-Text Citation

Example 2: Reference List Citation

Smith, John. 2019.  The Theory of Everything . Publisher.

Notes and Bibliography System

You use footnotes or endnotes in the notes and bibliography system for in-text citations and a bibliography for the full list of references.

Similar to the author-date system, book titles are italicized in the notes and bibliography system.

In the notes and bibliography system, the Chicago style uses headline-style capitalization for book titles. It means that the first letter of the first and last words of the title are capitalized.

Put a period at the end of each full bibliographic entry in the notes and bibliography system.

Example 3: Footnote/Endnote Citation

John Smith,  The Theory of Everything  (Publisher, 2019), 25.

Example 4: Bibliography Citation

Smith, John.  The Theory of Everything . Publisher, 2019.

You may include the edition number after the title, and for multi-volume works, the volume number after the title.

Example 5: Edition Number

Johnson, Mary.  Chemistry in Focus . 2nd ed.

Example 6: Volume Number

Smith, Adam.  The Wealth of Nations . Vol. 1.

For translated works, include the original title and the translator’s name in the citation.

Example 7: Translated Title

Kafka, Franz.  The Metamorphosis . Translated by David Wyllie.

Citation of Book Titles in Other Situations

Let’s highlight some unusual circumstances of including a title of book in essay. Starting with:

Book titles within quotations

If you’re citing a direct quote from a book in your essay, you may need to put the book title in quotes. Generally, you should use double quotation marks for this.

For example:

According to Mark Twain, “The secret of getting ahead is getting started.”

In the novel 1984, George Orwell explores the theme of government surveillance through the famous line, “Big Brother is watching you.”

By using double quotation marks, you indicate that the words within the quotation marks are taken directly from the book.

Book Titles in Footnotes or Endnotes

In academic writing, footnotes or endnotes can be added to give extra info or credits. When including book titles, how you format them depends on the citation style you’re using.

In Chicago Style, book titles in footnotes or endnotes should usually be italicized or in quotation marks.

For Example:

Jane Austen,  Pride and Prejudice  (New York: Penguin Classics, 2002), 45.

Harper Lee,  To Kill a Mockingbird , (New York: Harper Perennial, 2006), 77.

Handling Foreign language book titles

Follow these rules for citing a book in a foreign language. You should keep the original language title, especially if it’s a popular work.

Italicize the foreign language book title following the same guidelines as you would for an English book title. Include a translation in parentheses if necessary.

Use the original foreign language title in sentence case without italics or quotation marks. Include a translation in brackets if needed.

Italicize or use quotation marks for foreign language book titles, following the same guidelines as you would for an English book title. Include a translation if required.

Special Cases

In certain situations, you might need to format book titles differently. Like if you’re talking about a poem or play. These types of works have their own rules for formatting titles. Let’s get to know them briefly. 

Typically, you’d put poem titles in quotation marks and longer pieces of poetry, like epics, in italics. It’s worth checking the style guide you’re using, though, since the rules can vary.

You’ll usually see the title written in italics when it comes to plays. The names of characters or speakers within the play are usually written with a mix of upper- and lowercase letters, without quotation marks.

Best Practices for Including Book Titles in Essays

Double-check formatting guidelines.

It’s super important to double-check the formatting rules for book titles when writing an essay since each style guide has its own rules. You need to make sure you’re following them properly.

Proofreading for Accuracy and Consistency

Look out for mistakes in how you’ve done the capitals, italics, and quotes. Double-check any extra rules that might apply to foreign language books, poems, plays, and other special cases.

Seek Assistance from Style Guides or Writing Resources

It’s a good idea to get help from style guides or writing tools when you are stuck with citations. You can also buy cheap essay from a well-reputed writing services provider.

It’s super important to get book titles in essays right. Not just for clarity but also to show you’re a pro. Ensure that you stick to the accurate style guide. It could be MLA, APA, or Chicago. Plus, there are special rules for poems and more.

Furthermore, if you need a professional to help you out with citations, do count on the expertise of  our writers . They are always available to get you out of your troubles of how to write book titles in essays.

Do I need to include book titles in my essay?

How do i format book titles in mla style, should i italicize or use quotation marks for book titles in apa style.

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How to Quote a Book

Last Updated: December 25, 2023 References

This article was reviewed by Gerald Posner . Gerald Posner is an Author & Journalist based in Miami, Florida. With over 35 years of experience, he specializes in investigative journalism, nonfiction books, and editorials. He holds a law degree from UC College of the Law, San Francisco, and a BA in Political Science from the University of California-Berkeley. He’s the author of thirteen books, including several New York Times bestsellers, the winner of the Florida Book Award for General Nonfiction, and has been a finalist for the Pulitzer Prize in History. He was also shortlisted for the Best Business Book of 2020 by the Society for Advancing Business Editing and Writing. There are 9 references cited in this article, which can be found at the bottom of the page. This article has been viewed 512,413 times.

When you’re writing an essay, using a quote can help validate your argument and make your writing stronger. Whether your paper is required to be in MLA or APA format, it’s easy to quote and cite a book the right way.

Incorporating Quotations into Your Text

• Quotations are often used to support ideas that might be disputed or are not common knowledge. An idea like, “Most people never live to see 100,” doesn’t need to be backed up by a quotation, but something like, “Many writers have described the power of fiction,” should probably be supported with quotations.
• One can sometimes emphasize a particular point by backing it up with a quotation from a particularly impressive author.
• Quotations can also add stylistic flare to your prose. For example, a sentence like, “When Shakespeare “shuffled off this mortal coil,” he likely had no idea the impact his work would make on Western culture” is a bit more interesting than if the same sentence started simply, “When Shakespeare died…”

• If you are having trouble deciding if you’ve incorporated a quotation correctly, try reading it aloud to yourself. It can be easier to tell if a sentence works when you speak it.
• Some examples of verbs used in signal phrases are claims, adds, writes, argues, asserts, confirms, points out, admits, concludes, observes, and implies. [3] X Research source

• Insert new words into quotations by putting them inside brackets.
• Remove existing words by replacing them with an ellipsis.
• Note that this is only appropriate if you maintain the basic meaning of the quotation. It should not be used to twist an author’s words into something other than what she intended.
• As an example, one could change the Nabokov quotation, “…art--not an "escape" (which is only a cleaner cell on a quieter floor), but relief from the itch of being,” into the sentence, “…art [is] not an “escape”…but relief from the itch of being.”

Quoting Books in MLA Format

• Indent the whole quotation one inch from the left.
• Double-space it (in an MLA style research paper, everything should be double spaced).
• Do not use quotation marks.

• For example: "Maybe the best definition of art is simply “beauty plus pity” (Nabokov 251)."
• If you reference the author’s name before the quotation, you don’t need to repeat it in the parenthesis following the quote. For example: "Nabokov defined art as “beauty plus pity” (251)."

• Double-space the page, but do not skip spaces between citations.
• Do not indent the first line of each citation, but indent all subsequent lines by 0.5 inches from the left.

• There are many variations on this basic format based on factors like how many authors the book has, and whether it is something like anthology, an ebook, or a self-published book. If the book you are quoting does not fit neatly into this formula, consult a resource like The Purdue Online Writing Lab. [10] X Research source

Quoting Books in APA Format

• Indent the whole quotation 1/2 inch from the left.
• Double-space it (in an APA style paper, everything should be double spaced).

• If the author’s name is not included in the signal phrase, include the author’s last name, the year of publication, and the page number (all separated by commas) in the parenthetical citation following the quotation. For example: “He insists that “Quoting books is not difficult, but it can take time to get the hang of” (Smith, 2011, p. 15).”

• Double-space the page, like the rest of the paper, but do not skip spaces between citations.

• There are many variations on this basic format based on factors like how many authors the book has, and whether it is something like anthology, an ebook, or a self-published book. If the book you are quoting does not fit neatly into this formula, consult a resource like The Purdue Online Writing Lab. [16] X Research source

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• ↑ http://writingcenter.unc.edu/handouts/quotations
• ↑ http://department.monm.edu/english/mew/signal_phrases.htm
• ↑ https://owl.english.purdue.edu/owl/resource/747/03
• ↑ https://owl.english.purdue.edu/owl/resource/747/02
• ↑ https://owl.english.purdue.edu/owl/resource/747/05
• ↑ https://owl.english.purdue.edu/owl/resource/747/06
• ↑ https://owl.english.purdue.edu/owl/resource/560/02
• ↑ https://owl.english.purdue.edu/owl/resource/560/05
• ↑ https://owl.english.purdue.edu/owl/resource/560/08

About This Article

If you want to use a quotation from a book when you’re writing an essay, try to work the quotation into the text as naturally as possible so it reads like a normal sentence. Connect the quote to the point you’re making by saying something like “Thoreau summed this up by saying…” or “Mark Twain once argued…” To make the quote as concise and relevant as possible, replace unnecessary passages with ellipses or use brackets to add or change words if necessary. For tips on citing your sources, keep reading! Did this summary help you? Yes No

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A Step-By-Step Guide to Writing an Essay on a Book

Topic and assignment prompt, essay structure, why is it important.

Outlining Essay Structure

Organizing your essay efficiently is important for making sure it’s clear, concise, and to the point. Before you start writing, it’s important to understand the basic structure of an essay. Most essays are composed of an introduction, body, and conclusion.

The introduction serves as an opening paragraph where you should introduce the topic and provide any necessary background information that readers may need in order to understand the essay. A good introduction will explain why a reader should care about your topic and capture the attention of the reader.

The body is the main section of the essay where you will provide evidence, quotes, and any other relevant information to prove your point. It is important to make sure that each body paragraph has only one main point, and all of the evidence presented in the paragraph supports that one point.

The conclusion is the last paragraph of the essay. It should wrap up all of the points you made in the body and leave the reader with a sense of closure. It should also create a takeaway, or something for the reader to remember about what they have just read.

To make sure your essay is organized and has a consistent tone throughout, it is important to outline what each section should include. Outlining your essay structure before beginning eliminates unnecessary stress and makes sure you don’t forget any important points.

Research Phase: The Importance of Researching the Book

Before you dive into writing your essay on a book, you’ll want to make sure that you have done your research. No matter how familiar you are with the subject, it’s important to conduct research to ensure that your essay is accurate and well-informed.

Research can help you form a stronger thesis statement, better support your arguments, and provide evidence for your claims. It can also help you to organize your thoughts, uncover new ideas and angles, gain a deeper understanding of the text, or even find quotes or references that you can use in your essay.

Research should always come first. It helps to lay a strong foundation for the rest of your essay and it can save you from making any embarrassing mistakes. Have a clear understanding of the book’s themes, characters, and plot before you begin. Read reviews and criticisms, and take down notes for later.

Start by reading the book itself. Take your time and pay attention to details. Make notes, highlight any important passages, and consider different interpretations. After you get an overall gist of the book, expand your research outward into scholarly reviews, biographies, and other texts that can provide an objective, informed perspective.

The more research you do, the stronger your essay will be. Be sure to include all of the sources you used in your bibliography section. Research can be a tedious process, but with enough effort and dedication, you’ll be able to craft a well-informed, thoughtful essay on any book.

Pre-Writing Phase: Planning Your Essay

The pre-writing phase is the most important part of writing an essay on a book. Taking the time to plan your essay and organize your thoughts will help structure your argument and make your writing smoother. The pre-writing phase should involve a few key steps.

• Brainstorm – Before you start writing, spend some time thinking about the book and how it relates to any themes, characters, or symbolism. Jot down your ideas so that you have a better understanding of what you want to focus on.
• Outline – Write down some notes and make an outline of what you will cover in each paragraph. This will help you stay organized while writing and keep everything on track.
• Research – Research any facts or quotes you may need to include in your essay. This will help you back up your claims and make your paper stronger.

Taking the time to plan ahead will help ensure your essay on a book is written clearly and effectively. You’ll be able to shape your argument easily and make sure you don’t miss anything important.

Thesis Formation

The thesis statement is a critical part of any essay on a book. It should be clear, concise, and capture the main argument and point of view of the essay. To ensure that your essay’s thesis statement is well-crafted, it is essential to follow a step-by-step guide.

Step One: Brainstorming Ideas

Before writing a thesis statement, you should brainstorm some ideas related to the book’s content. Consider the key elements of the book and think about how they could be connected into an argument or observation. Write down any ideas that pop into your mind, and use them as a basis for forming your thesis statement.

Step Two: Developing the Argument

Once you have a few ideas in mind, it is time to start developing a coherent argument. Try to make a connection between the ideas to create an original argument. Then, think about why this argument is important and what makes it relevant to the text.

Step Three: Writing the Thesis Statement

Now that you have an argument in mind, you are ready to craft your thesis statement. It should be a single sentence that clearly and concisely expresses your main argument. Generally, it should follow the same structure as any other essay’s thesis statement, stating the primary point of view, the evidence supporting it, and any other relevant details.

Step Four: Proofreading

The final step of crafting a great thesis statement is to proofread and edit it. Make sure that the statement is clear, concise, and captures the argument accurately. Additionally, pay attention to grammar and spelling. A minor mistake can weaken the force of the statement significantly.

Creating an effective thesis statement can help get your essay off to a strong start. As long as you follow these steps, you will be able to form a well-developed argument that can help you write a great essay on a book.

Drafting an Organized Paragraph

Editing: benefits and how to approach it effectively.

When writing an essay on a book, editing is a crucial step in the process. It can often be overlooked or skipped, but it shouldn’t be! Editing offers many valuable benefits, and it’s important to understand how to approach it effectively.

One of the biggest benefits of editing is that it gives you the opportunity to look at your essay with fresh eyes. Once you’ve written the paper, it can be nearly impossible to look at it objectively. Editing allows you to look at it critically and make necessary changes.

Editing also helps you to catch grammar mistakes, spelling errors, and typos. A single error can easily ruin an entire essay, so it’s essential to go over the paper and make sure everything is perfect. This can only be done by editing the paper carefully.

Finally, editing can help you to make sure that the essay is coherent and well-written. After writing the paper , you might realize that the introduction and conclusion don’t match up, or that two paragraphs contradict each other. Editing will help you to identify such issues and make the necessary adjustments.

Now that we’ve discussed the benefits of editing, let’s look at how to approach it effectively. The first step is to read the entire essay through once without making any changes. This should give you a good overview of the paper and allow you to spot any major issues. The next step is to go through the paper again and make notes as you go along.

You should pay particular attention to grammar, spelling, typos, and structure. Make a note of anything that stands out and needs to be changed. Don’t worry if you can’t fix it right away – just write it down and come back to it later. The goal is to get an overall picture of what needs to be done.

Finally, it’s time to make the actual changes. Take your time and read each sentence carefully before you make any changes. Don’t be afraid to delete or add content between paragraphs to ensure that the essay flows naturally.

In summary, editing is an essential step in the essay-writing process. It offers many benefits, including the ability to look at the essay objectively, catch grammar mistakes and typos, and ensure that the essay is coherent and well-written. When approaching the editing phase, it’s important to read the paper through once without making any changes, make notes as you go, and take your time when making the actual changes.

Formatting – Adhering to Academic Standards

Formatting your essay correctly is a critical step in the writing process. It shows that you have taken care to put together an essay that follows the academic standards.

Here are a few tips for formatting your essay according to academic standards:

• Make sure the margins of your essay are set to one inch on all sides.
• Your font should be size 12 Times New Roman or Arial.
• Use double spacing between lines, and make sure there is no extra space before or after each paragraph.
• When quoting direct text, indenting it five spaces will make it easier to read.
• Include a header at the top of your document that includes the title of the essay, your name, and the page number.

Formatted correctly, your essay will present itself as concise, organized, and professional. This is a must when following academic standards.

If you want to ensure that your essay looks even better, check with your professor for specific formatting requirements for your assignment.

By taking the time to properly format your essay, you are showing that you understand the importance of adhering to academic standards. This will help you get the best grades possible!

Understanding the Assignment

Writing an essay on a book can be quite a challenge for many students. One of the most important skills for tackling this task is to understand the assignment. To begin, students should read carefully and take notes on the writing prompt. Pay close attention to all the instructions as they are key to crafting an effective essay. This includes being mindful of any keywords or phrases in the prompt that will require further research.

When interpreting the instructions, it is also important to consider any extra guidelines or expectations the professor may have provided. These can include formatting, length, and specific areas of emphasis such as themes or characters. Questions such as ‘Who is the protagonist?’ or ‘How do the themes interact?’ should be actively considered while writing the essay. This helps produce a focused piece of work that is tailored to meet the requirements.

In addition, consider questions such as ‘What do I need to include?’ or ‘What is the purpose of this essay?’. Answering these questions allows students to identify their main points and develop an argument around them. This is a crucial step for forming an essay that is logical and cohesive.

Finally, students should always use the essay assignment to test their understanding of the book. It is often beneficial to leave time at the end of the writing process to review knowledge and reflect on any unanswered questions. Doing so ensures that the essay is comprehensive and addresses all aspects of the prompt.

Understanding the assignment is a vital step when writing an essay on a book. By paying attention to the prompt and any additional guidelines, students can ensure that their assignment is focused, detailed, and suitable for the task.

Effective Use of Quotes

Make sure your quote is relevant to the main argument of your essay.

Choose a quote that is engaging and thought-provoking.

Include the right amount of detail – don’t use too much or too little.

Explain the quote in your own words and provide context.

Think critically about the quote and how it applies to your argument.

Integrate the quote into your essay so that it flows naturally.

Tools for Writing an Essay on a Book

When writing an essay on a book there are certain tools that can help make the process easier. Knowing some of these basic terms and tools can help you write a better essay and make it much more enjoyable.

Creating an outline is one of the most important steps in writing an essay. It provides structure to your essay, ensuring that each point is made in the correct order and that the essay flows logically. Outlining also helps you stay organized and remember what needs to be included in the essay.

Doing research is important when writing an essay about a book. Read through the text and make notes about any interesting or pertinent information you find. Also, look for additional sources that can provide further insight into the book or the topics it raises.

Grammar and Spelling Checkers

Grammar and spelling checkers can be extremely useful when writing your essay. They can help you identify mistakes or typos that you may have missed. Double-check your work before you submit it to make sure it is as accurate and error-free as possible.

Writing Resources

Finally, there are many great writing resources available online that can provide further advice and guidance on how to write an effective essay. Look through examples of essays written by other students and learn from their techniques and approaches.

Knowing some of these basic terms and tools can help you get off to a strong start when writing an essay on a book. Do your research, create an outline, and use grammar and spelling checkers to make sure your work is as perfect as possible. Finally, don’t forget to look for other writing resources that can provide insight and advice.

Writing an essay on a book can be a daunting task, especially when attempting it for the first time. This guide aims to make the process of writing an essay on a book simple and easy-to-follow. By following the steps outlined in this article, you can make the process of writing your essay much easier.

A good conclusion should summarize the main points of the article, explain how to approach writing the final version, and reiterate why the content was important. To conclude your essay, start by summarizing the arguments and ideas that you presented throughout your paper. Then, move on to discussing why you chose to write the essay and the importance of studying the book. Finally, provide a brief statement that sums up the main points of the essay.

When writing the final version of your essay, there are some key points to keep in mind. First, proofread your work for any typos or errors. Make sure to properly cite any quotes or references that you used in your essay. Finally, consider having a peer review your essay to get another perspective and catch any mistakes that you might have missed.

Writing an essay on a book can be a rewarding experience when done correctly. The most important part of the process is to fully understand the material and the prompt. By following the steps outlined in this article and taking the time to research and plan, you can write an effective essay on a book.

Nick Radlinsky

Nick Radlinsky is a devoted educator, marketing specialist, and management expert with more than 15 years of experience in the education sector. After obtaining his business degree in 2016, Nick embarked on a quest to achieve his PhD, driven by his commitment to enhancing education for students worldwide. His vast experience, starting in 2008, has established him as a reputable authority in the field.

Nick's article, featured in Routledge's " Entrepreneurship in Central and Eastern Europe: Development through Internationalization ," highlights his sharp insights and unwavering dedication to advancing the educational landscape. Inspired by his personal motto, "Make education better," Nick's mission is to streamline students' lives and foster efficient learning. His inventive ideas and leadership have contributed to the transformation of numerous educational experiences, distinguishing him as a true innovator in his field.

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Q. How do I refer to a book by title in-text in APA format?

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Answered By: Gabe Gossett Last Updated: Jun 22, 2023     Views: 641822

The basic format for an in-text citation is: Title of the Book (Author Last Name, year).

One author: Where the Wild Things Are (Sendak, 1963) is a depiction of a child coping with his anger towards his mom.

Two authors (cite both names every time): Brabant and Mooney (1986) have used the comic strip to examine evidence of sex role stereotyping. OR The comic strip has been used to examine evidence of sex role stereotyping (Brabant & Mooney, 1986).

Three or more authors (cite the first author plus et al.): Tales from the Shadowhunter Academy (Clare et al., 2016) depicts a young man's experience at the Shadowhunter Academy, a place where being a former vampire is looked down upon.OR Clare et al. (2016) have crafted a unique story about a young man's journey to find himself.

No author: Cite the first few words of the reference entry (usually the title) and the year. Use double quotation marks around the title of an article or chapter, and italicize the title of a periodical, book, brochure, or report. Examples: From the book Study Guide (2000) ... or ("Reading," 1999).

Note: Titles of periodicals, books, brochures, or reports should be in italics and use normal title capitalization rules.

If you are citing multiple sources by multiple authors in-text, you can list all of them by the author's last name and year of publication within the same set of parentheses, separated by semicolons.

Example: (Adams, 1999; Jones & James, 2000; Miller, 1999)

For more information on how to cite books in-text and as a reference entry, see the APA Publication Manual (7th edition) Section 10.2 on pages 321-325 .

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Comments (13)

• This was very useful for me! I was having a really hard time finding information on how to mention an article title AND the author in text in APA so this was very helpful!!! by Ryan Waddell on Jun 27, 2019
• If I just mention that I used a book to teach a topic do I have to include it in the reference list? by Franw on Oct 17, 2019
• @Franw, if it is a source that informs your paper in any way, or if your reader would have reason to look it up, then you should include a full reference list entry for the book. by Gabe [Research & Writing Studio] on Oct 18, 2019
• Maybe I'm misunderstanding the question, but I think the OP is asking how to refer to a book title, not how to cite one. I believe APA uses quotation marks around book titles and MLA uses italics. by AB on Dec 12, 2019
• @AB: The first sentence has been tweaked to clarify title of book usage, reflecting the examples given. For APA style you should use italics for book titles. It would be quotation marks. by Gabe [Research & Writing Studio] on Dec 12, 2019
• Hi, can any one help me with in-text-citation of this, how can i cite it in the text Panel, I. L. (2002). Digital transformation: A framework for ICT literacy. Educational Testing Service, 1-53. by Milad on Aug 20, 2021
• @Milad: In that case it would be (Panel, 2002). If you are quoting, or otherwise choosing to include page numbers, put a comma after the year, then p. and the page number(s). by Gabe Gossett on Aug 20, 2021
• Hey, I'm a little bit curious, what if I'm mentioning a book and paraphrasing it but still want to give credit. Would I put the information into parenthesis instead? Like: Paraphrased info. ("Title in Italics" Author, year) by Kai on Sep 14, 2023
• @Kai: Apologies for not seeing your question sooner! (Our academic year has not started yet). If I am understanding your question correctly, what I suggest is referring to the book title in the narrative of your writing, rather than in the in-text citation. I do not see an examples of using a book title in an in-text citation except for rare circumstances including citing a classic religious text or using the title when there is no author information because it is the start of your reference list entry. Basically, APA's in-text convention is supposed to make it easy for your reader to locate the source being cited in the reference list. So the first part of the in-text citation, usually authors, comes first to locate it alphabetically. Putting the book title first when you have an author name can throw that off. by Gabe Gossett on Sep 21, 2023
• Perhaps this is along the lines of the response to Kai - Can you reference a book title as a common point of social understanding to demonstrate a common concept? Is official citing required if you use widely known titles such as "Where's Waldo" and "Who Moved My Cheese?" to make a point of illustration? by Chez Renee on Sep 30, 2023
• @Chez: Aside from some classical religious texts, if it is a published book, I'd try to make sure that it is appropriately cited for APA style. That said, I think I understand where it gets tricky with things like Where's Waldo, since that is a series of books and stating "Where's Waldo" is a cultural reference many people would understand, though you can't reasonably cite the entire series. I don't believe that APA gives guidance for this particular issue. If it is being referred to in order to back up a claim, it would help to cite a particular book. If not, then it might work to use a statement such as, "Hanford's Where's Waldo series . . ." by Gabe Gossett on Oct 02, 2023
• How to cite a dissertation thesis in apa form? by Elizabeth on Feb 05, 2024
• @Elizabeth: For citing a dissertation or thesis you can check out our page answering that here https://askus.library.wwu.edu/faq/153308 by Gabe Gossett on Feb 05, 2024

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How to Write a Book (with Tactics from Bestsellers)

What’s the secret formula to tapping into your creativity and writing a book? Some authors would tell you there is no single path to authorship , as every writer’s journey is unique. However, almost every bestselling author will have highly effective writing patterns and habits that help them reach their writing goals . In this post, we'll share some of their most commonly used tactics for starting and finishing a book.

How to write a book:

1. Start with a book idea you love

2. research by reading genre-prominent books, 3. outline the story, 4. write the opening sentence , 5. write the first draft, 6. set a schedule with achievable goals, 7. find a good writing space, 8. pick a "distraction-free" writing software, 9. finish your draft, 10. edit the manuscript, 11. publish your book for readers to buy.

There's a long, exciting road ahead. So let's get started.

The one thing you absolutely  need  to write a book is, of course, an idea. If you don't have that, you'll never get past the first page of your draft.

You may already know what you want to write about, or you may be at a total loss. Either way, you can settle on a “big book idea” by asking yourself a few simple questions:

• What do I  want  to write about?
• What do I feel is  important  to write about?
• Who will want to read about this story/subject?
• Will I be able to carry out this idea effectively?

Your answers to these questions will help you narrow it down to your best options. For example, if you have several different ideas for a book, but only one that you're truly passionate about and feel you can pull off, then voilà — there's your premise!

On the other hand, if you  lack  ideas, these questions should steer you in a firmer direction. Think about the kinds of books you love to read, as well as books that have made a significant impact on you. In all likelihood, you'll want to write a book in a similar vein.

Tools to help you find an idea

If you're grasping at straws, consider using creative writing prompts or a  plot generator  to get the ball rolling! You might stumble upon an interesting concept or story element that sparks a “big idea” for your book. (And if you're still uninspired even after trying these tools, you may want to reconsider whether you really want to write a book after all.)

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Once you've found your big idea, the next step is to research your genre. Again, if you're writing the book you like to read , you already have a leg up! Reading books in your genre is by far the best way to learn how to write in that genre yourself.

But if not, you'll want to select a couple of representative titles and analyze them.  How long are they  and  how many chapters do they have ? What does the  story structure  look like? What are the major  themes ? Perhaps most importantly, do you think you can produce a book with similar elements?

Find out what people are reading

You should also conduct market research on Amazon to determine the most  popular  books in your genre. If you want your book to succeed, you'll have to contend with these bestsellers. Go to the  Amazon Best Sellers page  and find your genre in the lefthand sidebar:

Then read those books' blurbs to figure out what really sells. What do they all have in common, and why might readers find them appealing? Does your book hold up to these standards?

Finally, think about how your book can offer something NEW. For example, if you're writing a psychological thriller, will there be a particularly sneaky  unreliable narrator , or maybe a  series of twists  that the reader never sees coming? If you're  writing a nonfiction book , do you have a unique take on the subject, or a particularly deep well of knowledge? And so on.

Going above and beyond is the only way to give your book a chance in today's hyper-competitive market. So don't skimp on the genre research, because this will tell you where the bar is and how you can surpass it.

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If you want to write a great story , you need to outline it first. This is especially important if it's your first book, since you need a solid blueprint to rely on when you get stuck! (Because believe us, you will  get stuck.)

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So how do you go about creating that outline for your book? We actually have a  whole other post on the subject , but here are the essentials:

• Pick a format that works for you.  There are so many different types of outlines: the free-flowing mind map, the rigorous chapter-and-scene outline, the character-based outline, and so on. If one approach doesn't work for you, try another! Any kind of plan is better than none.
• Have a beginning, middle, and end.  Way too many authors go into writing a book with a strong notion of how their story should start... yet their middle is murky and their ending, nonexistent. Take this time to flesh them out and connect them to one another.  Remember:  the best books have endings that feel “earned,” so you should try to be building toward it from the start!
• Consider your conflict points.   Conflict is at the heart of any good book  — it draws in the reader, conjures tension and emotion, and ultimately reflects the themes and/or message you want to convey. You don't have to know  exactly  where your conflict will manifest, but you should have a pretty good grasp of how it works throughout your book.
• Get to know your characters. If you haven't spent much time shaping your characters  yet, your outline is the perfect opportunity to do so. How will your characters interact in the story, and how will these interactions demonstrate who they are and what matters to them?

If you'd like to outline your story directly in a writing app, we recommend using the pre-made templates in the free Reedsy Book Editor. Simply create your account with one click below and start creating the building blocks of your story — right away.  

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Let's get into the actual writing and make a dent in your first draft . One of the most important parts of writing a book is  starting the story ! It's no exaggeration to say your first few pages can make or break your book — if these pages aren't good enough, many readers will lose interest, possibly never returning to your book again.

First off, you need an opening hook that grabs the reader's attention and makes it impossible for them to look away. Take a look at the first lines of these hit bestsellers:

“Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.” — Harry Potter and the Sorcerer's Stone

“Renowned curator Jacques Saunière staggered through the vaulted archway of the museum's Grand Gallery.” — The Da Vinci Code

“If all the Saturdays of 1982 can be thought of as one day, I met Tracey at 10 a.m. on that Saturday, walking through the sandy gravel of a churchyard, each holding our mother's hand.” — Swing Time

All of these books fall into different genres, yet all their opening lines do the same thing: capture the reader's attention. You can imitate them by making a similarly strong, slightly furtive statement in  your  opener!

From there, your job is to maintain the reader's interest by heightening the stakes and  inciting the plot . You should also make the reader care about the main characters by giving them distinct personalities and  motivations . (Note that “main” is a key descriptor here; never introduce more than a couple of characters at a time!)

Of course, there are infinite ways to write your first chapter. You might have to experiment with lots of different opening lines, even opening scenes, to find the right balance — but it's worth the effort to set the stage perfectly.

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Many writers believe that the key to writing an amazing book is style: impressive vocabulary, elaborate sentences,  figurative language  that would make Shakespeare swoon.

We're here to dissuade you of that notion. While style is great (as long as your prose doesn't  start to become purple ),  substance  is far more important when writing a book — hence why you should focus primarily on your plot, characters, conflict(s), and themes.

Make sure your book is all killer, no filler

Of course, that's easier said than done, especially once you've already started writing . When you get to a patchily outlined section, it's tempting to  keep  writing and fill out the page with literary gymnastics. But that's exactly what this content is: filler. And if you have too much of it, readers will become frustrated and start to think you're pretentious.

This is another reason why outlining is so important. You need to KNOW your story in order to stay on track with it! But besides outlining, here are a few more tips for making substance a priority:

• Every sentence must do one of two things — reveal character or advance the action.  This advice comes straight from Kurt Vonnegut, and it's 100% true: if a sentence doesn't accomplish one or both of those things, try removing it. If the passage still makes sense, leave it out.
• Be conscious of your pacing.  Slow pacing is a symptom of excess description. If the events of your book seem to move like molasses, you're probably using too much style and not enough substance.
• Use a writing tool to reduce flowery language.  Speaking of great American novelists,  Hemingway  is a fantastic tool to help you write like the man himself! Simply paste your writing into the app and Hemingway will suggest ways to make your prose more concise and effective.

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Keep readers in mind while writing

Do you want to be the author of a novel that people will really  enjoy (and buy)? Well, this is pretty much the cardinal rule: you should always be thinking about your audience and trying to write “reader-first.”

For example, sometimes you'll have to write scenes that aren't very exciting, but that  serve the overall story arc . Don't rush through these scenes just to get them over with! Even if they don't seem interesting to  you,  they contribute to the reader's experience by building tension and preserving the pacing — and the reader deserves to relish those things.

Create 'fake' people who will want to read your book

When considering your readership, you should also  keep a proto-persona in mind  for marketing purposes. These are constructed personalities that marketers use to better understand their target customers. The more your book can cater to this hypothetical reader, the easier it will be to sell!

Maybe you're writing a true-crime account for zealous  true crime readers . Such readers will have pored over countless criminal cases before, so you need to include unique details to make  your  case stand out, and craft an extra-compelling narrative to engage them.

Let's move on to practical ways that you can improve your writing habits. Word count goals play a huge part in creating an effective writing process, especially if you're trying to finish your book  in a certain amount of time .

You should create word count goals for both your individual sessions and per week — or per month, if that's how you prefer to think about your writing output. For relatively novice writers, we'd recommend the following word count goals:

• 500-750 words per day
• 1,500-2,500 words per week
• 6,000-10,000 words per month

These goals are based on a pattern of 3-4 sessions per week, which is reasonable for a beginner, but still enough to make commendable progress. Even if you only follow our  minimum  recommendations — 500 words per session at 3 sessions per week — you can still easily finish your book in less than a year!

Speeding up the writing process

If you're looking for how to write a book  as fast as possible , your word count goals should look a little more like this:

• 1,500-2,000 words per session
• 9,000-15,000 words per week
• 35,000-50,000 words per month

The figures above adhere roughly to  NaNoWriMo , the event in which participants write an average of 1,667 words/day to complete a 50,000-word book in  one month . It's hard work, but it's definitely possible to write a book that quickly; hundreds of thousands of people do so every year!

But as any author who's done NaNo can attest, it's also a pretty grueling experience. Most authors find it exhausting to write such great quantities for so many days in a row — and they still have to  edit copiously  once they're done.

If this is your first book, make sure you take your time, set manageable word goals, and gradually build to bigger goals.

Use writing sessions to establish a schedule

Having a healthy writing routine is the only way you'll actually hit those word count goals — not to mention it fosters a better relationship with writing overall! To establish a healthy routine, ask yourself these baseline questions first:

• When do I have the most free time in the day/week?
• What time of the day do I tend to be most productive?
• How can I space out my writing sessions effectively?
• Will I realistically be able to balance my writing goals with other responsibilities?

The best way to set up your routine is to take advantage of your pre-existing schedule and natural patterns. So for example, if you already go to the gym on Tuesdays and Thursdays, perhaps the best time to write would be on Mondays, Wednesdays, and Fridays. Or if you find yourself most creative late at night ( many of us do! ), you can plan late-night sessions over the weekend/before your day off, so you can sleep in the next day.

Ultimately, you just want a well-balanced writing routine that facilitates productivity, yet keeps you from burning out. If you find that writing for several days in a row is too much for you, space out your sessions more or try to shake things up by moving to a new writing space. If you can't keep up with your goals, it's okay to reduce them a little.

Yes, writing a lot is important, but it's not more important than your mental health! Remember that writing a book is a marathon, not a sprint, and that a consistent, healthy approach is absolutely vital. Here are some tips for making the most of your writing routine.

Don't skip more than one session in a row

Life happens, and sometimes you won't be able to make a planned writing session. However, unless it's a serious emergency, you should try to get back in the saddle for your next session. Otherwise, you'll lose too much progress and feel discouraged, which typically leads to skipping even  more  writing sessions, and eventually giving up.

Track your progress

With our free writing app, the Reedsy Book Editor , you'll see the numbers update automatically depending on your activity: you'll see how many words you added  and deleted on any given day. Depending on the overall goal you set for your manuscript, you'll also see your daily targets adjust depending on how much you've written so far.

Use a site blocker to stay focused

Distraction is the enemy of routine, and the biggest distraction in our modern world is the Internet. To that end, download a site-and-app blocker to use during your writing sessions so you won't be enticed by social media or adorable cat memes. We'd recommend  Freedom , as you can schedule block sessions in advance and even keep track of your productivity   within  the app.

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How to Build a Solid Writing Routine

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Another major component of how to write a book is  where  you write, hence why it gets a separate section. If you want to complete an entire book, you absolutely must find a calm, focused space for your writing.

This may be in your house, a coffee shop, a library, a co-working space — wherever you can work productively and without interruptions. It should also be a place that you can access easily and go often. Working from home is the most convenient option in this sense, but it may be difficult if you have family around, or if you don't have a designated “room of one's own” (i.e. an actual office, or at least a desk).

What does a good writing space look like?

Try out different locations to see what works for you. Indeed, you may find that you like to rotate writing spaces because it keeps you energetic and your writing fresh! But wherever you go, do your best to make the space:

• Quiet  (noise-canceling headphones can be very helpful)
• Clean  (no clutter, especially if you do chores to procrastinate)
• Non-distracting  (nothing too fun around to tempt you away from writing; turn off your phone so other people won't bother you)
• Your own  (cultivate a nice atmosphere in your home office with posters and plants, or simply take the same seat at your local café every time — truly carve out a “dedicated writing space”)

We've already talked about a few different pieces of software to help you with writing a book. But if you haven't found the right app or program yet, never fear — there's plenty more where those came from!

Book writing software is a topic we've actually  written an entire post about , but it's worth touching on a few of our favorite writing tools here:

Scrivener 🖋️

Scrivener is  the  downloadable writing software of choice for many writers, and for good reason: it has an exceptional interface and tons of useful features. You can outline chapters with its drag-and-drop system, create labels for elements you want to track, and use various templates to plan AND format your book. If you want to feel like a true professional, you can't go wrong with Scrivener — and it's even free to try for 30 days.

Or if you're not much for outlines because your thoughts are all over the place, Milanote can help. The super-flexible interface allows you to “mind map” just as you would longhand, and rearrange different sections as you please. When writing, you can see all your notes at once, so you don't have to stress about forgetting things. It's a very refreshing, intuitive way approach that's worth a try for all disorganized authors.

FocusWriter ✍️

Speaking of intuitive, what's more intuitive than simply writing on a piece of paper, no distractions — just like the old days? Meet FocusWriter, which allows you to do exactly that. The full-screen default interface is a sheet of paper on a wooden desk: no bells, no whistles, no distractions whatsoever. Seriously, this one will get you in the zone.

The Reedsy Book Editor 📖

We couldn't leave out one of the coolest word processing, editing, and formatting tools on the market! All jokes aside, the RBE lets you cleanly format your book  as you go,  so you can watch it take shape in real-time. You can also add sections for front matter and back matter and invite collaborators to edit your text. Plus you can toggle on goal reminders to make sure that you're on track with your writing schedule. Once you finish writing, you can export the files of your book. But don't take our word for it: you can try the RBE for free right here .

FREE WRITING APP

Set goals, track progress, and establish your writing routine in our free app.

Getting into the groove of writing a book can be difficult. When there are a million different things to distract and discourage you, how can you keep going with your writing routine and finish your book?

Based on ours and other writers' experience, here are a few motivational strategies for you to try:

• Make a list of reasons  why  you want to write a book.  Having a tangible reminder of your true purpose is one of the best ways to motivate yourself, so think hard: Do you want to send an important message? Reach a certain group of people? Or do you simply yearn to tell this particular story? Write down all your reasons and keep them as an ace in the hole for when your motivation dwindles.
• Find someone else to write with you.  Getting a writing buddy is another great way to stay motivated! For one thing, you get some camaraderie during this process; for another, it means you can't slack off too much. So ask your writer friends if they'd like to meet up regularly, or join an  online writing community . With the latter, just make sure you exchange progress updates and proof that you're actually writing!
• Reward yourself at important milestones.  Sometimes the best motivation is the prospect of treating yourself. If you respond well to this kind of motivation, set a goal, a deadline, and a reward for meeting it: “If I can write 10,000 more words by the end of the month, I'll go out for an amazing, fancy dinner with all my friends.” This kind of goal is also helpful because you can  tell  your friends about it, and that very act will hold you accountable.

For even more advice on how to staying motivated through the writing process, check out this Reedsy Live from author and writing coach Kevin Johns!

Don't give up

Remember how we said you'd inevitably get stuck? Well, that's what this step is all about: what to do when you hit a wall. Whether it's a tricky plot hole, an onslaught of insecurity, or a simple lack of desire to write, all writers experience setbacks from time to time.

There are countless ways to  overcome writer's block , from freewriting to working on your characters to taking a shower (yes, that's a legitimate tip!). However, here are some of the most effective techniques we've found:

• Revisit your outline.  This will jog your memory as to planned story elements you've forgotten — which may help you find the missing piece.
• Try writing exercises.  It's possible you just need to get the words flowing, and then you can jump get right back into your book. Luckily for you, we have a whole host of great writing exercises  right here!
• Share your experience with friends.  This is another great role for your writing buddy to fill, but you can easily talk about writer's block with your non-writing friends, too. If you're struggling, it always helps to vent and bounce ideas off other people.
• Take a  short  break to do something else.  Yes, sometimes you need to step away from the keyboard and clear your head. But don't take more than a day or so, or else you'll lose momentum and motivation.

Most of all, remember to take setbacks in stride and not let them get you down. As platitudinous as that might sound, it's true: the only thing that can stop you from writing a book is if you, well,  stop writing . So keep calm and carry on — every day brings new opportunities and you'll get through this.

Your aim at this point is not to emerge with an instant masterpiece. The quality almost always emerges in the edit.

You can write all day, all night, to your heart's content... but if no one else likes what you've written, you might end up heart broken  instead. That's why it's crucial to request feedback on your book, starting early and from as many sources as possible.

Begin by asking your friends and fellow writers to read just a few chapters at a time. However, apply their suggestions not only to those chapters, but wherever relevant. For example, if one of your friends says, “[Character A] is acting weird in this scene,” pay extra attention to that character to ensure you haven't misrepresented them anywhere else.

Once your book is finished, you're ready for some more intensive feedback. Consider  getting a beta reader  to review your entire book and provide their thoughts. You may want to hire an editor to give you professional feedback as well. (Find out about the different types of editing, and which type your book might need,  in this post .)

Finally, it might sound obvious, but we'll say it anyway for all you stubborn writers out there: feedback is useless if you don't actually listen to it. Separate yourself from your ego and don't take anything personally, because no one wants to offend you — they're just trying to help.

You’ve persevered to the end at last: brainstormed, outlined, and written a draft that you've edited extensively (based on feedback, of course). Your book has taken its final form, and you couldn’t be prouder. So what comes next?

Well, if you’ve taken our advice about catering to your target readers, you may as well give publishing a shot! We have a  full guide to publishing right here  — and if you’re thinking about traditional publishing,  read this article  to decide which is right for you.

Get help from publishing professionals

Publishing is another rigorous process, of course. But if you’ve come this far to find out how to write a book, you can pretty much do anything! Invest in  stellar cover design , study up on  marketing , or start writing an  irresistible query letter  that will get you an offer.

Whichever route you take, one thing will remain true: you’ve written a book, and that’s an incredible achievement. Welcome to the 0.1% — and may the next book you write be even greater than the first. 📖

13/12/2019 – 15:33

thank you for helping me find a new way to write my book

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How to Write a Book From Start to Finish: A Proven Guide

So you want to write a book. Becoming an author can change your life—not to mention give you the ability to impact thousands, even millions, of people.

But writing a book isn’t easy. As a 21-time New York Times bestselling author, I can tell you: It’s far easier to quit than to finish.

You’re going to be tempted to give up writing your book when you run out of ideas, when your own message bores you, when you get distracted, or when you become overwhelmed by the sheer scope of the task.

But what if you knew exactly:

• Where to start…
• What each step entails…
• How to overcome fear, procrastination, a nd writer’s block…
• And how to keep from feeling overwhelmed?

You can write a book—and more quickly than you might think, because these days you have access to more writing tools than ever. 

The key is to follow a proven, straightforward, step-by-step plan .

My goal here is to offer you that book-writing plan.

I’ve used the techniques I outline below to write more than 200 books (including the Left Behind series) over the past 50 years. Yes, I realize writing over four books per year on average is more than you may have thought humanly possible. 

But trust me—with a reliable blueprint, you can get unstuck and finally write your book .

This is my personal approach on how to write a book. I’m confident you’ll find something here that can change the game for you. So, let’s jump in.

• How to Write a Book From Start to Finish

Part 1: Before You Begin Writing Your Book

• Establish your writing space.
• Assemble your writing tools.

Part 2: How to Start Writing a Book

• Break the project into small pieces.
• Settle on your BIG idea.
• Construct your outline.
• Set a firm writing schedule.
• Establish a sacred deadline.
• Embrace procrastination (really!).
• Eliminate distractions.
• Conduct your research.
• Start calling yourself a writer.

Part 3: The Book-Writing Itself

• Think reader-first.
• Find your writing voice.
• Write a compelling opener.
• Fill your story with conflict and tension.
• Turn off your internal editor while writing the first draft.
• Persevere through The Marathon of the Middle.
• Write a resounding ending.

Part 4: Editing Your Book

• Become a ferocious self-editor.
• Find a mentor.
• Part 5: Publishing Your Book
• Decide on your publishing avenue.
• Properly format your manuscript.
• Set up and grow your author platform.
• Pursue a Literary Agent
• Writing Your Query Letter
• Part One: Before You Begin Writing Your Book

You’ll never regret—in fact, you’ll thank yourself later—for investing the time necessary to prepare for such a monumental task.

You wouldn’t set out to cut down a huge grove of trees with just an axe. You’d need a chain saw, perhaps more than one. Something to keep them sharp. Enough fuel to keep them running.

You get the picture. Don’t shortcut this foundational part of the process.

Step 1. Establish your writing space.

To write your book, you don’t need a sanctuary. In fact, I started my career o n my couch facing a typewriter perched on a plank of wood suspended by two kitchen chairs.

What were you saying about your setup again? We do what we have to do.

And those early days on that sagging couch were among the most productive of my career.

Naturally, the nicer and more comfortable and private you can make your writing lair (I call mine my cave), the better.

Real writers can write anywhere .

Some authors write their books in restaurants and coffee shops. My first full time job was at a newspaper where 40 of us clacked away on manual typewriters in one big room—no cubicles, no partitions, conversations hollered over the din, most of my colleagues smoking, teletype machines clattering.

Cut your writing teeth in an environment like that, and anywhere else seems glorious.

Step 2. Assemble your writing tools.

In the newspaper business, there was no time to hand write our stuff and then type it for the layout guys. So I have always written at a keyboard and still write my books that way.

Most authors do, though some hand write their first drafts and then keyboard them onto a computer or pay someone to do that.

No publisher I know would even consider a typewritten manuscript, let alone one submitted in handwriting.

The publishing industry runs on Microsoft Word, so you’ll need to submit Word document files. Whether you prefer a Mac or a PC, both will produce the kinds of files you need.

And if you’re looking for a musclebound electronic organizing system, you can’t do better than Scrivener . It works well on both PCs and Macs, and it nicely interacts with Word files.

Just remember, Scrivener has a steep learning curve, so familiarize yourself with it before you start writing.

Scrivener users know that taking the time to learn the basics is well worth it.

Tons of other book-writing tools exist to help you. I’ve included some of the most well-known in my blog po st on here (for software) and here (for writing tools) fo r your reference.

So, what else do you need?

If you are one who handwrites your first drafts, don’t scrimp on paper, pencils, or erasers.

Don’t shortchange yourself on a computer either. Even if someone else is keyboarding for you, you’ll need a computer for research and for communicating with potential agents, edi tors, publishers.

Get the best computer you can afford, the latest, the one with the most capacity and speed.

Try to imagine everything you’re going to need in addition to your desk or table, so you can equip yourself in advance and don’t have to keep interrupting your work to find things like:

• Paper clips
• Pencil holders
• Pencil sharpeners
• Printing paper
• Paperweight
• Tape dispensers
• Cork or bulletin boards
• Reference works
• Space heaters
• Beverage mugs
• You name it
• Last, but most crucial, get the best, most ergonomic chair you can afford.

If I were to start my career again with that typewriter on a plank, I would not sit on that couch. I’d grab another straight-backed kitchen chair or something similar and be proactive about my posture and maintaining a healthy spine.

There’s nothing worse than trying to be creative and immerse yourself in writing while you’re in agony . The chair I work in today cost more than my first car!

If you’ve never used some of the items I listed above and can’t imagine needing them, fine. But make a list of everything you know you’ll need so when the actual writing begins, you’re already equipped.

As you grow as a writer and actually start making money at it, you can keep upgrading your writing space.

Where I work now is light years from where I started. But the point is, I didn’t wait to start writing until I could have a great spot in which to do it.

• Part Two: How to Start Writing a Book

Step 1. Break your book into small pieces.

Writing a book feels like a colossal project, because it is! Bu t your manuscript w ill be made up of many small parts .

An old adage says that the way to eat an elephant is one bite at a time .

Try to get your mind off your book as a 400-or-so-page monstrosity.

It can’t be written all at once any more than that proverbial elephant could be eaten in a single sitting.

See your book for what it is: a manuscript made up of sentences, paragraphs, pages. Those pages will begin to add up, and though after a week you may have barely accumulated double digits, a few months down the road you’ll be into your second hundred pages.

So keep it simple.

Start by distilling you r big book idea from a page or so to a single sentence— your premise . The more specific that one-sentence premise, the more it will keep you focused while you’re writing.

But let’s not get ahead of ourselves. Before you can turn your big idea into one sentence, which can then b e expanded to an outline, you have to settle on exactly what that big idea is.

Step 2. Settle on your BIG idea.

To be book-worthy, your idea has to be killer.

You need to write something about which you’re passionate , something that gets you up in the morning, draws you to the keyboard, and keeps you there. It should excite not only you, but also anyone you tell about it.

I can’t overstate the importance of this.

If you’ve tried and failed to finish your book before—maybe more than once—it could be that the basic premise was flawed. Maybe it was worth a blog post or an article but couldn’t carry an entire book.

Think The Hunger Games , Harry Potter , or How to Win Friends and Influence People . The market is crowded, the competition fierce. There’s no more room for run-of-the-mill ideas. Your premise alone should make readers salivate.

Go for the big concept book.

How do you know you’ve got a winner? Does it have legs? In other words, does it stay in your mind, growing and developing every time you think of it?

Run it past loved ones and others you trust.

Does it raise eyebrows? Elicit Wows? Or does it result in awkward silences?

The right concept simply works, and you’ll know it when you land on it. Most importantly, your idea must capture you in such a way that you’re compelled to write it . Otherwise you will lose interest halfway through and never finish.

Step 3. Construct your outline.

Writing your book without a clear vision of where you’re going usually ends in disaster.

Even if you ’re writing a fiction book an d consider yourself a Pantser* as opposed to an Outliner , you need at least a basic structure.

[*Those of us who write by the seat of our pants and, as Stephen King advises, pu t interesting characters i n difficult situations and write to find out what happens]

You don’t have to call it an outline if that offends your sensibilities. But fashion some sort of a directional document that provides structure for your book and also serves as a safety net.

If you get out on that Pantser highwire and lose your balance, you’ll thank me for advising you to have this in place.

Now if you’re writing a nonfiction book, there’s no substitute for an outline .

Potential agents or publishers require this in your proposal. T hey want to know where you’re going, and they want to know that you know. What do you want your reader to learn from your book, and how will you ensure they learn it?

Fiction or nonfiction, if you commonly lose interest in your book somewhere in what I call the Marathon of the Middle, you likely didn’t start with enough exciting ideas .

That’s why and outline (or a basic framework) is essential. Don’t even start writing until you’re confident your structure will hold up through the end.

You may recognize this novel structure illustration.

Did you know it holds up—with only slight adaptations—for nonfiction books too ? It’s self-explanatory for novelists; they list their plot twists and developments and arrange them in an order that best serves to increase tension .

What separates great nonfiction from mediocre? The same structure!

Arrange your points and evidence in the same way so you’re setting your reader up for a huge payoff, and then make sure you deliver.

If your nonfiction book is a memoir ( more scene based ), an autobiography ( more fact-based ), or a biography, structure it like a novel and you can’t go wrong.

But even if it’s a straightforward how-to book, stay as close to this structure as possible, and you’ll see your manuscript come alive.

Make promises early, triggering your reader to anticipate fresh ideas, secrets, inside information, something major that will make him thrilled with the finished product.

While a nonfiction book may not have as much action or dialogue or character development as a novel, you can inject tension by showing where people have failed before and how your reader can succeed.

You can even make the how-to project look impossible until you pay off that setup with your unique solution.

Keep your outline to a single page for now. But make sure every major point is represented, so you’ll always know where you’re going.

And don’t worry if you’ve forgotten the basics of classic outlining or have never felt comfortable with the concept.

Your outline must serve you. If that means Roman numerals and capital and lowercase letters and then Arabic numerals, you can certainly fashion it that way. But if you just want a list of sentences that synopsize your idea, that’s fine too.

Simply start with your working title, then your premise, then—for fiction, list all the major scenes that fit into the rough structure above.

For nonfiction, try to come up with chapter titles and a sentence or two of what each chapter will cover.

Once you have your one-page outline, remember it is a fluid document meant to serve you and your book. Expand it, change it, play with it as you see fit—even during the writing process .

Step 4. Set a firm writing schedule.

Ideally, you want to schedule at least six hours per week to write your book.

That may consist of three sessions of two hours each, two sessions of three hours, or six one-hour sessions—whatever works for you.

I recommend a regular pattern (same times, same days) that can most easily become a habit. But if that’s impossible, just make sure you carve out at least six hours so you can see real progress.

Having trouble finding the time to write a book? News flash—you won’t find the time. You have to make it.

I used the phrase carve out above for a reason. That’s what it takes.

Something in your calendar will likely have to be sacrificed in the interest of writing time . 

Make sure it’s not your family—they should always be your top priority. Never sacrifice your family on the altar of your writing career.

But beyond that, the truth is that we all find time for what we really want to do.

Many writers insist they have no time to write, but they always seem to catch the latest Netflix original series, or go to the next big Hollywood feature. They enjoy concerts, parties, ball games, whatever.

How important is it to you to finally write your book? What will you cut from your calendar each week to ensure you give it the time it deserves?

• A favorite TV show?
• An hour of sleep per night? (Be careful with this one; rest is crucial to a writer.)

Successful writers make time to write.

When writing becomes a habit, you’ll be on your way.

Step 5. Establish a sacred deadline.

Without deadlines, I rarely get anything done. I need that motivation.

Admittedly, my deadlines are now established in my contracts from publishers.

If you’re writing your first book, you probably don’t have a contract yet. To ensure you finish your book, set your own deadline—then consider it sacred .

Tell your spouse or loved one or trusted friend. Ask that they hold you accountable.

Now determine—and enter in your calendar—the number of pages you need to produce per writing session to meet your deadline. If it proves unrealistic, change the deadline now.

If you have no idea how many pages or words you typically produce per session, you may have to experiment before you finalize those figures.

Say you want to finish a 400-page manuscript by this time next year.

Divide 400 by 50 weeks (accounting for two off-weeks), and you get eight pages per week. 

Divide that by your typical number of writing sessions per week and you’ll know how many pages you should finish per session.

Now is the time to adjust these numbers, while setting your deadline and determining your pages per session.

Maybe you’d rather schedule four off weeks over the next year. Or you know your book will be unusually long.

Change the numbers to make it realistic and doable, and then lock it in. Remember, your deadline is sacred.

Step 6. Embrace procrastination (really!).

You read that right. Don’t fight it; embrace it.

You wouldn’t guess it from my 200+ published books, but I’m the king of procrastinators .

Don’t be. So many authors are procrastinators that I’ve come to wonder if it’s a prerequisite.

The secret is to accept it and, in fact, schedule it.

I quit fretting and losing sleep over procrastinating when I realized it was inevitable and predictable, and also that it was productive.

Sound like rationalization?

Maybe it was at first. But I learned that while I’m putting off the writing, my subconscious is working on my book. It’s a part of the process. When you do start writing again, you’ll enjoy the surprises your subconscious reveals to you.

So, knowing procrastination is coming, book it on your calendar .

Take it into account when you’re determining your page quotas. If you have to go back in and increase the number of pages you need to produce per session, do that (I still do it all the time).

But—and here’s the key—you must never let things get to where that number of pages per day exceeds your capacity.

It’s one thing to ratchet up your output from two pages per session to three. But if you let it get out of hand, you’ve violated the sacredness of your deadline.

How can I procrastinate and still meet more than 190 deadlines?

Because I keep the deadlines sacred.

Step 7. Eliminate distractions to stay focused.

Are you as easily distracted as I am?

Have you found yourself writing a sentence and then checking your email? Writing another and checking Facebook? Getting caught up in the pictures of 10 Sea Monsters You Wouldn’t Believe Actually Exist?

Then you just have to check out that precious video from a talk show where the dad surprises the family by returning from the war.

That leads to more and more of the same. Once I’m in, my writing is forgotten, and all of a sudden the day has gotten away from me.

The answer to these insidious timewasters?

Look into these apps that allow you to block your email, social media, browsers, game apps, whatever you wish during the hours you want to write. Some carry a modest fee, others are free.

• Freedom app
• FocusWriter

Step 8. Conduct your research.

Yes, research is a vital part of the process , whether you’re writing fiction or nonfiction.

Fiction means more than just making up a story.

Your details and logic and technical and historical details must be right for your novel to be believable.

And for nonfiction, even if you’re writing about a subject in which you’re an expert—as I’m doing here—getting all the facts right will polish your finished product.

In fact, you’d be surprised at how many times I’ve researched a fact or two while writing this blog post alone.

The last thing you want is even a small mistake due to your lack of proper research.

Regardless the detail, trust me, you’ll hear from readers about it.

Your credibility as an author and an expert hinges on creating trust with your reader . That dissolves in a hurry if you commit an error.

My favorite research resources:

• World Almanacs : These alone list almost everything you need for accurate prose: facts, data, government information, and more. For my novels, I often use these to come up with ethnically accurate character names.
• The Merriam-Webster Thesaurus : The online version is great, because it’s lightning fast. You couldn’t turn the pages of a hard copy as quickly as you can get where you want to onscreen. One caution: Never let it be obvious you’ve consulted a thesaurus. You’re not looking for the exotic word that jumps off the page. You’re looking for that common word that’s on the tip of your tongue.
• WorldAtlas.com : Here you’ll find nearly limitless information about any continent, country, region, city, town, or village. Names, monetary units, weather patterns, tourism info, and even facts you wouldn’t have thought to search for. I get ideas when I’m digging here, for both my novels and my nonfiction books.

Step 9. Start calling yourself a writer.

Your inner voice may tell you, “You’re no writer and you never will be. Who do you think you are, trying to write a book?”

That may be why you’ve stalled at writing your book in the past .

But if you’re working at writing, studying writing, practicing writing, that makes you a writer. Don’t wait till you reach some artificial level of accomplishment before calling yourself a writer.

A cop in uniform and on duty is a cop whether he’s actively enforced the law yet or not. A carpenter is a carpenter whether he’s ever built a house.

Self-identify as a writer now and you’ll silence that inner critic —who, of course, is really you. 

Talk back to yourself if you must. It may sound silly, but acknowledging yourself as a writer can give you the confidence to keep going and finish your book.

Are you a writer? Say so.

• Part Three: The Book-Writing Itself

Step 1. Think reader-first.

This is so important that that you should write it on a sticky note and affix it to your monitor so you’re reminded of it every time you write.

Every decision you make about your manuscript must be run through this filter.

Not you-first, not book-first, not editor-, agent-, or publisher-first. Certainly not your inner circle- or critics-first.

Reader-first, last, and always .

If every decision is based on the idea of reader-first, all those others benefit anyway.

When fans tell me they were moved by one of my books, I think back to this adage and am grateful I maintained that posture during the writing.

Does a scene bore you? If you’re thinking reader-first, it gets overhauled or deleted.

Where to go, what to say, what to write next? Decide based on the reader as your priority.

Whatever your gut tells you your reader would prefer, that’s your answer.

Whatever will intrigue him, move him, keep him reading, those are your marching orders.

So, naturally, you need to know your reader. Rough age? General interests? Loves? Hates? Attention span?

When in doubt, look in the mirror . 

The surest way to please your reader is to please yourself. Write what you would want to read and trust there is a broad readership out there that agrees.

Step 2. Find your writing voice.

Discovering your voice is nowhere near as complicated as some make it out to be.

You can find yours by answering these quick questions :

• What’s the coolest thing that ever happened to you?
• Who’s the most important person you told about it?
• What did you sound like when you did?
• That’s your writing voice. It should read the way you sound at your most engaged.

That’s all there is to it.

If you write fiction and the narrator of your book isn’t you, go through the three-question exercise on the narrator’s behalf—and you’ll quickly master the voice.

Here’s a blog I posted that’ll walk you through the process .

Step 3. Write a compelling opener.

If you’re stuck because of the pressure of crafting the perfect opening line for your book, you’re not alone.

And neither is your angst misplaced.

This is not something you should put off and come back to once you’ve started on the rest of the first chapter.

Oh, it can still change if the story dictates that. But settling on a good one will really get you off and running.

It’s unlikely you’ll write a more important sentence than your first one , whether you’re writing fiction or nonfiction. Make sure you’re thrilled with it and then watch how your confidence—and momentum—soars.

Most great first lines fall into one of these categories:

1. Surprising

Fiction : “It was a bright cold day in April, and the clocks were striking thirteen.” —George Orwell, Nineteen Eighty-Four

Nonfiction : “By the time Eustace Conway was seven years old, he could throw a knife accurately enough to nail a chipmunk to a tree.” —Elizabeth Gilbert, The Last American Man

2. Dramatic Statement

Fiction : “They shoot the white girl first.” —Toni Morrison, Paradise

Nonfiction : “I was five years old the first time I ever set foot in prison.” —Jimmy Santiago Baca, A Place to Stand

3. Philosophical

Fiction : “Happy families are all alike; every unhappy family is unhappy in its own way.” —Leo Tolstoy, Anna Karenina

Nonfiction : “It’s not about you.” —Rick Warren, The Purpose Driven Life

Fiction : “When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon. —James Crumley, The Last Good Kiss

Nonfiction : “The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’” —Truman Capote, In Cold Blood

Great opening lines from other classics may give you ideas for yours. Here’s a list of famous openers .

Step 4. Fill your story with conflict and tension.

Your reader craves conflict, and yes, this applies to nonfiction readers as well.

In a novel, if everything is going well and everyone is agreeing, your reader will soon lose interest and find something else to do.

Are two of your characters talking at the dinner table? Have one say something that makes the other storm out.

Some deep-seeded rift in their relationship has surfaced—just a misunderstanding, or an injustice?

Thrust people into conflict with each other . 

That’ll keep your reader’s attention.

Certain nonfiction genres won’t lend themselves to that kind of conflict, of course, but you can still inject tension by setting up your reader for a payoff in later chapters. Check out some of the current bestselling nonfiction works to see how writers accomplish this.

Somehow they keep you turning those pages, even in a simple how-to title.

Tension is the secret sauce that will propel your reader through to the end . 

And sometimes that’s as simple as implying something to come.

Step 5. Turn off your internal editor while writing the first draft.

Many of us perfectionists find it hard to write a first draft—fiction or nonfiction—without feeling compelled to make every sentence exactly the way we want it.

That voice in your head that questions every word, every phrase, every sentence, and makes you worry you’re being redundant or have allowed cliches to creep in—well, that’s just your editor alter ego.

He or she needs to be told to shut up .

This is not easy.

Deep as I am into a long career, I still have to remind myself of this every writing day. I cannot be both creator and editor at the same time. That slows me to a crawl, and my first draft of even one brief chapter could take days.

Our job when writing that first draft is to get down the story or the message or the teaching—depending on your genre.

It helps me to view that rough draft as a slab of meat I will carve tomorrow .

I can’t both produce that hunk and trim it at the same time.

A cliche, a redundancy, a hackneyed phrase comes tumbling out of my keyboard, and I start wondering whether I’ve forgotten to engage the reader’s senses or aimed for his emotions.

That’s when I have to chastise myself and say, “No! Don’t worry about that now! First thing tomorrow you get to tear this thing up and put it back together again to your heart’s content!”

Imagine yourself wearing different hats for different tasks , if that helps—whatever works to keep you rolling on that rough draft. You don’t need to show it to your worst enemy or even your dearest love. This chore is about creating. Don’t let anything slow you down.

Some like to write their entire first draft before attacking the revision. As I say, whatever works.

Doing it that way would make me worry I’ve missed something major early that will cause a complete rewrite when I discover it months later. I alternate creating and revising.

The first thing I do every morning is a heavy edit and rewrite of whatever I wrote the day before. If that’s ten pages, so be it. I put my perfectionist hat on and grab my paring knife and trim that slab of meat until I’m happy with every word.

Then I switch hats, tell Perfectionist Me to take the rest of the day off, and I start producing rough pages again.

So, for me, when I’ve finished the entire first draft, it’s actually a second draft because I have already revised and polished it in chunks every day.

THEN I go back through the entire manuscript one more time, scouring it for anything I missed or omitted, being sure to engage the reader’s senses and heart, and making sure the whole thing holds together.

I do not submit anything I’m not entirely thrilled with .

I know there’s still an editing process it will go through at the publisher, but my goal is to make my manuscript the absolute best I can before they see it.

Compartmentalize your writing vs. your revising and you’ll find that frees you to create much more quickly.

Step 6. Persevere through The Marathon of the Middle.

Most who fail at writing a book tell me they give up somewhere in what I like to call The Marathon of the Middle.

That’s a particularly rough stretch for novelists who have a great concept, a stunning opener, and they can’t wait to get to the dramatic ending. But they bail when they realize they don’t have enough cool stuff to fill the middle.

They start padding, trying to add scenes just for the sake of bulk, but they’re soon bored and know readers will be too.

This actually happens to nonfiction writers too.

The solution there is in the outlining stage , being sure your middle points and chapters are every bit as valuable and magnetic as the first and last.

If you strategize the progression of your points or steps in a process—depending on nonfiction genre—you should be able to eliminate the strain in the middle chapters.

For novelists, know that every book becomes a challenge a few chapters in. The shine wears off, keeping the pace and tension gets harder, and it’s easy to run out of steam.

But that’s not the time to quit. Force yourself back to your structure, come up with a subplot if necessary, but do whatever you need to so your reader stays engaged.

Fiction writer or nonfiction author, The Marathon of the Middle is when you must remember why you started this journey in the first place.

It isn’t just that you want to be an author. You have something to say. You want to reach the masses with your message.

Yes, it’s hard. It still is for me—every time. But don’t panic or do anything rash, like surrendering. Embrace the challenge of the middle as part of the process. If it were easy, anyone could do it.

Step 7. Write a resounding ending.

This is just as important for your nonfiction book as your novel. It may not be as dramatic or emotional, but it could be—especially if you’re writing a memoir.

But even a how-to or self-help book needs to close with a resounding thud, the way a Broadway theater curtain meets the floor .

How do you ensure your ending doesn’t fizzle ?

• Don’t rush it . Give readers the payoff they’ve been promised. They’ve invested in you and your book the whole way. Take the time to make it satisfying.
• Never settle for close enough just because you’re eager to be finished. Wait till you’re thrilled with every word, and keep revising until you are.
• If it’s unpredictable, it had better be fair and logical so your reader doesn’t feel cheated. You want him to be delighted with the surprise, not tricked.
• If you have multiple ideas for how your book should end, go for the heart rather than the head, even in nonfiction. Readers most remember what moves them.
• Part Four: Rewriting Your Book

Step 1. Become a ferocious self-editor.

Agents and editors can tell within the first two pages whether your manuscript is worthy of consideration. That sounds unfair, and maybe it is. But it’s also reality, so we writers need to face it.

How can they often decide that quickly on something you’ve devoted months, maybe years, to?

Because they can almost immediately envision how much editing would be required to make those first couple of pages publishable. If they decide the investment wouldn’t make economic sense for a 300-400-page manuscript, end of story.

Your best bet to keep an agent or editor reading your manuscript?

You must become a ferocious self-editor. That means:

• Omit needless words
• Choose the simple word over one that requires a dictionary
• Avoid subtle redundancies , like “He thought in his mind…” (Where else would someone think?)
• Avoid hedging verbs like almost frowned, sort of jumped, etc.
• Generally remove the word that —use it only when absolutely necessary for clarity
• Give the reader credit and resist the urge to explain , as in, “She walked through the open door.” (Did we need to be told it was open?)
• Avoid too much stage direction (what every character is doing with every limb and digit)
• Avoid excessive adjectives
• S how, don’t tell
• And many more

For my full list and how to use them, click here . (It’s free.)

When do you know you’re finished revising? When you’ve gone from making your writing better to merely making it different. That’s not always easy to determine, but it’s what makes you an author. 

Step 2. Find a mentor.

Get help from someone who’s been where you want to be.

Imagine engaging a mentor who can help you sidestep all the amateur pitfalls and shave years of painful trial-and-error off your learning curve.

Just make sure it’s someone who really knows the writing and publishing world. Many masquerade as mentors and coaches but have never really succeeded themselves.

Look for someone widely-published who knows how to work with agents, editors, and publishers .

There are many helpful mentors online . I teach writers through this free site, as well as in my members-only Writers Guild .

Step 1. Decide on your publishing avenue.

In simple terms, you have two options when it comes to publishing your book:

1. Traditional publishing

Traditional publishers take all the risks. They pay for everything from editing, proofreading, typesetting, printing, binding, cover art and design, promotion, advertising, warehousing, shipping, billing, and paying author royalties.

2. Self-publishing

Everything is on you. You are the publisher, the financier, the decision-maker. Everything listed above falls to you. You decide who does it, you approve or reject it, and you pay for it. The term self-publishing is a bit of a misnomer, however, because what you’re paying for is not publishing, but printing. 

Both avenues are great options under certain circumstances. 

Not sure which direction you want to take? Click here to read my in-depth guide to publishing a book. It’ll show you the pros and cons of each, what each involves, and my ultimate recommendation.

Step 2: Properly format your manuscript.

Regardless whether you traditionally or self-publish your book, proper formatting is critical.

Because poor formatting makes you look like an amateur .

Readers and agents expect a certain format for book manuscripts, and if you don’t follow their guidelines, you set yourself up for failure.

Best practices when formatting your book:

• Use 12-point type
• Use a serif font; the most common is Times Roman
• Double space your manuscript
• No extra space between paragraphs
• Only one space between sentences
• Indent each paragraph half an inch (setting a tab, not using several spaces)
• Text should be flush left and ragged right, not justified
• If you choose to add a line between paragraphs to indicate a change of location or passage of time, center a typographical dingbat (like ***) on the line
• Black text on a white background only
• One-inch margins on the top, bottom, and sides (the default in Word)
• Create a header with the title followed by your last name and the page number. The header should appear on each page other than the title page.

If you need help implementing these formatting guidelines, click here to read my in-depth post on formatting your manuscript.

Step 3. Set up your author website and grow your platform.

All serious authors need a website. Period.

Because here’s the reality of publishing today…

You need an audience to succeed.

If you want to traditionally publish, agents and publishers will Google your name to see if you have a website and a following.

If you want to self-publish, you need a fan base.

And your author website serves as a hub for your writing, where agents, publishers, readers, and fans can learn about your work.

Don’t have an author website yet? Click here to read my tutorial on setting this up.

Step 4. Pursue a Literary Agent.

There remain a few traditional publishers (those who pay you and take the entire financial risk of publishing your book rather than the other way around) who accept unsolicited submissions, but I do NOT recommend going that route. 

Your submission will likely wind up in what is known in the business as the slush pile. That means some junior staff member will be assigned to get to it when convenient and determine whether to reject it out of hand (which includes the vast majority of the submissions they see) or suggest the publisher’s editorial board consider it.

While I am clearly on record urging you to exhaust all your efforts to traditionally publish before resorting to self-publishing (in other words, paying to be printed), as I say, I do not recommend submitting unsolicited material even to those publishers who say they accept such efforts.

Even I don’t try to navigate the publishing world by myself, despite having been an author, an editor, a publisher, and a writing coach over the last 50 years.

That’s why I have an agent and you need one too.

Many beginning writers naturally wonder why they should share any of their potential income with an agent (traditionally 15%). First, they don’t see any of that income unless you’re getting your 85% at the same time. And second, everyone I know in the business is happy to have someone in their corner, making an agent a real bargain.

I don’t want to have to personally represent myself and my work. I want to stay in my creative lane and let a professional negotiate every clause of the contract and win me the best advance and rights deal possible.

Once under contract, I work directly with the publishing house’s editor and proofreader, but I leave the financial business to my agent.

Ultimately, an agent’s job is to protect your rights and make you money. They profit only when you do.

That said, landing an agent can be as difficult and painstaking as landing a publisher. They know the market, they know the editors, they know what publishers want, and they can advise you how to put your best foot forward.

But how do you know who to trust? Credible, trustworthy agents welcome scrutiny. If you read a book in your genre that you like, check the Acknowledgments page for the agent’s name. If the author thinks enough of that person to mention them glowingly, that’s a great endorsement.

If you’re writing in the inspirational market, peruse agents listed in The Christian Writer’s Market Guide . If you’re writing for the general market, try The Writer’s Market . If you know any published authors, ask about their agents.

The guides that list agents also include what they’re looking for, what they specialize in, and sometimes even what they’re not interested in. Study these to determine potential agents who ply their trade in your genre. Visit their websites for their submission guidelines, and follow these to a T.

They may ask for a query letter, a synopsis, a proposal, or even sample chapters. Be sure not to send more or less than they suggest. 

The best, and most logical place to start is by sending them a query letter. Query simply means question, and in essence the question your letter asks is whether you may send them more.

Step 5: Writing Your Query Letter.

It’s time to move from author to salesperson.

Your query letter will determine whether a literary agent asks to see more, sends you a cordial form letter to let you down easy, or simply doesn’t respond.

Sadly, many agents stipulate on their websites that if you hear nothing after a certain number of weeks, you should take that as an indication that they’re not interested. Frankly, to me, this is frustrating to the writer and lazy on the part of the agent. Surely, in this technological age, it should be easy to hit one button and send a note to someone who might otherwise wonder if the query reached the agent at all.

But that’s the reality we deal with.

So, the job of your one-page single-spaced email letter is to win a response—best case scenario: an invitation to send more: a proposal or even the manuscript. 

Basically, you’re selling yourself and your work. Write a poor query letter and an agent will assume your book is also poorly written.

Without being gimmicky or cute, your letter must intrigue an agent. 

Your query letter should:

• Be addressed to a specific person (not to the staff of the agency or “To Whom It May Concern”)*
• Present your book idea simply
• Evidence your style
• Show you know who your readers are
• Clarify your qualifications
• Exhibit flexibility and professionalism

*If you see a list of agents in a firm, choose one from the middle or bottom of the list. It could be that they get less personal mail than the person whose name is on the door. Who knows? That you single them out may make them see your query in a more favorable light.

For some great advice on writing a query letter, check this out: https://janefriedman.com/query-letters/  

• You Have What It Takes to Write a Book

Writing a book is a herculean task, but that doesn’t mean it can’t be done.

You can do this .

Take it one step at a time and vow to stay focused. And who knows, maybe by this time next year you’ll be holding a published copy of your book. :)

I’ve created an exclusive writing guide called How to Maximize Your Writing Time that will help you stay on track and finish writing your book.

Get your FREE copy by clicking the button below.

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How to maximize your writing time.

A Reviewer’s Life

The material constraints of writing criticism today.

I have been a freelance book reviewer for twenty years, which means that several times a week, the postal carrier delivers packages of books—some that I requested, some that I didn’t know I wanted, and some that I won’t ever want. A year and a half ago I received in this manner a book that I did want, Darryl Pinckney’s Come Back in September, about his friendship and apprenticeship with the critic and novelist Elizabeth Hardwick. The front cover features a photo of Hardwick looking prim and elegant on the low steps outside 15 West Sixty-Seventh Street in Manhattan, where she lived in a top-floor duplex from 1961 until her death in 2007. On the back cover are two photographs of her dramatic two-story living room.

I often think about this room. Its ceilings appear to be twenty feet high. Next to the built-in bookshelves and requisite rolling ladder, swag curtains frame an enormous window, giving a the­atrical effect. A Juliet balcony gently interrupts one wall. Floating in the middle of the room is a writing desk, really a library table, from which a ceramic bust of a young man rises, like a gravestone, between two lamps. I showed the pictures to my husband once. “Oh,” he said. “She lived in the Morgan Library.”

My own desk is wedged into one corner of the bedroom I share with my husband, behind the children’s trampoline, between a hulking armoire and an ugly IKEA thing exploding with file boxes and rolls of scribbled-on paper that I really ought to throw away. Cairns of books are at my feet. If I turn my head just so I can glimpse a cluster of grocery bags brimming with toys and still more books, which I plan, someday, to sell or give away. Sometimes I pile the bags on top of each other to reduce their footprint, and when they threaten to topple, spread them out again.

What interests me about the photographs of Hardwick’s living room is that they provide evidence of the environment in which a brilliant and original mind worked. The couch on which she sat when she thought about Donne or Melville expressed a sensibility, but it also incubated one. On my way to my own desk, I catch a glimpse of the bags filled with crap. Whether or not I acknowledge it, the crap is always buried in the piece. Sometimes it rises right to the top.

criticism is an act of autobiography. The work of making an argu­ment, coming to a judgment, or simply choosing which books or objects to give time and attention to is inevitably, helplessly, an expression of values—and an expression of self. Our tastes tell on us as much as our syntax and tone; that mysterious compound called sensibility is formed by some strange alchemy of innate tendencies, life experiences, and material circumstances. In the pursuit of explicating a text, observing its patterns and structure, how it works, what it means, I also explicate myself—revealing what catches my interest, where my attention lingers. I might do this more, or less, intentionally, but I always do it.

Whatever is going on in the life of the critic is going to show up in her reading; it can’t not. Reading, writing, and thinking have experiential texture. The place and context in which I do those activities shapes them. Whether we are informed by political events or everyday life, it is not always possible, or desirable, to block out the noise of the world. When I write criticism, then, I try to use this fact of myself in some way. I might openly acknowledge why I am so invested in some aspect of a work. I might try to think through myself, pushing to arrive at a point at the very far edge of what I can see. I am a passionate adherent of close reading, the practice of being carefully attentive to words that are not our own. But close reading always involves the critic layering her own point of view over or next to the text’s, even as she observes, explains, interprets, evaluates. What I should not do is pretend that my reading is definitive, neutral, objective, or somehow free of myself and my environment. I write criticism to encounter an object, and I read criticism to encounter another person encountering an object. If I wanted a randomized controlled trial, I would be in the sciences.

There is something hopeful about writing a review. It’s like putting a mes­sage in a bottle or sending up a flare.

Of course, the money one is paid to write a piece is one of the material constraints that shapes the work of criticism. Word rates have not increased in decades, while the cost of living goes up every year. According to Cathy Curtis’s A Splendid Intelligence: The Life of Elizabeth Hardwick , beginning in the late 1990s Hardwick was paid about $4,000 per New York Review of Books essay—an amount com­parable to what writers are paid to write long book reviews today at a marquee publication like NYRB or The New Yorker . (Small publications pay much less.) Newspaper book reviews have been contracting for decades, and while magazines like The Nation and The Atlantic cover books, the hourly rate on a piece, once you do the calculation, is dismal. “Little” magazines and online reviews are wonderful for the culture, but no one could pay the rent writ­ing for those outlets alone. If you have a secure academic job and write reviews on the side, it’s nice work. For the freelancer—I am one—it’s a foolish undertaking. As Russell Jacoby noted nearly forty years ago, one reason there are not more full-time freelance writers is that most take staff writer positions or university jobs or quit writing altogether. It is impossible to know what ideas never came into the world because someone couldn’t or wouldn’t accept an hourly rate that barely covers the babysitter.

if the criticism I write is always limited by the fact that it is I who am writing it, bounded as I am by material constraints, it is also true that within that limit a profound freedom of thought persists. Sometimes when I read, I do have the sensation of blocking out the immediate physical world, journeying to an entirely different place, losing the sense of my body. It’s not just leaving myself behind that is freeing; it’s discovering myself. Writing a review is the best, maybe the only, way I can discover what I think. I don’t come to reviewing with my ideas already formed; I have to build them, sentence by sentence. For me, writing a review is a way of getting closer to an object, taking it apart to understand how it works. I get closer to and farther away from myself in the process, even as I know that I will inevitably ask questions that betray myself and my interests. The question I am most aware of asking has to do with point of view: I want to understand an object’s way of looking at the world. What would I have to believe about the world in order for this book to be true ? This is the kind of question I get most excited about asking.

Criticism is a relationship with an object, and as such it involves all of the regular psychic drama—idealization and fantasy; avoid­ance, hostility, and disappointment; the desire to know and a fas­cination with what is unknown; displacement from our own life onto the object. The person writing criticism has to always be on guard that the irritations and frustrations of writing do not get taken out on the object under review. Even pieces that begin in love and admiration can end in resentment and hate. I have noticed that after writing a review, I often lose interest in the author or resist reading their next book. If reviewing is a way to know something deeply, it’s also a way to say goodbye.

in the popular imagination , the critic is usually evil, sneering, vicious, or frustrated at their own thwarted artistic dreams. But the truth is, people who do this quite insane and marginal thing of writing criticism do it because they have a passionate attachment to literature. There’s little money or power in it, and no fame. Writing book reviews today is a vocation, not a career. It’s for people who still believe, against all practicality, that a life organized around lit­erature is worth more than a life organized around money. “Making a living is nothing,” Hardwick once wrote. “The great difficulty is making a point, making a difference—with words.”

I always say that I write for myself, to find out what I think or what I can do. But it’s also true that the main reason I write reviews is because people ask me to. Writing a novel that might end up in the drawer makes sense to me; writing a review that might end up there does not. Criticism is a conversation—with oneself but also with one’s editors, with readers, and with other reviewers. There is something hopeful about writing a review. It’s like putting a mes­sage in a bottle or sending up a flare. I’m at my little desk, trying not to look at the bags on the floor. Who knows where the person who will read the piece is sitting?

Louise Glück’s Late Style

The critic as friend, rachel cusk, you might also like, white noise, new and improved, the feminism of elizabeth hardwick, new perspectives, enduring writing..

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Boys Get Everything, Except the Thing That’s Most Worth Having

By Ruth Whippman

Ms. Whippman is the author of “Boymom: Reimagining Boyhood in the Age of Impossible Masculinity.”

The 20-year-old college student and gamer I met in Cedar City, Utah, didn’t seem particularly amused by his own joke that he was a cultural cliché. He lived in his grandma’s basement, and barely left the house except to go to classes. He spent the vast majority of his free time online — playing video games, watching porn and hanging out on Discord, the heavily male-skewed communication platform, where users gather in communities devoted to topics ranging from the innocuously nerdy to the utterly horrifying. By his own admission, he was brutally lonely.

During the pandemic, he was a moderator for a Discord community, at first mainly sorting out technical problems and weeding out trolls. But one night, an adolescent boy called him over voice chat, and started sharing how lonely and depressed he was. He spoke with the boy for an hour, trying to talk him down and give him hope. That call led to more like it. Over time, he developed a reputation as an unofficial therapist on the server. By the time he left Discord a year or so later, he’d had about 200 calls with different people, both men and women, who spoke of contemplating suicide.

But it was the boys who seemed the most desperately lonely and isolated. On the site, he said, he found “a lot more unhealthy men than unhealthy women.” He added: “With men, there is a huge thing about mental health and shame because you’re not supposed to be weak. You’re not supposed to be broken.” A male mental-health crisis was flying under the radar.

I have spent the last few years talking to boys as research for my new book, as well as raising my own three sons, and I have come to believe the conditions of modern boyhood amount to a perfect storm for loneliness. This is a new problem bumping up against an old one. All the old deficiencies and blind spots of male socialization are still in circulation — the same mass failure to teach boys relational skills and emotional intelligence, the same rigid masculinity norms and social prohibitions that push them away from intimacy and emotionality. But in screen-addicted, culture war-torn America, we have also added new ones.

The micro-generation that was just hitting puberty as the #MeToo movement exploded in 2017 is now of college (and voting) age. They have lived their whole adolescence not just in the digital era, with a glorious array of virtual options to avoid the angst of real-world socializing, but also in the shadow of a wider cultural reckoning around toxic masculinity.

We have spent the past half-decade wrestling with ideas of gender and privilege, attempting to challenge the old stereotypes and power structures. These conversations should have been an opportunity to throw out the old pressures and norms of manhood, and to help boys and men be more emotionally open and engaged. But in many ways this environment has apparently had the opposite effect — it has shut them down even further.

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Estimated reading time: 8 minutes

Deciding to write a book is a goal that can be equally exciting and overwhelming — particularly when you have no experience. However, the beauty of storytelling and writing is that it’s accessible to anyone with a story to tell or knowledge to share. Whether you are driven by a creative vision, a unique insight, or a personal story, your voice deserves to be heard. Here, we’ve created a step-by-step guide designed to help you navigate how to write with no experience and publish your first book. Let’s dive in!

Table of Contents: • 10 Steps to writing a book with no experience • Common mistakes to avoid as a new writer • The next steps: publishing and distribution • How BookBaby can help

10 Steps to writing a book with no experience

Writing and publishing your first book is an experience unlike any other, turning your ideas into impactful words for others to read. For a freelance writer without prior experience, the process might seem daunting, but with a structured approach, anyone can get over the hurdles of getting their work out into the world. Here’s how you can start bringing your visions to life.

1. Understanding your why

Identifying why you want to write a book is the first step in your freelance writing journey — and a vital one, at that. Think about your core motivation to write and publish a book. Is it a desire to share knowledge? Tell a personal story? Bring a fictional world you’ve created to life? Understanding your ‘why’ provides direction and persistence, fueling your writing through the challenging times, with the published work serving as an even greater reward.

2. Setting realistic goals

One way to lessen the overwhelm of book writing is to set achievable goals. Define clear objectives such as daily word counts, chapter completion targets, and overall timelines. Breaking your project into manageable, bite-size pieces makes the task less overwhelming and helps maintain a steady progression towards meeting your goals and finishing your work.

3. Finding your book’s unique angle

It’s no secret that the publishing world is abundant with new books and authors. That means your book needs to stand out. By identifying a unique angle or a fresh perspective, you can differentiate your book from others in the same genre. This could be a new approach to a common topic, an unusual setting, or a distinctive narrative voice. Pinpointing what makes your book unique is essential for capturing and keeping the interest of future readers.

4. Researching your topic

Whether you’re writing fiction or non-fiction, research is fundamental to add depth and authenticity to your work. Utilize a variety of sources, from interviews and primary documents, to scholarly articles and other relevant literature. Effective research supports your narrative and creates an overall experience for the reader.

5. Just start writing

The biggest obstacle for many aspiring authors is to just simply start writing. Don’t worry about everything being perfect on the first try . Just focus on getting your ideas down on paper. To combat writer’s block , set small, daily content writing goals and put them somewhere you’ll see everyday. Remember that all first drafts are revised — the key is to keep moving forward.

6. Building a writing routine

The best way to stay productive in most endeavors is to stay consistent — and that includes writing your book. Find your best writing times and create a conducive environment. You’ll start to train your brain to know that when you’re in this environment, you’re writing. Consistency turns writing into a habit, helping you manage procrastination and maintain momentum throughout the writing process.

7. The revision process

Revising is where you begin to polish and refine your creative writing. During the revision process , approach your draft critically, looking for ways to improve clarity, structure, and flow. Ask trusted peers for feedback and be open to making substantial changes. Remember, great writing is rewriting.

8. Seeking professional editing

Even the most experienced and successful freelance writers benefit from professional editing . Editors provide invaluable perspectives on your work, from big-picture analysis to detailed grammatical corrections. Hiring professional editors can elevate the quality of your manuscript, ensuring that it’s coherent and appealing to readers.

9. Designing your book

When you’re looking for a new book to read at the bookstore, the first thing you see is the cover. We know from our own experience that the visual presentation of your book plays a critical role in attracting readers. Investing in professional design for your cover, layout, and typography, and creating a well-designed book not only looks more appealing but also enhances readability and overall reader experience.

10. Formatting your book

Proper formatting helps to ensure your book meets the professional standards required by publishers and distribution platforms. Whether you’re preparing print books, ebooks, or audiobooks, understanding formatting nuances is crucial. You can use a variety of available tools and services to help you format your manuscript appropriately for each medium.

Common mistakes to avoid as a new writer

As with all things, a writing career comes with a unique set of challenges, especially for new writers. Having an awareness of how to write a book while avoiding some of the common pitfalls you might encounter can help to improve your writing experience and the quality of your final manuscript. Here’s a rundown of typical mistakes made during each phase of the writing process and tips on how to avoid them.

Starting without a plan

Many new writers begin writing without a clear plan or outline, leading to potential plot inconsistencies and structural problems later on. Avoid this by spending a significant amount of time creating a detailed outline before you start writing. This roadmap will guide your narrative, ultimately helping you to maintain focus and consistency throughout your story.

Overlooking research

Even fictional works require some level of research to ensure authenticity and believability. Failing to research can result in inaccuracies that distract readers or take them out of the story. Avoid this by conducting purposeful, thorough research on any topics, settings, or historical elements that are featured in your book to enhance your story’s credibility and depth.

Ignoring your target audience

Writing without a clear understanding of your target audience can lead to a book that resonates with few readers or misses the mark entirely. Avoid this by defining your target audience early in the process and tailoring your content, language, and style to meet their preferences and expectations.

Skipping revisions

It’s tempting to consider your first draft as the final product, but doing so can lead to a book that’s just subpar. Avoid this by looking at the revision process as an essential part of writing. Use multiple drafts to refine and enhance your storytelling.

Skipping the editing process

Poor grammar, punctuation, and spelling mistakes can undermine your book’s professionalism and readability, and again, take the reader out of the story. Avoid this by investing in professional editing services to ensure your manuscript is thoroughly polished. BookBaby offers copy editing , line editing , and proofreading for your manuscript.

The next steps: publishing and distribution

Once you’ve completed the rigorous-yet-rewarding process of writing and revising a manuscript, you’ll be faced with the crucial decision of how to publish and distribute your work. The choice between self-publishing and traditional publishing routes can significantly impact the control you have over your work, how you market it, and your potential earnings.

Deciding between self-publishing and traditional publishing

Self-publishing:

• Complete control : Authors maintain control over every aspect of their book, from the content and cover design to the pricing and marketing strategies.
• Higher royalties : Without a traditional publisher, authors can keep a larger portion of their sales, which can be particularly lucrative if the book sells well.
• Speed to market : Self-publishing typically allows for a quicker publication process, enabling authors to get their book to readers faster than traditional routes.
• Upfront costs : Authors bear the cost of editing, design, marketing, and distribution, which can be substantial depending on which self-publishing route they choose.
• Marketing responsibilities : Marketing and promotional activities can solely fall on the author when they choose to learn how to self-publish a book .

Traditional Publishing:

• Marketing and distribution : Established publishers have extensive distribution networks and marketing expertise, which can enhance the book’s reach and visibility.
• Credibility : Having a book published by a recognized publisher can lend credibility and prestige, which can be beneficial for an author’s career.
• Less creative control : Authors often have limited or no control over the book’s final appearance, and sometimes its content as well.
• Lower royalties : Traditional publishing involves lower royalties per book sold due to the higher costs associated with the publishing process.
• Slow process : The timeline from manuscript acceptance to book release can be lengthy, often taking a year or more.

How BookBaby can help

For authors leaning towards self-publishing, BookBaby offers a comprehensive suite of services designed to simplify the process from manuscript to publication. BookBaby acts as a one-stop-shop for self-publishing authors, providing professional services including:

• Book printing services : Providing fast turnaround times, affordable pricing, and high-quality printing at our in-house printing facility.
• Book editing services : Ensuring your manuscript is polished and free of errors.
• Cover design and formatting : Creating a professional look and feel for your book, tailored to your personal style and genre.
• Worldwide distribution : Offering access to major retailers like Amazon, Barnes & Noble, and Apple Books, as well as print-on-demand services that eliminate the need for large upfront print runs.
• Marketing services : Providing tools and services to help promote your book effectively, including promotional materials, social media advertising services, and more.

At BookBaby, our goal is to empower authors by providing them with the tools they need to successfully publish and distribute their work while retaining complete creative and financial control. By choosing BookBaby, you can navigate the self-publishing landscape with confidence, supported by expert advice and professional services every step of the way. Contact us to get started today!

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Scholarship: How to Write a Successful Scholarship Essay

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This book is designed to be your comprehensive guide to navigating the often daunting task of crafting a compelling scholarship essay. Whether you're a high school student preparing for college, a current undergraduate seeking financial aid, or a graduate student pursuing advanced studies, scholarships can play a crucial role in funding your education. In today's competitive academic landscape, standing out among a sea of applicants requires more than just good grades and extracurricular activities. A well-written scholarship essay can be the key to unlocking opportunities and securing the financial support you need to pursue your educational goals. In this book, we'll explore the essential elements of a winning scholarship essay, from understanding the purpose and requirements of scholarships to crafting a narrative that effectively showcases your unique strengths, experiences, and aspirations. You'll learn practical strategies for researching scholarships, brainstorming ideas, structuring your essay, and refining your writing to make a lasting impression on scholarship committees. But writing a successful scholarship essay is about more than just following a formula. It's about authentically sharing your story and connecting with your readers on a personal level. Throughout this book, we'll delve into the importance of finding your voice, expressing your passion, and communicating your vision for the future.

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Đặt chân đến một đất nước mới và đặt những viên gạch đầu tiên trên con đường thành công của bạn. Khám phá ngay những bí quyết tận dụng tối đa trải nghiệm du học của bạn.

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A simple formula for discussing two opposing views in your IELTS essay

Trên trang này.

Chủ đề được đề cập

Once you know the kinds of tasks you might face, it’s possible to make a general outline or map for each into which you can organize your ideas. Having an outline will give you some breathing room to focus on your answer during this time sensitive test as you only have about 40 minutes to write the essay.

Those of you who have been preparing already know that there are 4 question types that often appear on the exam*.

Some people believe the internet is the most important invention in modern history.

To what extent do you agree or disagree?

Some people believe that testing products on animals should be banned but others think that this is necessary.

Discuss both views and give your opinion.

More and more professionals, such as engineers and doctors, are leaving their own poorer countries to work in developed countries.

What problems does this cause? What solutions can you suggest to deal with this?

These days more and more people are choosing to improve their appearance with cosmetic surgery.

Do the advantages of this trend outweigh any disadvantages?

*Note, most other essays ask direct questions (usually 2) about a subject and you should answer each of those questions in separate paragraphs making sure you include an introduction and conclusion. They will likely be some form of the above essays.

** I have already provided a simple formula for agree/disagree essays here .

In this blog we will look at how to organize discussion essays or essays that present two opposing views and ask for your opinion. This sample outline isn’t the definitive or only way to put a discussion essay together, but I hope that by looking at the example, you will see the basic essentials of an essay format (introduction, body, conclusion, including support/examples) and understand, generally, what to do in order to get the score you need to succeed.

CAUTION: Before we begin, you should remember that when you are asked to discuss two opposing views, you must put yourself in the shoes of the people who hold each opinion - seeing the issue from both sides of the fence. If you don’t, you will limit your score.

Now, while you look at the response to the following task, see if you can identify what each sentence does before you look at the outline below.

Some people believe that the best way to control accidents on city streets is to lower the speed limit but others think there are more important issues that need attention before roads can be safe.

Paragraph One – Introduction

Here is the map or outline explaining how the above essay was created:

DISCUSSION ESSAY - 5 PARAGRAPH FORMULA

Sentence 1: Introduces the main subject.

As more and more people drive cars in major cities, the number of serious accidents grow each year.

Sentence 2: States the two opposing views about the subject.

Some people believe that the best way to address this problem is to reduce the speed limit on city streets while others disagree and think that there are more pressing issues that need to be addressed to keep people safe.

Sentence 3: States the writer’s opinion in the matter.

Although speeding is an issue, I agree that more needs to be done to ensure that everyone can travel without fear.

Sentence 4: Briefly outlines what the writer is going to write about in the paragraphs that follow.

This essay will consider the different viewpoints before deciding what is the best solution.

Paragraph Two – Body

Sentence 2: Discusses why some people might hold this view. Indeed, if people maintained a safe speed throughout the city, the risk and frequency of traffic accidents would clearly be reduced as the faster a car travels, the more damage it can do to whatever it hits.

Sentence 3: Gives an example that supports their viewpoint.

Many cities around the world adopted very low speed limits over the last decade and there is some evidence that there have been fewer incidents and far fewer serious accidents within the city limits.

Paragraph Three – Body

Sentence 1: Gives the second viewpoint.

However, there are others who would say that the problem is more about people driving while distracted and that heavy penalties to address this issue would be more effective in improving the situation.

Sentence 2: Discusses why some people might hold this view.

It’s hard not to notice that many drivers are looking down at their phones and not at the road while driving.

The dangers of not paying attention are obvious and, in fact, the number one cause of traffic accidents in recent times is reported to be distraction as people text or email while they are in the driver’s seat not watching where they are going.

Paragraph Four – Body

Sentence 1: Gives your viewpoint.

In my opinion, both views have merit but the best way to solve this problem is to make sure the government provides the funding for law enforcement.

Sentence 2: Discusses why you hold this view.

Without the manpower and budget for crime detection and policing to catch offenders, many will continue to break the texting and speeding laws if they know they can get away with it.

Sentence 3: Gives an example that supports your viewpoint.

Cities that have allocated enough money to their police force and empowered them to come up with ways to catch distracted and aggressive drivers have made their metropolises safer.

Paragraph Five – Conclusion

Sentence 1: Summarizes the different opinions on the topic.

City streets need to be safer for everyone and speeding and distracted drivers are a problem.

Sentence 2: States which opinion is better or more important in your view.

If the proper funding is given to law enforcement to catch and punish those who break safe driving laws, city dwellers will feel more at ease on the roads.

In this example, the opinion of the writer is different than the two given opinions but it is also possible to agree with one or both of the opinions provided as well. In this case, you would use the same outline and give further or different support in the fourth paragraph.

Here is a template for the discussion essay that you can use to help you practice and learn how to organize your ideas for the exam.

More essay formulas to come! I hope you find them useful. Good luck and have fun with your preparations.

DISCUSSION ESSAY – 5 PARAGRAPH FORMULA TEMPLATE

Paragraph One - Introduction

Sentence 1: ___________________________________________________________________________ Introduce the main subject.

Sentence 2: ___________________________________________________________________________ State the two opposing views.

Sentence 3: ___________________________________________________________________________ State your opinion in the matter.

Sentence 4: ___________________________________________________________________________ Briefly outline what you are going to write about in the paragraphs that follow.

Paragraphs Two and Three and Four– the Body of Support

Sentence 1 (topic sentence): ___________________________________________________________________________ Tell the reader what this paragraph is about by stating the first view point.

Sentence 2: ___________________________________________________________________________ Assume that the reader doesn’t know anything about this topic and discuss why some people might have this view.

Sentence 3: ___________________________________________________________________________ Give a real life or made up example that supports this view.

Paragraph Three – Repeat the above for the other viewpoint

Sentence 1 (topic sentence): ___________________________________________________________________________ Tell the reader what this paragraph is about by stating the second view point.

Paragraph Four – Repeat above for your viewpoint

Sentence 1 (topic sentence): ___________________________________________________________________________ Tell the reader what this paragraph is about by stating your view point (whether you have a different opinion OR you agree with one more than the other OR how you might agree with both).

Sentence 2: ___________________________________________________________________________ Discuss why you have this view.

Sentence 3: ___________________________________________________________________________ Give a real life or made up example that supports your view.

Sentence 1: ___________________________________________________________________________ Rephrase or summarize the different opinions on the topic.

Sentence 2: ___________________________________________________________________________ State which opinion is better or more important in your view.

By Angela Rutherford

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