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The Best Reviewed Memoirs and Biographies of 2021

Featuring tom stoppard, michelle zauner, mike nichols, d. h. lawrence, chimamanda ngozi adichie, and more.

Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

First up: Memoir and Biography .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. Crying in H Mart by Michelle Zauner (Knopf)

24 Rave • 6 Positive

“… powerfully maps a complicated mother-daughter relationship cut much too short … Zauner’s food descriptions transport us to the table alongside her … a rare acknowledgement of the ravages of cancer in a culture obsessed with seeing it as an enemy that can be battled with hope and strength …Zauner carries the same clear-eyed frankness to writing about her mother’s death five months after her diagnosis … It is rare to read about a slow death in such detail, an odd gift in that it forces us to sit with mortality rather than turn away from it.”

–Kristen Martin ( NPR )

2. The Copenhagen Trilogy by Tove Ditlevsen, trans. by Tiina Nullally and Michael Favala Goldman (FSG)

23 Rave • 4 Positive Read an excerpt from The Copenhagen Trilogy here

“… beautiful and fearless … Ditlevsen’s memoirs…form a particular kind of masterpiece, one that helps fill a particular kind of void. The trilogy arrives like something found deep in an ancestor’s bureau drawer, a secret stashed away amid the socks and sachets and photos of dead lovers. The surprise isn’t just its ink-damp immediacy and vitality—the chapters have the quality of just-written diary entries, fluidly translated by Tiina Nunnally and Michael Favala Goldman—but that it exists at all. It’s a bit like discovering that Lila and Lenú, the fictional heroines of Elena Ferrante’s Neapolitan quartet, were real … A half-century later, all of it—her extraordinary clarity and imperfect femininity, her unstinting account of the struggle to reconcile art and life—still lands. The construct of memoir (and its stylish young cousin, autofiction) involves the organizing filter of retrospection, lending the impression that life is a continuous narrative reel of action and consequence, of meanings to be universalized … Ditlevsen’s voice, diffident and funny, dead-on about her own mistakes, is a welcome addition to that canon of women who showed us their secret faces so that we might wear our own.”

–Megan O’Grady ( The New York Times Book Review )

3. Real Estate by Deborah Levy (Bloomsbury)

18 Rave • 9 Positive Read an excerpt from Real Estate here

“[A] wonderful new book … Levy, whose prose is at once declarative and concrete and touched with an almost oracular pithiness, has a gift for imbuing ordinary observations with the magic of metaphor … The new volume, which follows the death of one version of the self, describes the uncertain birth of another … She herself is not always a purely likable, or reliable, narrator of her own experience, and her book is the richer for it.”

–Alexandra Schwartz ( The New Yorker )

4. A Ghost in the Throat by Doireann Ní Ghríofa (Biblioasis)

17 Rave • 4 Positive Read an excerpt from A Ghost in the Throat here

“… ardent, shape-shifting … The book is all undergrowth, exuberant, tangled passage. It recalls Nathalie Léger’s brilliant and original Suite for Barbara Loden : a biography of the actress and director that becomes a tally of the obstacles in writing such a book, and an admission of the near-impossibility of biography itself … The story that uncoils is stranger, more difficult to tell, than those valiant accounts of rescuing a ‘forgotten’ woman writer from history’s erasures or of the challenges faced by the woman artist … What is this ecstasy of self-abnegation, what are its costs? She documents this tendency without shame or fear but with curiosity, even amusement. She will retrain her hungers. ‘I could donate my days to finding hers,’ she tells herself, embarking on Ni Chonaill’s story. ‘I could do that, and I will.’ Or so she says. The real woman Ni Ghriofa summons forth is herself.”

–Parul Sehgal ( The New York Times )

5. Notes on Grief by Chimamanda Ngozi Adichie (Knopf)

12 Rave • 7 Positive

“… achingly of its time … I really appreciated Adichie’s discomfort with the language of grief … Books often come to you just when you need them, and it is unimaginable to think just how many people have, like the author, lost someone in this singularly strange period of our history. Adichie’s father didn’t die from COVID-19, but that doesn’t make the aftermath of that loss any less relevant … A book on grief is not the kind of book you want to have to give to anyone. But here we are.”

–Allison Arieff ( The San Francisco Chronicle )

1. Tom Stoppard: A Life by Hermione Lee (Knopf)

13 Rave • 18 Positive • 3 Mixed Read an excerpt from Tom Stoppard: A Life here

“Lee…builds an ever richer, circular understanding of his abiding themes and concerns, of his personal and artistic life, and of his many other passionate engagements … Lee’s biography is unusual in that it was commissioned, and published while its subject is still alive. Lee is a highly acclaimed biographer whose rigor and integrity make her decision to write under such conditions surprising … Lee is frank and thoughtful about the challenges of writing about a living subject. She is aware, as the reader will be, that her interview subjects do not want to speak ill of a friend and colleague who is still among them. In addition to the almost unrelievedly positive portrayal of Stoppard, the seven-hundred-fifty-plus pages of this volume might have been somewhat condensed, were its subject no longer living, thereby rendering the biography easier to wield and to read. In spite of these quibbles, this is an extraordinary record of a vital and evolving artistic life, replete with textured illuminations of the plays and their performances, and shaped by the arc of Stoppard’s exhilarating engagement with the world around him, and of his eventual awakening to his own past.”

–Claire Messud ( Harper’s )

2. Mike Nichols: A Life by Mark Harris (Penguin)

18 Rave • 8 Positive • 2 Mixed

“Mark Harris’s portrait of director Mike Nichols is a pleasure to read and a model biography: appreciative yet critical, unfailingly intelligent and elegantly written. Granted, Harris has a hyper-articulate, self-analytical subject who left a trail of press coverage behind him, but Nichols used his dazzling conversational gifts to obfuscate and beguile as much as to confide … Harris, a savvy journalist and the author of two excellent cultural histories, makes judicious use of abundant sources in Mike Nichols: A Life to craft a shrewd, in-depth reckoning of the elusive man behind the polished facade … Harris gently covers those declining years with respect for the achievements that preceded them. His marvelous book makes palpable in artful detail the extraordinary scope and brilliance of those achievements.”

–Wendy Smith ( The Washington Post )

3. The Doctors Blackwell: How Two Pioneering Sisters Brought Medicine to Women and Women to Medicine by Janice P. Nimura (W. W. Norton)

12 Rave • 11 Positive • 1 Mixed Read an excerpt from The Doctors Blackwell here

“Janice P. Nimura, in her enthralling new book, The Doctors Blackwell , tells the story of two sisters who became feminist figures almost in spite of themselves … The broad outlines of their lives could have made for a salutary tale about the formidable achievements of pioneering women; instead, Nimura—a gifted storyteller […] recounted another narrative of women’s education and emancipation—offers something stranger and more absorbing … A culture that valorizes heroes insists on consistency, and the Blackwell sisters liked to see themselves as unwavering stewards of lofty ideals. But Nimura, by digging into their deeds and their lives, finds those discrepancies and idiosyncrasies that yield a memorable portrait. The Doctors Blackwell also opens up a sense of possibility—you don’t always have to mean well on all fronts in order to do a lot of good.”

–Jennifer Szalai ( The New York Times )

4. Philip Roth: The Biography by Blake Bailey (W. W. Norton)

13 Rave • 13 Positive • 6 Mixed • 4 Pan

“Bailey’s comprehensive life of Philip Roth—to tell it outright—is a narrative masterwork both of wholeness and particularity, of crises wedded to character, of character erupting into insight, insight into desire, and desire into destiny. Roth was never to be a mute inglorious Milton. To imagine him without fame is to strip him bare … The biographer’s unintrusive everyday prose is unseen and unheard; yet under Bailey’s strong light what remains on the page is one writer’s life as it was lived, and—almost—as it was felt.”

–Cynthia Ozick ( The New York Times Book Review )

5. Burning Man: The Trials of D. H. Lawrence by Frances Wilson (Farrar, Straus and Giroux)

11 Rave • 8 Positive • 5 Mixed

“… the feeling you get reading Frances Wilson’s Burning Man … The flare of a match, a man on fire, raging, crackling, spitting, consuming everything and everyone around him. Wilson too is on form and on fire … I’m not totally convinced the Dante business works. Wilson’s voice is so appealing—confiding, intelligent, easy, amused—I would happily have read a straightforward blaze through the life, cradle to grave, basket to casket … This is a red-hot, propulsive book. The impression it leaves is of Lawrence not so much as a phoenix (his chosen personal emblem) rising from the flames, but of a moth coming too close to a candle and, singed and frantic, flying into and into and into the wick.”

–Laura Freeman ( The Times )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Nonfiction Books » Best Biographies

The best biographies of 2023: the national book critics circle shortlist, recommended by elizabeth taylor.

Winner of the 2023 NBCC biography prize

G-Man: J. Edgar Hoover and the Making of the American Century by Beverly Gage

Talented biographers examine the interplay between individual qualities and greater social forces, explains Elizabeth Taylor —chair of the judges for the 2023 National Book Critics Circle award for biography. Here, she offers us an overview of their five-book shortlist, including a garlanded account of the life of J. Edgar Hoover and a group biography of post-war female philosophers.

Interview by Cal Flyn , Deputy Editor

The Grimkés: The Legacy of Slavery in an American Family by Kerri K. Greenidge

Mr. B: George Balanchine’s Twentieth Century by Jennifer Homans

Metaphysical Animals: How Four Women Brought Philosophy Back to Life by Clare Mac Cumhaill & Rachael Wiseman

Up from the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times by Aaron Sachs

1 G-Man: J. Edgar Hoover and the Making of the American Century by Beverly Gage

2 the grimkés: the legacy of slavery in an american family by kerri k. greenidge, 3 mr. b: george balanchine’s twentieth century by jennifer homans, 4 metaphysical animals: how four women brought philosophy back to life by clare mac cumhaill & rachael wiseman, 5 up from the depths: herman melville, lewis mumford, and rediscovery in dark times by aaron sachs.

I t’s a pleasure to have you back , Elizabeth—this time to discuss the National Book Critics Circle’s 2023 biography shortlist. You’ve been chair of the judging panel for a while, so you’re in a great position to tell us whether it has been a good year for biography.

That comes through in the shortlist, I think. There’s a real range here. I think any reader is bound to find something to appeal to their tastes.

Shaping a shortlist seems quite like arranging a bouquet. A clutch of peony, begonia, or orchid stems…each may be lovely, an exemplar in its own way. We aspire to assemble a glorious arrangement—a quintet of blooms that reflect the wildly varied human experiences represented in the verdant garden of biography.

Let’s talk about G-Man: J. Edgar Hoover and the Making of the American Century first, then, shall we? It is your 2023 winner of the NBCC’s prize for best biography; it also won a Pulitzer Prize . It’s also, and correct me if I’m wrong, the most traditional of the biographies that made the list.

G-Man is traditional in as much as Beverly Gage captures the full sweep of Hoover’s life, cradle to grave: 1895 to 1972. In that way, structurally G-Man sits aside the epics of David McCullough ( Truman , John Adams ) and Ron Chernow ( Grant , Alexander Hamilton ).

Unlike those valorized national leaders, Hoover answered to no voters. The quintessential ‘Government Man,’ a counselor and advisor to eight U.S. presidents , of both political parties, he was one of the most powerful, unelected government officials in history. He reigned over the Federal Bureau of Investigations from 1924 to 1972. Hoover began as a young reformer and—as he accrued power—was simultaneously loathed and admired. Through Hoover, Gage skilfully guides readers through the full arc of 20th-century America, and contends: “We cannot know our own story without understanding his.”

In G-Man , Yale University professor Gage untangles the contradictions in Hoover’s aspirations and cruelty, and locates the paradoxical American story of tensions and anxieties over security, masculinity, and race.

“This year, many biographies were deeply rooted in American soil that required years of research to till”

Hoover lived his entire life in Washington D.C., and Gage entwines his story in the city’s evolution into a global power center and delves deeply into the dark childhood that led him to remain there for college. Critical to understanding Hoover, Gage demonstrates, was his embrace of the Kappa Alpha fraternity; its worldview was informed by Robert E. Lee and the ‘Lost Cause’ of the South , in which racial equality was unacceptable. He shaped the F.B.I. in his image and recruited Kappa Alpha men to the Bureau.

For Hoover, Gage writes, Kappa Alpha was a way to measure character, political sympathies, and, of course, loyalty. One of those men was Clyde Tolson, and Gage documents their trips to nightclubs, the racetrack, vacations, and White House receptions. Hoover did not acknowledge that he and Tolson were a couple, but in the end their separate burial plots were a few yards from one another.

While Hoover feels very much alive on the page, Gage captures the full sweep of American history, chronicling events from the hyper-nationalism of the early part of the century, moving into the assassinations of John F. Kennedy and Martin Luther King Jr., making use of newly unclassified documents. When Hoover’s F.B.I. targeted Nazis and gangsters, there was clarity about good guys and bad guys. But by the mid-century, as the nation began to fracture, he regarded calls for peace and justice as threats to national security. Among the abuses of power committed by Hoover’s F.B.I., for instance, was the wiretapping and harassment of King.

Beyond Hoover’s malfeasance, Gage emphasizes that Hoover was no maverick. He tapped into a dark part of the national psyche and had public opinion on his side. Through Hoover, Americans could see themselves, and, as Gage argues, “what we valued and refused to see.”

A biography like this does make you realize how deeply world events might be impacted or even partially predicted by the family background or the personalities of a small number of key individuals.

We should step through the rest of the books on your 2023 biography shortlist. Let’s start with Kerri K. Greenidge’s The Grimkés: The Legacy of Slavery in an American Family , which is the story not only of the Grimké Sisters Sarah and Angelina, two well-known abolitionists, but Black members of their family as well.

I was eager to read The Grimkés as I had admired Greenidge’s earlier biography, Black Radical , about Boston civil rights leader and abolitionist newspaper editor William Monroe Trotter. Greenidge, a professor at Tufts University, brings her unique, perceptive eye to African American civil rights in the North.

Now Greenidge’s The Grimkés sits on my bookshelf next to The Hemingses of Monticello , the Pulitzer Prize-winning book by Annette Gordon-Reed who exposed the contradictions of one of the most venerated figures in American history, Thomas Jefferson. In the Grimke family, Greenidge has found a gnarled family tree, deeply rooted in generations of trauma.

Sisters Sarah and Angelina Grimke have been exalted as brave heroines who defied antebellum Southern piety and headed northward to embrace abolition. Greenridge makes the powerful case that, in clinging to this mythology, a more troubling story is obscured. In the North, as the Grimké sisters lived comfortably and agitated for change, they enjoyed the financial benefits of their slaveholding family in South Carolina.

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After the Civil War, they learned that their brute of a brother had fathered at least two sons with a woman whom he had enslaved. The sisters provided some financial assistance in the education of these two young men, one attended Harvard Law School and the other Princeton Divinity School—and did not let their nephews forget it.

Not only does Greenidge provide a revisionist history of the Grimke sisters, but she also takes account of the full Grimké family and extends their story beyond the 19th century. She delves into the dynamics of racial subordination and how free white men who conceive children — whether from rape or a relationship spanning decades with enslaved women—destroy families. Generations of children are haunted by this history.  Poignantly, Greenidge evokes the life and work of the sisters’ grandniece Angelina (‘Nana’) Weld Grimké , a talented—and troubled—queer playwright and poet, who carried the heavy weight of the generational trauma she inherited.

This sounds like a family saga of the kind you might be more likely to find in fiction.

Let’s turn to Mr B . : George Balanchine’s 20th Century by Jennifer Homans, the story of the noted choreographer. Why did this make your shortlist of the best biographies of 2023?

The perfect match of biographer and subject! A dancer who trained with Balanchine’s School of American Ballet in New York and is now dance critic for The New Yorker, Homans has written a biography of the man known as ‘the Shakespeare of Dance.’ In felicitous prose, Homans channels the dancer’s experience onto the page, from the body movements that can produce such beauty to the aching tendons and ligaments. Training is transformation, Homan writes, and working with Balanchine was a kind of metamorphosis tangled with pain. She evokes the dances so vividly that one can almost hear the music.

“At the heart of biography is the quest to understand the interplay between individual and social forces”

Homans captures Balanchine in a constant state of reinvention, tracing his life from Czarist Russia to Weimar Berlin , finally making his way to post-war New York where he revitalized the world of ballet by embracing modernish, founding New York City Ballet in 1948. Balanchine was genius whose personal history shape-shifted over the years. Homans grounds Mr. B in more than a hundred interviews, and draws from archives around the world.

Homans captures Balanchine’s charisma and cultural importance, but Mr. B. is no hagiography. Homans grasps the knot of sex and power over women used in his work. He married four times, always to dancers. They were all the same kind of swan-necked, long-waisted, long-limbed women, and although Homans does not write this, his company often sounds more like a cult than art.

And, of course, there is the matter of weight, which Homans dealt with directly, as did Balanchine. He posted a sign: ‘BEFORE YOU GET YOUR PAY—YOU MUST WEIGH.’

I don’t think I’ve ever considered reading a ballet biography before, but it sounds fascinating.

The next book on the NBCC’s 2023 biography shortlist brings us to Oxford, England. This is Metaphysical Animals: How Four Women Brought Philosophy Back to Life by Clare Mac Cumhaill and Rachael Wiseman.

At the outset of World War II , a quartet of young women, Oxford students—Elizabeth Anscombe, Iris Murdoch, Philippa Foot, and Mary Midgley—were “bored of listening to men talk about books by men about men,” as Mac Cumhaill, a Durham University professor, and Wiseman, a lecturer at the University of Liverpool, write. In their marvelous group biography, MacCumhaill and Wiseman vivify how the friendships of these women congealed to bring “philosophy back to life.”

As their male counterparts departed for the front lines, this brilliant group of women came together in their dining halls and shared lodging quarters to challenge the thinking of their male colleagues. In the shadows of the Holocaust and Hiroshima, these friends rejected the logical positivists who favoured empirical scientific questions. They didn’t really create a distinct philosophical approach as much as they shared an interest in the metaphysics of morals.

Brilliant. A book that is ostensibly ‘improving’ but which turns out to be absolutely chock-full of gossip sounds perfect to me. Let’s move on to the fourth book on the NBCC’s 2023 biography shortlist, which is Up from the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times by Aaron Sachs.

A biography about writing biography ! Very meta, and very much in the interdisciplinary tradition of American Studies. In his gorgeous braid of cultural history, Cornell University professor Sachs   entwines the lives and work of poet and fiction writer Herman Melville (1819-1891) and the philosopher and literary critic Lewis Mumford (1895-1990), illuminating their coextending concerns about their worlds in crisis.

While Melville is now firmly ensconced in the American canon, most appreciation and respect for him was posthumous. The 20th-century Melville revival was largely sparked by a now overlooked Mumford, once so prominent that he appeared on a 1936 Time  magazine cover.

Sachs brilliantly provides the connective tissue between Melville and his biographer Mumford so that these writers seem to be in conversation with one another, both deeply affected by their dark times.

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As Mumford grappled with tragedies wrought by World War I, the 1918 flu pandemic and urban decay, Melville had dealt with the bloody Civil War , slavery , and industrialization. In a certain way, this book is about the art of biography itself, two writers wrestling with modernity in a bleak world. In delving into Melville’s angst, Mumford was thrust into great turmoil. Sachs evokes so clearly and painfully this bond that almost did Mumford in, and writes that “Melville, it turns out, was Mumford’s white whale.”

There’s a real sense of range in this shortlist. But do you get a sense of there being certain trends in biography as a genre in 2023?

In many ways, this is a golden era for biography. There are fewer dull but worthy books, more capacious and improvisational ones. More series of short biographies that pack a big punch. We see more group biographies and illustrated biographies. But just as figures and groups once considered marginal are being centered, records that document those lives are vanishing.

The crisis in local news and the homogenization of national and international news will soon be a crisis for biographers and historians. Where would historians be without the ‘slave narratives’ from the Federal Writers Project , or the Federal Theatre Project ? Reconstruction of public events—federal elections, national tragedies, and so on—may be possible, but we lose that wide spectrum of human experience. We need to preserve these artifacts and responses to events as they happen. Biographies are time-consuming labors of love and passion, and are often expensive to produce. We need to ensure that we are generating and saving the emails, the records, the to-do lists of ordinary life.

The affluent among us will always be able to commission histories of their companies or families, but are those the only ones that will endure?

June 30, 2023

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

Elizabeth Taylor

Elizabeth Taylor is a co-author of American Pharaoh: Mayor Richard J. Daley; His Battle for Chicago and the Nation with Adam Cohen, with whom she also cofounded The National Book Review. She has chaired four Pulitzer Prize juries, served as president of the National Book Critics Circle, and presided over the Harold Washington Literary Award selection committee three times. Former Time magazine correspondent in New York and Chicago and long-time literary editor of the Chicago Tribune, she is working on a biography of women in the Civil War and Reconstruction eras for Liveright/W.W. Norton.

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Mark Coleman

Non-Fiction Writing On Books & Music Plus Life In NYC

Book Review: Biography of X by Catherine Lacey

Beginning with Truman Capote’s  In Cold Blood  and continuing with so-called New Journalism during the late Sixties, people tossed around the term Non-Fiction Novel when referring to book-length reportage written in modestly ambitious prose. Beginning with Catherine Lacey’s audacious novel  Biography of X , published in 2023, we need to invent a new label, along the lines of Fictional Non-Fiction. Right now, however,  Biography of X  occupies its own corner of the universe. The only precursors that come to mind are Nabokov’s  Pale Fire  or possibly a few Borges short stories.

Reviews of her third novel have suggested, or implied, that Catherine Lacey flirts with DTM (doing too much) in  Biography of X . Book within a book meta-narrative: check. Counterfactual or alternate history of the 20th Century: check. Potentially confusing pseudonyms and multiple identities: check. Guest appearances by real-life figures: check. Citations of wholly invented, anachronistic articles by contemporary journalists: check.

Somehow it reads much smoother than it sounds. This mock-biographical structure permits Lacey’s narrator — her pseudonym is C.M. Lucca — to slowly reveal the truth about her late wife “X” and their seven-year relationship. You bet it’s complicated.

Readers who require “relatable” or “likable” characters in novels should steer well clear of  Biography of X . But the eponymous enigma X isn’t repellant, not to me anyway, and her erstwhile biographer’s voice, C.M. Lucca or Catherine Lacey’s voice, pulled me in straight away.

At various times during her half-century on a planet resembling ours, X is known as Caroline Walker, Clyde Hill, Dorothy Eagle, Bee Converse, Vera, Martina Riggio and Yarrow Hall. She becomes mildly famous, or infamous, for her (overlapping) creative work as an author, visual artist, conceptual performer, record producer, and indie press publisher. Sorry I forget precisely which name pairs with each job description. X is a human mashup of Laurie Anderson, Cindy Sherman, Susan Sontag, Patti Smith, and more obscure figures such as the cult author Kathy Acker.

Unlike Acker, who produced relentlessly experimental and oft-impenetrable texts, Catherine Lacey employs approachable prose to describe difficult, purposefully unapproachable characters. Still X’s fictional connection to Kathy Acker, and the downtown Manhattan demimonde she helped define during the waning decades of the last century, is crucial to understanding her  Biography .

X and and her widow C.M. Lucca live in a dystopian alternative United States though readers should be forgiven if they don’t realize that at first. Gradually we learn that the country has experienced The Great Disunion of 1945 aka The Christian Coup. This cataclysm coincides with the birth of X, who died in 1996.

In Lacey’s counter-factual, Northern states became a woman-dominated liberal stronghold while the Southern zone stood tall as a backward region of fundamentalist belief, systematic racism and institutional sexism. The West, fleetingly mentioned, was vaguely Libertarian and geographically isolated. If this sounds too familiar, or “on the nose” in current parlance, then the truly subversive element of this alt-history creeps up behind you. Despite all these radical changes in society and politics, popular culture and the arts, especially the more adventurous pursuits, have evolved pretty much the same as in the real world, i.e. our world. David Bowie and Tom Waits, two of the recognizable names that X collaborates with, make the same music and emit the same personas that they did in our own weird sphere. Catherine Lacey dares to suggest that art and music and writing are actually independent, functioning outside, or alongside, the larger world.

Near the end of her life, X is contacted by a biographer seeking her cooperation, which she unsurprisingly fails to grant. When Theodore Smith’s unauthorized  A Woman Without A History  appears after X’s passing, her widow, incensed, embarks on her own research.  Biography of X  is the result.

“What bothers me about it [Smith’s book] is that his lies have been held up as the definitive account of X’s life, that his work speaks the final word about her groundbreaking, multihyphenate career and its impact, that every reader and critic seems to believe that Mr. Smith successfully navigated the labyrinth of secrets X kept around herself, and that he illuminated some true core of her life. This is far from the case.”

C.M. Lucca works through her grief by unearthing the layers and levels of her late wife’s life — or lives. Along the way she learns a lot, maybe too much, about X, their relationship, and herself. By the end both narrator and readers begin to realize that entering into a marriage with X resembled enlisting in a cult. Lucca relinquished control of her life, and her mind. Writing X’s biography represents her only hope of reclamation.

“What was there to say I had no life to risk anymore. She had my life. I didn’t know how she had or what she was doing with it, but that’s what it felt like — she had my life and I had a home.”

C.M. Lucca ends her biographical quest with no easy answers or pat closure. She’s left alone with the inevitable grind, the unending daily labor of long-term mourning, and the eventual acceptance of loss. Reviewing  Biography of X  in  Bustle , Erin Somers writes:

“Does the famous wife wrong, abuse, and otherwise trammel the unfamous wife? She does. But the trammeled wife regains some agency in the end by writing the famous wife’s definitive biography, thereby reclaiming the journalism career she forfeited in service of her marriage, and reckoning with her own trammeling. No well-intentioned future writer will have to re-draw her from a fragment; the wife has already written the story of her own fragmentation.”

Ultimately we’re stuck with our own identities, our own stories, even or especially when they’re entwined in someone else’s grand inventions. Unravelling that mix of fiction and fact leads to something like the truth.

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Published by markwrite57.

I am a digital content creator aka old school writer/editor. Also a music geek, compulsive reader, chief cook & bottle-washer and most important, proud father of a college student. View more posts

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Blog – Posted on Friday, Mar 29

17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

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With mullet or with monkey, everyone knows superman.

Elizabeth Graham

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Whether or not you give a damn for Superman, you know who he is. Even if you've never read a comic book in your life, no one can hear the name "Superman" without a flash of recognition: red-and-yellow S on blue background, red cape, the dark-haired man in flight, jaw set, blue eyes fixed on a distant destination. He's on his way to save the world.

Outdated, of course. Outmoded, of course. Superman's a joke, a sadly irony-free outline filled in with bland 1950s platitudes; a white man's wish-fulfillment muscle suit waiting to be punctured by any one of the myriad lurid rainbow varieties of Kryptonite. Square-jawed, square-shouldered, square all over, fit only for the peddling of breakfast cereals to the ingenuous. But you still know who he is. You grew up knowing.

He's fought greedy industrialists; he's been the embodiment of Eisenhower-era conformity; he's died and been resurrected; and he's sported a really atrocious hairdo — all of these Supermen are the real deal. And they're all ably chronicled by Glen Weldon in his forthcoming Superman: The Unauthorized Biography . Despite the combative-sounding title, Weldon's tone is light, speaking of Superman as you might of an old and dear friend whose imperfections you still wryly acknowledge. For example, there were those years in the late '50s, which he spent inexplicably being a complete jerk to all his friends. And how about that time in the '90s when the SuperHairdo was a SuperMullet? Weldon blithely chronicles the Man of Steel's less-than-super moments, and lets us in on the reasons why, to the DC Comics editors, concepts like Beppo the Super-Monkey seemed like such great ideas at the time.

It's not snark all the way down, though; the book's saving grace is its mixture of nonseriousness with true, abiding love. (Anyone doubting Weldon's understanding of, and eloquence on, the character of Superman should read his excellent opinion piece on DC's hiring of the notoriously homophobic Orson Scott Card to write a Superman comic.) Weldon's years as a lifelong Superman fan give him superb insight into the character's central truths, which he communicates with an affection the reader can't help but share:

"Superman changes as our culture changes. The only thing about him, in fact, that has remained untouched, inviolate, since Action Comics #1 hit the stands in April 1938 is his motivation. That motivation is at once the simplest of them all and the hardest to unpack: he is a hero. Specifically: "1. He puts the needs of others over those of himself. "2. He never gives up."

Glen Weldon writes about comics for NPR and is a panelist on Monkey See's Pop Culture Happy Hour. Wiley hide caption

Glen Weldon writes about comics for NPR and is a panelist on Monkey See's Pop Culture Happy Hour.

Weldon's biography is, in fact, an excellent introduction to the history of the Man of Steel, from his origins as a scrappy comic-book champion of social justice through multiple incarnations on film, radio and TV. Weldon makes it clear that his aim is purely to chronicle the iterations of the character and his impact on contemporary popular culture; biographical details of creators and performers, and the many legal wrangles spawned by the Superman brand's success are mentioned in passing, but only in terms of their relevancy to Superman's own story and history. Likewise, the study of Superman as religious and sociopolitical metaphor is given a nod but generally left out. Weldon provides ample citations of other works that deal with all of these aspects, keeping his own story refreshingly free of sprawl.

Those familiar with his writing for this site will recognize Weldon's engaging, readable prose. The gimlet-eyed will note the recurrence of a few verbal tics that have haunted him as a writer. Probably the most critical thing that could be said of Superman: The Unauthorized Biography is that it reads, at times, like a hyperextended blog entry. Still, Weldon's style is entertaining enough to make up for any deficiencies, and there are some great turns of phrase: the villainous Brainiac's cranial electrodes are likened to a "solid-state yarmulke"; Doomsday, Superman's spike-encrusted 1992 nemesis, is straight from "the pages of one of the moronic, ultra-violent, laughably self-serious comics that now clogged comics shops (in which he'd likely bear a moniker such as Bonestryke or Bludspur or Calciumblayde or Osteodeth or Ragepointy)."

The bottom line: You don't have to be a comics reader to enjoy this book — or even a regular watcher of Smallville . On the other hand, even the most hard-core geek will find a few nuggets of new information. From the offices of the Daily Planet through the teeming streets of Metropolis to the arctic Fortress of Solitude with its portal into the Phantom Zone, Weldon is a reliable, witty and informative guide.

Liza Graham is a mezzo-soprano and writer, born in Washington, D.C., and living in London. She has been a critic and columnist for the Metro papers, as well as a guest blogger at mightygodking.com . Her poetry has been published in Goblin Fruit magazine.

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Black Pill: How I Witnessed the Darkest Corners of the Internet Come to Life, Poison Society, and Capture American Politics Hardcover – July 9, 2024

• Print length 304 pages
• Language English
• Publisher Atria Books
• Publication date July 9, 2024
• Dimensions 6 x 0.9 x 9 inches
• ISBN-10 1982198885
• ISBN-13 978-1982198886
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• Publisher ‏ : ‎ Atria Books (July 9, 2024)
• Language ‏ : ‎ English
• Hardcover ‏ : ‎ 304 pages
• ISBN-10 ‏ : ‎ 1982198885
• ISBN-13 ‏ : ‎ 978-1982198886
• Item Weight ‏ : ‎ 2.31 pounds
• Dimensions ‏ : ‎ 6 x 0.9 x 9 inches
• #6 in Fascism (Books)
• #9 in Violence in Society (Books)
• #171 in United States History (Books)

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Book Review: ‘Swallow the Ghost’ a promising but uneven exploration of memory in internet age

This cover image released by Mulholland shows “Swallow the Ghost” by Eugenie Montague. (Mulholland via AP)

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In many ways, Eugenie Montague’s “Swallow the Ghost” feels like three separate novels. That’s what makes her debut novel so imaginative — and also so frustrating.

The story’s center is Jane Murphy, who works at a New York social media startup on an internet novel that’s become a viral hit through social media posts where elaborate backstories about its characters are formed.

But Murphy’s story and a tragic event are told through three interlocking sections. The first focuses on Jane. The second focuses on Jesse, a former journalist working as an investigator for a law firm. The third focuses on Jeremy, the pretentious, Kafka-quoting novelist and sometimes boyfriend of Jane’s.

The writing style and genre shifts with each section, but Montague’s novel at its heart explores memory in the digital era. It’s a promising concept but feels uneven.

Montague’s novel is filled with beautiful prose that’s hard to forget, and poses intriguing questions about how someone is remembered. The interactions between Jesse and his mother, who he cares for and who has dementia, are some of the most simply heartbreaking moments in the novel.

But there are other portions of the novel that meander, especially the final section of the book that is framed as a transcript of a conversation with Jeremy at a bookstore event. The conversation reveals more about Jane and also about the questions the novel poses, but it also slows down the momentum of the prior section focused on Jesse and the mystery he was investigating.

Though the approach falls short at times, it’s an ambitious one that leaves readers much to think about and introduces Montague as an inventive new voice.

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My Hero Academia: You're Next

Izuku Midoriya, a U.A. High School student who aspires to be the best hero he can be, confronts the villain who imitates the hero he once admired. Izuku Midoriya, a U.A. High School student who aspires to be the best hero he can be, confronts the villain who imitates the hero he once admired. Izuku Midoriya, a U.A. High School student who aspires to be the best hero he can be, confronts the villain who imitates the hero he once admired.

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Matt Haig’s New Novel Is a Love Letter Filled With Magic

In “The Life Impossible,” a 72-year-old widow tries to figure out what happened to a friend who disappeared in Ibiza.

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By Michelle Ruiz

Michelle Ruiz is a contributing editor at Vogue and a contributor at Vanity Fair.

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THE LIFE IMPOSSIBLE , by Matt Haig

One of the buzziest literary phenomena of the year is the rise of the middle-age heroine. Miranda July’s perimenopausal epic, “ All Fours ” ; Glynnis MacNicol’s hedonistic memoir, “ I’m Mostly Here to Enjoy Myself ”; and Leslie Jamison’s post-divorce memoir, “ Splinters ,” all posit that women of a certain age aren’t past their prime and are discovering new frontiers all the time.

Matt Haig expands the trend with his new novel, “The Life Impossible.” The author — who is best known for his mega-best seller “The Midnight Library” — propels a 72-year-old retired teacher named Grace Winters from “the most boring life in the universe” (idling in her bungalow in England) to an odyssey of action and awe (solving the mystery of an old acquaintance’s death in Ibiza, the Spanish isle of late-night raves and nude beaches). It’s “Murder, She Wrote” meets “Under the Tuscan Sun,” or as Haig describes Grace: “Don Quixote dressed in Marks & Spencer.”

Grace is grappling with loss. She’s a recent-ish widow, and she’s also still grieving the death of her son, Daniel, who died three decades prior, when he was just 9 years old. Since losing her immediate family, her life has shrunk so drastically that “she only had two contacts on her WhatsApp — Angela from the British Heart Foundation and Sophie, her sister-in-law, who had moved to Perth in Australia 33 years ago.” This might have been maudlin, but Haig lightens the mood, including with cheeky chapter titles (Grace’s initial tale of woe arrives under the heading “Sob Story”).

The novel opens with a cry-for-help email from one of Grace’s former students, Maurice Augustine, who is despairing that “everything feels impossible.” The book we hold is Grace’s sprawling response. To comfort Maurice, she shares her own story about “a person who felt there was no point left in her existence, and then found the greatest purpose she had ever known.”

Her tale is set in motion by “ an act of kindness long ago”: In 1979, Grace invited Christina Papadakis, a colleague she barely knew, to spend Christmas Day with her. When Christina vanishes and is presumed dead in Ibiza decades later, she leaves Grace, of all people, her shabby house and a trail of clues about her fate. Officially, Christina “died at sea” — or did she?

Cracking the case of Christina’s disappearance forces Grace, who self-soothes with tedious mental equations and thoughts on theorems, to open her logical mind to the paranormal. “The only thing you have to believe at this point is that there is a possibility that we don’t know every single thing about life in the universe,” Grace writes to Maurice. “Is that possible?” In attempting to convince Grace, Haig moved even this skeptical reader to consider that science and magic aren’t mutually exclusive.

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