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book review the landscape of history

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The Landscape of History: How Historians Map the Past

The Landscape of History: How Historians Map the Past

Reviewed by g. john ikenberry, by john lewis gaddis.

A masterful statement on the historical method by a distinguished Cold War historian. Gaddis makes the case that the past may not be prologue, but it can be explored for lessons to guide human action. Historical knowledge provides the most important way in which society transmits acquired skills and ideas from one generation to the next. Gaddis depicts the historian's craft as akin to cartography -- an open-ended process that requires faithfulness to detail, multiple points of view, and a constant eye on the horizon. The past is not unknowable, but neither is it a simple data bank that allows social scientists to derive and test abstract universal laws. Gaddis' most provocative claim is a powerful irony: Social science, with its independent variables and deductive theories, would appear to have more scientific pretensions than does history. But the historical method, which relies on thought experiments and the interplay of inductive and deductive reasoning, more fully shares the methodical logic of such fields as astronomy, paleontology, and evolutionary biology. Gaddis' characterization of the social sciences will surely spark debate even as it illuminates important intellectual connections between the disciplines. Delightfully readable, the book is a grand celebration of the pursuit of knowledge.

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The Landscape of History: How Historians Map the Past

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208 pages, Paperback

First published November 14, 2002

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For historians too start with surviving structures, whether they be archives, artifacts, or even memories. They then deduce the processes that produced them. Like geologists and paleontologists, they must allow for the fact that most sources from the past don’t survive, and that most daily events don’t even generate a survivable record in the first place.

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The Landscape of History: How Historians Map the Past . By John Lewis Gaddis. (New York: Oxford University Press, 2002. xiv, 192 pp. $23.00, isbn 0-19-506652-9.)

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Neil Jumonville, The Landscape of History: How Historians Map the Past . By John Lewis Gaddis. (New York: Oxford University Press, 2002. xiv, 192 pp. $23.00, isbn 0-19-506652-9.), Journal of American History , Volume 90, Issue 4, March 2004, Pages 1419–1420, https://doi.org/10.2307/3660364

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In The Landscape of History , John Lewis Gad-dis, like Henry Adams a century before him, engages large questions about what it is that historians do and what it means to be scientific. This important book, written with grace, clarity, and wit, is sure to become a classic in the field of methodology.

Gaddis contends that the methods employed by historians and some scientists are now closer than they have been in a century—closer even than social scientific methods are to those of the hard sciences. It is not that historians have inched closer to the laboratory, but instead that slowly since Charles Darwin's time “scientists had begun to derive structures from processes: they had, in short, brought history into science,” which marked a “shift from a static to an evolutionary view” (p. 39). Further, science works by metaphors, such as “the behavior of an electron is ‘like’ the vibration of air in a spherical container” (p. 2). This dependence on metaphor and the recognition of patterns is another way that science and history are similar.

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Book Review

By John Lewis Gaddis. New York: Oxford University Press, 2002; 182 pp., illustrations, notes, index; cloth $23.00.

In The Landscape of History , John Lewis Gaddis offers an insightful glimpse at what historians do. Based on a series of lectures given by the author at Oxford University, the book offers a welcome introduction to historical methodology and an overview of the state of the art. In this short and thought-provoking book, Gaddis tackles many critical issues about the precision of historical methodology and the objectivity of history in a very accessible and often witty manner.

Gaddis claims that historians are reluctant to make their methods explicit for fear that their writing might resemble the design of the Pompidou Center in Paris where all sorts of ducts, conduits, escalators, and other building systems run outside of the building. He remarks that this reluctance also causes confusion about what historians do and how they do it. Rather than describing in detail how historians ponder evidence and construct narratives, Gaddis attempts to show how historical methodology is as legitimate as scientific methodologies by illustrating many parallels between the methodology of history and those of astronomy, geology, and paleontology.

The idea that legitimacy in science can only be achieved by moving towards predictability is outdated as Gaddis points out. While many disciplines in the political and social sciences still hold to reductionist models established in the 19th century, the adoption of an evolutionary model by many disciplines in the natural sciences has brought about revolutionary change. Some of the catalysts for this change, as Gaddis observes, were the advent of chaos and complexity theories in the 1970s, which eroded many of the assumptions of older scientific models.

Gaddis also embarks on an eloquent exposition of the question of uncertainty in history and begins to counter the post-modernist critique of history. Historians, he writes, "can never actually rerun history any more than astronomers, geologists, and paleontologists, and evolutionary biologists can rerun time." Thus, history can only represent the past, and no matter how close the representation resembles the reality, the fit can only be provisional. Yet, even poor representations, as time goes by and as witnesses disappear, often become the reality. Historians may make the past legible but in doing so they also imprison it. While this is not done with malignant intent, the reader would be well served to know how a particular history was constructed.

The pursuit of history, as Gaddis sees it, is a work in progress. Richer, more complex, views can be constructed as new material surfaces. The task is not simply to give new answers to old questions, but also to ask new questions. Just as uncertainty cannot be taken out of history, neither can the particular perspective of the historian. Every work of history makes a moral judgment either explicitly or implicitly, consciously or unconsciously. The issue then is not how to avoid making judgments, but how to make them responsibly.

Gaddis's exhortation to historians to make their methods more explicit is particularly intriguing and leaves much room for expansion. A more elaborate treatment of the topic in a similar didactic style would be very useful, especially for the general reader. It would be interesting to know how, for example, when reading a piece on the Cold War, an uninitiated reader may evaluate the historian's methodology and what additional insight might be gained.

The broad scope of Gaddis's observations makes this book engaging for the cultural resources practitioner and for others interested in history. His observations invite us to question many commonly held assumptions about how we see and interpret the past. For this reason, the book can be particularly useful for those entrusted with preserving and interpreting important aspects of our national heritage. This book urges us to remember that making the past legible must be pursued without forgetting that no matter how perfectly the pieces may fit together, history is only an approximation. No matter how perfectly detailed our historical tableau it is only a representation. Finding the gaps in the stories and making them visible is also important so that new generations may continue to look for answers and pose new questions.

Antonio Aguilar National Park Service

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Book Review: The Landscape of History

Short Paper: The Landscape of History: How Historians Map the Past by John Lewis Gaddis

John Lewis Gaddis is the Robert A. Lovett Professor of Military and Naval History at Yale University. Throughout his book, The Landscape of History, he uses the language of science to describe how historians approach their subjects and seeks to determine whether history is, in fact, a science. Gaddis acknowledged the foresight of both Carr and Bloch in their arguments about history as a science and said that they, “anticipated certain developments in the physical and biological sciences that have brought those disciplines closer than they once were to what historians had been doing all along.”[1]He explained that the key to the scientific method is experimentation, with the goal of replicating the result to prove its veracity. This, he notes, cannot be accomplished with history because one can’t go back in time to replicate the conditions which existed in the past. But, a historian can virtually replicateevents by representing reality in narrative form, illuminating the causes leading to and through the event so that others can better understand the causes and possible outcomes.[2]Through this virtual replication, he confirms, history islike science.

Application

Contrary to Gaddis, Carr placed greater emphasis on the person of the historian and their place in society, stating that this will influence how they write. About morality, Gaddis diverged from Carr and Bloch’s view that historians should abstain from making moral judgements. He stated that “historians have no choice but to make moral judgements.”[3]He acknowledged that it is unrealistic to assume that historians can be completely objective when they, themselves, are influenced by the time and place in which they live. He instead suggests that the historian should “distinguish the engagement explicitly” in his/her writing.[4]

Gaddis seeks to further elucidate Carr’s proposition that history and science share some common threads especially as more scientific discoveries are made and historians rely on other scientific fields, such as anthropology and sociology to complete their work. Historians, and scientists, begin their research or experimentations with curiosity. With the advent of the Enlightenment, science has done more than other fields with regard to eliciting agreement about our physical world across cultures, languages and societies. So, too does history, in a sense. Historians seek to build upon each other’s work; refining arguments, reinterpreting and rerunning experiments to write new narratives or illuminate events in different and innovative ways.

Gaddis, John Lewis. The Landscape of History: How Historians Map the Past. New York: Oxford University Press, 2002.

[1]John Lewis Gaddis, The Landscape of History: How Historians Map the Past(New York: Oxford University Press, 2002), xi.

[2]Gaddis, 43.

[3]Gaddis, 126.

[4]Gaddis, 128.

book review the landscape of history

The Landscape of History: How Historians Map The Past

A summary and review of the book written by john lewis gaddis and notes to spark interest in reading it.

Mateinozaur

Mateinozaur

The study of history is so broad that it is easy to get lost. Before getting lost, doing history requires the use of specific methods to get a grasp of what history is about.

In his book, The Landscape of History: How Historians Map The Past ( Oxford University Press: 2004) , John Lewis Gaddis provides a framework that helps history beginners contemplate the historical landscape in which historians operate.

History Landscape

The book cover portrays the painting The Wanderer above the Sea of Fog by Caspar David Friedrich (Image below). This romantic painting is an analogy to how historians see history. Since not all historians took part in important historical events, they speculate what, how, and why things happened as they did. This speculation leaves the wanderer with an image full of fog because all he has is a representation of the event, not the actual one.

Even when participating in such events, we only have a memory of them. The present became the past so we cannot retrieve it whenever we want just like a recording. History is about portraying the past onto a landscape because the past is all we have.

From this moment, thinking about the past as a landscape is the first landmark or the first method that historians use to represent events.

Time Travel

Taking part in events that become history would mean that one understood them better than the one who did not take part. No, imagine a soldier fighting in WW2 or someone living during the Black Death pandemic. How can they even think about history when such catastrophes are happening right next to them? It turns out that the one who did not witness such events is in a better position to do history. The historian disposes of a wide landscape which gives him more time to think, as opposed to being in the present moment when different historical episodes were taking place.

Despite the benefits of speculating about historical events, there is an inherent limitation in being absent from them. One cannot fully experience the sights, sounds, and smells of the past, such as the smell or sound of the Bofors 37mm anti-tank gun used in The Spanish Civil War . However, it’s worth noting that the specific details of such events may not have a significant impact on historians’ understanding of history. Nevertheless, it would be fascinating to experience more of what occurred in the past.

Selectivity is the ability to select different periods by which the historian can travel through his time machine, a second method that historians use.

Counterfactual Reasoning

What if Hitler had not risen to power in 1933, or if Germany had won World War II? These are common questions that people ask when examining history. However, it is important to consider how to use counterfactuals effectively. For example, it would be inaccurate to assume that modern technology would have influenced Hitler’s decisions, as he did not have access to the same resources as we do today.

Using counterfactuals establishes causation chains which can be important to extend one’s imagination through time, manipulating one variable at a time. Manipulating multiple variables at a time might make the thinking process more entertaining, but it can become quite messy, so sticking to one variable at a time aids you in not going astray much.

A bit too philosophical

In conclusion, this book may come to you more as a philosophical work about history , than actual history , which I think is a fair point. The author presents many metaphors, illustrations, examples to showcase how different people thought about things which were not necessarily historical. He gives examples of books like Orlando by Virginia Woolf and The Prince by Machiavelli to make analogies supporting his points.

As I mentioned in the beginning of the article, the book is for history beginners because it does not overwhelm you with events, but rather it makes you think about history more philosophically which can help with further history readings. In other words, the book provides a framework to think about history.

Thinking about the past as a landscape, manipulating space and time and using counterfactuals are just a few methods presented in the book. Note, those are not the only ones, but I think for me they were the most memorable out of them all.

Find below some useful links and don’t forget to clap, read and subscribe, helps much!

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The Landscape of History: How Historians Map the Past

Amazon.com: the landscape of history: how historians map the past ebook : gaddis, john lewis: kindle store.

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Wanderer above the Sea of Fog - Wikipedia

Wanderer above the sea of fog is a painting by german romanticist artist caspar david friedrich made in 1818. it….

en.wikipedia.org

Bofors 37 mm anti-tank gun - Wikipedia

The bofors 37 mm anti-tank gun was an anti-tank gun designed by swedish manufacturer bofors in the early 1930s…, spanish civil war, the spanish civil war (1936-39) was the bloodiest conflict western europe had experienced since the end of wwi in 1918….

encyclopedia.ushmm.org

Black Death | Definition, Cause, Symptoms, Effects, Death Toll, & Facts

Black death, pandemic that ravaged europe between 1347 and 1351, taking a proportionately greater toll of life than any….

www.britannica.com

Adolf Hitler - Wikipedia

Adolf hitler ( german: [ˈaːdɔlf ˈhɪtlɐ] ; 20 april 1889 - 30 april 1945) was an austrian-born german politician who was…, world war ii | facts, summary, history, dates, combatants, & causes, world war ii was a conflict that involved virtually every part of the world during 1939-45. the main combatants were…, orlando: a biography, orlando: a biography [woolf, virginia] on amazon.com. *free* shipping on qualifying offers. orlando: a biography, amazon.com: the prince: 9781514649312: machiavelli, nicolo: books.

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A Review of John Lewis Gaddis' The Landscape of History

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Nine experts on Cold War history offer commentaries about John Lewis Gaddis&#39;s Pulitzer Prize-winning biography of George F. Kennan, the first head of the U.S. State Department&#39;s Policy Planning Staff. The commentators come from several countries and offer a wide range of perspectives about Gaddis&#39;s George F. Kennan: An American Life, published by Penguin Books in 2011. Although most of the commentators express highly favorable assessments of the book, they also raise numerous points of criticism. Two of the commentators, Barton J. Bernstein and Anders Stephanson, present extended critiques of Gaddis&#39;s biography. The forum concludes with a reply by Gaddis to all the commentaries, especially those by Bernstein and Stephanson.

Christopher Leise , Crystal Alberts

For many years novelist William Gaddis, despite having won two National Book Critics Circle Awards and a MacArthur Foundation's "genius award," suffered from commercial and critical neglect. However, Gaddis has more recently experienced a resurgence in his popularity among both groups and is now considered one of the strongest American novelists. This collection of essays explores the interrelation between Gaddis's writing and the culture that helped to engender it. The essays cover such topics as technique, genre, religion, art, economics, colonialism and the role played by Gaddis's own travels through Europe and North Africa.

Stephen H Rigby

The American Historical Review

Daniel Adamilo Aaron

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THE LANDSCAPE OF HISTORY

How historians map the past.

by John Lewis Gaddis ‧ RELEASE DATE: Nov. 1, 2002

Provocative, polymathic, pleasurable. (Illustrations throughout)

Entertaining, masterful disquisition on the aims, limitations, design, and methods of historiography.

Gaddis (Military and Naval History/Yale; We Now Know: Rethinking Cold War History , 1997) adapts the lectures he gave at Oxford while its George Eastman Visiting Professor (2000–01). Employing a wide range of metaphors (from Cleopatra’s nose to Napoleon’s underwear), displaying an extensive knowledge of current thinking in mathematics, physics, and evolutionary biology, alluding frequently to figures as disparate as Lee Harvey Oswald, Gwyneth Paltrow, John Lennon, and John Malkovich, Gaddis guides us on a genial trip into the historical method and the imagination that informs it. He begins by showing the relationship between a cartographer and a historian, asserting that the latter must “interpret the past for the purposes of the present with a view to managing the future.” He also takes us through a set of principles he believes historians must employ and reminds us that the imagination of the historian must always be tethered to reliable sources. He takes on social scientists (especially economists), observing that as they attempt to become more “scientific” (establishing laws, making accurate predictions), they move in the opposite direction of today’s “hard” scientists: “When social scientists are right, they too often confirm the obvious.” Gaddis moves to a discussion of variables (declaring irrelevant the distinction between “independent” and “dependent”: “interdependent,” he says, is the more accurate term), examines chaos theory and explores theories of causation. He ends with an intriguing discussion of the role of the biographer, insisting that historians retain a moral view of events, and with a reminder that they must necessarily distort even as they clarify. Historians, like teachers, he says, both oppress and liberate.

Pub Date: Nov. 1, 2002

ISBN: 0-19-506652-9

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

GENERAL HISTORY

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BOOK REVIEW

by John Lewis Gaddis

GEORGE F. KENNAN

THE 1985 CHICAGO BEARS AND THE WILD HEART OF FOOTBALL

by Rich Cohen ‧ RELEASE DATE: Oct. 29, 2013

Ideal for Chicagoans, both casual and die-hard sports fans, and anyone who wonders, “What happens when you have a dream and...

A fan’s engaging yet ultimately melancholy love letter to his beloved team and his hometown.

“Pick your team carefully, because your team is your destiny.”  Vanity Fair  and  Rolling Stone  contributor Cohen’s father’s solemn advice can be easily understood by sports fans. However, other readers will enjoy this entertaining, if profane, history of the 1985 NFL champion Chicago Bears. That team symbolized Chicago through their fierceness and audacity and by playing a “blitzkrieg” style of football that would certainly be banned today. Throughout, the author provides comical anecdotes about head coach Mike Ditka, a pugnacious tantrum-thrower whose method was “Ready, Fire, Aim.” Ditka’s orneriness mirrored that of “stingy, angry and mean” team owner George “Papa Bear” Halas (a founder of the NFL) and met its match in the defiant quarterback Jim McMahon, who, despite being undersized with a weak throwing arm and a bad eye, played without regard for his body and led his team to a 15-1 record. Cohen’s telling of the Bears’ founding and its tradition of nastiness is by turns devastating, regarding the irreparable harm done to players’ bodies and minds, and moving, as when he explains that Hall of Fame running back Walter Payton was “Chicago as Chicago wanted to be: a fighter…who’s been knocked down but always gets back up.” Cohen thankfully avoids sentimentality and doesn’t bog readers down in lengthy game reports or analyses. The author is at his best in the interviews with 32 retired players and executives who offer their impressions of the Bears’ famed “46” defense, “the most devastating force in football,” and its characters, including the Hit Man, Mongo, the Black & Blues Brothers and, most famously, the Fridge.

Pub Date: Oct. 29, 2013

ISBN: 978-0-374-29868-5

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 2, 2013

Kirkus Reviews Issue: Oct. 15, 2013

GENERAL HISTORY | SPORTS & RECREATION | UNITED STATES | HISTORY

More by Rich Cohen

WHEN THE GAME WAS WAR

by Rich Cohen

THE ADVENTURES OF HERBIE COHEN

THE SUPREME COURT, AMERICAN EUGENICS, AND THE STERILIZATION OF CARRIE BUCK

by Adam Cohen ‧ RELEASE DATE: March 1, 2016

A shocking tale about science and law gone horribly wrong, an almost forgotten case that deserves to be ranked with Dred...

Attorney, journalist, and bestselling author Cohen ( Nothing to Fear: FDR’s Inner Circle and the Hundred Days that Created Modern America , 2009, etc.) revisits an ugly chapter in American history: the 1920s mania for eugenics.

Among “the most brutal aphorisms in American jurisprudence,” Oliver Wendell Holmes’ 1927 pronouncement in Buck v. Bell —“Three generations of imbeciles are enough”—marked the high point of a shameful enthusiasm among the social elite for ridding the species of so-called mental defectives. With the nation anxious about changes wrought by unprecedented immigration, industrialization, and urbanization, and with marriage laws ineffective and segregation and warehousing of defectives too expensive and castration too barbaric, eugenics enthusiasts turned to mass sterilization as the solution to prevent the feebleminded from reproducing. The movement attracted its share of crackpots, racists, and conservatives intent on preserving an Anglo-Saxon heritage, but a shocking gallery of the very best people—professionals, intellectuals, feminists, and progressives—formed the vanguard. From this class came the principal players in Carrie Buck’s case: the physician/supervisor of Virginia’s Colony for Epileptics and Feeble-Minded, the drafter of the state’s sterilization law who defended it in the Supreme Court, the national scientific expert who affirmed its utility, and the celebrated justice who upheld its constitutionality. The stories of these four men and that of Carrie herself—a teenage girl neither mentally nor morally deficient, as her caretakers charged, and never informed of the purpose and effect the operation Virginia demanded—form the spine of Cohen’s compelling narrative. Through them, he also tells a larger story of the weak science underlying the eugenics cause and the outrageous betrayal of the defenseless by some of the country’s best minds. Carrie Buck died in 1983. The 8-1 decision, joined by the likes of Chief Justice William Howard Taft and Louis Brandeis, has never been overruled.

Pub Date: March 1, 2016

ISBN: 978-1594204180

Page Count: 416

Publisher: Penguin Press

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

GENERAL HISTORY | UNITED STATES | HISTORY

More by Adam Cohen

SUPREME INEQUALITY

by Adam Cohen

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  • ISBN-10 0195171578
  • ISBN-13 978-0195171570
  • Edition 1st
  • Publisher Oxford University Press
  • Publication date April 8, 2004
  • Language English
  • Dimensions 7.9 x 0.5 x 5.3 inches
  • Print length 208 pages
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  • Publisher ‏ : ‎ Oxford University Press; 1st edition (April 8, 2004)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 208 pages
  • ISBN-10 ‏ : ‎ 0195171578
  • ISBN-13 ‏ : ‎ 978-0195171570
  • Lexile measure ‏ : ‎ 1360L
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 7.9 x 0.5 x 5.3 inches
  • #15 in Historiography (Books)
  • #706 in United States History (Books)
  • #730 in World History (Books)

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Customers find the book scholarly yet approachable. They describe the writing as easy to follow and well-written. Opinions differ on the meaning and pacing. Some find it fascinating and entertaining, while others find it boring and dull.

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Customers find the book scholarly yet approachable. They say it's a fascinating and illuminating read for both students and the general reader. Readers also mention the book offers an introduction to philosophy of science in general. They appreciate the remarkably clear explanation of history and the connections it makes between history and other disciplines.

"John Lewis Gaddis' The Landscape of History is a scholarly yet very approachable work that successfully attempts to pick up the mantel of the famous..." Read more

"...Reviewer's CommentsThe Landscape of History was both interesting and fun to read...." Read more

"...At less than 200 pages, this is a short book, but there's insight on every page , so the attentive reader will learn a lot...." Read more

"...over the course of the 20th and early 21st centuries, and filled with well-thought and humorous barbs against both reductionism and relativism, this..." Read more

Customers find the content easy to read, follow, and enjoyable. They also say the writing is well-written, straightforward, and skillful. Readers also appreciate the conversational tone and subtle humor.

"...of his original lecture series: The conversational tone and injections of subtle humor . I've read and reviewed several of his other books...." Read more

"...to the human sciences and the natural sciences, yet his writing is very easy to follow and enjoyable, and not at all pretentious...." Read more

"This book is an entertaining and easily readable book about how historians map that unusual and mysterious landscape known as the past...." Read more

"...Lighthearted in tone, well-written (as a non-native speaker, I really enjoyed reading this book), but engaging and seriously arguing for it's thesis..." Read more

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"What is history and why should we study it? Is there such a thing as historical truth? Is history an art or science? One of the most accomplished historians at work today, John Lewis Gaddis, answers these and many other questions in this witty, engaging, and humane book. The Landscape of History provides a searching look at the historian's craft, as well as a strong argument for why a historical consciousness should matter to us today."--BOOK JACKET.

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Book Reviews

The Fantastical Scenarios of Yuval Noah Harari: From the Roman Past to the AI Future

In his haste to cram complex events into crisp little episodes, the historian passes over inconvenient details..

Corbin Barthold | 9.10.2024 7:00 AM

Nexus: A Brief History of Information Networks from the Stone Age to AI , by Yuval Noah Harari, Random House, 528 pages, $35

Early in Sapiens: A Brief History of Humankind , the book that made him a globally renowned intellectual, the Israeli historian Yuval Noah Harari stresses that human beings are storytellers. We use fictions—religions, nations, laws, currencies—to bind ourselves together and cooperate. The stories are largely made up, but they grip our minds. Often they help us; sometimes they lead us astray.

That's the spirit in which to receive Harari's latest volume, Nexus: A Brief History of Information Networks from the Stone Age to AI . Harari tells an entertaining and at times illuminating story. But the story doesn't withstand much scrutiny.

Nexus is about how information technologies shape societies. Because they communicated by speaking face-to-face, Harari tells us, hunter-gatherers had to live in small, flat bands. The advent of documents—tablets for tallying grain harvests and such—fueled the rise of centralized governments. The printing press and the radio were necessary for both large democracies and totalitarian regimes. Soon artificial intelligence could badly disrupt current political structures. Harari hangs a lot of bunting on this stuff, but you've basically just speed-read the book.

Harari does have a knack for viewing things from interesting angles. A modern society is held together, he proposes, by a combination of myth and bureaucracy. These forces must supply a functioning balance of truth and order. That balance is set according to how the society collects, organizes, distributes, and processes information. Democracies let information flow freely, an approach that's good for truth but dicey for order. Dictatorships constrain information, which tends to create order but ultimately crushes truth.

This narrative has its moments. But in his pursuit of a charming tale, Harari becomes an unreliable narrator. Take his portrait of the Scientific Revolution. Science relies on open inquiry, intense debate, and an insistence on settling disputes with empirical evidence. Harari wants to downplay the value of free speech, underline the need for certain expert bodies, and borrow the prestige of science for a wider swath of authority figures. For him, therefore, science's defining feature is the presence of "curation institutions" that "reward skepticism and innovation rather than conformity." This is misleading. A faculty of moral philosophers fits Harari's criteria, but, unlike a biology department, they make no objective progress, achieve nothing concrete, and often simply evolve to keep pace with elite sensibilities.

Or consider how Harari contorts the fall of the Roman Republic: He is so focused on inadequate information networks that he fails to mention more conventional factors, such as thwarted land reform or political brinkmanship. Worse, he misses a weakness in his argument. The republic collapsed in part because its information networks were strong . Julius Caesar spent nine years fighting in Gaul. Not least because he was a popularis , he needed to keep himself fresh in people's minds back in Rome. Hence his famous Commentaries , which were churned out quickly, raced home, and likely recited to large audiences. Caesar's ability to disseminate information from abroad eased his rise to dictatorship.

At times Harari softens his point, claiming merely that the republic's information infrastructure couldn't have supported an empire-wide mass democracy. Maybe so—but you can't be very sure reading Nexus . In his haste to cram complex events into crisp little episodes, Harari passes over inconvenient details.

If Harari is this slapdash when he discusses the past, how can we trust him when he turns to the even harder task of predicting the future? We can't. Harari believes that artificial intelligence could soon overpower us, becoming the de facto ruler of our politics, culture, and decision making. To bolster this alarmist vision, Harari stacks the deck in favor of AI and against human agency. AI is robust: It could create "mythologies…far more complex and alien than any human-made god." Humanity is frail: Algorithms could "exploit with superhuman efficiency the weaknesses, biases, and addictions of the human mind." We will be putty in the machines' hands (people could "come to use a single computer advisor as a one-stop oracle"). Harari is committed to this story, but he's just spitballing. His favorite words are "may" and "might."

Harari's dim view of human capacity shows up when he raises the QAnon conspiracy theory. QAnon's spread has had "far-reaching consequences," Harari writes. But that doesn't mean QAnon is convincing to most people. It's just the conspiracy theory du jour among a subset of the Americans predisposed to believe in wild conspiracy theories . Nonetheless, Harari leaps to the conclusion that, because some people find QAnon compelling, almost all people will soon find AI-generated ideologies compelling, as AI's celestial powers of persuasion overawe us. "Computers…won't need to send killer robots to shoot us. They could manipulate human beings to pull the trigger."

So AI might distort our minds in some dystopian fashion. Or it might sharpen our thoughts on what we'd believe anyway, or help us dream up fresh ideas that remain largely our own. You don't know. I don't know. Harari definitely doesn't know. (That said, do you feel like you're easily influenced? Probably not. Much evidence suggests that, by and large, people's beliefs are not as malleable as intellectuals like Harari suppose.)

Whatever the topic—AI, privacy, surveillance, biometric data, social media algorithms, social credit systems—Harari's approach is to highlight bad news and then extrapolate. He tends to assume that trends continue indefinitely, that checks and balances never emerge, that countermeasures are never deployed. He discusses with trembling credulity Nick Bostrom's notorious paperclip-alypse , in which an AI, blindly pursuing its prime directive to create as many of the small metal fasteners as possible, exterminates the human race. He ignores the many criticisms of that scenario, such as the fact that no one designs products to have a single goal and then releases them untested. (Self-driving cars don't shoot off in a straight line at maximum speed.) He convinces himself that technology is likely to destroy us and that our salvation lies in listening to wise men like him and imposing government regulations.

Harari is especially bad on the subject of free expression. He worries about problems "created by information" and "made worse by more information." He cautions that "Free conversation must not slip into anarchy." He laments the ease with which average people can now circumvent "gatekeeper" institutions, such as the legacy media, and "join the debate." "Manipulative bots" will "build friendships" with these rubes, he fears, and "influence" their fragile psyches. As AI advances, he warns, liberal democracies might lose the ability to "combine free debates with institutional trust."

Yet for all this scornful rhetoric, Harari's proposals for reform in this area, as in others, are strangely muted. He urges social media platforms to do more to arbitrate truth (never mind how poorly past such efforts have gone), and he recommends banning bots that pretend to be human. If democracy is drowning in information, Harari is not about to save us.

Perhaps Harari can't imagine plausible solutions to his fantastical scenarios. Perhaps he can't stomach setting forth bold but highly illiberal schemes. Or perhaps he understands, deep down, that the world needn't take drastic action in response to hundreds of pages of half-baked guesswork. "I've just told a story," Harari says at one point in Nexus . "These are all wild speculations," he says at another. Here and there, glimmers of self-awareness.

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book review the landscape of history

Throughout history and around the world, dancing has been a way for people to express themselves and celebrate their cultural identity. Share these titles with young readers in time for National Dance Day on September 21.

   

Throughout history and around the world, dancing has been a way for people to express themselves and celebrate their cultural identity. Share these titles with young readers in time for National Dance Day on September 21.

book review the landscape of history

My Cat Does Ballet by Robert Heidbreder. illus. by Matt Schu. S. & S./Atheneum. ISBN 9781665917032.  PreS-Gr 1 –A young boy and his friends love to discuss their cats and their antics. The boy insists that his cat does ballet! Believing his friends are jealous of the feat, he organizes a “Corps de Chat,” a ballet group for cats.  VERDICT A creative celebration of dance, friendly competition, cats and their gifts.

Tango Red Riding Hood by Rachel S. Hobbs. illus. by Carolina Vázquez. Gnome Road. ISBN 9781957655147.  Gr 1-4 –A Latinx retelling of  Red Riding Hood  with a dancing Red and a wolf eager to learn English. Moni is on her way to visit her abuela and is distracted by a music-playing lobo.  VERDICT A bright retelling with a real beat, this not only shares the experience of learning a language, but will be a story hour hit.

book review the landscape of history

Soul Step by Jewell Parker Rhodes & Kelly McWilliams. illus. by Briana Mukodiri Uchendu. Little, Brown. ISBN 9780316562713.  PreS-Gr 3 –A young Black girl learns what gets her mama through the everyday: step. She learns from her mother’s sorority sister, her aunt, and a community leader that step is about sisterhood and tradition; passed down through generations born into slavery and then flourishing in Black Greek organizations.  VERDICT A wonderfully rhythmic picture book on an aspect of Black culture that is not often highlighted in the picture book format.

Bhangra Baby by Kabir Sehgal & Surishtha Sehgal. illus. by Ani Bushry. S. & S./Beach Lane. ISBN 9781665936156.  PreS-Gr 1 –Let’s dance Bhangra with a joyful, colorful book that takes readers through learning about body movement and the music and words that come with it. Not sure what Bhangra is? A brief overview appears at the end with pronunciation guides for terms that may be new to some readers.  VERDICT This is a great addition to any collection, especially for story times looking to give kids—and families—time to dance together!

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book review the landscape of history

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Valiant's resurgence is here - and it was worth the wait (advance review).

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Why Should DC & Marvel Have All the Fun? VALIANT COMICS' Stunning Swimsuit Covers Ring in Summer

Faith returns #1 establishes a daring new status quo for valiant's high-flying hero (review), dc finally redeems an arrowverse hero after destroying their reputation.

Warning: contains spoilers for Resurgence of the Valiant Universe #1!

After an epic buildup, Valiant Comics ’ Resurgence of the Valiant Universe has arrived–and it was worth the wait. One of the defining comic publishers of the early 1990s, Valiant returned to the scene in 2012 with a revitalized universe. Valiant, after a period of relative dormancy, has returned, entering into a new partnership with Alien Books. This has jump-started the line, and Resurgence #1 charts a bold new path.

Resurgence of the Valiant Universe #1 is written by Becky Cloonan, Michael W. Conrad, Fred Van Lente and AJ Ampadu, and drawn by Guillermo Fajardo and Julio Azamor. Doctor Silk has emerged as humanity’s champion amidst a time of great crisis. Silk offers Earth the promise of a better life, in exchange for loyalty to him. Silk is opposed by a team of Valiant heroes, including Ninjak, Faith, X-O and Ivar the Timewalker.

As Silk continues to consolidate his power, the desperate heroes chart a course through deep space to find Divinity, the only one powerful enough to stop Silk.

Valiant's Comic Book History, Explained

There have been multiple versions of the valiant universe.

Full Valiant team from Valiant Comics

Resurgence of the Valiant Universe , as the name implies, is a rebirth for the venerable comics' publisher. Former Marvel Editor-in-Chief Jim Shooter helped found the company in the late 1980s, and by 1992 had emerged as one of the most exciting comic book publishers in North America. Along with Image Comics , Valiant helped challenge the stranglehold Marvel and DC held on the American comic market. Thanks to a mid-decade market implosion as well as an ill-advised sale to video game manufacturer Acclaim, Valiant was gone by decade’s end.

The heroes of the Valiant Universe, including Archer and Armstrong and Shadwoman, were too good to stay gone for long.

The heroes of the Valiant Universe, including Archer and Armstrong and Shadwoman, were too good to stay gone for long. The rights to a majority of Valiant characters (excluding the Western Publishing heroes, like Solar or Magnus) were purchased and a new incarnation of the company was born. Debuting to critical acclaim in 2012, the new Valiant line brought their stable of heroes into the 21st century. The line’s output has dropped considerably in recent years, but last year, Valiant joined forces with Alien Books, setting the publisher down the road to Resurgence.

Resurgence of the Valiant Universe Has Been Building for Months

Doctor silk is poised to become a major villain.

Valiant Resurgence Cover 2

Like any good major crossover event, Resurgence of the Valiant Universe had a massive, epic buildup. This past Spring, Valiant launched a slew of new titles starring their biggest heroes, each one marked as part of The Road to Resurgence . Valiant, hyper aware that many of Resurgence’s readers are either lapsed fans or completely new to the publisher, put “catch-up” pages in the front of every title. This brought fans up to speed on the state of the Valiant Universe heading into Resurgence. At the same time, these books laid the foundation for Resurgence’s epic story.

Valiant Swimsuit

Swimsuit variant covers are all the rage, and now the superstars of the Valiant Universe are strutting their stuff in a series of covers this summer.

Central to the Resurgence of the Valiant Universe is Doctor Silk. A new villain created for the latest incarnation of the Valiant Universe, Doctor Silk, has emerged as its primary antagonist. Previous Valiant villains, such as Master Darque or Toyo Harada, all came close to their goals of domination, but Doctor Silk is preparing to do what those two failed at: putting heroes, such as Bloodshot and the Eternal Warrior, in their place. Silk, who is virtually immortal thanks to his ability to transfer his consciousness into clone bodies, is the biggest existential threat yet to the Valiant Universe.

Valiant Has a Good Track Record With Crossovers

Valiant has used crossovers to put themselves on the map before--and they will again.

Resurgence of the Valiant Universe is the biggest event in Valiant history since the company returned in 2012. Resurgence is looking to put Valiant back into the hearts and minds of fans, and with its epic scope, it might do just that. In past incarnations, Valiant used major crossover events as a means to introduce their characters to new audiences. In 1992, Valiant released Unity . This event, which had been building since the dawn of the Valiant Universe, was a massive success, both sales-wise and with critics. After Unity , the buzz Valiant enjoyed among fans only grew.

After Valiant's purchase by Acclaim, they unveiled another incarnation of the universe, sometimes referred to fans as "VH2."

Valiant followed up on Unity two years later with The Chaos Effect, which worked on an even wider canvas than its predecessor. Master Darque, who emerged after Unity as Valiant’s primary antagonist, launched a campaign against its heroes. The Chaos Effect crossed over into every Valiant title during the summer of 1994. Unfortunately, the downturn in sales had already begun, and Valiant, like many other new and smaller publishers, felt the strain. Despite these less than ideal circumstances, The Chaos Effect was still a hit, with fans if not critics.

Resurgence of the Valiant Universe is the Publisher's Biggest Event in Decades

Resurgence makes good use of valiant's stable of characters.

Valiant Resurgence Cover 3

Once again, Valiant is gearing up for a major crossover, the first in its new line to duplicate the grand scope of Unity or The Chaos Effect . Valiant has done smaller crossover events since their return, such as Harbinger Wars, but these were limited to just a few titles. The third volume of Divinity saw Valiant release a variety of one-shots featuring their heroes on a new world created by the mega-powerful Divinity. Yet these did not cross over into the main line, giving Resurgence of the Valiant Universe the honor of being their biggest event to date.

Faith Returns Valiant Review

Faith Returns #1, from Valiant Comics, introduces a bold new status quo for the character as she is now on the run from the authorities.

Just like its predecessors in Valiant’s previous incarnation, Resurgence showcases the company’s wide slew of characters. Resurgence’s first issue features Valiant's biggest icons, such as the Geomancer and Ninjak, mixing them up with newer additions such as Savage. Divinity, a Russian cosmonaut who disappeared in the 1950s, only to return to the present day as a god, is conspicuously absent in Resurgence #1, but the issue’s ending guarantees he will soon make his presence felt. A few other Valiant characters, such as Quantum and Woody, were also absent, but the event is still young.

Valiant employed “catch up” pages to wonderful effect during Resurgence’s buildup, and they use them here again to introduce readers to the event’s three main factions.

What makes Resurgence of the Valiant Universe so successful is how it effortlessly juggles these characters, ensuring each gets their time to shine. Some, such as Savage, are only in Resurgence #1 for a brief period, but make the most of their time. In Savage’s case, this involves tearing his way out of a rampaging dinosaur. Valiant employed “catch up” pages to wonderful effect during Resurgence’s buildup, and they use them here again to introduce readers to the event’s three main factions. Commitment to the readers was a hallmark of the classic Valiant universe , and the new incarnation continues this trend.

Resurgence of the Valiant Universe Is a Must-Read For All Valiant Fans

Where does valiant head after resurgence.

Valiant Resurgence Cover 4

Valiant stands at a crossroads once again, and Resurgence of the Valiant Universe represents the culmination of months of preparation and buildup. Resurgence is Valiant’s biggest event in 12 years, and its first issue is worthy of the buildup and the hype. Resurgence of the Valiant Universe is not only an excellent introduction (or reintroduction) to these characters, but also sets the stage for their exciting futures. Valiant has remained mum about where their universe is heading after Resurgence , but with a high quality debut issue, it is certain to be bright.

Resurgence of the Valiant Universe #1 is on sale September 18 from Valiant Comics!

#1 (2024)

  • Valiant Comics

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  1. Review of The Landscape of History: How Historians Map the Past

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COMMENTS

  1. THE LANDSCAPE OF HISTORY

    A rich excavation of both British and Afghan sources, with gorgeous colored reproductions of Muslim and romantic renderings of the action and characters. Share your opinion of this book. Entertaining, masterful disquisition on the aims, limitations, design, and methods of historiography.

  2. A Short Review of John Lewis Gaddis' "The Landscape of History"

    Gaddis' book is a book on methods of seeing, studying, and relating history. He wants to relate to the reader the job of the historian- not just the act of knowing history- how one can see history as a landscape and how one can take in everything all at once. He argues that the best a historian can do is represent reality by smoothing over ...

  3. The Landscape of History: How Historians Map the Past

    March/April 2003 Published on March 1, 2003. A masterful statement on the historical method by a distinguished Cold War historian. Gaddis makes the case that the past may not be prologue, but it can be explored for lessons to guide human action. Historical knowledge provides the most important way in which society transmits acquired skills and ...

  4. The Landscape of History: How Historians Map the Past

    History and the social sciences are very different academic disciplines, and John Lewis Gaddis, in his book The Landscape of History: How Historians Map the Past (2004), explains why. Gaddis is the Robert A. Lovett Professor of Military and Naval History at Yale University and is best known for his work on the Cold War.

  5. The Landscape of History: How Historians Map the Past

    In The Landscape of History, John Lewis Gad-dis, like Henry Adams a century before him, engages large questions about what it is that historians do and what it means to be scientific. This important book, written with grace, clarity, and wit, is sure to become a classic in the field of methodology.

  6. Review of The Landscape of History: How Historians Map the Past

    Book Review. The Landscape of History: How Historians Map the Past. By John Lewis Gaddis. New York: Oxford University Press, 2002; 182 pp., illustrations, notes, index; cloth $23.00. In The Landscape of History, John Lewis Gaddis offers an insightful glimpse at what historians do.

  7. The Landscape of History: How Historians Map the Past

    Kirkus Reviews " The Landscape of History explores recent, surprising convergences of natural science and human history and does so with clarity, charm and easy erudition. Gaddis's book is a real tour de force: a delight to read, and a light-hearted celebration of the odd, 'fractal' patterns that intellectual and other forms of human and ...

  8. The Landscape of History : How Historians Map the Past

    The Landscape of History: How Historians Map the Past

  9. The Landscape of History: How Historians Map the Past

    Gaddis points out that while the historical method is more sophisticated than most historians realize, it doesn't require unintelligible prose to explain. Like cartographers mapping landscapes, historians represent what they can never replicate. In doing so, they combine the techniques of artists, geologists, paleontologists, and evolutionary ...

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    Book Reviews: The Landscape of History: How Historians Map the Past, by John Lewis Gaddis. Pennsylvania Magazine of History and Biography. Pennsylvania Magazine of History and Biography. Current Archives About About the Journal ...

  11. Book Review: The Landscape of History

    Short Paper: The Landscape of History: How Historians Map the Past by John Lewis Gaddis Annotation John Lewis Gaddis is the Robert A. Lovett Professor of Military and Naval History at Yale University. Throughout his book, The Landscape of History, he uses the language of science to describe how historians approach their subjects and seeks to determine whether history is, in fact, a science ...

  12. The Landscape of History: How Historians Map The Past

    5 min read. ·. Sep 2, 2023. 1. Book cover of "The Landscape of History", by John Lewis Gaddis, (Oxford University Press: 2004) The study of history is so broad that it is easy to get lost ...

  13. World History Connected

    Book Review : John Lewis Gaddis. The Landscape of History: How Historians Map the Past. Oxford and New York: Oxford University Press, 2002; 192 pp. $15.95 (paperback). ... (1961), and G.R. Elton's The Practice of History (1967). He has done historians a great service by attempting to simplify these tasks while still making clear the ...

  14. Book Review: The Landscape of History: How Historians Map the Past

    Book Review: The Landscape of History: How Historians Map the Past Robert J. Pauly , Jr View all authors and affiliations Based on : John Lewis Gaddis, The Landscape of History: How Historians Map the Past (New York: Oxford University Press, 2002)

  15. A Review of John Lewis Gaddis' The Landscape of History

    1968 •. Daniel Adamilo Aaron. Download Free PDF. View PDF. Steven Martin, A Re ie of John Le is Gaddis' The Landscape of History John Lewis Gaddis' The Landscape of History is part of a long tradition of prominent historians publishing a book defining the nature and problems of the discipline. It's a tradition because historians are ...

  16. THE LANDSCAPE OF HISTORY

    Book Reviews . Browse by Genre. View All. Fiction Thriller & Suspense Mystery & Detective Romance. Science Fiction & Fantasy Nonfiction Biography & Memoir History. Current Events & Social Issues Graphic Novels & Comics Teens & Young Adult Children's. Popular Content. Bestsellers Book lists Best Of 2020. News & Features .

  17. The Landscape of History: How Historians Map the Past

    John Lewis Gaddis' The Landscape of History is a scholarly yet very approachable work that successfully attempts to pick up the mantel of the famous scholars of historiography, specifically Marc Bloch and E. H. Carr. Gaddis' purpose is to encourage students and historians not only to reexamine the theories of Bloch and Carr in a more modern light, but also scrutinize the methodology that ...

  18. The Landscape of History: How Historians Map the Past

    The New York Times Book Review "A real tour de force: a delight to read, and a light-hearted celebration of the odd, 'fractal' patterns that intellectual and other forms of human and natural history exhibit."—William H. McNeill "Turns the old argument over science and history upside down."—The Washington Post Book World

  19. The Landscape of History: How Historians Map the Past

    United States (English (United States)) The Landscape of History: How Historians Map the Past - Ebook written by John Lewis Gaddis. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read The Landscape of History: How Historians Map the Past.

  20. The Landscape of History by John Lewis Gaddis

    1. The Landscape of History: How Historians Map the Past. February 25, 2004, Oxford University Press, USA. in English. 0195171578 9780195171570. zzzz. Not in Library. Libraries near you: WorldCat. Showing 1 to 3 of 4 entries.

  21. PDF THE LANDSCAPE OF HISTORY

    The landscape of history : how historians map the past / John Lewis Gaddis. p. cm. Includes index. isbn -19-506652-9 1. History—Philosophy. 2. History—Methodology. 3. Aesthetics —History. I. Title. d16.8 .g23 2002 901—dc21 2002010392 Book design and composition by Mark McGarry, Texas Type & Book Works. Set in Linotype Fairfield. 987654321

  22. View of Book Reviews: The Landscape of History: How Historians Map the

    ← Return to Article Details Book Reviews: The Landscape of History: How Historians Map the Past, by John Lewis Gaddis.

  23. Yuval Noah Harari's New Book 'Nexus' Passes Over History's Inconvenient

    Nexus: A Brief History of Information Networks from the Stone Age to AI, by Yuval Noah Harari, Random House, 528 pages, $35 Early in Sapiens: A Brief History of Humankind, the book that made him a ...

  24. 'The Rising' Review: How to Rebuild From Rubble

    The 10 Best Books of 2023 This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law.

  25. Hemmings Book Reviews: "Nash-Healey: A Grand Alliance" and "Formula 1

    The second book deep-dives into the international racing versions of the production cars with incredible photographic documentation, and houses more than 60 pages of appendices. A serious investment, this book set is the final word in the fascinating history of Nash-Healey. —Mark McCourt

  26. Celebrate Diversity Through Dance With These 10 Picture Books

    VERDICT A wonderfully rhythmic picture book on an aspect of Black culture that is not often highlighted in the picture book format. Bhangra Baby by Kabir Sehgal & Surishtha Sehgal. illus. by Ani Bushry. S. & S./Beach Lane. ISBN 9781665936156.

  27. The Landscape of History : How Historians Map the Past

    The Landscape of History provides a searching look at the historian's craft, as well as a strong argument for why a historical consciousness should matter to us today. Gaddis points out that while the historical method is more sophisticated than most historians realize, it doesn't require unintelligible prose to explain.

  28. And It Was Worth the Wait (Advance Review)

    Like any good major crossover event, Resurgence of the Valiant Universe had a massive, epic buildup. This past Spring, Valiant launched a slew of new titles starring their biggest heroes, each one marked as part of The Road to Resurgence.Valiant, hyper aware that many of Resurgence's readers are either lapsed fans or completely new to the publisher, put "catch-up" pages in the front of ...

  29. Harald Jähner's "Vertigo" is a vivid history of Weimar Germany

    Robert Gerwarth is a professor of modern history at University College Dublin, and the author of books including "November 1918: The German Revolution" and "The Vanquished: Why the First ...