creative writing examination questions

Creative Writing Mid-term Exam

This exam covers all areas in Creative Writing we've discuss so far. Relax and have fun with it.

1. List a least five elements of a short story:

2. t or f       everything in short stories is about the character., 3. take three short story elements and define them., 4. write a poem about your favorite holiday., 5. what are five examples of figurative language list and define each., 6. use one of the figurative language examples listed above in an sentence., 7. write an example of dialogue., 8. what value do you find in taking a creative writing class, 9. imagine any character you would like, and use as much descriptive language to describe him or her in a paragraph. start off any way you like. just show great use of descriptive language., 10. write a short story with one of the following prompts:      a. "i leaned toward the finish line..."      b. "he closed he eyes and put out his hand..."      c. "every morning it was the same routine...".

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Creative Writing Exam

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• No. of Questions 30
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The Creative Writing Certification Exam is designed to assess your skills and proficiency in various forms of creative writing, including fiction, poetry, screenwriting, and non-fiction. This exam covers essential topics such as narrative techniques, character development, plot structuring, and the creative process. By earning this certification, you demonstrate your ability to craft compelling stories, develop vivid characters, and express ideas creatively. Whether you are an aspiring author, content creator, or writing enthusiast, this certification is essential for advancing your career in writing and honing your creative talents.

Who should take the Exam?

• Aspiring Authors: Individuals looking to pursue a career in writing novels, short stories, or other forms of fiction.
• Content Creators: Professionals involved in creating engaging content for blogs, social media, or other digital platforms.
• Poets: Writers dedicated to crafting poetry and exploring various poetic forms and styles.
• Screenwriters: Individuals interested in writing scripts for films, television shows, or other media.
• Non-Fiction Writers: Writers focusing on essays, memoirs, biographies, and other forms of non-fiction writing.
• Editors: Editors seeking to enhance their understanding of creative writing techniques to better support authors.
• Teachers and Educators: Educators teaching creative writing courses or workshops who want to validate their expertise.
• Career Changers: Individuals looking to transition into creative writing roles and establish their qualifications.
• Students in Literature or Writing: Students pursuing degrees in literature, writing, or related fields who want to validate their creative writing skills.
• Literary Enthusiasts: Anyone passionate about storytelling and creative expression who wants to refine their writing abilities.

Course Outline

The Creative Writing Certification Exam covers the following key areas:

• Introduction to Creative Writing: Understanding the fundamentals of creative writing, including its various forms and genres.
• Narrative Techniques: Exploring different narrative techniques, including point of view, voice, and pacing.
• Character Development: Crafting memorable and complex characters with distinct voices and personalities.
• Plot Structuring: Designing and organizing plots, including conflict, climax, and resolution.
• Setting and Atmosphere: Creating vivid and immersive settings that enhance the narrative and engage readers.
• Dialogue Writing: Writing natural and effective dialogue that reveals character and advances the plot.
• Poetry Writing: Understanding poetic forms, meter, rhyme, and other elements of poetry.
• Screenwriting Basics: Structuring scripts for film, television, or other visual media, including scene development and dialogue.
• Non-Fiction Writing: Techniques for writing compelling non-fiction, including research, organization, and narrative style.
• The Creative Process: Developing strategies for overcoming writer's block, generating ideas, and maintaining creative momentum.
• Editing and Revision: Techniques for revising and polishing creative work to improve clarity, coherence, and impact.
• Publishing and Marketing: Understanding the basics of getting published, self-publishing, and marketing creative work.

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11+ creative writing guide with 50 example topics and prompts

by Hayley | Nov 17, 2022 | Exams , Writing | 0 comments

The 11+ exam is a school entrance exam taken in the academic year that a child in the UK turns eleven.

These exams are highly competitive, with multiple students battling for each school place awarded.

The 11 plus exam isn’t ‘one thing’, it varies in its structure and composition across the country. A creative writing task is included in nearly all of the 11 plus exams, and parents are often confused about what’s being tested.

Don’t be fooled into thinking that the plot of your child’s writing task is important. It is not.

The real aim of the 11+ creative writing task is to showcase your child’s writing skills and techniques.

And that’s why preparation is so important.

This guide begins by answering all the FAQs that parents have about the 11+ creative writing task.

At the end of the article I give my best tips & strategies for preparing your child for the 11+ creative writing task , along with 50 fiction and non-fiction creative writing prompts from past papers you can use to help your child prepare. You’ll also want to check out my 11+ reading list , because great readers turn into great writers.

Do all 11+ exams include a writing task?

Not every 11+ exam includes a short story component, but many do. Usually 3 to 5 different prompts are given for the child to choose between and they are not always ‘creative’ (fiction) pieces. One or more non-fiction options might be given for children who prefer writing non-fiction to fiction.

Timings and marking vary from test to test. For example, the Kent 11+ Test gives students 10 minutes for planning followed by 30 minutes for writing. The Medway 11+ Test gives 60 minutes for writing with ‘space allowed’ on the answer booklet for planning.

Tasks vary too. In the Kent Test a handful of stimuli are given, whereas 11+ students in Essex are asked to produce two individually set paragraphs. The Consortium of Selective Schools in Essex (CCSE) includes 2 creative writing paragraphs inside a 60-minute English exam.

Throughout the UK each 11+ exam has a different set of timings and papers based around the same themes. Before launching into any exam preparation it is essential to know the content and timing of your child’s particular writing task.

However varied and different these writing tasks might seem, there is one key element that binds them.

The mark scheme.

Although we can lean on previous examples to assess how likely a short story or a non-fiction tasks will be set, it would be naïve to rely completely on the content of past papers. Contemporary 11+ exams are designed to be ‘tutor-proof’ – meaning that the exam boards like to be unpredictable.

In my online writing club for kids , we teach a different task each week (following a spiral learning structure based on 10 set tasks). One task per week is perfected as the student moves through the programme of content, and one-to-one expert feedback ensures progression. This equips our writing club members to ‘write effectively for a range of purposes’ as stated in the English schools’ teacher assessment framework.

This approach ensures that students approaching a highly competitive entrance exam will be confident of the mark scheme (and able to meet its demands) for any task set.

Will my child have a choice of prompts to write from or do they have to respond to a single prompt, without a choice?

This varies. In the Kent Test there are usually 5 options given. The purpose is to gather a writing sample from each child in case of a headteacher appeal. A range of options should allow every child to showcase what they can do.

In Essex, two prescriptive paragraphs are set as part of an hour-long English paper that includes comprehension and vocabulary work. In Essex, there is no option to choose the subject matter.

The Medway Test just offers a single prompt for a whole hour of writing. Sometimes it is a creative piece. Recently it was a marketing leaflet.

The framework for teaching writing in English schools demands that in order to ‘exceed expectations’ or better, achieve ‘greater depth’, students need to be confident writing for a multitude of different purposes.

In what circumstances is a child’s creative writing task assessed?

In Essex (east of the UK) the two prescriptive writing tasks are found inside the English exam paper. They are integral to the exam and are assessed as part of this.

In Medway (east Kent in the South East) the writing task is marked and given a raw score. This is then adjusted for age and double counted. Thus, the paper is crucial to a pass.

In the west of the county of Kent there is a different system. The Kent Test has a writing task that is only marked in appeal cases. If a child dips below the passmark their school is allowed to put together a ‘headteacher’s appeal’. At this point – before the score is communicated to the parent (and probably under cover of darkness) the writing sample is pulled out of a drawer and assessed.

I’ve been running 11+ tutor clubs for years. Usually about 1% of my students passed at headteacher’s appeal.

Since starting the writing club, however, the number of students passing at appeal has gone up considerably. In recent years it’s been more like 5% of students passing on the strength of their writing sample.

What are the examiners looking for when they’re marking a student’s creative writing?

In England, the government has set out a framework for marking creative writing. There are specific ‘pupil can’ statements to assess whether a student is ‘working towards the expected standard,’ ‘working at the expected standard’ or ‘working at greater depth’.

Members of the headteacher panel assessing the writing task are given a considerable number of samples to assess at one time. These expert teachers have a clear understanding of the framework for marking, but will not be considering or discussing every detail of the writing sample as you might expect.

Schools are provided with a report after the samples have been assessed. This is very brief indeed. Often it will simply say ‘lack of precise vocabulary’ or ‘confused paragraphing.’

So there is no mark scheme as such. They won’t be totting up your child’s score to see if they have reached a given target. They are on the panel because of their experience, and they have a short time to make an instant judgement.

Does handwriting matter?

Handwriting is assessed in primary schools. Thus it is an element of the assessment framework the panel uses as a basis for their decision.

If the exam is very soon, then don’t worry if your child is not producing immaculate, cursive handwriting. The focus should simply be on making it well-formed and legible. Every element of the assessment framework does not need to be met and legible writing will allow the panel to read the content with ease.

Improve presentation quickly by offering a smooth rollerball pen instead of a pencil. Focus on fixing individual letters and praising your child for any hint of effort. The two samples below are from the same boy a few months apart. Small changes have transformed the look and feel:

Sample 1: First piece of work when joining the writing club

Sample 2: This is the same boy’s improved presentation and content

How long should the short story be.

First, it is not a short story as such—it is a writing sample. Your child needs to showcase their skills but there are no extra marks for finishing (or marks deducted for a half-finished piece).

For a half hour task, you should prepare your child to produce up to 4 paragraphs of beautifully crafted work. Correct spelling and proper English grammar is just the beginning. Each paragraph should have a different purpose to showcase the breadth and depth of their ability. A longer – 60 minute – task might have 5 paragraphs but rushing is to be discouraged. Considered and interesting paragraphs are so valuable, a shorter piece would be scored more highly than a rushed and dull longer piece.

I speak from experience. A while ago now I was a marker for Key Stage 2 English SATs Papers (taken in Year 6 at 11 years old). Hundreds of scripts were deposited on my doorstep each morning by DHL. There was so much work for me to get through that I came to dread long, rambling creative pieces. Some children can write pages and pages of repetitive nothingness. Ever since then, I have looked for crafted quality and am wary of children judging their own success by the number of lines competed.

Take a look at the piece of writing below. It’s an excellent example of a well-crafted piece.

Each paragraph is short, but the writer is skilful.

He used rich and precisely chosen vocabulary, he’s broken the text into natural paragraphs, and in the second paragraph he is beginning to vary his sentence openings. There is a sense of control to the sentences – the sentence structure varies with shorter and longer examples to manage tension. It is exciting to read, with a clear awareness of his audience. Punctuation is accurate and appropriate.

11+ creative writing example story

How important is it to revise for a creative writing task.

It is important.

Every student should go into their 11+ writing task with a clear paragraph plan secured. As each paragraph has a separate purpose – to showcase a specific skill – the plan should reflect this. Built into the plan is a means of flexing it, to alter the order of the paragraphs if the task demands it. There’s no point having a Beginning – Middle – End approach, as there’s nothing useful there to guide the student to the mark scheme.

Beyond this, my own students have created 3 – 5 stories that fit the same tight plan. However, the setting, mood and action are all completely different. This way a bank of rich vocabulary has already been explored and a technique or two of their own that fits the piece beautifully. These can be drawn upon on the day to boost confidence and give a greater sense of depth and consideration to their timed sample.

Preparation, rather than revision in its classic form, is the best approach. Over time, even weeks or months before the exam itself, contrasting stories are written, improved upon, typed up and then tweaked further as better ideas come to mind. Each of these meets the demands of the mark scheme (paragraphing, varied sentence openings, rich vocabulary choices, considered imagery, punctuation to enhance meaning, development of mood etc).

To ensure your child can write confidently at and above the level expected of them, drop them into my weekly weekly online writing club for the 11+ age group . The club marking will transform their writing, and quickly.

What is the relationship between the English paper and the creative writing task?

Writing is usually marked separately from any comprehension or grammar exercises in your child’s particular 11+ exam. Each exam board (by area/school) adapts the arrangement to suit their needs. Some have a separate writing test, others build it in as an element of their English paper (usually alongside a comprehension, punctuation and spelling exercise).

Although there is no creative writing task in the ISEB Common Pre-test, those who are not offered an immediate place at their chosen English public school are often invited back to complete a writing task at a later date. Our ISEB Common Pre-test students join the writing club in the months before the exam, first to tidy up the detail and second to extend the content.

What if my child has a specific learning difficulty (dyslexia, ADD/ADHD, ASD)?

Most exam boards pride themselves on their inclusivity. They will expect you to have a formal report from a qualified professional at the point of registration for the test. This needs to be in place and the recommendations will be considered by a panel. If your child needs extra arrangements on the day they may be offered (it isn’t always the case). More importantly, if they drop below a pass on one or more papers you will have a strong case for appeal.

Children with a specific learning difficulty often struggle with low confidence in their work and low self-esteem. The preparations set out above, and a kids writing club membership will allow them to go into the exam feeling positive and empowered. If they don’t achieve a pass at first, the writing sample will add weight to their appeal.

Tips and strategies for writing a high-scoring creative writing paper

• Read widely for pleasure. Read aloud to your child if they are reluctant.
• Create a strong paragraph plan where each paragraph has a distinct purpose.
• Using the list of example questions below, discuss how each could be written in the form of your paragraph plan.
• Write 3-5 stories with contrasting settings and action – each one must follow your paragraph plan. Try to include examples of literary devices and figurative language (metaphor, simile) but avoid clichés.
• Tidy up your presentation. Write with a good rollerball pen on A4 lined paper with a printed margin. Cross out with a single horizontal line and banish doodling or scribbles.
• Join the writing club for a 20-minute Zoom task per week with no finishing off or homework. An expert English teacher will mark the work personally on video every Friday and your child’s writing will be quickly transformed.

Pressed for time? Here’s a paragraph plan to follow.

At Griffin Teaching we have an online writing club for students preparing for the 11 plus creative writing task . We’ve seen first-hand what a difference just one or two months of weekly practice can make.

That said, we know that a lot of people reading this page are up against a hard deadline with an 11+ exam date fast approaching.

If that’s you (or your child), what you need is a paragraph plan.

Here’s one tried-and-true paragraph plan that we teach in our clubs. Use this as you work your way through some of the example prompts below.

11+ creative writing paragraph plan

Paragraph 1—description.

Imagine standing in the location and describe what is above the main character, what is below their feet, what is to their left and right, and what is in the distance. Try to integrate frontend adverbials into this paragraph (frontend adverbials are words or phrases used at the beginning of a sentence to describe what follows—e.g. When the fog lifted, he saw… )

Paragraph 2—Conversation

Create two characters who have different roles (e.g. site manager and student, dog walker and lost man) and write a short dialogue between them. Use what we call the “sandwich layout,” where the first person says something and you describe what they are doing while they are saying it. Add in further descriptions (perhaps of the person’s clothing or expression) before starting a new line where the second character gives a simple answer and you provide details about what the second character is doing as they speak.

Paragraph 3—Change the mood

Write three to four sentences that change the mood of the writing sample from light to gloomy or foreboding. You could write about a change in the weather or a change in the lighting of the scene. Another approach is to mention how a character reacts to the change in mood, for example by pulling their coat collar up to their ears.

Paragraph 4—Shock your reader

A classic approach is to have your character die unexpectedly in the final sentence. Or maybe the ceiling falls?

11+ creative writing questions from real papers—fictional prompts

• The day the storm came
• The day the weather changed
• The snowstorm
• The rainy day
• A sunny day out
• A foggy (or misty) day
• A day trip to remember
• The first day
• The day everything changed
• The mountain
• The hillside
• The old house
• The balloon
• The old man
• The accident
• The unfamiliar sound
• A weekend away
• Moving house
• A family celebration
• An event you remember from when you were young
• An animal attack
• The school playground at night
• The lift pinged and the door opened. I could not believe what was inside…
• “Run!” he shouted as he thundered across the sand…
• It was getting late as I dug in my pocket for the key to the door. “Hurry up!” she shouted from inside.
• I know our back garden very well, but I was surprised how different it looked at midnight…
• The red button on the wall has a sign on it saying, ‘DO NOT TOUCH.’ My little sister leant forward and hit it hard with her hand. What happened next?
• Digging down into the soft earth, the spade hit something metal…
• Write a story which features the stopping of time.
• Write a story which features an unusual method of transport.
• The cry in the woods
• Write a story which features an escape

11+ creative writing questions from real papers—non-fiction prompts

• Write a thank you letter for a present you didn’t want.
• You are about to interview someone for a job. Write a list of questions you would like to ask the applicant.
• Write a letter to complain about the uniform at your school.
• Write a leaflet to advertise your home town.
• Write a thank you letter for a holiday you didn’t enjoy.
• Write a letter of complaint to the vet after an unfortunate incident in the waiting room.
• Write a set of instructions explaining how to make toast.
• Describe the room you are in.
• Describe a person who is important to you.
• Describe your pet or an animal you know well.

First Summative Examination in Creative Writing

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• Q 1 / 50 Score 0 Any writing, fiction, poetry, or nonfiction, that goes outside the bounds of normal professional, journalistic, academic, and technical forms of literature. 29 Creative Nonfiction Technical Writing Creative Writing Flash Fiction

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• Q 1 Any writing, fiction, poetry, or nonfiction, that goes outside the bounds of normal professional, journalistic, academic, and technical forms of literature. Creative Nonfiction Technical Writing Creative Writing Flash Fiction 120 s
• Q 2 These are words or phrases that describe the content of the text.  Creative Nonfiction Creative Writing Sensory Details Vocabulary Words 120 s
• Q 3 It refers to the actual, dictionary meaning of a word or language that means what it appears to mean. Literal Colloquial Connotation Figurative 120 s
• Q 4 A word composition arranged in a rhythmic pattern; it is used to express one's creative thoughts and feelings through a specialized and heightened language. Nonfiction Novel Poetry Figures of Speech 120 s
• Q 5 This element of poetry adds musical quality to the poem which gives the readers reading pleasure. rhyme tone theme rhythm 120 s
• Q 6 It summarizes the statement containing the main thought or meaning of the poem. rhythm theme tone rhyme 120 s
• Q 7 Refers to the attitude and mood of the poem. rhythm tone theme rhyme 120 s
• Q 8 A stanza that comprises six (6) lines. dactylic quatrain sestet octet 120 s
• Q 9 The repetition of the intermediate or final consonant sound. alliteration assonance personification consonance 120 s
• Q 10 The repetition of vowel sounds. assonance consonance alliteration personification 120 s
• Q 11 How do we differentiate creative writing from technical writing? Creative writing uses formal language while technical uses informal. Creative writing is journalistic and uses a wide array of jargon, unlike technical writing. Creative writing is objective while technical writing is subjective. Creative writing is fictional and imaginative while, technical writing is factual. 120 s

• Q 13 A woman was sitting in a restaurant when suddenly a waiter spilled some coffee on her dress. She uttered in dismay, “Oh! What a good day I’m having!”  This statement is an example of ___________________. Litotes Alliteration Irony Consonance 120 s
• Q 14 Which figures of speech can be identified from this line? "He is as funny as a barrel of monkeys.” Personification Metaphor Hyperbole Simile 120 s
• Q 15 How would you differentiate “assonance’ from “consonance”? Assonance refers to the repetition of vowel sounds while consonance is the final sound. They both refer to the emphasis of the vowel sounds. Assonance is the repetition of the intermediate sound while consonance is the final sound. Assonance refers to the repetition of initial sounds while consonance refers to the vowel sounds. 120 s

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11 plus creative writing topics

By Bright Light Education | Jun 29, 2023, 9:07 AM

Wondering what topics your child could be asked to write about in their 11 plus creative writing exam? Here's a list of tasks that have been used in real-life entrance exam papers. This is a guest post from Bright Light Education .

Bright Light Education is an education company based in London but operating worldwide. They specialise in creative writing and preparing children for 11+ exams. Their book, Creative Writing Skills , has sold over 4,000 copies and has been a Number One Best Seller on Amazon. It is suitable for children aged 7–14.

The questions your child might be asked in an 11 plus creative writing assessment are endless, but here is a list which you could use to guide and inspire your child's practice. These tasks have all been used on real 11 plus papers, from schools including Latymer Upper , St Paul's Girls' , The Perse School , Emanuel School , Alleyn’s School , Merchant Taylors and the CSSE (Essex) exam .

Write a story

'Taught a lesson!’ Write a story about a bully who is taught a lesson.

Write a story entitled, ‘Alone’.

‘The Fire’ Write a story with this as your title. Concentrate on describing a fire and its effects, and the thoughts and feelings of the people involved, so that it is convincing for your reader.

Continue a story

Continue the story that begins with, 'Outside my front door, someone had left a large cardboard box.'

Continue the story that begins with, 'Pushing the door, his hand shook uncontrollably as he watched the ground open up to reveal a spiral staircase winding down to the unknown.'

Write a recount

Imagine you are a Martian landing on planet Earth. Write a diary entry (in English!) about your first day.

A Walk in the Dark. You have had to go out after dark to carry out an errand. Write a letter to a friend telling them: what you saw, what you heard, and how you felt about being out by yourself in the dark.

Write a description

Imagine it is very early in the morning and you are all alone in your school just before anyone else has arrived. Describe your observations and what you feel.

Describe a visit to a very cold place.

Imagine that your train stops in a tunnel in the dark for half an hour. Describe what you see and how you feel.

Describe someone you will never forget and explain why.

Write about an experience

Write about a time when you had to do something that scared you. Explain what happened and describe how you felt. You should make your writing as interesting and detailed as possible.

Write about a time that you or someone else became frustrated by something. Explain what happened and how you felt.

Write about an image

Write a story based on the following picture.

Describe the image.

Write a piece of non-fiction

Write a persuasive letter to your local MP about the litter in your area and what you want them to do about it.

Do you think children should have access to smartphones? Write a discursive magazine article in which you outline reasons for and against.

Explain what is your favourite time of the whole year. You should aim to write at least six sentences.

Write down, in six or seven sentences, instructions for a younger brother, sister or friend on how to clean their teeth.

Write six or seven sentences describing an animal. For example, a cat, a dog, a guinea pig, or a horse. Make your writing as vivid as possible.

In six or seven sentences, write down clear instructions on how to make a piece of toast with jam. Make your writing as precise as possible.

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Center for Teaching

Writing good multiple choice test questions.

Constructing an Effective Stem

Constructing effective alternatives.

• Additional Guidelines for Multiple Choice Questions

Considerations for Writing Multiple Choice Items that Test Higher-order Thinking

Additional resources.

Multiple choice test questions, also known as items, can be an effective and efficient way to assess learning outcomes. Multiple choice test items have several potential advantages:

Reliability: Reliability is defined as the degree to which a test consistently measures a learning outcome. Multiple choice test items are less susceptible to guessing than true/false questions, making them a more reliable means of assessment. The reliability is enhanced when the number of MC items focused on a single learning objective is increased. In addition, the objective scoring associated with multiple choice test items frees them from problems with scorer inconsistency that can plague scoring of essay questions.

Validity: Validity is the degree to which a test measures the learning outcomes it purports to measure. Because students can typically answer a multiple choice item much more quickly than an essay question, tests based on multiple choice items can typically focus on a relatively broad representation of course material, thus increasing the validity of the assessment.

The key to taking advantage of these strengths, however, is construction of good multiple choice items.

A multiple choice item consists of a problem, known as the stem, and a list of suggested solutions, known as alternatives. The alternatives consist of one correct or best alternative, which is the answer, and incorrect or inferior alternatives, known as distractors.

1. The stem should be meaningful by itself and should present a definite problem. A stem that presents a definite problem allows a focus on the learning outcome. A stem that does not present a clear problem, however, may test students’ ability to draw inferences from vague descriptions rather serving as a more direct test of students’ achievement of the learning outcome.

2. The stem should not contain irrelevant material , which can decrease the reliability and the validity of the test scores (Haldyna and Downing 1989).

3. The stem should be negatively stated only when significant learning outcomes require it. Students often have difficulty understanding items with negative phrasing (Rodriguez 1997). If a significant learning outcome requires negative phrasing, such as identification of dangerous laboratory or clinical practices, the negative element should be emphasized with italics or capitalization.

4. The stem should be a question or a partial sentence. A question stem is preferable because it allows the student to focus on answering the question rather than holding the partial sentence in working memory and sequentially completing it with each alternative (Statman 1988). The cognitive load is increased when the stem is constructed with an initial or interior blank, so this construction should be avoided.

1. All alternatives should be plausible. The function of the incorrect alternatives is to serve as distractors,which should be selected by students who did not achieve the learning outcome but ignored by students who did achieve the learning outcome. Alternatives that are implausible don’t serve as functional distractors and thus should not be used. Common student errors provide the best source of distractors.

2. Alternatives should be stated clearly and concisely. Items that are excessively wordy assess students’ reading ability rather than their attainment of the learning objective

3. Alternatives should be mutually exclusive. Alternatives with overlapping content may be considered “trick” items by test-takers, excessive use of which can erode trust and respect for the testing process.

4. Alternatives should be homogenous in content. Alternatives that are heterogeneous in content can provide cues to student about the correct answer.

5. Alternatives should be free from clues about which response is correct. Sophisticated test-takers are alert to inadvertent clues to the correct answer, such differences in grammar, length, formatting, and language choice in the alternatives. It’s therefore important that alternatives

• have grammar consistent with the stem.
• are parallel in form.
• are similar in length.
• use similar language (e.g., all unlike textbook language or all like textbook language).

6. The alternatives “all of the above” and “none of the above” should not be used. When “all of the above” is used as an answer, test-takers who can identify more than one alternative as correct can select the correct answer even if unsure about other alternative(s). When “none of the above” is used as an alternative, test-takers who can eliminate a single option can thereby eliminate a second option. In either case, students can use partial knowledge to arrive at a correct answer.

7. The alternatives should be presented in a logical order (e.g., alphabetical or numerical) to avoid a bias toward certain positions.

8. The number of alternatives can vary among items as long as all alternatives are plausible. Plausible alternatives serve as functional distractors, which are those chosen by students that have not achieved the objective but ignored by students that have achieved the objective. There is little difference in difficulty, discrimination, and test score reliability among items containing two, three, and four distractors.

Additional Guidelines

1. Avoid complex multiple choice items , in which some or all of the alternatives consist of different combinations of options. As with “all of the above” answers, a sophisticated test-taker can use partial knowledge to achieve a correct answer.

2. Keep the specific content of items independent of one another. Savvy test-takers can use information in one question to answer another question, reducing the validity of the test.

When writing multiple choice items to test higher-order thinking, design questions that focus on higher levels of cognition as defined by Bloom’s taxonomy . A stem that presents a problem that requires application of course principles, analysis of a problem, or evaluation of alternatives is focused on higher-order thinking and thus tests students’ ability to do such thinking. In constructing multiple choice items to test higher order thinking, it can also be helpful to design problems that require multilogical thinking, where multilogical thinking is defined as “thinking that requires knowledge of more than one fact to logically and systematically apply concepts to a …problem” (Morrison and Free, 2001, page 20). Finally, designing alternatives that require a high level of discrimination can also contribute to multiple choice items that test higher-order thinking.

• Burton, Steven J., Sudweeks, Richard R., Merrill, Paul F., and Wood, Bud. How to Prepare Better Multiple Choice Test Items: Guidelines for University Faculty, 1991.
• Cheung, Derek and Bucat, Robert. How can we construct good multiple-choice items? Presented at the Science and Technology Education Conference, Hong Kong, June 20-21, 2002.
• Haladyna, Thomas M. Developing and validating multiple-choice test items, 2 nd edition. Lawrence Erlbaum Associates, 1999.
• Haladyna, Thomas M. and Downing, S. M.. Validity of a taxonomy of multiple-choice item-writing rules. Applied Measurement in Education , 2(1), 51-78, 1989.
• Morrison, Susan and Free, Kathleen. Writing multiple-choice test items that promote and measure critical thinking. Journal of Nursing Education 40: 17-24, 2001.

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Poetry Elements

3rd -  6th  , figurative language, 10.1k plays, 5th -  8th  , poetry vocabulary, 6th -  8th  , rhyming words, elements of poetry, drama & poetry test.

Creative Writing Final Exam Review

9th - 12th grade.

14 questions

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No student devices needed.   Know more

A fiction narrative which typically includes characters, dialogue, plot and conflict is

short story

The pattern of end rhymes in a poem is

Rhyme scheme

Fixed form poem

When the plot shifts in time by recalling events that happened earlier

Hook or lead

A direct comparison between two unlike things (i.e. My love is a red rose)

personification

A struggle between opposing forces

complication

A fixed form poem with five tercets and a closing quatrain where the first and third lines repeat at the ends of each stanza (i.e. Do not go gentle into that good night).

higgledy-piggledy

When characters in a work of fiction speak to each other

foreshadowing

When one word's sound resembles another word's sound

A line of poetry consisting of ten syllables alternating unstressed and stressed

iambic pentameter

The opening of a piece of fiction used to get the reader's attention

An overused or stale figure of speech

The series of events in a work of fiction or what the writer does to organize those events.

characterization

A grouping of lines in a poem (similar to a paragraph in prose)

A type of poetry which doesn't follow any prescribed meter or rhyme scheme.

Old Town Road

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GCSE Creative Writing Practice Questions for AQA

Subject: English

Age range: 14-16

Resource type: Assessment and revision

Last updated

3 February 2020

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A set of twenty practice exam questions designed for Creative Writing Question 5, AQA 2015 Specification for English Language GCSE (Paper 1, Section B). Each question is an either/or, containing one picture based prompt, and one regular prompt. All questions are formatted similarly to the AQA specimen papers. Licensing for images provided by Unsplash.

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