who wrote a cruel angel's thesis

Zankoku na Tenshi no These

" Zankoku na Tenshi no These "  (残酷な天使のテーゼ, Zankoku na Tenshi no Tēze ? , " A Cruel Angel's Thesis ") is the theme song of the popular anime Neon Genesis Evangelion performed by Yoko Takahashi . It is used as the opening to the series, and two instrumental versions of it are played in the final episode, " Take care of yourself. " These are "The Heady Feeling of Freedom" and "Good, or Don't Be", scored for violin, piano, and guitar. "The Heady Feeling of Freedom" is a somber and reflective piece for bowed strings and guitar, while "Good, or Don't Be" is played to a light piano and guitar tone. A similar version can also be heard during the intermission between the two parts of Evangelion: Death and Rebirth .

The single was released on 25 October 1995 within the Zankoku na Tenshi no These (Single) the catalog number KIDA-116 and it also reached a peak rank 17 in the Oricon album database, appearing in the ranks 61 times.

Unlike what is commonly assumed, this song was written without any involvement from the show's creators. [1] Anno originally wanted to use an excerpt from Borodin's Polovtsian Dances in the opening, but the producers did not approve of this and instead decided to use a J-Pop song, which eventually resulted in the creation of "A Cruel Angel's Thesis". The lyricist, Neko Oikama had next to no knowledge of the show. Oikama simply skimmed through a proposal of the show (possibly Neon Genesis Evangelion Proposal ) and watched unfinished versions of two episodes on fast forward, only serving to broadly "fit" the anime after the fact. [2] [3] [4] Oikama took inspiration for the title from the manga A Cruel God Reigns . [5] She said the lyrics "become a legend" were originally "become a weapon". She was orientated that the show was "difficult and philosphical". Oikama described it as: "older women", "mothers" and "14-year-old boys and girls", and decided to make it about the perspective of a mother when her child "leaves the nest". [6] The original song included a male chorus, which was cut at director Hideaki Anno's request in order to "emphasize maternal affection". [7] The writing process for Episode:01 took as long as six months, [8] and the opening sequence was not yet finished. [9] [10] Singer Yoko Takahashi was also brought in relatively haphazardly and had no knowledge of the series, and would only see the opening featuring her voice when it aired on TV. [11] She had also first met Anno on the day of recording. [12]

• 1.1 TV Size
• 1.2 Full Size
• 4 External Links
• 5 References

TV Size [ ]

Full Size [ ]

[13]

During the instrumental break in the middle of the song, a chorus can be heard. The lyrics to the chorus are not in Japanese, nor in any other recognizable language. According to the January 1996 issue of Newtype magazine, the lyrics can be phonetically transliterated into Japanese as 「ファリィア。セタ(or セパ）メッソ。ファリィア。トゥスェ」 "Fariya. Seta (or sepa) messo. Fariya. Tuse" , and they are supposedly written in an untranslated language passed down from ancient times. One could entertain the possibility that they are written in the same language as that of the Dead Sea Scrolls . [14]

See Also [ ]

• " Zankoku na Tenshi no These 2009 VERSION "
• " Zankoku na Tenshi no These MATSURI SPIRIT "

External Links [ ]

• 「残酷な天使のテーゼ」MUSIC VIDEO（HDver.）/Zankoku na Tenshi no Te-ze“The Cruel Angel's Thesis” at King Records' YouTube channel

References [ ]

• ↑ "Producer Ootsuki said he allowed Anno to do whatever he wanted in the anime except for the theme music. Ootsuki was particular about the theme and handled the music staff by himself. No anime staff, even Anno, met the music staff, he said." - Yuko Miyamura, BS AnimeYAWA
• ↑ “My manager got the job, we had a quick meeting lasting about 30 minutes, skim-read the proposal and watched two episodes on fast-forward. And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours. Sorry to burst your bubble, guys!” https://soranews24.com/2015/01/08/a-cruel-angels-thesis-took-just-two-hours-to-write-says-evangelion-lyricist-neko-oikawa
• ↑ "I hadn't watch Eva and wrote it in 2 hours. I don't even know what the story is or who is fighting who." https://twitter.com/otakucalendarjp/status/1356542049751687171
• ↑ She also professed that she didn't know much about Neon Genesis Evangelion when she first wrote the song, and she still hasn't watched the series. "It's a finished job, so [I'm] not really [interested]," she said. When she wrote the song, the anime hadn't been finished yet and she only had the proposal and the first two or three minutes to go by. "It wasn't even colored. I wrote the song, and my job was done. I wrote it in about two hours." - https://www.animenewsnetwork.com/interest/2021-02-03/lyricist-neko-oikawa-shares-how-she-was-scammed-out-of-her-evangelion-royalty-money/.169084
• ↑ https://web.archive.org/web/20160830224921/http://news.livedoor.com/article/detail/11939169
• ↑ https://www.sankei.com/west/news/161228/wst1612280011-n1.html
• ↑ Refrain of Evangelion OST Booklet, 2003.
• ↑ 2nd JUNE interview
• ↑ Notenki Memoirs
• ↑ According to Hidenori Matsubara during the Animazement 2015 convention, "the song was created before they even got done with animation for the opening theme. Strangely enough, the song manage to go along with the opening animation."
• ↑ Yoko Takahashi Performs Neon Genesis Evangelion Theme, “A Cruel Angel’s Thesis,” to Excited Crowd at Anime Expo 2015 in LA
• ↑ —When was your first meeting with Mr. Anno? "It was on the day of recording. As I said earlier, when I entered the studio before anyone else to get ready, even while I couldn't afford, a man dressed in black and wearing sandals suddenly appeared. I didn't know who it was, but I just said hi, and he was actually Mr. Anno (Hideaki). It was a shocking encounter (laughs)." - Yoko Takahashi: EVANGELION FINALLY (2020)
• ↑ https://www.animelyrics.com/anime/eva/ngetnshi.jis
• ↑ http://www.mars.dti.ne.jp/~yato/eva/ura.htm
• 2 Rei Ayanami
• 3 Kaworu Nagisa

The Meaning Behind The Song: A Cruel Angel’s Thesis by Yoko Takahashi

A Cruel Angel’s Thesis, performed by Yoko Takahashi, is the iconic theme song of the popular anime series, Neon Genesis Evangelion. Written by Neko Oikawa and composed by Hidetoshi Sato, this song has captured the hearts of millions of fans around the world. Its powerful lyrics and upbeat melody have made it a favorite among anime enthusiasts and music lovers alike.

Table of Contents

The song explores various themes and emotions, providing a deeper insight into the narrative of the anime. At its core, A Cruel Angel’s Thesis deals with the struggle between personal identity and the expectations and pressures of society. It conveys the universal message of finding strength within oneself, standing up against adversity, and embracing individuality.

The lyrics of the song are penned in Japanese, but translations into various languages have allowed a wider audience to appreciate its meaning. The opening lines talk about the “cruel angel’s thesis” that represents the difficulties one faces in life. It emphasizes the importance of facing challenges head-on and not succumbing to the pressures imposed by the world.

Throughout the song, there are references to the transient nature of existence, the battle between light and darkness, and the desire for freedom. These themes reflect the complex and philosophical nature of the anime series itself. The lyrics also touch upon the fragility of relationships and the hope for a better future.

Frequently Asked Questions about A Cruel Angel’s Thesis

1. who composed the song a cruel angel’s thesis.

The song was composed by Hidetoshi Sato. He expertly blended various musical elements, creating a unique and catchy melody that perfectly complements the lyrics of the song.

2. What is the significance of the song in Neon Genesis Evangelion?

A Cruel Angel’s Thesis is the opening theme song for the anime series Neon Genesis Evangelion. It sets the tone for the show, introducing viewers to the intense and thought-provoking storyline.

3. Can you provide a translation of the lyrics into English?

Certainly! Although translations may vary, here is a brief translation of the chorus: “The cruel angel’s thesis will soon take flight Through the window, with surging, hot pathos, if you betray your memories Embracing both the sky and the universe Thou shalt become a legend.”

4. Has the song received recognition or awards?

In 1997, A Cruel Angel’s Thesis won the “Best Song” award at the 14th Anime Grand Prix. Its popularity has transcended the anime community and has been praised for its unique sound and compelling lyrics.

5. Are there any covers or remixes of the song?

Yes, there have been numerous covers and remixes of A Cruel Angel’s Thesis. Many artists have put their unique spin on the song, showcasing their creativity and paying homage to the original masterpiece.

6. Has the song been performed live?

Yes, Yoko Takahashi, the original singer of A Cruel Angel’s Thesis, has performed the song live at various anime conventions and concerts. Her captivating performances have delighted fans worldwide.

7. What impact has the song had on popular culture?

A Cruel Angel’s Thesis has become an integral part of anime culture, often considered one of the greatest anime theme songs of all time. It has been covered by numerous artists, referenced in other media, and continues to inspire fans across generations.

8. Are there any other notable songs by Yoko Takahashi?

Yoko Takahashi has released several other songs apart from A Cruel Angel’s Thesis. Some notable tracks include “Tamashii no Refrain” and “Zankoku na Tenshi no Tēze ‘2009 VERSION.'”

9. What is the impact of A Cruel Angel’s Thesis on viewers?

The song has a powerful effect on viewers, evoking emotions and serving as a gateway to the deeper meaning and messages conveyed in Neon Genesis Evangelion. It has the ability to resonate with people on a personal level, fostering a strong connection between the series and its audience.

10. Are there any fan theories regarding the meaning of the song?

Yes, many fans have developed their theories about the meaning and symbolism behind A Cruel Angel’s Thesis. Some believe it represents the inner struggles of the main characters, while others interpret it as a metaphor for the human condition.

11. How has A Cruel Angel’s Thesis influenced other music?

The song’s impact extends beyond the realm of anime. It has inspired musicians and composers across genres, showcasing its lasting influence on the music industry as a whole.

12. Where can I listen to A Cruel Angel’s Thesis?

You can stream or purchase A Cruel Angel’s Thesis on various music platforms, such as Spotify, iTunes, and YouTube. Its iconic melody and meaningful lyrics await those who wish to experience this incredible piece of music.

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5 Things You May Not Know About Evangelion’s ‘A Cruel Angel’s Thesis’

Impress your friends at your next karaoke session with these little-known facts about the iconic anime song

August 2, 2024

“A Cruel Angel’s Thesis” might just be the most popular anime song of all time. In both Japanese and Western surveys, the opening theme from Hideaki Anno’s Neon Genesis Evangelion performed by Yoko Takahashi is often ranked at the very top by anime fans and karaoke goers. Even people who aren’t really into Japanese animated shows may have picked up the song’s famous opening lyrics, Zankoku na tenshi no you ni … (“Like a cruel angel …”) through pop culture osmosis. Yet for all of the song’s popularity, there are still some things about it that you may not know, like how …

1. Yoko Takahashi Still Practices the Song Daily

Neon Genesis Evangelion premiered nearly 30 years ago in 1995. People can change a lot in that time, especially singers. Their voices may not be what they used to be or they may not have the same range or lung capacity, but it’s OK because nobody expects them to sing exactly like they did three decades ago. 

Except for Yoko Takahashi. She expects herself to perform “A Cruel Angel’s Thesis” during live performances just like she did in 1995 to transport the fans back in time to when they first encountered the show that most likely got them into anime. It’s why in past interviews, the singer has admitted to still practicing the song for up to two hours a day, focusing especially on the a cappella intro, which she finds particularly challenging.

2. The Song’s Title Was Inspired by an Incredibly Dark Manga

In interviews, the song’s lyricist, Neko Oikawa, claimed that the title “A Cruel Angel’s Thesis” was a nod to the comic book A Cruel God Reigns ( Zankoku na Kami ga Shihai Suru ). Created in 1992 by Moto Hagio, the manga is set in the US and tells the story of 15-year-old Jeremy who tries to murder his sexually abusive stepfather but ends up killing both his stepfather and his own mother. 

The guilt eventually drives Jeremy into using drugs, which he affords by prostituting himself. Thankfully, none of that made its way into the final song, which, according to Oikawa, was inspired by the concept of “motherhood.”

3. Hideaki Anno Originally Wanted To Use Music From a Russian Opera for the Opening

There is a lot of symbolic imagery in Neon Genesis Evangelion, which fans of the show have analyzed again and again over the years. Hideaki Anno probably should have told them sooner not to waste their time. A lot of the visuals and plot points in Evangelion are, apparently, there simply because they seemed cool to him . Though in later interviews , Anno talked about finally embracing the complexities that fans saw in his creation, his approach to the original anime series was, basically, “No plans; just vibes.”

That’s possibly why, before contracting out the opening theme, he wanted to use something different and experimental to start off the show. His first choice was “Polovtsian Dances” from Act 2 of Alexander Borodin’s opera Prince Igor , the same song that opened the 2014 Winter Olympics in Sochi. The idea was ultimately shot down by the studio.

4. The Lyrics Were Slapped Together at the Last Minute

Neko Oikawa wasn’t closely involved with the making of Neon Genesis Evangelion. Her entire introduction to the project was a 30-minute meeting (without the music director, Hidetoshi Sato) and a screening of the first two episodes of the anime on fast-forward. After that, she was told to basically write whatever she wanted, as long as it felt “philosophical.” The writer admits it took her about two hours to complete the assignment.

5. There Are a Few Tricks to Singing the Song Perfectly

Yoko Takahashi was asked to sing the opening’s a cappella intro “in a child’s voice” or “like a teenager” (despite being 30 at the time). This, combined with some of Neko Oikawa’s difficult lyrics and the song’s tempo, provided a challenge to Takahashi, which she has learned to overcome over the decades. She then took all that she’s learned and put it into a 2021 instruction book of vocal exercises specifically for singing “A Cruel Angel’s Thesis” and “Soul’s Refrain” — the theme from Evangelion: Death and Rebirth — perfectly. She recommends that fans of the song first “practice at a slow tempo … Just slow down at first and pay attention to the melody of the a cappella.”

However, the most important piece of advice that Takahashi has for fans is to not get discouraged. The singer herself reportedly still feels nervous when performing the intro to Evangelion because it really is a difficult song. But, as she says , the sense of accomplishment you get when you get through the whole thing is more than worth the effort.

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A Cruel Angel's Thesis

A Cruel Angel's Thesis is the opening theme song for the series Neon Genesis Evangelion , composed by Hidetoshi Sato and sung by Yoko Takahashi . The lyrics are by Neko Oikawa while the arrangement is by Toshiyuki Omori. The song also has the distinction of taking first place in the JASRAC Awards. [1]

This song was written with relatively limited involvement from Hideaki Anno and the production staff, being handled by producer Toshimichi Otsuki . [2] Anno originally wanted to use an excerpt from Borodin's Polovtsian Dances in the opening, but the producers did not approve of this and instead decided to use a J-Pop song, which eventually resulted in the creation of this song by Neko Oikawa.

Oikawa apparently had very little knowledge of the show, which was under production at the time with the episodes not having been colored. According to tweets and interviews, Oikawa went through a proposal of the show (possibly Neon Genesis Evangelion Proposal ) and watched two unfinished episodes on fast-forward, only serving to broadly "fit" the anime after the fact [3] [4] The writing process for Episode 01 took as long as six months, [5] and the opening sequence was not yet finished. [6] [7] The original song included a male chorus, which was cut at director Hideaki Anno's request in order to "emphasize maternal affection". [8]

Oikawa states that she took inspiration for the title from the manga A Cruel God Reigns . [9] Among other statements, Oikawa said the lyrics "become a legend" were originally "become a weapon" and that she decided to make the song about the perspective of a mother when her child "leaves the nest." [10] Singer Yoko Takahashi was also brought in relatively haphazardly and had no knowledge of the series, and would only see the opening featuring her voice when it aired on TV. [11] She had also first met Anno on the day of recording. [12]

Original Japanese Lyrics: Neko Oikawa

Translation Notes

1 This was translated by Takayama Miyuki and these are the translator's notes:

• young boy, become the legend! : The word "shinwa" actually means "myth" ("legend" would be "densetsu"), but I think it sounds better as "legend."
• with surging, hot pathos : "Atsui" (hot) can also mean "intense, passionate." "Pathos" is "the quality or power in life or art of evoking a feeling of pity or compassion; pity; suffering; sorrow."
• Embracing this sky [universe] and shining : "Sora" (sky) is the reading given for the kanji for "uchuu" (universe).
• has any meaning : The kanji used for the "a" in "aeta" is not the normal kanji used in "au" (to meet). It's the first kanji in "ouse" (encounter, tryst) and has more of a connotation of meeting by fate or being brought together by fate, not just meeting. (Interestingly, a dictionary I have gives the meaning of "au," when written with this kanji, as "to meet (with drama or pathos)")
• for learning freedom : The "watashi wa sou" is probably "watashi wa sou omou." And "bible" in this case isn't referring to *the* Bible. "Bible" can also mean "guide book, how-to book, a book valued for its use as a reference," like in "a handyman's bible," or "a bird-watcher's bible."

2 This is the translation found on the U.S. release of Evangelion by ADV.

3 The instrumental section contains chanted non-Japanese lyrics in Yoko Takahashi 's version and a few others, while other versions of the song have a purely instrumental section. The January 1996 issue of Newtype magazine transcribed Takahashi's lyrics in this section as "Fariya. Seta(or sepa) messo. Fariya. Tuse." which they speculate is from the fictional language of the Dead Sea Scrolls. Alternatively, an EvaGeeks forum discussion suggests that the lyrics may be "Faria? Será mesmo? Faria? Eu sei!" which is in the Portuguese language. Since the word "Faria" is usually used in a similar way as the English word "would", those lines could be interpreted as someone doubting something or someone else. There has never been any official information on the actual lyrics or their meaning, if any.

• ↑ http://www.animenewsnetwork.com/news/2011-05-25/songs-from-evangelion-other-anime-win-jasrac-awards
• ↑ From the animania blog report on the March 28, 2005 NHK Anime Yawa talk show (translation by animania) - Otsuki said he allowed Anno to do whatever he wanted in the anime except for the theme music. Otsuki was particular about the theme and handled the music staff by himself, going as far as to claim that no anime staff, even Anno, met the music staff (apparently contradicted by Oikawa's statements). - Yuko Miyamura, BS AnimeYAWA
• ↑ “My manager got the job, we had a quick meeting lasting about 30 minutes, skim-read the proposal and watched two episodes on fast-forward. And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours. Sorry to burst your bubble, guys!” http://soranews24.com/2015/01/08/a-cruel-angels-thesis-took-just-two-hours-to-write-says-evangelion-lyricist-neko-oikawa
• ↑ "It wasn't even colored. I wrote the song, and my job was done. I wrote it in about two hours." Anime News Network interview with Neko Oikawa
• ↑ 2nd JUNE interview
• ↑ Notenki Memoirs
• ↑ According to Hidenori Matsubara during the Animazement 2015 convention, "the song was created before they even got done with animation for the opening theme. Strangely enough, the song manage to go along with the opening animation."
• ↑ Refrain of Evangelion OST Booklet, 2003.
• ↑ https://web.archive.org/web/20160830224921/http://news.livedoor.com/article/detail/11939169
• ↑ https://www.sankei.com/west/news/161228/wst1612280011-n1.html
• ↑ Yoko Takahashi Performs Neon Genesis Evangelion Theme, “A Cruel Angel’s Thesis,” to Excited Crowd at Anime Expo 2015 in LA
• ↑ —When was your first meeting with Mr. Anno? "It was on the day of recording. As I said earlier, when I entered the studio before anyone else to get ready, even while I couldn't afford, a man dressed in black and wearing sandals suddenly appeared. I didn't know who it was, but I just said hi, and he was actually Mr. Anno (Hideaki). It was a shocking encounter (laughs)." - Yoko Takahashi: EVANGELION FINALLY (2020)

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Neon Genesis Evangelion

• A Cruel Angel's Thesis Opening Theme Song

“A Cruel Angel’s Thesis” is a J-Pop song that was used as the opening theme for the anime Neon Genesis Evangelion . Together with the anime series, this opening theme become an iconic song within the anime and otaku community in the 90’s and is still popular today.

It was originally performed by Yoko Takahashi, who also released the song as her eleventh single. This single was released under the Starchild record label on October 25th, 1995. A “director’s edit” of the track was also later released with Neon Genesis Evangelion Original Soundtrack on December 6th, 1995.

Producer: Toshimichi Otsuki

Composition: Hidetoshi Sato

Arrangement: Toshiyuki Omori

Lyricist: Neko Oikawa

Vocalist: Yoko Takahashi

According to notes released with one of the soundtrack albums, director Hideaki Anno stated that he originally wanted to use a classical piece of music as the opening theme of Neon Genesis Evangelion , although this idea was scrapped in favor of a more upbeat, J-Pop style of song. This decision was made because it was agreed that using a classical piece of music may be considered unusual and confuse viewers. Before the final version of the song was completed, a male chorus was supposed to be included, but was later cut to emphasize a feeling of maternal affection.

When lyrics were being made for the song, Oikawa mentioned in a Twitter post that writing the lyrics only took two hours of work. She says that, after a thirty minute meeting with her manager, she was simply given free rein to write the lyrics however she pleased. Oikawa quickly skimmed through the proposal for the song, watched two episodes of the anime while fast-forwarding through it, then began her writing process. Many fans were surprised by this and, at the end of this tweet, Oikawa humorously apologizes for ruining everyone’s dreams by making the process seem so trivial.

The production of the single was lead by Toshimichi Otsuki from King Records (the company that created the Starchild label). Otsuki notes that he has never met either the lyricist or composer and that they all had little knowledge about Neon Genesis Evangelion .

Although the original release of the song occurred in October of 1995, “A Cruel Angel’s Thesis” has been re-arranged, re-released, and covered by other artists countless times. The following list is a highlight of the various versions of “A Cruel Angel’s Thesis” that have been released throughout the years:

Shiro Sagisu created two separate instrumental versions of the song as background music for the Finale of Neon Genesis Evangelion . These two tracks are titled “The Heady Feeling of Freedom” and “Good, or Don’t Be”. The former is a piece with a slower, reflective tone and features strings playing the melody while guitar and electric piano play harmony. The latter piece is much more upbeat and has its melody alternating between piano and guitar.

A re-release of the song was recorded by Takahashi in 2009 to celebrate the release of the second installment of the Evangelion Rebuild series, Evangelion: 2.0 You Can (Not) Advance .

Heavy metal bands Animetal and Eizo Japan (both sung by Eizo Sakamoto) released covers of the song on their respective albums ( Animetal Marathon V and EIZO Japan 2 ).

Voice actors and actresses of the main characters have performed covers for “A Cruel Angel’s Thesis” as well: Kotono Mitsuishi ( Misato Katsuragi ), Megumi Hayashibara ( Rei Ayanami ), Megumi Ogata ( Shinji Ikari ), and Yuko Miyamura ( Asuka Langley Soryu ).

Initially, record sales for “A Cruel Angel’s Thesis” peaked at 500,000 units and its popularity only grew as Neon Genesis Evangelion became a hit. While the single peaked at 17th place Oricon’s album database, it would go on to appear a total of 61 times in the charts throughout the years. In 2003, the song remained on the charts for 41 weeks and peaked at 9th place while the 2009 re-release performed by Takahashi appeared for 14 weeks and peaked at 22nd place. In 2014, the RIAJ (Recording Industry Association of Japan) gave “A Cruel Angel’s Thesis” a Million certification, which is roughly equivalent to a Platinum certification for an album in the West.

Lyric Controversy

In an instrumental section between verses, a vocal chant can be heard. These words are not Japanese and their origin and meaning have been debated for years. The chant in question is the following (romanized from Japanese spelling): “Fariya. Seta (sometimes Sepa) messo. Fariya. Tuse” According to an article by Newtype Magazine, these lyrics may be a phonetic translation of words that originate from a dead language that was once used in ancient times. If this is true, then it would be impossible for these words to have any meaning today, as no person alive today could translate them.

King Records Japan

A Cruel Angel's Thesis'took just two hours to write says Evangelion lyricist Neko Oikawa

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• Jun 5, 2023

[Analysis] Yoko Takahashi - A Cruel Angel's Thesis by Animenz

Attention all anime fans! Are you ready to immerse yourself in the captivating world of anime soundtracks? Prepare to be blown away by the incredible talent of pianist Animenz as he takes iconic songs, like the unforgettable "A Cruel Angel's Thesis," and transforms them into breathtaking piano arrangements with his unique classical style.

These arrangements ensure that these beloved OSTs stay fresh and captivating for years to come, allowing you to relive the storylines and hinting plotlines through the mesmerizing melodies. Join us on a musical journey that transcends time and experiences the magic of Animenz's anime piano arrangements. Get ready to be amazed!

Yoko Takahashi: The Voice Behind Iconic Anime Theme Songs

Yoko Takahashi is a Japanese singer and songwriter known for her contributions to the music industry, particularly in anime theme songs. She was born on August 28, 1966, in Tokyo, Japan. Takahashi gained widespread recognition for her iconic song "A Cruel Angel's Thesis," which served as the opening theme song for the popular anime series "Neon Genesis Evangelion" in 1995.

The song became a significant hit and is still widely recognized and celebrated as one of the most iconic anime theme songs ever. Aside from her work on "Neon Genesis Evangelion," Yoko Takahashi has also performed theme songs for other anime series, including "Martian Successor Nadesico," "Memories Off," and "Golden Boy."

She has released numerous albums and singles throughout her career, showcasing her versatility as a singer and songwriter. Takahashi's music often combines pop, rock, and electronic elements, and her powerful and distinctive voice has made her a beloved figure in the anime music scene. Her contributions to the industry have earned her a dedicated fan base both in Japan and internationally.

Photo Credit: Last.fm

A Cruel Angel's Thesis: A Powerful Anthem of Neon Genesis Evangelion

A Cruel Angel's Thesis is a song composed by Hidetoshi Sato and performed by Yoko Takahashi. It serves as the opening theme song for the anime series Neon Genesis Evangelion, created by Hideaki Anno. The song was released in 1995 as part of the soundtrack for the anime.

Composed in the key of D minor, A Cruel Angel's Thesis has a distinct and energetic sound. The song combines elements of pop, rock, and electronic music, creating a catchy and memorable tune. It features strong guitar riffs, upbeat synthesizer melodies, and dynamic vocals. Lyrically, the song touches upon themes of self-discovery, loneliness, and the struggle to find one's place in the world.

The lyrics are in Japanese and reflect the introspective and philosophical nature of the anime series. The song's title itself, A Cruel Angel's Thesis, suggests a contrast between angelic and cruel aspects, reflecting the complex and often contradictory themes explored in Neon Genesis Evangelion. A Cruel Angel's Thesis became a massive success in Japan and gained international recognition as well. Its popularity can be attributed not only to its catchy composition but also to its association with the groundbreaking and influential nature of the anime series. The song has been covered and remixed by various artists and has remained a beloved and iconic piece of anime music since its release.

Neon Genesis Evangelion Original Soundtrack

A Cruel Angel's Thesis

from Anime Neon Genesis Evangelion

- Artist: Yoko Takahashi

- Released: October, 25th, 1995

- Anime:Neon Genesis Evangelion

- Label: Starchild

- Music: Shiro Sagisu

- Genre: Jpop

- Key: C Minor

- Length: 4'05"

Discover the Masterful Artistry of Animenz, the Anime Piano Virtuoso

Animenz is the talented Anime Piano Arranger and Steinway Artist! With over a decade of experience, this classically trained pianist has been enchanting audiences with exquisite piano arrangements of Anime Openings, Endings, and Soundtracks since 2010. If you're a fan of anime music, you won't want to miss the captivating playlist this artist has curated, featuring a collection of their remarkable anime piano covers. Animenz started his YouTube channel on January 14th 2010, and now currently has almost 500 million total views with 2.1 million subscribers. He uploads his content regularly and currently has 221 videos.

Animenz’s most popular video was posted on YouTube on February 12th 2015 with more than 90 million views is yet again an anime OST called “ Unravel – Tokyo Ghoul OP [Piano] ” from the anime Tokyo Ghoul.

With a passion for music spanning more than 20 years, this accomplished pianist resides in Japan, where they have established their very own recording studio. Each video showcases their exceptional talent on a Steinway D-274 Grand Piano, capturing the pure essence of their performances with the utmost precision, thanks to state-of-the-art microphones.

The goal of this Anime Piano Arranger is to elevate anime music to the level of "Classic music" that will be cherished not only in the present but for centuries to come. By infusing their arrangements with a touch of classical brilliance, they aim to create a timeless connection between the world of anime and the rich heritage of classical music.

Immerse yourself in the captivating melodies and skilful interpretations that Animenz has to offer. Prepare to embark on a musical journey that transcends time, as they breathe new life into beloved anime compositions. Whether you're a fan of the original soundtracks or simply appreciate the artistry of piano music, this artist's arrangements are sure to captivate and delight you.

Cover of A Cruel Angel's Thesis by Animenz

Elevating the Art: Animenz's Transformative Approach to 'A Cruel Angel's Thesis

The song is an iconic song, for both anime and non-anime lovers equally. Having said that if there is anime OST, then Animenz would have or will be soon covering it on his piano. He describes that this song was a bit challenging but he still managed to make it his style, adding the orchestra style in the arranging.

The video was uploaded on YouTube on May 23, 2020, and it has 7.7 million views on the song. The original song is in key signature C minor and Animenz’s song is also in C minor. Where the original song is faster around 128 BPM, the Animenz’s song has 76 BPM. The time signature is 4/4.

The song starts with the lyrics and after fifteen seconds of the powerful high-pitched voice of Yoko Takahashi, other instruments join the song. This part of the song calling the protagonist to rise up and to have become a legend.

In Animenz’s song, he starts off with arpeggios. He said that usually while playing this song in front of a Live audience, he does make some changes while playing but kept this arpeggios part the same as he loved this part. Then he takes a short pause and starts with the first verse.

The original song starts with the beats of drums which is a memorable part, and with that, there are lyrics again. The song where the protagonist is Shinji Ikari, falling in love and earning for it. Shinji desperately needs to be loved and to the point where it causes him to take wrong decisions.

The singer hopes for Shinji to get better in love and find happiness. The song and the soothing voice of Yoko Takahashi bring out the essence and feelings of Shinji more promptly. The song has the same beats till the last stanza of the first verse where the singer also takes a bit of a higher pitch and then there is a pause to take the chorus of the song.

Animenz’s takes a bit faster note. There is still the essence of the original composition but the bits of his own added varieties. He starts with a slower tone, and then the next time pitch and volume of the song has been increased. Then again he keeps up the beat till he reaches the chorus of the song.

The singer sings this in a higher pitch and the background sound seems to be in similar beats. The song here talks about the plan of the series. Then it talks about Shinji in the finale of the Eva-1 [spoilers ahead] in space and becomes a ‘God-like’ legend. Hence for shading the part where the boy will go forward and become a legend.

Animenz’s song is very upbeat and can be a stand-alone piano piece and itself. The song is arranged here that way and then added the left-hand accompaniment as Animenz didn’t quite understand the ‘mysterious guitar solo’ part even though he has listened to the song many many times. The hand synchronization is highly commendable and the way his fingers play on the piano is a treat to the eyes and ears.

Instrumental

There is an instrumental part before going to the next verse. It has similar beats following as the earlier but in the middle, there is a short part where it feels that the song has gotten slower but then it gets back on the similar beats fast.

Because the Animenz wasn’t about the original harmonics of the song so he added his own piano solo in this part, he used jazz to lyrical style here. He tried to be as minimalist with his approach, in doing so he did it by reducing two bass notes in the left hand as he wanted the attention to be on the upcoming choir.

Just after the instrumental piece the singer again starts to sing about Shinji. Some talk about the anime and his character in the anime. Singer also sings about wishing Shinji to have his own happiness. This also talks about Shinji’s relationship with the characters of the anime, while the biblical-themed story continues. The song again has a bit higher pitch before starting the chorus.

In Animenz’s version, he follows a similar approach as the previous verse. The atmosphere is a bit faster than the original song and the way his fingers dance on the song is admirable. This is one of the best versions of the song on piano ever made. The song is again played lightly on the piano.

The original song also starts as the previous chorus and with the same energy and beats the singer continues to sing the part. The lyrics have many references to the ongoing story from the anime. Shinji had behaviour to escape and abandoning pattern. But this time singer is praising Shinji and leaving his behaviour. Yet again ending in the part where the singer sings about Shinji becoming the future legend.

In Animenz’s this part is played with an amazing finger movement and the arrangement feels magical. With the gliding of the piano from right to left and differentiating the next piece. This has the same atmosphere and environment built as the original song. On YouTube, this is most times a repeated part of the song. Then the song has a similar feeling as the previous chorus.

There is a bridge in the song with a small stanza. This line has the singer telling Shinji that there is help. Again, raising Shinji to God status, and talking about making history. After this comes the final chorus.

Animenz’s version is also short as the original version. The speed and the song’s tempo are decreased in this part. The keys are played softly. And with the song the Animenz picks up the speed of the piano. Then he plays the short part with his right hand only. Then continues with both hands. Then goes on to play the final chorus.

Then comes the final chorus of the song. This is the short chorus as compared to the other chorus of the song. It talks to stay true to the desecrated symphony and not to betray the memories.

During the final repeat of the chorus, Animenz introduces an alternative harmonization in the left hand, strategically building towards the song's climax. At this moment, Animenz envisions the addition of a striking Tam-Tam, enhancing the impact of the composition. Following this turning point, the artist brings back the atmosphere reminiscent of the song's beginning. In a captivating twist, the right-hand arpeggios resurface, gradually ascending like an angel until they reach the highest possible piano key, C8.

Notably, this marks the first time the Animenz has utilized the C8 note in any of their arrangements (as of the posting of the song). These artistic choices contribute to the dynamic and emotive qualities of the arrangement, elevating the overall impact of the song.

This is the final part of the song. The final refrain again talks about the boy drifting and going to the galaxy and shining with the stars. Henceforth the boy will become a legend.

Animenz’s plays this part of the song softly and continuously to repeatedly play it. The main part of the song is repeated and played around nine times throughout the song, but while listening or for Animenz to play it repeatedly never got boring.

Finally, the song ends softly on the final keys played at the right-hand side of the piano and the final note played by the left hand at the left-most side of the piano.

Also, check out the live singing of Yoko Takahashi posted on YouTube by Japoin TV.

In conclusion, the world of anime soundtracks has been forever transformed by the extraordinary talent of pianist Animenz. Through his breathtaking piano arrangements, he has taken iconic songs like A Cruel Angel's Thesis and infused them with his unique classical style. These arrangements not only breathe new life into beloved OSTs but also ensure their lasting captivation for years to come. By joining us on this musical journey, you'll experience the magic firsthand and be transported back into the storylines, reliving the emotions and discovering hidden plotlines through the mesmerizing melodies. Prepare to be amazed as Animenz's hands dance effortlessly across the keys, painting a vivid musical picture that ignites your imagination. Whether you're a devoted anime fan or simply appreciate the beauty of piano music, this adventure is one you won't want to miss. Immerse yourself in the enchanting world of Animenz's anime piano arrangements and let the melodies speak to your heart like never before. Get ready to be captivated, to feel the music deep within your soul, and to unlock the timeless allure of his extraordinary talent. Step into the world of Animenz and let the melodies carry you away on a journey you'll never forget.

If you love this arrangement, you can check the arrangement here. There are other Animenz arrangements which are definitely worth checking out.

If you like this song or any other song, there are many more sheet music you can find on MyMusicSheet or mymusicsheet.com

Until next time, Happy Music!

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© 2023 MyMusicSheet | www.mymusicsheet.com

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• » ‘A Cruel Angel’s Thesis’ took just two hours to write says Evangelion lyricist Neko Oikawa
• Studio Ghibli

‘A Cruel Angel’s Thesis’ took just two hours to write says Evangelion lyricist Neko Oikawa

If you’ve ever been to karaoke with anyone who likes anime, chances are you know ‘A Cruel Angel’s Thesis’, the theme song to Neon Genesis Evangelion  – it’s a karaoke classic. Since its original release, singer Yoko Takahashi has re-released the song, which is known as  Zankoku na Tenshi no Tēze  in Japanese, three times; it celebrates its 20th anniversary this year.

When Neko Oikawa, who wrote the lyrics to the hit song back in 1995, claimed this week that she only spent two hours on it , some fans weren’t too surprised. After all, history is full of hit songs that were supposedly written in mere minutes, from ‘(I Can’t Get No) Satisfaction’ to ‘Under Pressure’ to ‘My Sharona’.

What’s more impressive – especially when you consider how well ‘A Cruel Angel’s Thesis’ fits the series’ themes – is that the lyricist knew next to nothing about the show itself  when she wrote it.

Oikawa was posting on Twitter in reference to Gainax co-founder Toshio Okada, who said in 2012 that he formed the anime studio (which went on to produce Neon Genesis Evangelion ) mainly as a way of escaping an awkward workplace situation – Okada had married a coworker, and then had an affair with another woman in the same company.

Writing on January 5, Oikawa suggested that the origins of ‘A Cruel Angel’s Thesis’ were similarly random, making it all sound rather slapdash:

“My manager got the job, we had a quick meeting lasting about 30 minutes , skim-read the proposal and watched two episodes on fast-forward . And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours . Sorry to burst your bubble, guys!”

Answering further questions from fans on Twitter, Oikawa also went into more detail about the process of writing the song. The lyricist never met with composer Hidetoshi Sato while creating the piece. Instead, Oikawa explained :

“The music was composed first. It was always that way with Evangelion songs. Once Toshiyuki Ōmori had more or less finished the arrangement, [singer] Yōko Takahashi laid down a temporary track singing the melody ‘la la la’, so it was really easy to work on [writing the lyrics].”

Perhaps it was Oikawa’s jokey tone, or the suggestion that her revelations would “burst the bubble” of legions of Evangelion fans, but Japanese netizens seemed unmoved, with comments including:

“It’s not even that good a song!” “The best songs are always written like that – inspiration strikes and you get it down in a few minutes.” “Why is she announcing this years and years later? No one cares.”

But we’re seriously impressed that after just one brief meeting and fast-forwarding through two episodes , Oikawa wrote lyrics that fit the show so well and have become an enduring classic. Koichi Sugiyama also famously claimed to have written the Dragon Quest Overture in five minutes – maybe there’s something in the (Japanese) water?

▼ Listen to ‘A Cruel Angel’s Thesis’ in the  Neon Genesis Evangelion  opening sequence.

Source: Hachima Kikou Featured image: Eva Armageddon Read the lyrics (with English translations) online at  Evageeks wiki

• ( A Cruel Angel's Thesis • music • Neon Genesis Evangelion • theme music )

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About: A Cruel Angel's Thesis

"The Cruel Angel's Thesis" (残酷な天使のテーゼ, Zankoku na Tenshi no Tēze), also known as "A Cruel Angel's Thesis", is a J-pop song performed by Japanese singer Yoko Takahashi. Toshiyuki Ōmori and Hidetoshi Satō composed the song, while Neko Oikawa wrote the lyrics. It was written for the opening theme of the anime television series Neon Genesis Evangelion, and was released as a double-A-sided single with "Fly Me to the Moon", the show's closing theme, on October 25, 1995. "The Cruel Angel's Thesis" was also included on the series' soundtrack releases and on Takahashi's albums.

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A Cruel Angel's Thesis by Yoko Takahashi Chords and Melody

Open in hookpad, chord and melody metrics for a cruel angel's thesis, learn more about these metrics, chord complexity, melodic complexity, chord-melody tension, chord progression novelty, chord bass melody.

A Cruel Angel's Thesis has higher complexity than the average song in terms Melodic Complexity .

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A Cruel Angel's Thesis has sections analyzed in the following keys: C Minor , and E♭ Major . Click on the linked cheat sheets for popular chords, chord progressions, downloadable midi files and more!

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God's in his heaven. All's right with the world.

Whats is the meaning behind the nge songs(cruel angel thesis,one last kiss etc)

Recently i finished evangelion 3.0+1.0 i wasnt really satisfied in the ending but as more i re-listen to the sound tracks i felt that it was connected somehow,can anyone help me?

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Cruel Angel’s Thesis

Cruel angel’s thesis lyrics.

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AmaLee’s English cover of “Cruel Angel’s Thesis”, the opening theme from Neon Genesis Evangelion!

Find answers to frequently asked questions about the song and explore its deeper meaning

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