autobiography in book review

Memoirs That Changed a Generation

Personal stories, universal impact.

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In the three decades since, the memoir has become a powerful force for healing and change on both the individual and the cultural level. Here are 33 unforgettable personal narratives: the naked truth of real lives, elevated by gorgeous language, unforgettable scenes, breathtaking humor, and artful suspense. Each has the power to change your life and heal your heart.

Autobiography of a Face, by Lucy Grealy

Childhood cancer left Grealy with half her jaw removed, a disfigurement that filled her with self-loathing. A heartbreakingly wise child reborn as a brilliant writer, she puts readers in touch with a self beyond ugliness or pain.

The Liars' Club, by Mary Karr

With deadpan humor, a killer eye for detail, and a badass persona founded at age 7, Karr makes a convincing case that there's no dysfunctional childhood that can't be redeemed with a great story.

Prozac Nation, by Elizabeth Wurtzel

Wurtzel's raw emotional honesty about coming of age with a diagnosis and a bottomless pill bottle stirred up a storm of criticism and outrage but spoke straight to the hearts of the Kurt Cobain generation.

Angela's Ashes, by Frank McCourt

A childhood of abject poverty and brutal loss in Limerick, Ireland, becomes a luminous legend in this extraordinary account. Feeling sorry for yourself about something? Here's a sure end to that.

Fun Home, by Alison Bechdel

LGBTQIA+ hero Bechdel grew up in a small-town funeral home run by her father, a man with many secrets. This beautifully illustrated graphic memoir inspires us to rethink the mysteries of our own pasts.

Wild, by Cheryl Strayed

Strayed cut short a self-destructive spinout after her mother's death with an 1,100-mile hike up the Pacific Crest Trail, blazing a path for readers who are having trouble forgiving themselves.

Eat, Pray, Love, by Elizabeth Gilbert

Lifting up brokenhearted women since 2006, this iconic story of reinvention after divorce goes from the pits—a cold bathroom floor—to the peaks, a year of sensory delights and spiritual magic in Italy, India, and Bali.

Girl, Interrupted, by Susanna Kaysen

Kaysen's parents were so frightened by her adolescent melodrama that they hustled her into treatment and she spent over a year in a mental hospital. Her ability to recreate the mindset of a miserable 18-year-old qualifies this memoir as a self-help book for parents.

A Heartbreaking Work of Staggering Genius, by Dave Eggers

When their parents died within weeks of each other, leaving him the caretaker of his 8-year-old brother, the 21-year-old author had just one superpower—irony. If there's a grief guide for the cool kids, this is it.

When Breath Becomes Air, by Paul Kalanithi

If you need to know what makes life worth living in the face of a terminal diagnosis, this book has an answer. The heartfelt reckoning of a 36-year-old neurosurgery resident with stage IV cancer was completed by his wife after he died.

Drinking, by Caroline Knapp

Knapp was exactly the kind of well-educated, high-powered woman nobody dreams has a drinking problem, partly because she was so good at hiding it. The gift she gained by ending the denial is one she shares.

Reading Lolita in Tehran, by Azar Nafisi

Does your book club need a reboot? Nafisi's account of gathering with her former students to read forbidden classics in the midst of the Islamist crackdown comes with the world's most powerful reading list.

Running with Scissors, by Augusten Burroughs

Burroughs's no-holds-barred account of his harrowing childhood—gross, hilarious, completely outrageous—writes a bold permission slip for anyone who worries her secrets are too much to share.

H Is for Hawk, by Helen Macdonald

Macdonald's experience of bonding with her goshawk Mabel opens a bright window into the bond between people and animals, deepening our understanding of our role as custodians of the natural world.

Just Kids, by Patti Smith

A magic carpet ride to the bohemian New York of the late ’60s and early ’70s, the future punk heroine's love letter to her friend Robert Mapplethorpe is filled with idealism, beauty, and sweetness.

Men We Reaped, by Jesmyn Ward

Ward wrote this book to understand the unjust, untimely deaths of her brother and four other beloved Black men, revealing the forces of poverty and racism in their most personal and vicious form.

First They Killed My Father, by Loung Ung

The author's survival of the violence and terror of the Cambodian Pol Pot regime is a stirring testimony to the resilience of children, a green shoot of hope and goodness in the devastation of the killing fields.

The Year of Magical Thinking, by Joan Didion

Read this book to be astonished—by the gutting nightmare of Didion's loss, and by the power of her intellect and her sentences to transform it into an immortal thing of beauty and deep humanity.

The Glass Castle, by Jeannette Walls

Without a bit of sugarcoating, Walls shows how we can love our families and our history no matter how much of a nightmare it all was. Her journey from the trailer park to the limo is an all-American success story.

Me Talk Pretty One Day, by David Sedaris

If laughter is the best medicine, Sedaris is a great big bottle of it. The avatar of dysfunctional families everywhere, his sardonic, self-deprecating storytelling is guaranteed to deliver comic relief.

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The Best Reviewed Memoirs and Biographies of 2021

Featuring tom stoppard, michelle zauner, mike nichols, d. h. lawrence, chimamanda ngozi adichie, and more.

Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

First up: Memoir and Biography .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. Crying in H Mart by Michelle Zauner (Knopf)

24 Rave • 6 Positive

“… powerfully maps a complicated mother-daughter relationship cut much too short … Zauner’s food descriptions transport us to the table alongside her … a rare acknowledgement of the ravages of cancer in a culture obsessed with seeing it as an enemy that can be battled with hope and strength …Zauner carries the same clear-eyed frankness to writing about her mother’s death five months after her diagnosis … It is rare to read about a slow death in such detail, an odd gift in that it forces us to sit with mortality rather than turn away from it.”

–Kristen Martin ( NPR )

2. The Copenhagen Trilogy by Tove Ditlevsen, trans. by Tiina Nullally and Michael Favala Goldman (FSG)

23 Rave • 4 Positive Read an excerpt from The Copenhagen Trilogy here

“… beautiful and fearless … Ditlevsen’s memoirs…form a particular kind of masterpiece, one that helps fill a particular kind of void. The trilogy arrives like something found deep in an ancestor’s bureau drawer, a secret stashed away amid the socks and sachets and photos of dead lovers. The surprise isn’t just its ink-damp immediacy and vitality—the chapters have the quality of just-written diary entries, fluidly translated by Tiina Nunnally and Michael Favala Goldman—but that it exists at all. It’s a bit like discovering that Lila and Lenú, the fictional heroines of Elena Ferrante’s Neapolitan quartet, were real … A half-century later, all of it—her extraordinary clarity and imperfect femininity, her unstinting account of the struggle to reconcile art and life—still lands. The construct of memoir (and its stylish young cousin, autofiction) involves the organizing filter of retrospection, lending the impression that life is a continuous narrative reel of action and consequence, of meanings to be universalized … Ditlevsen’s voice, diffident and funny, dead-on about her own mistakes, is a welcome addition to that canon of women who showed us their secret faces so that we might wear our own.”

–Megan O’Grady ( The New York Times Book Review )

3. Real Estate by Deborah Levy (Bloomsbury)

18 Rave • 9 Positive Read an excerpt from Real Estate here

“[A] wonderful new book … Levy, whose prose is at once declarative and concrete and touched with an almost oracular pithiness, has a gift for imbuing ordinary observations with the magic of metaphor … The new volume, which follows the death of one version of the self, describes the uncertain birth of another … She herself is not always a purely likable, or reliable, narrator of her own experience, and her book is the richer for it.”

–Alexandra Schwartz ( The New Yorker )

4. A Ghost in the Throat by Doireann Ní Ghríofa (Biblioasis)

17 Rave • 4 Positive Read an excerpt from A Ghost in the Throat here

“… ardent, shape-shifting … The book is all undergrowth, exuberant, tangled passage. It recalls Nathalie Léger’s brilliant and original Suite for Barbara Loden : a biography of the actress and director that becomes a tally of the obstacles in writing such a book, and an admission of the near-impossibility of biography itself … The story that uncoils is stranger, more difficult to tell, than those valiant accounts of rescuing a ‘forgotten’ woman writer from history’s erasures or of the challenges faced by the woman artist … What is this ecstasy of self-abnegation, what are its costs? She documents this tendency without shame or fear but with curiosity, even amusement. She will retrain her hungers. ‘I could donate my days to finding hers,’ she tells herself, embarking on Ni Chonaill’s story. ‘I could do that, and I will.’ Or so she says. The real woman Ni Ghriofa summons forth is herself.”

–Parul Sehgal ( The New York Times )

5. Notes on Grief by Chimamanda Ngozi Adichie (Knopf)

12 Rave • 7 Positive

“… achingly of its time … I really appreciated Adichie’s discomfort with the language of grief … Books often come to you just when you need them, and it is unimaginable to think just how many people have, like the author, lost someone in this singularly strange period of our history. Adichie’s father didn’t die from COVID-19, but that doesn’t make the aftermath of that loss any less relevant … A book on grief is not the kind of book you want to have to give to anyone. But here we are.”

–Allison Arieff ( The San Francisco Chronicle )

1. Tom Stoppard: A Life by Hermione Lee (Knopf)

13 Rave • 18 Positive • 3 Mixed Read an excerpt from Tom Stoppard: A Life here

“Lee…builds an ever richer, circular understanding of his abiding themes and concerns, of his personal and artistic life, and of his many other passionate engagements … Lee’s biography is unusual in that it was commissioned, and published while its subject is still alive. Lee is a highly acclaimed biographer whose rigor and integrity make her decision to write under such conditions surprising … Lee is frank and thoughtful about the challenges of writing about a living subject. She is aware, as the reader will be, that her interview subjects do not want to speak ill of a friend and colleague who is still among them. In addition to the almost unrelievedly positive portrayal of Stoppard, the seven-hundred-fifty-plus pages of this volume might have been somewhat condensed, were its subject no longer living, thereby rendering the biography easier to wield and to read. In spite of these quibbles, this is an extraordinary record of a vital and evolving artistic life, replete with textured illuminations of the plays and their performances, and shaped by the arc of Stoppard’s exhilarating engagement with the world around him, and of his eventual awakening to his own past.”

–Claire Messud ( Harper’s )

2. Mike Nichols: A Life by Mark Harris (Penguin)

18 Rave • 8 Positive • 2 Mixed

“Mark Harris’s portrait of director Mike Nichols is a pleasure to read and a model biography: appreciative yet critical, unfailingly intelligent and elegantly written. Granted, Harris has a hyper-articulate, self-analytical subject who left a trail of press coverage behind him, but Nichols used his dazzling conversational gifts to obfuscate and beguile as much as to confide … Harris, a savvy journalist and the author of two excellent cultural histories, makes judicious use of abundant sources in Mike Nichols: A Life to craft a shrewd, in-depth reckoning of the elusive man behind the polished facade … Harris gently covers those declining years with respect for the achievements that preceded them. His marvelous book makes palpable in artful detail the extraordinary scope and brilliance of those achievements.”

–Wendy Smith ( The Washington Post )

3. The Doctors Blackwell: How Two Pioneering Sisters Brought Medicine to Women and Women to Medicine by Janice P. Nimura (W. W. Norton)

12 Rave • 11 Positive • 1 Mixed Read an excerpt from The Doctors Blackwell here

“Janice P. Nimura, in her enthralling new book, The Doctors Blackwell , tells the story of two sisters who became feminist figures almost in spite of themselves … The broad outlines of their lives could have made for a salutary tale about the formidable achievements of pioneering women; instead, Nimura—a gifted storyteller […] recounted another narrative of women’s education and emancipation—offers something stranger and more absorbing … A culture that valorizes heroes insists on consistency, and the Blackwell sisters liked to see themselves as unwavering stewards of lofty ideals. But Nimura, by digging into their deeds and their lives, finds those discrepancies and idiosyncrasies that yield a memorable portrait. The Doctors Blackwell also opens up a sense of possibility—you don’t always have to mean well on all fronts in order to do a lot of good.”

–Jennifer Szalai ( The New York Times )

4. Philip Roth: The Biography by Blake Bailey (W. W. Norton)

13 Rave • 13 Positive • 6 Mixed • 4 Pan

“Bailey’s comprehensive life of Philip Roth—to tell it outright—is a narrative masterwork both of wholeness and particularity, of crises wedded to character, of character erupting into insight, insight into desire, and desire into destiny. Roth was never to be a mute inglorious Milton. To imagine him without fame is to strip him bare … The biographer’s unintrusive everyday prose is unseen and unheard; yet under Bailey’s strong light what remains on the page is one writer’s life as it was lived, and—almost—as it was felt.”

–Cynthia Ozick ( The New York Times Book Review )

5. Burning Man: The Trials of D. H. Lawrence by Frances Wilson (Farrar, Straus and Giroux)

11 Rave • 8 Positive • 5 Mixed

“… the feeling you get reading Frances Wilson’s Burning Man … The flare of a match, a man on fire, raging, crackling, spitting, consuming everything and everyone around him. Wilson too is on form and on fire … I’m not totally convinced the Dante business works. Wilson’s voice is so appealing—confiding, intelligent, easy, amused—I would happily have read a straightforward blaze through the life, cradle to grave, basket to casket … This is a red-hot, propulsive book. The impression it leaves is of Lawrence not so much as a phoenix (his chosen personal emblem) rising from the flames, but of a moth coming too close to a candle and, singed and frantic, flying into and into and into the wick.”

–Laura Freeman ( The Times )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Nonfiction Books » Best Biographies

The best memoirs: the 2024 nbcc autobiography shortlist, recommended by may-lee chai.

Winner 2024 National Book Critics Circle Award for Autobiography

How to Say Babylon: A Memoir by Safiya Sinclair

It's been a "phenomenal" year for autobiographical writing, says May-lee Chai —the award-winning author and chair of the judges for this year's National Book Critics Circle prize for autobiography. Here she offers us a tour of the five memoirs that made their 2024 shortlist.

Interview by Cal Flyn , Deputy Editor

I Would Meet You Anywhere: A Memoir by Susan Kiyo Ito

Secret Harvests: A Hidden Story of Separation and the Resilience of a Family Farm by David Mas Masumoto

Rotten Evidence: Reading and Writing in an Egyptian Prison by Ahmed Naji, translated by Katharine Halls

Story of a Poem: A Memoir by Matthew Zapruder

1 I Would Meet You Anywhere: A Memoir by Susan Kiyo Ito

2 secret harvests: a hidden story of separation and the resilience of a family farm by david mas masumoto, 3 rotten evidence: reading and writing in an egyptian prison by ahmed naji, translated by katharine halls, 4 how to say babylon: a memoir by safiya sinclair, 5 story of a poem: a memoir by matthew zapruder.

T hanks for joining us. We love featuring the National Book Critics Circle shortlists ; they always surface excellent books we might otherwise have missed. What were you looking for when you were drawing up the 2024 NBCC shortlist of the best recent memoirs?

Did you notice any trends among this year’s submissions?

The first book on the 2024 shortlist is Susan Kiyo Ito’s memoir I Would Meet You Anywhere . It reflects on the author’s relationship with her birth mother, after being adopted as a child. Could you tell us more?

Susan Ito’s memoir tackles an important subject—how to know oneself when information key to one’s identity is deliberately withheld by law from a class of people. Ito is an adoptee who does not have the legal right to the files of her birth mother and by extension biological father. Ito is exploring this fundamental question of identity, who she is, who is her family, over the course of the decades that she spends tracking down her birth mother. Ito was raised by a Japanese American mother and father, but because she is herself mixed race, she stands out from her parents physically, in ways that other people remark upon as she is growing up. This lens allows Ito to examine many notions of family, how the construction of race in the U.S. informs who gets to be considered belonging in a family and in a community, and the ramifications of denying adoptees the rights to their own paperwork. Why is this still allowed? What are the implications of these commodifying and dehumanizing government policies? Ito’s memoir is a profound work.

Next, we have David Mas Masumoto’s Secret Harvests , a memoir that explores the secret history of his own Japanese-American family.

The author David Mas Masumoto discovers that he has a secret aunt, who had been made a ward of the state of California at age 12 in 1942 when the rest of her family was sent to incarceration camps. By the time he realizes she exists, the aunt is in hospice care and has been hidden away in a care facility for more than 70 years.

Her disability is tied to the racist policies of the era—she was denied proper medical care as a Japanese American child after contracting meningitis, and as a result is mentally disabled and can no longer speak or communicate verbally. This story reveals the racism of the state, its consequences on a family and a little girl, but it also reveals the shame that the family felt about disability. Masumoto wrestles with this complex history on the page, as he works to reunite the lost aunt with surviving family members and to track down information about what her life was like for all these years. This book also raises important questions about who is erased from historical texts in general and about the erasure of disabled people in particular.

The book features artwork by Patricia Wakida—maybe you’d tell us about that?

The author stated in the book why he asked Patricia Wakida to create original woodblock prints: it’s a traditional Japanese art form, and he wanted an artist who understood the story that he was telling and who could create culturally appropriate images. The art adds another layer of storytelling. We saw many autobiographies this year that combine text and image in some way. The nuanced way that the Wakida’s woodblock prints are in conversation with Masumoto’s narrative was very interesting.

The next book on the shortlist is a chronicle of the author’s time in Egyptian prison. Tell us about Rotten Evidence by Ahmed Naji. Why is it one of the best memoirs of 2024?

Just from the subtitle and description, we expected a harrowing story of the author’s imprisonment, and perhaps an indictment of censorship, but this memoir is also an erudite exploration of the power of literature, an appreciation of Arabic novels and texts, and a rumination on language. It’s a very literary memoir.

Rotten Evidence is also laugh-out-loud funny. Ahmed Naji’s distinctive voice is so strong in this book, thanks to Katharine Halls’ brilliant translation. Naji has an amazing ability to crack wise even in the face of oppression, pointing out the ironies of his captors’ illogic, pettiness, and lack of intellectual rigor as well as the indignities of prison life. That doesn’t sound at all funny, but Naji’s observations are witty and bold and sometimes just hilarious.

Ultimately, Rotten Evidence is about the power of literature as a form of self-liberation, a way to imagine freedom for the mind even when the body is imprisoned.

America is not Egypt. But a powerful book about free expression does feel timely. Would you agree?

Let’s talk about Safiya Sinclair’s How to Say Babylon . It’s an account of the author’s coming of age in a very strict Rastafarian household. Would you talk us through it?

This memoir is another story of literary self-liberation in many ways, as Safiya Sinclair finds poetry as a pathway out of her abusive, extremely restricted, patriarchal upbringing. Growing up in Jamaica, Sinclair must live by her increasingly paranoid father’s rules. Her physical appearance is controlled: she can’t wear pants, only skirts or dresses. She’s told she’s too outspoken, that she’ll never be a perfect Rasta girl. Her father beats her and her siblings in fits of rage at imagined transgressions. But Sinclair’s love of reading and poetry enable her to do well in school and she eventually frees herself from her father’s control. Sinclair is herself an accomplished poet, and she uses the literary skills of poetry in the telling of this story. Despite the harsh subject matter, her sentences are just gorgeous! For example, she writes, “The hiss of crickets prickled the night,” and, “My father’s silence spread like a fog over everything,” and, “The pale owl of my past still chases me down…” This is a book that deserves to be savored sentence by sentence.

Sounds like it might appeal to those who loved Tara Westover’s Educated . Does it give the reader an understanding of the Rastafarian belief system?

Finally, we have Matthew Zapruder’s literary memoir  Story of a Poem . It sounds rather beautiful. Would you talk our readers through the concept?

Matthew Zapruder writes poignantly of finding joy in the precision of poetry amidst the messiness of grief, parenting, and general stresses of modern life. On the one hand, Zapruder is taking the reader on an interior journey as he describes the process of completing a poem through multiple drafts, describing his own creative process. On the other, he describes more mundane, daily struggles that any one of us might be experiencing.

There’s a chapter about his experiences as a parent of a child on the autism spectrum, and his angst as a father. He’s posing existential questions about what it means to be responsible for another life. Then in a later chapter he’s struggling with smoke from the massive fires in Northern California during the early days of the pandemic. Climate change is another kind of existential threat that can seem overwhelming at the individual level.

Throughout, Zapruder demonstrates not only that reading and writing poetry are a salve for the anxiety of life’s problems, but also that poetry is an essential way of making sense of the world.

Story of a Poem is a memoir whose themes dovetail very powerfully with the other titles on the shortlist.

I agree. Do you think that, by reading about authors’ experiences and how they have come to terms with them, we can better approach our own lives?

I think autobiographies are fascinating because they provide so many kinds of insights! They can show us by example how other people have dealt with problems we might ourselves be facing. They can also show us the path not taken in our own lives. Or we get to live vicariously by reading about other people who may seem completely different on the surface. And when memoirs are in and of themselves artistic explorations, they can be inspiring at another level: as a way to reflect upon our daily lives as a source for artistic expression.

This year’s crop of autobiographies is so diverse in terms of aesthetic sensibilities and themes, they really pushed the boundaries of the genre. I’d love to see more publishers support writers like those on our shortlist who are taking creative risks, mixing genres, mixing artistic forms—prose and imagery, prose and poetry, et cetera—while exploring the self and the world with such thoughtfulness.

February 19, 2024

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May-lee Chai

May-lee Chai is the author of eleven books of fiction, nonfiction, and translation including the American Book Award-winning story collection, Useful Phrases for Immigrants , and Tomorrow in Shanghai & Other Stories , which was longlisted for The Story Prize and a New York Times Book Review Editors’ Choice.

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The best autobiographies to read in 2023

• Nik Rawlinson

Discover the back stories of some of the best-known names in showbiz and politics, in their own words

Read an autobiography, and you’ll feel closer to the subject than you’d ever get in real life. They might not reveal their deepest, darkest secrets, but they will usually wind back the clock and walk you through their childhood and early years, so you can see how they became the person they are today.

The raciest autobiographies are frequently indiscreet, the most engaging may name-drop with wild abandon, and the best stand on the quality of their writing, regardless of the subject matter. Some are ghost-written, granted, but so long as the voice sounds authentic and the contents are true, does that matter?

Here, we’ve picked out six of the best autobiographies you can buy today. Most were published in the past couple of years, although one is considerably older and was re-released in 2018, several decades after it was first published. We’ve included it because of the quality of the writing and the compelling story it tells.

Before that, though, if you’re struggling to choose between them – or any of the dozens of other autobiographies published every year – check out our tips for choosing the best autobiography for you.

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Best autobiographies: At a glance

• Best showbiz autobiography: One of them by Michael Cashman | £9.19
• Best political autobiography: Free by Lea Ypi | £6.99
• Best autobiography for the 90s TV generation: Gotta Get Theroux This by Louis Theroux | £6.99

How to choose the best autobiography for you

They say everyone has at least one story in them. Perhaps that’s why there are so many autobiographies to choose from. The trick is to pick one that appeals to you, and keeps your attention from the first page to the last.

Look for something unfamiliar

The most engrossing book is often one that immerses you in an entirely unknown world, yet evokes it so clearly that the images are vivid and all-encompassing. For most readers, Trevor Noah’s Born a Crime and Lea Ypi’s Free, each of which features in our selection, fall into these categories. They take the reader into a realm that most will (thankfully) never have experienced. And, in doing so, they demonstrate that a return to those places, times and attitudes is something we must avoid.

Uncover the other side of a story

The biggest-selling autobiographies are those written by the most recognisable names in show business, sport, politics and music, and most of the readers who pick them up are hoping they’ll tell the stories behind the headlines. Gotta Get Theroux This, by Louis Theroux, delivers here, examining not only how Theroux himself came to prominence, but the back stories – and occasional fall-out – of some of his most high-profile encounters. Elton John’s Me is an incredibly honest and revealing chronicle of his life, while Tom Allen’s No Shame is a candid tale of growing up gay in the suburbs – a world away from the glamour of primetime TV.

Don’t forget the audiobook option

Where an autobiography has been written by an actor or other public performer, it’s not uncommon for them to also narrate the audiobook. This is true of Adam Buxton with Ramble Book, Michael Cashman with One of Them, Miriam Margolyes with This Much is True , and Stephen Fry with his various volumes of autobiography, including The Fry Chronicles , More Fool Me  and Moab Is My Washpot . Hearing the author’s words in their own voice brings another dimension to the work, and lets you take them with you wherever you’re going, whatever you’re doing.

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1. One of Them by Michael Cashman: Best showbiz autobiography

Price: £9.19 | Buy now from Amazon

Michael Cashman will be remembered by many as Albert Square’s yuppie graphic designer, Colin. But his time in EastEnders is just a small, if very visible, episode in a varied, high-profile career that took him from the back streets of London’s East End to the benches of the House of Lords. Indeed, performing is, in many ways, a mere side act: this is a book in which, at least in the second half, politics takes centre stage.

Cashman grew up in what could well have been EastEnders’ back yard (if it hadn’t actually been filmed in west London), but his childhood, in which untrustworthy and exploitative strangers loom large, would likely have been too extreme for the soap’s scriptwriters to contemplate. He was perfectly cast, then, as a truly mould-breaking character at a time when gay relationships were rarely portrayed as being equal to their straight equivalents on mainstream TV.

After close to 200 episodes, he left to pursue other interests, and eventually found himself elected to the European Parliament, representing the seat of West Midlands. He was a spokesperson on human rights and, before his time in Brussels drew to a close in 2014, he’d been awarded a CBE for public and political service. Returning to Britain wasn’t the end of his political career, nor of his campaigning, and he took his seat in the House of Lords as a life peer.

From humble beginnings, Cashman has reached great heights in both show business and politics, despite facing significant challenges. There are some shocking episodes in his autobiography, but perhaps none is so heartbreaking as that with which it draws to a close.

Key details – Length: 432 pages; Publisher: Bloomsbury Publishing; ISBN: 978-1526612366

One of Them: From Albert Square to Parliament Square

2. free: coming of age at the end of history by lea ypi: best political autobiography.

Lea Ypi is professor of political theory at the London School of Economics, but she grew up in Albania during the years of communist rule. Her grandfather had been prime minister for just over a year in the early 1920s, and was assassinated in December 1940. Those facts – and the detrimental impact the family’s association with the former prime minister would have – were kept from her during her childhood.

To a degree, it’s kept from the reader, too. The book is cleverly structured, with the first part covering Ypi’s life under socialism, and the second venturing into the years of the free market economy and the country’s transition to capitalism. Thus, as Ypi grows and learns, so do we. Through her narrative, we overhear relatives talk of family members who have gone away to “university”, always wondering whether there isn’t more to their back story. Inevitably, there is. This is a curious biography, then – one in which the reader grows with the narrator, and learns through her own experience. Yet there’s no naivete in her description of those early years, and no raised eyebrows or nudge to the reader who, reading from the future, knows better than she did herself.

Neither is there any romanticising of life on either side of that political transition. “Five years after the fall of socialism, episodes of our life back then had become part of the repertoire of amusing family anecdotes,” Ypi writes. “It didn’t matter if the memories were absurd, hilarious or painful, or all of these at once. We would joke about them over meals, like drunken sailors who had survived a shipwreck and relisted showing one another the scars.”

Key details – Length: 336 pages; Publisher: Penguin; ISBN: 978-0141995106

Free: Coming of Age at the End of History

3. gotta get theroux this by louis theroux: best autobiography for the 90s tv generation.

Louis Theroux is best known for his calm, persistent profiling of rich, famous or unusual characters. Here, he turns that focus on himself as he recounts a career that, from the outside, he seems almost to have fallen into. On the subject of landing his own series off the back of work on TV Nation, Theorux writes that “from a state of directionless obscurity I had been vaulted into a realm of possibility I hadn’t ever dared imagine. And one part of me saw it this way. But another, greater part was dubious, suspecting that the transformation was not wholly earned and therefore not really mine.”

Earned or not, Theroux has more than proved his right to grace our screens in the years since, through a series of groundbreaking documentaries exploring, and sometimes exposing, the less often represented.

Born in Singapore to travel writer Paul and BBC arts producer Anne, he grew up in London, then went to boarding school, spent summers on Cape Cod, and later moved to the US under his own steam as his journalistic career took off. First came newspapers, then television. “For a year and a half, up the Amazon in a rocket motorboat, in the revolutionary hills of Mexican Chiapas, among religious crazies in Jerusalem and good old boys in the backroads of the Deep South, and occasionally amid the almost-as-alien milieu of a well-funded workplace with ambitions to change American television and society, I worked at TV Nation. But it was all a salutary apprenticeship – I was learning, without realising it, skills and techniques that I would rely on throughout the course of my TV career.”

Many of his career highs are well known, but here their background and aftermath are explored in detail. He looks back on his encounter with Jimmy Savile, the resulting broadcast, and the investigation that followed Savile’s death, at which Theroux was called to speak. And he describes the fall-out from an ill-advised tweet, and how it made him feel (“my lawyer advised me to instruct a high-powered QC… I would brood about my own stupidity at sending the tweet and the likelihood of its having catastrophic consequences… I wondered inwardly whether I’d be remortgaging the house, and should I just apologise, or did that, as the lawyers claimed, lay me open to massive damages…”).

It’s easy to imagine that investigative presenters like Theroux simply swoop in, do their jobs and move on to the next subject, the next programme or the next big thing with barely a thought for the one they’re leaving behind. This autobiography proves that not to be the case at all. Not only are there real people behind the stories; there are real people presenting them, too.

Key details – Length: 416 pages; Publisher: Pan; ISBN: 978-1509880393

Gotta Get Theroux This: My life and strange times in television

4. ramble book by adam buxton: best autobiography for kids and teens of the 80s.

It wasn’t his first TV appearance, but Adam Buxton hit the big time in 1996, with Channel 4’s The Adam and Joe Show. Since then, he’s been a regular on BBC3, Xfm, the Edinburgh Festival, films and Eight out of Ten Cats Does Countdown’s dictionary corner. To many, he’ll be best known for his long-running podcast, with a simple formula – an unhurried, rambling chat – that attracts guests of impressive calibre. You don’t need to scroll far through the archive to come across Joe Lycett, Robbie Williams, Zadie Smith, Derren Brown, David Sedaris, Michael Palin, Frank Skinner, and skaters Torvill and Dean. The mix is as eclectic as it is entertaining.

But it’s also not surprising that they feature. The aptly named Ramble Book is a roll-call of the great and the good, with whom Buxton’s diverse media career has brought him into contact. He was at school with documentary maker Louis Theroux – and the “Joe” of The Adam and Joe Show is their mutual friend, filmmaker Joe Cornish. Buxton’s father was the Sunday Telegraph travel editor, as a result of which Buxton junior visited such diverse destinations as Brabadon, China and “all over America” during his childhood.

Yet it’s not a showy book. It’s underpinned by a humbleness, frequently diverts into introspection or random thoughts, and finds Buxton in situations familiar to us all, like the times we’ve made fools of ourselves objecting to what we consider somebody else’s bad behaviour – and the discomfort we often feel afterwards.

There’s a humanity to Ramble Book, a familiarity, and a reminder that famous people are just like the rest of us – just a bit better known.

Key details – Length: 368 pages; Publisher: Mudlark; ISBN: 978-0008293338

Ramble Book: Musings on Childhood, Friendship, Family and 80s Pop Culture

5. conundrum by jan morris: best trans and gender dysphoria autobiography.

Jan Morris was born James Humphry Morris in Somerset in 1926, and died in Wales in 2020. She underwent gender reassignment surgery in 1972, after travelling to Morocco for the procedure. Two years later, she wrote Conundrum, in which she told the story of her transition. It was re-released in 2018.

Morris is best known as a travel writer, and that career took her to Everest with Edmund Hillary and Tenzing Norgay, to Fiji, to Suez during the crisis and, memorably, to Italy. Her work on Venice is of particular note. But Conundrum is something else entirely. It’s an internal journey – a journey home in many respects – that sets out its stall at the very beginning.

“I was three or perhaps four years old when I realised that I had been born into the wrong body, and should really be a girl,” she writes. “I remember the moment well, and it is the earliest memory of my life.” What follows is a highly evocative sentence, that hints at the beauty of the writing to come: “I was sitting beneath my mother’s piano, and her music was falling around me like cataracts, enclosing me as in a cave.”

Morris was far from alone in her conviction that she’d been born into the wrong body, but Britain was not a society in which she was free to undertake the necessary transition on her own terms and, “for forty years… a sexual purpose dominated, distracted and tormented my life: the tragic and irrational ambition, instinctively formulated but deliberately pursued, to escape from maleness into womanhood… each year my longing to live as a woman grew more urgent, as my male body seemed to grow harder around me”.

It’s impossible not to fall in love with Morris’ style. That her subject matter is one so rarely discussed makes this short autobiography all the more engaging.

Key details – Length: 160 pages; Publisher: Faber & Faber; ISBN: 978-0571341139

6. Born a Crime by Trevor Noah: Best race history autobiography

“I was nine years old when my mother threw me out of a moving car.” She was saving his life. Noah was born in apartheid South Africa, to a black mother and white father, at a time when inter-racial relationships were illegal. It was a world and a time “where violence was always lurking and waiting to erupt… Had I lived a different life, getting thrown out of a speeding minibus might have fazed me. I’d have stood there like an idiot… but there was none of that. Mom said ‘run’ and I ran. Like the gazelle runs from the lion, I ran.”

It’s a story that will thankfully be unfamiliar to a large part of its audience. For a white reader with no experience of the political system under which he came into the world, it’s difficult to comprehend Noah’s need to remain hidden and so often confined to the house. Apartheid came to an end when Noah was still a child, but even in the wake of that momentous event the fall out was unequal and extreme.

“What I do remember, what I will never forget,” he writes, “is the violence that followed. The triumph of democracy over apartheid is sometimes called the Bloodless Revolution. It is called that because very little white blood was spilled. Black blood ran in the streets.”

Today, as the host of The Daily Show, Noah has been named as one of the most powerful people in New York media. To have reached such heights after so difficult a start in life makes this story all the more remarkable.

For younger readers, there’s also a YA version of this book, at £8.17 .

Key details – Length: 304 pages; Publisher: John Murray; ISBN: 978-1473635302

Born A Crime: Stories from a South African Childhood

The 11 Best Autobiography Books You Should Read

Reading autobiographies can be an incredibly enriching experience for all kinds of readers. When you immerse yourself in someone else’s life story, you gain a deeper understanding of the world around you, and what it means to be human. Not only do autobiographies give you insight into remarkable lives, but they also allow you to learn from others’ experiences and discover different perspectives. In this article, we’ll explore the power of storytelling in autobiographies and share our top picks for the best autobiography books you should read.

Why Read Autobiographies?

Before we delve into our top 10 picks, let’s take a moment to discuss why reading autobiographies is so beneficial. Here are just a few of the many reasons:

Gaining Insight into Remarkable Lives

Perhaps the most obvious reason to read autobiographies is to learn about the lives of remarkable people. From scientists to artists, adventurers to politicians, and everyone in between, autobiographies introduce us to people whose lives have made an impact on the world in some way. By reading about their experiences, we gain insight into what it takes to achieve greatness and how to navigate life’s challenges.

Learning from Others’ Experiences

In addition to gaining insight into remarkable lives, autobiographies also allow us to learn from others’ experiences. When we read about the struggles and triumphs of other people, we can apply those lessons to our own lives. Whether we’re facing a difficult challenge or simply looking for inspiration, autobiographies offer a window into the experiences of others that can be incredibly valuable.

Discovering Different Perspectives

Another benefit of reading autobiographies is that they expose us to different perspectives. When we’re immersed in our own lives, it can be difficult to see the world from others’ points of view. Autobiographies offer a chance to see the world through someone else’s eyes and gain a deeper understanding of the diversity of human experience.

Moreover, autobiographies can be an excellent way to learn about different cultures and customs. For example, reading the autobiography of Malala Yousafzai , the Pakistani activist for female education and the youngest Nobel Prize laureate, can provide insight into the culture and traditions of Pakistan, as well as the struggles of women in that country.

Autobiographies can also be a source of inspiration and motivation. For instance, the autobiography of Oprah Winfrey , one of the most influential women in the world, can inspire readers to pursue their dreams and overcome obstacles.

Another advantage of reading autobiographies is that they can help us develop empathy. When we read about the challenges and hardships that others have faced, we can better understand their struggles and relate to them on a deeper level. This can help us become more compassionate and understanding individuals, which can benefit our relationships with others.

Finally, reading autobiographies can be a fun and engaging way to learn about history. Autobiographies provide a personal account of historical events, which can make them more relatable and interesting than traditional history books. For example, the autobiography of Nelson Mandela , the South African anti-apartheid revolutionary and politician, offers a unique perspective on the struggle against apartheid in South Africa.

All in all, there are many reasons to read autobiographies. Whether you’re looking to gain insight into remarkable lives, learn from others’ experiences, discover different perspectives, learn about different cultures and customs, find inspiration and motivation, develop empathy, or simply learn about history, autobiographies can provide a wealth of knowledge and entertainment.

The Power of Storytelling in Autobiographies

Autobiographies have the power to inspire, motivate, and enlighten readers. They allow us to step into the shoes of another person and experience their life through their eyes. The best autobiographies are those that are able to engage the reader emotionally and take them on a journey through the author’s life.

Emotional Connection with the Reader

One of the most important elements of a great autobiography is the ability to create an emotional connection with the reader. When we read about someone else’s struggles and triumphs, we can’t help but feel empathy for them. A great autobiography will draw the reader in emotionally and keep them engaged throughout the entire journey.

For example, in the autobiography “ Becoming ” by Michelle Obama, the former First Lady shares her personal experiences growing up in Chicago and her journey to becoming the first African American First Lady of the United States. Her story is not only inspiring but also emotionally charged, as she shares the challenges she faced as a young woman of color and the sacrifices she made to support her husband’s political career.

The Art of Crafting a Compelling Narrative

Another key element of a great autobiography is the art of storytelling. A skilled author knows how to craft a narrative that is both engaging and informative, using descriptive language and vivid imagery to bring their story to life. A well-crafted autobiography can transport the reader to another time and place, immersing them in the author’s world.

For instance, in the autobiography “ The Glass Castle ” by Jeannette Walls, the author takes the reader on a journey through her unconventional childhood, growing up with parents who were nomadic and often homeless. Through her vivid descriptions and powerful storytelling, Walls is able to paint a picture of her unique upbringing and the challenges she faced along the way.

The Role of Honesty and Vulnerability

Finally, a great autobiography requires a level of honesty and vulnerability from the author. The best autobiographies are those that are unflinchingly honest about the author’s experiences, both good and bad. This honesty allows readers to connect with the author on a deeper level and gain a more nuanced understanding of their life story.

For example, in the autobiography “ Wild ” by Cheryl Strayed, the author shares her personal journey of hiking the Pacific Crest Trail alone after the death of her mother and the dissolution of her marriage. Strayed is brutally honest about her mistakes and struggles, allowing readers to connect with her on a deeper level and feel inspired by her resilience and determination.

In conclusion, a great autobiography is one that engages the reader emotionally, tells a compelling story, and is unflinchingly honest about the author’s experiences. Autobiographies have the power to inspire and enlighten readers, and the best ones are those that leave a lasting impact on their audience.

Top 10 Autobiography Books

Now that we’ve explored the power of storytelling in autobiographies, let’s take a look at our top 10 picks for the best autobiography books you should read:

The Autobiography of Benjamin Franklin

Written by one of the Founding Fathers of the United States, The Autobiography of Benjamin Franklin is a classic of the genre. In it, Franklin recounts his life story, from his humble beginnings as the son of a candlemaker to his rise as a statesman and scientist. Franklin’s wit and wisdom shine through on every page, making this an essential read for anyone interested in American history.

The Diary of a Young Girl by Anne Frank

The Diary of a Young Girl is the haunting memoir of Anne Frank, a young Jewish girl who spent two years hiding from the Nazis in Amsterdam. Written while in hiding, Anne’s diary offers a rare glimpse into the life of a young girl during one of the darkest periods in human history. Her honesty and resilience make this book a must-read for anyone interested in the human experience.

Long Walk to Freedom by Nelson Mandela

Long Walk to Freedom is the autobiography of Nelson Mandela, one of the most inspiring figures of the 20th century. In it, Mandela recounts his life story, from his childhood in rural South Africa to his 27 years in prison and eventual release as the country’s first black president. His unwavering commitment to justice and reconciliation make this book an essential read for anyone interested in social justice.

I Know Why the Caged Bird Sings by Maya Angelou

I Know Why the Caged Bird Sings is the first of a seven-volume series of autobiographies by the legendary poet and writer Maya Angelou. In it, Angelou recounts her childhood in the Jim Crow South and her experiences of racism, trauma, and abuse. With her signature style and grace, Angelou tells a powerful story of resilience and hope that is both heartbreaking and inspiring.

The Glass Castle by Jeannette Walls

The Glass Castle is a memoir by journalist Jeannette Walls about her unconventional upbringing in a family that was constantly on the move and never had a permanent home. Walls recounts the challenges of growing up in poverty and dealing with a mentally ill father and a mother who rejected traditional societal norms. This poignant and inspiring book is a must-read for anyone interested in the resilience of the human spirit.

Born a Crime by Trevor Noah

Born a Crime is the memoir of comedian Trevor Noah, who rose to fame as the host of The Daily Show. In it, Noah recounts his experiences growing up in apartheid-era South Africa as the son of a black mother and a white father. With humor and heart, Noah tells a story of resilience and determination that is both inspiring and deeply moving.

Educated by Tara Westover

Educated is a memoir by Tara Westover about her upbringing in a fundamentalist family in rural Idaho. With no formal education, Westover was able to overcome tremendous obstacles to attend college and eventually earn a PhD from Cambridge University. Her story is a testament to the power of education and the resilience of the human spirit.

Wild by Cheryl Strayed

Wild is a memoir by Cheryl Strayed about her experiences hiking the Pacific Crest Trail in the aftermath of a personal tragedy. In it, Strayed reflects on her past and confronts her demons, finding solace and healing in the natural world. Her courage and honesty make this book a must-read for anyone searching for meaning and purpose in their own lives.

Night by Elie Wiesel

Night is a memoir by Nobel Prize-winning author Elie Wiesel about his experiences as a Jewish teenager during the Holocaust. In it, Wiesel recounts the horrors of life in Auschwitz and his struggle to survive amid unimaginable cruelty and violence. His words bear witness to a dark chapter in human history and serve as a reminder to never forget the lessons of the past.

Just Kids by Patti Smith

Just Kids is a memoir by musician and artist Patti Smith about her friendship with photographer Robert Mapplethorpe in 1960s New York. In it, Smith tells a story of youthful idealism, creative exploration, and enduring friendship, set against the backdrop of a vibrant cultural scene. Her evocative prose and vivid descriptions make this a must-read for music and art lovers alike.

So, there you have it – our top 10 picks for the best autobiography books you should read. Whether you’re interested in history, social justice, or the human experience, there’s something on this list for everyone. We hope reading these memoirs will inspire you to explore the stories of other remarkable people and gain a deeper understanding of the world around us.

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Escape from Siberia, Escape from Memory

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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

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AUTOBIOGRAPHY OF RED

by Anne Carson ‧ RELEASE DATE: April 14, 1998

            From the fragmentary remains of the sixth-century B.C. Greek poet Stesichoros, Carson (a McGill classics professor) fashions a contemporary tale of “identity memory eternity,” a postmodern extrapolation that blurs the distinction between the figural and literal.  If Stesichoros’s mostly lost narrative about a red-winged monster reads like an experiment by Gertrude Stein, Carson’s deliberately fractured epic reimagines the Greek poet’s Geryon as a confused and lonely young man, who nevertheless still sports wings, which seem to be an objective correlative of his differences, especially his homosexuality.  Surprisingly readable, this verse novel evolves into a fairly straight-forward story about Geryon’s travels in South America, where he runs into the great love of his life, Herakles, who, in Carson’s version, is not Geryon’s killer, but his emotional slayer, and also shares with Geryon a love of volcanoes.  As enigmatic as it may sound, this mock epic peroration on the color red seems to differ little from Kermit the Frog lamenting the difficulties of being green.  Fans of Guy Davenport’s dense fictions will appreciate Carson’s innovative style, which shouldn’t be confused with, say, Vikram Seth’s more formal and transparent verse novel.

Pub Date: April 14, 1998

ISBN: 0-375-40133-4

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

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adapted by Anne Carson and translated by Anne Carson

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A LITTLE LIFE

by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015

The phrase “tour de force” could have been invented for this audacious novel.

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara ( The People in the Trees , 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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by Elin Hilderbrand ‧ RELEASE DATE: June 16, 2015

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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by Elin Hilderbrand

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Agatha Christie: An Elusive Woman Kindle Edition

• Print length 428 pages
• Language English
• Sticky notes On Kindle Scribe
• Publisher Pegasus Crime
• Publication date September 8, 2022
• File size 26576 KB
• Page Flip Enabled
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• ASIN ‏ : ‎ B09RX5DLMG
• Publisher ‏ : ‎ Pegasus Crime (September 8, 2022)
• Publication date ‏ : ‎ September 8, 2022
• Language ‏ : ‎ English
• File size ‏ : ‎ 26576 KB
• Text-to-Speech ‏ : ‎ Enabled
• Screen Reader ‏ : ‎ Supported
• Enhanced typesetting ‏ : ‎ Enabled
• X-Ray ‏ : ‎ Enabled
• Word Wise ‏ : ‎ Enabled
• Sticky notes ‏ : ‎ On Kindle Scribe
• Print length ‏ : ‎ 428 pages
• #40 in Biographies & Memoirs of Authors
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About the author

Lucy worsley.

Dr Lucy Worsley is Chief Curator at Historic Royal Palaces, the charity which looks after the Tower of London, Hampton Court Palace, Kensington Palace, and other historic places. (Yes, this is a fabulous job, but no, you can't have it. Bribes have been offered, and refused.)

After studying history at Oxford, she worked at a minor stately home called Milton Manor, near Abingdon, where she tidied up the archives, gave guided tours and fed the llamas. After that she became an Inspector of Ancient Monuments at English Heritage, doing historical research at Bolsover Castle in Derbyshire: this led to her first book, 'Cavalier', about a dissolute Royalist duke. Since 2003, while working at Historic Royal Palaces, she has continued publishing historical non-fiction for adults and historical fiction for 11-14 years olds. She also presents history documentaries for the BBC.

Do please check out @Lucy_Worsley, or visit her on Facebook.

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The House of Beckham: why Tom Bower's book won't topple the Golden Balls empire

Unauthorised biography of David and Victoria Beckham is met with tepid response

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Tom Bower's new book – "House of Beckham: Money, Sex and Power" – is brimming with scandal. But will the unauthorised biography really pierce the "golden armour and dismantle the Beckham machine", asked Katie Rosseinsky in The Independent. Given their "staggeringly slick" PR machine, it is a big ask. 

The book comes off the back of a recent Netflix documentary, "Beckham" , that offered a "stage-managed insight" into David and Victoria's relationship that was filled with "endearing off-duty snippets", said Rosseinsky . These included the iconic clip of Victoria describing her "working-class" background before David pops his head round the door to reveal she used to be driven to school in a Rolls-Royce. 

Following his series of "bombshell" books about the royals – the latest is titled "Meghan, Harry and the War Between the Windsors" – Bower has shifted his gaze to "Britain's other royal family". But while it "strains to be explosive", it ends up falling short, "like delving into a Wikipedia recap that re-treads old territory".

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Tabloid fodder 

Perhaps the biggest issue with Bower's book, said Zoe Williams in The Guardian , is that many of his most juicy "revelations" are already tabloid fodder. "ChatGPT could have done the whole thing faster, with the prompts: David Beckham – erection – sun lounger."

"Nothing here feels new," said Hannah Betts in The Telegraph . Stories from the papers are "regurgitated": David is "stingy" and "squeaky-voiced"; Victoria is a "tuneless, furious-faced WAG" whose clothing brand is a "much-puffed vanity project". 

There are, however, "moments of magic" peppered sporadically throughout. Bower claims Victoria behaves so "capriciously" during her 2007 NBC documentary "Coming to America" that her exasperated team are said to have "chorused": "So tell me what you want, what you really, really want."

A 'devil's bargain'

Bower portrays their relationship as a "devil's bargain", said Betts, rather than the "happy-families image" that their PR machine trades off – yet "the narrative is oddly flat".

His "overarching argument", said Rosseinsky in The Independent, is that the marriage has, at times, been "little more than a mutually beneficial business arrangement" – something that "hardly feels like a novel thesis". 

And yet, said Hilary Rose in The Times , Bower can't deny that, after more than two decades together, the Beckhams are "still standing". They might not have lived "happily ever after" but on 4 July, just like they do every year, the couple will post "loving tributes" to each other as they celebrate their 25th wedding anniversary. 

Despite the alleged affairs and the all-night arguing, said Williams in The Guardian, "they must, on some level, really like each other".

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Anthony Fauci, a Hero to Some and a Villain to Others, Keeps His Cool

In a frank but measured memoir, “On Call,” the physician looks back at a career bookended by two public health crises: AIDS and Covid-19.

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ON CALL: A Doctor’s Journey in Public Service , by Anthony Fauci, M.D.

In his new memoir, Dr. Anthony Fauci bares all. After he’s unthinkingly opened a typewritten letter containing a mysterious white powder that could be anthrax (treatable with Cipro), ricin (almost certainly fatal in an Agatha Christie kind of way) or perhaps confectioner’s sugar, guys in hazmat suits arrive and order him to strip.

Following a “Silkwood” shower, Fauci has a few tense if resigned hours with his wife, Christine Grady, a nurse and bioethicist, and adult daughters before getting the all-clear. Having personally eased many patients’ passage into the Great Beyond over his almost six-decade career, he writes, “I do not fear death.”

Aside from this episode, “On Call” is a well-pressed gray flannel suit of a book with a white coat buttoned over it: a calm reply to deranged calls for this distinguished public servant’s head on a pike . Is it measured and methodical in sections? Sure. So is science.

These days, Fauci is most closely associated with Covid-19, hero or rogue depending on your political persuasion, under repeated and heated scrutiny for his messaging about masks, vaccines and the lab-leak theory . (“We must keep an open mind to the origin of Covid,” he writes with seeming weariness. “As I do.”) People blame him for their bad pandemic experience, as if he’s a waiter who served them the wrong meal and might be hiding what is going on in the kitchen.

Gently, “On Call” reminds us that Fauci oversaw an entire Seder plateful of plagues, from AIDS to Zika, as the longtime director of the National Institute of Allergy and Infectious Diseases in Washington, D.C., saving millions of lives around the world before stepping down in 2022.

He speeds through his early background. Born on Christmas Eve 1940, to first-generation Italian immigrants living in Bensonhurst, with a sister three years older, Fauci recalls the “extraordinarily soothing” sounds of foghorns in Gravesend Bay and his mother crying over photos of the mushroom cloud on the front page of the New York Daily News after the bombings of Hiroshima and Nagasaki.

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