thesis hard cover printing

Thesis & Dissertation Printing

Book1one will give your thesis or dissertation the professional look it deserves..

If you are looking for a world class company to print and bind your thesis or dissertation, you will find that Book1One will give your document the high quality attention it requires and deserves. Graduate students from all over the country have used our services, and we are listed at many colleges and universities as a reliable resource for hardcover and softcover thesis and dissertation book printing. 

We understand that theses and dissertations comprise a special category in the book publishing world. They represent the culmination of a large body of work and achievement at a very high academic level – and are recognized symbols of professional accomplishment.

Cloth and Faux Leather Color Choices:

NOTE: Colors may not display accurately due to differences in monitor settings

Why choose Book1One to print your thesis or dissertation?

• We offer a number of cover options.  At Book1One, you can select from three cover options for hardcover books: a full-color printed cover, a cloth cover with foil stamping, or a faux (imitation) leather cover with foil stamping. The cloth and faux leather book coverings come in four different colors: black, navy blue, dark red, and green. The color choices are shown in the right side on this webpage. Foil stamping, printed on the front cover and spine, can be either a gold or silver color. Softcover theses and dissertations come with a full color printed cover.
• We have no minimum quantity requirements.  In most instances, the number of printed copies needed for a thesis or dissertation are low. The size of thesis/dissertation orders we receive vary from a high of around ten to a low of one copy. We can print as many or as few copies of your thesis or dissertation at an affordable price and with the same amount of attention we give to larger book orders.

We can offer you a special service regarding foil stamping.

If your foil stamping involves basic text and numbers, such as book title, author’s name, school and date, Book1One can assemble your cover for you at no additional cost to use. If you wish us to provide this service to you, when you place your order, upload a PDF file indicating what you would like printed on your front cover and spine and approximate positioning. We will fit and center the type using the Time New Roman font. For more on foil stamping click  here .

Get an instant price quote without having to call or email!

Book1One is one of very few book manufacturers who has a website price calculator that will enable you to obtain an accurate price quote without having to place a phone call or submit an email. It’s fast, easy, and our customers love it!

Simply insert the specifications of your book project and, with one click, see what the price of your project will be.

Placing your order is as easy as 1-2-3!

If you have completed the design and layout of your thesis or dissertation and are ready to upload your print ready PDF file(s) to us and place your order, simply click on the red “Place Order” button located at the top of your screen. You will then be taken through the simple three step process of (1) creating your personal account, (2) uploading your cover and page files and (3) completing the checkout procedure.

• How Our Process Works
• Plastic Coil
• Book Cover Sizing Diagrams

OUR GUARANTEE

Our guarantee to you is that we will give your project our utmost personal attention to ensure that, when finished, your books meet the highest quality production standards.

Remember, at Book1One:

• We work with easy-to-use PDF files, and our online ordering process is a snap.
• We have no minimum order requirements – even for hardcover books.
• We have no set up fees. Your only expense is the cost to print, bind & ship your books.
• Our turnaround times are fast – five business days for softcover and plastic coil bound; 10 business days for hardcover books. And rush production is available.
• You’ll receive personal “hands-on” service. We’ll answer your emails quickly, and if you call us, you’ll get a real person.

HEAR WHAT OUR CUSTOMERS HAVE TO STAY

I just received my book order of an early 1900's scrapbook replica you printed for me - and it is perfect! I can't wait to show it to my client and display it at a networking show next month. Many thanks for a great job.

Wendy McSweeney Powhatan, VA

It has been a pleasure working with you on my photo book project. Many of my colleagues have complimented the book's photo colors and quality.

R. C. Livesay Author & Photographer of The Secret Life of the Grand Lake Pelican

You did a wonderful job with our book project. Everything was done exactly the way we had envisioned it.

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We received our books today, and they look fabulous! You do quite a professional job. We will certainly keep you in mind for any future projects.

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• Knowledge Base
• Dissertation
• Dissertation Binding and Printing | Options, Tips, & Comparison

Dissertation Binding and Printing | Options, Tips, & Comparison

Published on September 9, 2022 by Raimo Streefkerk . Revised on July 18, 2023.

Congratulations, you’ve finally finished your dissertation . It’s been professionally proofread and checked by a solid plagiarism checker .

The final step is printing your dissertation, which means choosing between:

• Types of binding
• Color vs. black & white

Single vs. double-sided

• Paper thickness

There are a few printing and binding services to choose from as well. This article presents a few options that can help you make the right decisions.

Printing service options

Table of contents

Types of dissertation binding, dissertation printing options, production and delivery times, last checks before printing, overview of printing and binding services, other interesting articles.

Binding keeps the pages of your dissertation together, and comes in a variety of price points. Spiral binding is cheaper, a hardcover book binding is much pricier.

The type of binding you choose can depend on:

• Guidelines from your university or department
• The version (draft vs. final)
• The type of work you’re submitting ( PhD vs. master’s thesis vs. undergraduate thesis )

Spiral binding (± $7)

• Professional appearance
• Opens flat, so browsing through the pages is easy
• Fairly inexpensive

Comb binding (± $5)

• Pages are easy to browse
• Binding can be opened and closed
• Can be cheap-looking

Fastback binding (± $8)

• Professional, book-like appearance
• Available in different colors
• Individual sheets can come loose with time

Paperback binding ($10–20)

This type of binding makes your dissertation more durable and professional. In most cases, it’s possible to add front and spine lettering.

• Durable and professional
• Book-like appearance
• Opening and browsing is less smooth than with spiral or comb binding

Hardback binding ($20–50)

• Customizable cover
• Quality comes at a price

Color vs. Black & White

Check your university’s guidelines to see if there is guidance about whether to print your dissertation in color or black & white. Note that printing in color is on average two to four times more expensive.

In general, a color-printed dissertation looks more professional, but it is often not required.

Printing double-sided is often cheaper than printing single-sided, due to the paper savings — it makes your dissertation half as thick. However, some universities require you to print your dissertation single-sided. Be sure to check the guidelines.

When printing your dissertation double-sided, pay attention to the following points:

• New chapters should start on the front side of the paper. You will need to take this into account and insert “blank pages” when preparing to print.
• Add a blank page after the title page so that the acknowledgments and abstract are not printed on the back of your title page.
• The page numbering is often placed in the bottom right on the right side of the page and bottom left on the left side. You can easily set this in Word by choosing “outside alignment”.
• Check your style guide to make sure there aren’t any rules for printing.

Paper weight

The thickness of the paper (measured in gsm or grams) is something most students don’t think about, but it does have a significant impact on the look and feel of your printed thesis or dissertation.

Standard printing paper has a weight of 75–90 gsm. For a bachelor’s or master’s dissertation, this is likely fine. If you want the paper to look and feel more professional and durable, a paper weight of 100–130 gsm is better. This is often used for PhD dissertations.

Number of copies

It is common to print three to five copies of your dissertation. Depending on your university’s guidelines, you might need to submit one to three copies to your supervisor and department. In addition, you might want to have a copy for yourself or your family.

The production time for printing and binding takes on average two days, and delivery takes at least another day. For an additional charge (ranging from +20 to +80%), the production and delivery time can be shortened.

Have a looming deadline? Your local print shop is likely able to print and bind your dissertation faster, and it eliminates delivery time. However, keep in mind that this is often a little more expensive.

Before sending your dissertation to a print shop, there are three things you should do:

• Save your file as a PDF By saving your file as a PDF, the formatting will be consistent on every computer. This way you prevent any unpleasant surprises, such as offset pages, when receiving your printed product.
• Check for language mistakes There’s nothing worse than finding a language mistake in your printed version. Make sure to proofread your dissertation or make use of a professional proofreading service .
• Update the contents page Before saving your dissertation as a PDF, don’t forget to update the table of contents and cross-check the page numbers listed there with the actual page numbers.

The table below provides an overview of two popular dissertation printing and binding shops, including information on delivery costs and review score.

*Prices are based on a spiral-bound dissertation of 40 pages , printed single-sided , in black , on 80-90gsm  paper, including a clear outer front and back cover .

**Prices are based on a hardback-bound dissertation of 200 pages , printed single-sided , in black , on 90-100gsm  paper.

If you want to know more about AI for academic writing, AI tools, or research bias, make sure to check out some of our other articles with explanations and examples or go directly to our tools!

Research bias

• Survivorship bias
• Self-serving bias
• Availability heuristic
• Halo effect
• Hindsight bias
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• Supervised vs. unsupervised learning

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Streefkerk, R. (2023, July 18). Dissertation Binding and Printing | Options, Tips, & Comparison. Scribbr. Retrieved August 5, 2024, from https://www.scribbr.com/dissertation/binding-and-printing/

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Thesis & Dissertation Binding Specialists USA

Thesis and dissertation, printing and binding specialists usa.

DB Bookbinders is the USA’s premier provider of thesis binding services.

With decades of experience in the industry, we specialize in crafting professional-grade thesis and dissertation bindings for universities and colleges across the United States of America.

Our expert binder team can create stunning and durable bindings that you can be proud to submit. Plus, our online thesis uploading platform is simple and straightforward, so you can get your order ready and shipped to you quickly.

We offer a wide range of binding styles to choose from, including buckram , vegan leather , and genuine leather , so you can find the perfect binding for your thesis or dissertation.

Don’t wait get started now and craft a binding that will make a lasting impression.

Thesis Order Form 2024

Buckram Thesis sh.1004

Buckram thesis sh.16.

Buckram Thesis sh.144

Buckram Thesis sh.70

Bible Restoration & Repairs (Quotation)

Buckram Thesis sh.68

Buckram Thesis sh.214

Excellent work and great service. Highly recommended!

Beautifully finished!

Amazing finished product. Great service along the way and very professional. Highly recommended!!

DB Bookbinders did a great job printing and binding my thesis. There was an issue with the ordering form's file upload but easily solved via email. Thank you!

With over 30 years of experience, we specialise in providing high-quality thesis and dissertation binding services for universities and colleges in the United States.

Our experienced team of binders can craft beautiful, professional-grade bindings for your thesis or dissertation.

With our easy online thesis uploading platform, you can place your order and have it shipped to you in no time. We also offer a range of binding styles, from buckram, vegan leather, to genuine leather, so you can choose the perfect binding for your thesis or dissertation.

Get started today and craft a binding that you will be proud to submit.

Thesis and Dissertation FAQ's Still have questions? We have answers!

There’s a lot to weigh up! We’ve put together a couple of handy guides to help you know what to look for when you’re getting your thesis, dissertation or design folio bound.

Thankfully, we’ve written a handy guide to knowing what to know before you go to a bookbinder. Have a read of ‘Five Things You Need to Know’ by clicking the button below.

Get your bound Thesis delivered to the following USA Universities

Dissertations presented professionally.

Compliment your work with the best presentation possible  

It can take years to develop your thesis or dissertation. Looking professional is essential for something this important.  

Bindery work is a craft and we are very critical of the quality of paper, coverings and other materials that contribute to an impressive finish. Our fine-tuned processes ensure construction integrity, precision with all cuts and edges and overall consistency. You can really tell the difference. 

We get the presentation of your thesis or dissertation to a level to impress. Nothing less is satisfactory to us.  

Go to our  dissertation binding form  to place your order. 

Servicing students and professionals from the largest universities in the United States!   

• Harvard University
• Stanford University
• Massachusetts Institute of Technology (MIT)
• University of California, Berkeley (UCB)
• Princeton University
• Yale University
• Columbia University
• University of Pennsylvania
• University of Michigan
• University of California, Los Angeles (UCLA)
• University of Chicago
• University of Virginia
• Johns Hopkins University
• Cornell University
• Duke University
• University of Texas at Austin 
• Northwestern University
• University of Washington
• University of Illinois at Urbana-Champaign
• Georgia Institute of Technology
• and many more!

We are experts in professional binding and would love to assist with your thesis or dissertation binding today.

DISSERTATION BINDING IN THE UNITED STATES

We enjoy hearing from our happy customers after they’ve received their delivery of bound theses and that ‘magic moment’ of excitement. It’s something to be proud of and we love being part of that.

DB Bookbinders proudly supports university students and academics right across the U.S. with their thesis and dissertation printing and binding needs.

We also provide various other book binding restoration services to a broad range of professional organisations across the United States including colleges, universities and government organisations.

Read more about  our services .

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Thesis Printing & Binding

✓ Live preview of your binding

✓ 3D look inside function

✓ FREE express delivery

Express delivery:

configure now

Inhaltsverzeichnis

• 1 Why Choose BachelorPrint
• 2 Our Bindings
• 3 Comparison Of Bindings
• 4 100% Real Reviews

Why Choose BachelorPrint

FREE express delivery

Upload your work, configure your binding and submit your order. You will receive your order with free express delivery within a few days!

INNOVATIVE look inside function

Final check of your thesis with ease – this is possible with our look inside function that enables you to browse your thesis online as if it was already bound.

Online 3D configuration

Easy configuration in the online shop – with 3D Live configurator to see what the binding will look like. PLUS: Price preview & delivery time calculator.

Our Bindings

At BachelorPrint, you have the option of selecting from a variety of bindings. You should make sure that the work is bound correctly, depending on the type of work. We strongly recommend thermal binding if you’re putting together a thesis. The thermal binding is a popular choice for students, as it provides splendid value for money.

Calculate the costs for printing & binding your thesis with the BachelorPrint Cost Calculator:

Calculate the costs of your thesis now

Tip: The content of your binding should reflect the importance of your work to you. However, make sure to check if your university has certain requirements for submitting!

Leather Book Bindings

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Premium Leather Binding

Refinements, standard leather binding, excellence at its finest.

Configure Now

Thermal Binding

Spiral binding, metal spiral binding, plastic spiral binding.

Advantages Of An Online Printing Service

Order easily from your own home

From home, you can print and bind your thesis easily and quickly. No more endless hunts for a copy or print shop, no more irritated wanderings around town, no more enduring long lines — just set up your preferred binding and get your thesis the very next day with free express delivery.

Endless possibilities & all in one place

At BachelorPrint, you can choose from various types of bindings that are good quality. You can also set up our print shop with many options. The appearance of your thesis is entirely up to you, whether it be through the use of ribbon markers, book corners, or individual embossing.

If you are uncertain about the final appearance of your binding, there is no issue. With the live preview and the look inside function, you can peruse through your essay and verify its fitment.

Ordered today, delivered tomorrow!

We provide fast delivery wherever you want!

Comparison Of Bindings

We had over 100,000 satisfied customers since 2016

Our motto: you always come first! Your opinion is important to us, and we do everything in our power to fulfill your wishes. We invite you to experience our Instagram channel for yourself and to peruse the Google reviews of our satisfied customers.

100% Real Reviews

Any Questions?

Check out our FAQs or talk to our customer service team.

How long does thesis binding take?

We use the latest printing technologies to offer you the fastest production time for your thesis. Be careful to order before the countdown above runs out if you want your thesis to be produced on the same day. We produce and deliver within 24–72 hours, depending on your location. Good to know: delivery is free!

Need further information? Head over to the online print shop to calculate the exact date of delivery for your thesis.

What are the costs for thesis printing?

Of course, the price is crucial when it comes to thesis printing. The price depends on your personal configuration, i.e., what binding you choose, how many pieces you order, or whether you want extensions to your binding such as book corners or a ribbon. It is also relevant how many pages you want to be printed and bound in your thesis.

For example, if you would like to print a 20-page thesis with premium leather binding and additional embossing, the calculated price would be $64.80. This is 45% less in comparison to other market prices! Plus: with BachelorPrint, your order is delivered for free!

At BachelorPrint, we use 100 g/m² premium paper as standard for printing and set the same price for color and black/white printing.

Head over to the online print shop and your price will be calculated for you as you design your thesis.

Where can I order my thesis binding?

For thesis binding, you can choose between a usual copy shop or an online print shop .

The advantages of an online printing service like ours are, among other aspects: an easy ordering process from wherever you are, delivery to your address plus the configuration of your thesis binding with our 3D live preview and look inside function for a final look at your thesis!

Which binding is recommended for a thesis?

Which binding is right for your thesis depends on the importance of the printed work. A bachelor’s thesis or master’s thesis is critical and therefore should be bound with premium leather binding . If you want to hand in your thesis with an application or need it for storage purposes only, other types of binding, like thermal binding or spiral binding should be sufficient.

Which paper for printing and binding a thesis?

Most printing services use 80 g/m² paper for printing and binding a thesis, but this paper is rather thin and therefore might be see-through if you decide to print your thesis double-sided.

We recommend using the 100 g/m² paper that looks and feels more valuable. At BachelorPrint, this is the standard paper we use for printing a thesis and there are no additional costs to it. We also offer printing with 120 g/m² paper.

If you want to know more about choosing the right paper for your thesis, follow this link to our article: Which paper for thesis printing & binding?

How can I save money when printing a thesis?

BachelorPrint offers the best value for money. Additionally, we present you with no delivery costs and free embossing (for the “type of work” position).

Do you want to save extra money? Read about how you can get free printing !

Why should I do my thesis binding online?

BachelorPrint as an online printing service offers you several advantages for your thesis print on demand :

• Production of your thesis within one day. Order before the countdown above runs out, and we deliver the next day (depending on your location)
• Free delivery
• No minimum order value
• 3D live preview in the BachelorPrint print shop
• Individual embossing with your university logo
• Free “type of work” embossing (e.g., bachelor’s thesis, master’s thesis, dissertation, etc.)
• High-quality bindings
• Free 100 g/m² premium branded paper

Do you have further questions about the printing and binding of your thesis? Contact us: [email protected] 724 281 3937 Free 24h Customer Service  

Extremely satisfied, excellent deal with delivery in less than 24h. The print...

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Print and bind your documents from one copy upwards

Dissertation Printing

Online dissertation printing and binding.

• Print hardback, paperback or spiral bound
• Instant quote and free Royal Mail Tracked delivery for orders £10 or over
• Online cover designer (hardback/paperback)

Upload & Print

Print your Dissertation online

Doxdirect specialises in online dissertation printing and dissertation binding services for students around the world.

We know that it’s the most important (and possibly the most challenging) piece of work you’ll complete during your time at university. That’s why we’ve made printing and binding it easier.

Doxdirect offers undergraduate, postgraduate and PHD students a high quality and easy to use device-to-door solution to print your dissertation online, and have it bound professionally and delivered quickly.

How should I bind my Dissertation?

The most popular dissertation binding option is a full colour hardback book . We also offer a paperback version, and an economical spiral bound option (also known as coil binding, wire binding and wir-o binding). Your printed dissertation will look something like this…

Options for dissertation printing

Size / Orientation Hardback A4/A5 portrait or landscape (left binding edge) Paperback A4/A5 portrait or landscape (left binding edge) Spiral bound A4/A5 portrait or landscape (left or top binding edge) A3 landscape (left binding edge)

Paper Hardback 80-300gsm (plain or satin) Hard cover with spine Paperback 80-300gsm (plain or satin) Soft cover with spine Spiral bound 80-300gsm (plain or satin) Printed covers are 300gsm and printed single sided

Quantity / Pages Hardback 20 to 638 pages (double sided) Paperback 20 to 638 pages (double sided) Spiral bound 2 to 586 pages (double sided)

How much will my dissertation cost?

Royal Mail Tracked delivery to UK addresses is free for all orders over £10, and creating a cover for hardback or paperback dissertations is also free.

Cover Design Tool

You can create a cover online for both paperback and hardback dissertations, using the free in-browser Cover Designer. For spiral bound dissertations, the front and back page of your Word Doc or PDF can be used for the front and back cover.

When should I order my Dissertation by?

Standard Service

• 2 day processing + Royal Mail Tracked delivery = Delivery in 3-5 working days (estimated)
• Please note : Royal Mail do not guarantee delivery dates

If you have a little less time on your hands, you may want to use a faster premium service.

Premium Services

• Same day processing* + Courier delivery = Delivery next working day
• Next day production + Courier delivery = Delivery in 2 working days

*(Order before 2pm for same day processing. See the Delivery Policy for further details or Contact Us for guidance.)

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Instant quote Try our Price Calculator below

• Standard: 80gsm, 100gsm
• Higher quality: 120gsm, 130gsm
• Premium: 160gsm, 170gsm
• Thin card: 300gsm
• Plain - matt and bright white, better for large amounts of text
• Satin - soft sheen, off-white, ideal for full coverage
• No cover: All pages will be printed on the same paper
• Colour Printed: Covers will be printed on 300gsm card in Colour
• B&W Printed: Covers will be printed on 300gsm card in B&W

Our promise to you...

Love us or your money back.

If you aren't happy with your order, return it and we'll reprint it or issue a refund.*

Quality Bindery Services, Inc.

Call (716) 883-5185

Print Industry Finishing Services | Bookbinding, Bible & Book Repair, Thesis Binding | Mailing 

Do you need your thesis bound, thesis & dissertation binding.

Trust your thesis binding to QBS, a company that reveres education, and the work you have achieved! Our pricing is reasonable. We know you’ve just spent a bundle on your education! We have been helping graduate students preserve their thesis work for years. It’s simple. Whether you want a soft cover or a hard cover -- both are available. We follow the instructions of the school you attend. We use all types of materials, including cloth, paper and leather. If your school no longer requires you to print and bind your dissertation . . . have it bound beautifully for yourself!

Download our Thesis Binding Information Flyer.

Hard Cover Value Pricing Our value pricing for hard cover thesis binding is $55 per book.

Includes hard cover, we use imitation leather

Choose from many colors, including black, navy, medium blue, brown, green and burgundy

With gold or silver foil stamping on spine and front cover

Soft Cover Value Pricing Our value pricing for soft cover thesis binding is $40 per book.

Includes soft cover, we supply the cover stock

Choose black or white cover

Printing Services

QBS also provides printing services on a variety of paper stocks. The prices are as follows:

25% cotton with watermark:        $.45 b/w  $.60 for color

24# bond copy paper:                $.30 b/w  $.40 color

100% cotton with watermark:      $.55 b/w  $.75 for color

Turn around is usually 3 weeks.

If you need your theses sooner, rush charges may apply depending on our schedule:

5 to 10 days: an additional $20 per book

4 days or less: an additional $50 per book

"My bound dissertation books arrived today, and you did an amazing job. It looks excellent. I am so thrilled and happy. I will definitely use your services again (going back to school) and I have forwarded information to my other college cohorts. Thank you so much."  B.

Step 1: Fill Out the Order Form Download our PDF Thesis Order Form Important: If you have difficulty filling out our order form via the PDF, please print the PDF form and fill it out. Scan and email to [email protected] or fax it to (716) 883-1598. Step 2: Upload Your Files Upload your files to our secure WeTransfer FTP (file transfer protocol) site.

https://qualitybindery.wetransfer.com/ Step 3: We Email Your Price Confirmation Step 4: PayPal Payment

Send payment directly from your PayPal account using our PayPal email address: [email protected] Step 5: Delivery Options

Click here for hours and directions

Quality Bindery Services Inc.

501 Amherst St. Buffalo, NY 14027

We ship per your instructions on your order form.

For more information call (888) 883-1266 toll-free or (716) 883-5185. We are here to congratulate you and to help you with this next exciting step in your career!

Order Form & How to Order

Here is an example of one of Quality Bindery Services' great Buffalo, New York customers -- D'Youville College.

D'Youville graduates, c lick the below image to download your college's order form. Others use the form in Step 1. 

Does your educational institution no longer require printed and bound theses?  They just put it online.

We think all of the work you completed to get your doctorate degree deserves a place on your bookshelf. It serves as part of your life legacy and can be handed down to your family's future generations.

BOUND THESIS TODAY!

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Whether you’re an author, university library, or researcher, ordering a dissertation or thesis through ProQuest is easy. Our hardcover editions replicate the Library of Congress holdings—printed in full color, with elegant black covers and embossed gold titles.

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Thesis Printing & Binding

Congratulations! The writing and research is finally finished. Now, it’s time to consult with University Printing Services to professionally print and bind your thesis.

We print on high-resolution digital devices to ensure clear grayscales, solid blacks, and sharp color.

Email a PDF file of your document or drop it off at one of the Digital Print Centers listed below:

We also invite non-University of Minnesota students to contact Printing Services for your printing and binding needs.

*It is extremely helpful when you can provide specifications for binding color, lettering color and spine/front cover layout. We want to make sure your submitted thesis will meet any requirements specific to your school or program.

Choose from 100% cotton rag content paper for durability and permanency or a high quality acid-free paper.

Binding Options:

Hard Cover Thesis Binding* $50.00**

Traditional thesis binding with a custom made hard cover using the Buckram fabric color of your choice. The spine is foil-stamped with your name, degree, and the year.

*Non-Thesis hardcover binding: $57.00 **Additional front cover printing: $9.00

Soft Cover Binding $7.00

Durable coverstock with a plain cloth spine. The title page is reproduced in black on the cover.

Turnaround time is 10 business days. No expedited delivery.

Free delivery to University of Minnesota — Twin Cities Departments We also ship off-campus at standard UPS rates

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• Thesis Printing

You can now order your thesis printing & binding online with our new site:  printservices.mit.edu  

You put a great deal of work into your thesis. Now we can help you package your efforts with professional polish and style. From choosing the right paper stock to cover options and binding, we will walk you through the MIT thesis specifications to present your work with the high-quality look and feel it deserves. 

MIT Copytech uses MIT-required thesis paper for all thesis print orders. Approved thesis paper is also available for purchase by the ream (500 sheets). We have an Athena thesis printer in our 11-004 location.

We provide hard-cover bookbinding for thesis printing. You can choose from an array of color choices as well as gold lettering print options on the cover and spine. Economical soft-cover binding choices are also available. Thesis covers and binding clips (required for thesis submission) can also be obtained through MIT Copytech.

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(Please note that the binding colors on screen may appear slightly different than in person.)

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After three or four years working on your PhD, you want it printed beautifully by a specialist academic printing service.

MuPrint will print and bind your thesis to university requirements, quickly and without any fuss. We have over 30 years’ experience getting it right.

You can now place your order online for hardback or softback (Channel) binding. Or read on for more information…

We can print your thesis for you while you wait, in colour or black. You can use the Price Calculator to check the price. Or if you can give us 3 or 5 working days to complete and the price will be lower.

Our colour printers are sophisticated enough to know the difference between colour and black pages so you can send it to print as one complete document – no need to waste time collating it afterwards. However, watch out for:

• headers and footers that contain colour text or lines – this will make every page colour.
• hyperlinks (web or email addresses) – these may be in blue or another colour; right click the link then remove the hyperlink.
• graphics that look black but were originally saved as colour – ensure that they are saved as mono, greyscale or bitmap before inserting them into your document.

We recommend printing from PDF files as these minimise problems but we do have Microsoft Word 2010 and LibreOffice (OpenOffice) on all four customer PCs.

We usually print onto high quality standard weight (80gsm) paper and you can choose recycled paper at no extra cost. We also have a selection of papers up to 120gsm which are suitable for dissertation printing, with a small extra cost per sheet.

If you wish to print your thesis yourself, that’s fine – we’re still happy to bind it for you.

Manchester Metropolitan University

For softback binding, page 60 of the MMU Research Degrees Handbook allows channel binding for submitting two paper copies of your Thesis. We can normally bind while you wait in about 5 minutes at a cost of £5.00 per copy, plus any printing charges if required. However, if your Thesis is thicker than 32mm – approx. 300 sheets of standard 80gsm paper – it’s too thick for channel binding. You could consider printing it double sided in such a situation.

There is no longer a requirement to submit the final Thesis in hardback format. If you require hardback binding – as a personal copy for example, or for your supervisor or sponsor – please note that this will take a little longer: it cannot be done while you wait although a same day service is possible. Full details on the options available can be found on our hardback binding page.

University of Manchester

The standard regulations state that prior to your viva, you must submit two bound copies of your Thesis. Most students choose softback binding for their first submission as it is quick and inexpensive. MuPrint can channel bind your Thesis to University of Manchester standards with gold lettering on the spine. This takes only 5-10 minutes (not hours or days) and costs £9.00 per copy.

The standard lettering required is in this style:

PhD     YOUR NAME     2020

Note that with the modern style, there are no stops in “PhD” nor after any initials in your name.

There is a physical limit of 32mm – approximately 300 sheets of standard 80gsm paper or about 340 sheets of 70gsm paper – that can be channel bound. If your Thesis has more pages or you have used a thicker paper then you will have to bind it into 2 separate volumes or print it double sided. Check the regulations for what you need if you bind it in more than a single volume. If you haven’t already printed it, we can print it double sided for you but check with your supervisor beforehand as many prefer single sided printing only.

There is no longer a requirement to submit hardback bound copies of your Thesis once you have passed your viva at the University of Manchester. If you require hardback binding – as a personal copy for example, or for your supervisor or sponsor – please note that this will take a little longer: it cannot be done while you wait although a same day service is possible. Full details on the options available can be found on our hardback binding page.

If you wish to re-use all or some of the pages from your Channel bound Thesis, bring it back to us as we have the equipment to take the binding apart.

Other Universities

We’re happy to print and bind theses for students from other universities. Please ensure that you bring a copy of the regulations so we can complete the work to the correct standard.

When submitting your thesis or dissertation, MuPrint are university printers you can trust.

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Helix Binders

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Dissertation / Thesis binding and Printing

A quick, easy and cost-effective way to have your thesis or dissertation professionally printed and bound., the 1 day option is only available monday to thursday, any 1 day orders placed on a friday will not be dispatched until monday, orders for the one day option must be placed by 10am for next day delivery..

Helix Binders are a major provider of dissertation / thesis print & bind for students throughout the UK.

With the ability to match all UK university specifications you can trust Helix Binders to produce your work in the highest quality.

Add impact to your Thesis or Dissertation with professional binding

First impressions count.

Everyone knows this little phrase and it applies completely to submitting your thesis too. You’ve poured man-hours into researching, writing and proofing your Thesis – the last thing you want is to make a poor impression by submitting a substandard printed document.

A well printed and bound document will reflect all the hard work that has gone into creating the content within it.

Experienced binders

We’ve been binding dissertations and thesis for many years and know a thing or two about it. From the feedback we’re received, a beautifully bound dissertation has much more impact. Your publication is in good hands.

You’ll want the overall finish to be perfect. Neatly trimmed, durable, and free of blemishes. We inspect each document before we ship it out, giving you peace of mind that it has been printed with care and attention to detail.

Up to spec thesis binding

Many universities have their own thesis binding specifications for submitted documents and we can bind to those requirements. This ensures that you not only comply but also make the best possible impression.

Using the latest digital printing technology, you can be sure that the print quality will be excellent and we don’t skimp on the paper either. Our standard weight is 100gsm, making sure the print is legible and the document is a pleasure to handle too.

Our thesis / dissertation binding service offers you a choice of covers and finishes, meaning it is customised to you.

We also offer a variety of extra options allowing you to add even more uniqueness to your document and make it stand out.

You have a variety of delivery options too, including Next-day delivery with a 1 hour window. You won’t have to hang around all day waiting for that important thesis to arrive. We know that there is no point in getting a thesis printed and bound to a professional standard, only to find that it has been damaged in the post. We take care in packing and delivering your thesis so that it arrives in the pristine condition you’d expect.

Cost Effective

Having choice means you have a say in the final cost. Our printing and binding processes are streamlined to ensure low waste and a fast turn-around – keeping costs to a minimum and giving you the best possible finish at a great price. We have a quick cost calculator to help you get an idea of the choice and the pricing before you even place an order.

Having survived the stress of compiling your thesis , you’ll want the submission process to be smooth and easy.

We have a wide range of applications and will process your files in most common formats. If you are unsure of what format to submit your document, please do not hesitate to contact us [email protected] .

What areas do we cover?

We have produced thesis binding to students from all over the country, here’s a quick look at just how much of the UK we cover:

It doesn’t matter which university you attend, or where you are in the UK – we can print it, bind it and ship it for you.

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Comments: 5 (Add)

Hi. Ordered my wife's PhD Thesis to be bound, all 336 pages, last week. It's arrived! We are so pleased with the quality and service. Thank you. Stephen, Lynn and Mabel the dog. One happy house.

Thank you very much for the binding. I have received the thesis and it is very well done.

Kind regards, Kevin

I binded my dissertation in 2021, and I am totally satisfied with the result! It is beautifully binded and very proud of the book!

What fantastic service, and what a great finished product. Iain was brilliant in ironing out a few glitches (caused by me tbh). I can't praise him or the service provided highly enough. If you want your thesis bound professionally you've found the right place.

Just received my bound dissertation from Helix. I had to write this brief message to say thank you so much, it is absolutely stunning. The service, quality, and simplicity of the process is amazing. I cannot recommend your company enough, I will definitely be using you for future binding projects. Many thanks, Dave.

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Printed Hard Cover Binding

• Print ONLY the pages you want in color to save money!
• Regular Paper choices include 20lb Bond, 60lb Bond
• Cotton paper choices include 25% Cotton, 100% Cotton
• Coated paper choices 80lb Gloss and 80lb Matte
• All prints on Coated paper charged at low color rate

• Print your document yourself and mail it to us for binding

Printed Hardcover Binding gives you the freedom to print any design on your Hardcover book. You can design your own cover and send us your file, or we can provide basic designs for you. We provide basic cover designs for free. We do not charge for this service because we do only very simple designs. Click the links below to find a graphic designer

We print your cover design on a high-resolution digital printer and laminate the print. Printed Hardcover Binding features:

• Personalized Wrap-Around cover design at no extra charge.
• Cover print is protected with Lamination
• Stitched and trimmed document binding

Note that after we receive your Printed Hardcover Binding order, we will email you a PDF proof of your cover layout AS WELL AS a Microsoft Word version.

We do not have a graphic designer in-house!

Your FREE cover layout is auto-generated by computer with the instructions you provide in your order. You can approve the PDF proof or make changes in the Microsoft Word file and send it back to us by email. But we cannot complete your Printed Hard Cover Binding order until we get your approval. So, your order will be delayed by the same amount of time it takes for you to approve your proof.

IMPORTANT: We strongly suggest that you make changes to the Microsoft Word file on a computer, NOT on your phone or tablet. Click here for Instructions to make changes to your cover with Microsoft Word .

Click the links below to find cover design assistance in your area or online.

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Printing and binding a thesis: your ultimate guide

You have finally completed your thesis . It has been a long process of getting your bachelor’s thesis or other college paper to completion. Before you can submit it, high-quality printing and binding is essential. Any student has two concerns when it comes to printing and binding their thesis:

• What is the best way for printing and binding my thesis?
• Which is the best place to have my thesis printed and bonded?

Here is a detailed guideline on salient issues to keep in mind when going about printing and binding your thesis .

What is the best way for printing and binding your thesis?

Most students have never printed and bound any research paper before their thesis paper. Therefore, it may be a difficult task selecting the ideal printing and binding configurations. This article provides all the information you need for printing and binding a thesis.

What issues do I have to keep in mind when printing a thesis?

Some of the questions that are in the minds of students when it comes to printing their papers include:

• Do I print in colour or just black and white?
• Which is the right kind of paper
• Where do I get the best deal so that I can print at a reasonable price?

We have compiled some guidelines on printing a thesis to make it easier for you.

What issues do you have to watch out when binding your thesis?

Most students just think about the ‘how’ to go about binding as they do not know the best type of binding to pick for the thesis. Your choice depends on the type of thesis. A paper that requires extensive research and work, such as research paper may require better binding than your regular term paper that takes just a fraction of the time.

The weight of these papers also differs. Your term paper counts just a small percentage of your final mark where your thesis, whether masters, bachelors or a research paper takes the higher percentage.

Keep in mind: printing and binding your thesis is a very important thing. You should find a appropriate binding to make your dissertation worthy and unique. Here, a simple spiral binder may not be the best choice. It is best to go for leather book binding as it is sturdy and looks worthy of a major paper.

Essentially, the choice of the binding to use depends on the type of college paper that you would like to submit.

Most tertiary institutions have specific requirements when it comes to the type of binding to pick. Therefore, check with your institution, whether there any regulations on printing and binding your paper.

What is the right binding for my paper?

There are several options out there for your binding. We shall explain each to make it easier for you to make a choice.

Printing and binding your thesis with the leather book binding

Our recommendation for important papers: thesis printing and binding with the high-quality leather book binding . The leather-look gives your thesis a solid look, which is classy and professional-looking. When you decide to use BachelorPrint, you are given a wide choice of customized options that include a bookmark, custom embossing and corner protectors to have a superb look for your thesis.

Recommendations:

Leather book binding works great for your final papers such as

• Research Paper
• Bachelor thesis
• Dissertation
• Master’s thesis

Thermal binding as a classic way for printing and binding your thesis

Thermal binding is the most versatile type of binding. Its cover is transparent, thereby allowing you to show the title of your thesis right on the cover. Besides, it comes with a leather-like back cover and you get to choose the colour of the cover. A very good way for printing and binding your thesis.

Recommendation :

Thermal binding works great for smaller research papers. It is also ideal for situations where you need various print-outs of the paper.

The softcover as the most flexible way for printing and binding your thesis

If you would like to have a final paper that looks creative and stands out, consider going for the softcover. This is because it allows you to design the cover in the way you want. There is a wide choice of pictures, fonts and logos available when you need to go wild with your designs, especially if you are quite creative. However, ensure that your paper does not get too cluttered with creative pieces. You are interested in printing and binding your thesis, not a comic – it has to look serious and professional.

Recommendation:

The cheapest way for printing and binding your thesis: the spiral binding

Spiral binding is the simplest binding method and the sleekest. It has similarity to the thermal binding in that you have a transparent front cover and a leather-like back cover with several colour choices. However, unlike other binding types where your pages are glued together, in this case, your papers are held together by spirals. You have a choice of metal or plastic spirals if you decide for printing and binding your thesis with the spiral binding.

Spiral biding works well for small research papers like the term papers. It is not recommended for important, large final papers such as research papers and dissertations.

A quick look at binding methods

We have tabulated the information above about various types of binding to help you determine which would be the best way for printing and binding your thesis.

Where can I get thesis printing and binding services?

We have researched so that you find it easy when going about printing and binding your thesis. We would also like you to know where to get the best quality service. You can consider going to an online printing provider. This allows you to make an order from home, which saves you some time. Even when you are making online orders, it is important that you research on the providers that can offer quality service. In our research, we found one online printer that stood out from many others.

BachelorPrint is your choice thesis printing and binding provider. This authoritative online printing provider offers you several high-quality binding selections. They also have a free express shipping service that ensures that you have your paper soon after it has been printed.

Here are some of the benefits offered

• There is free express shipping to all customers
• There is a 3D preview function where you look at the inside and outside of your thesis in the selected binding using this function on their website.
• They offer high-quality papers at reasonable prices

Ensure everything goes right in your thesis printing and binding

Writing a good thesis takes much time and effort. We guarantee that these tips shared above on Master’s thesis, term paper or dissertation printing and binding , your paper should get ready without any hiccups.

You are the one to determine where your papers will be printed. There is a choice of going to a copy shop or making an order online. However, if you would like to simplify the process of printing and binding your thesis and go for a high-quality paper and a smooth printing and binding process for your final paper, go for BachelorPrint. They have set up a user-friendly online print shop that not only allows you to put together your final thesis but also see how it looks like before it is completed. These are a few reasons why we recommend their services.

We wish you all the best as you complete your thesis!

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Thesis binding according to your institutions' guidelines and requirements

Our online communication channels are available 24/7/365, so you're guaranteed a fast and urgent response!

Your thesis printed in full colour.

We service all South African institutions, with door-to-door delivery!

PDF conversions & CD's, laminating and ring binding are just some of the extra services we provide

We are specialists in thesis and dissertation compilation. Our online service removes the fear and stress surrounding the presentation aspect of your thesis or dissertation. All our work is done in accordance with every South African academic institutions’ specifications and requirements. Our mission is to provide the academic society with a fast and efficient portal to compile and submit a thesis or dissertation.

Our core services, thesis binding.

Binding of postgraduate theses and dissertations according to your academic institutions’ guidelines, in high quality binding cloth, or cost-effective soft covers for examiner’s copies.

Thesis Printing

Black & white and full colour thesis printing services in single and double-sided (duplex) print.

Library Journals & Law Reports

Batch or single binding of library journals, periodicals or law reports. Journals and law reports can be bound according to the frequency of use.

PDF CD’s and Conversion

PDF conversion, bookmarking and optimisation of your document to a higher PDF standard that is prepared for library digitisation, cataloguing and archiving.

Book Restorations & Mending

Repairs and restoration of old and damaged books, to prolong their use, rebinding and strengthening of old textbooks and paperbacks.

Additional Services

Our other services include specialised projects and requests, file and folder creation, binding of CV’s, and custom blocking (lettering). School projects and lecture notes can also be bound into volumes.

ON A DEADLINE?

Our fast and efficient online processes assure you receive a quote within hours, this is how it works, it’s as easy as 1 2 3 4…and you don’t even have to leave your seat.

Once your final draft is complete, simply send us your work file/s via email or online file transfer (eg.Dropbox/Google Drive) in an MS Word, PDF (preferred) or other default format (Windows or Mac).​

We will print and bind copies of your final thesis/dissertation according to your personal, or your institutions’ requirements. We have worked with all of the major SA tertiary institutions​

Should you require a PDF version of your work/s for electronic submission, we will convert, bookmark, optimise the PDF document to library standards, and compile the CD in the correct format​​

Completed work is returned by door-to-door courier. A drop-off service is available at a minimal cost in the greater DURBAN area. We deliver throughout South Africa, and outlying areas.​

Honours, Masters, Doctoral candidate?

Our thesis packages have proved a phenomenal success, as we are also able to provide a one-stop-online portal for students who may not be in the vicinities of their academic institutions, locally or abroad. We reduce the stress associated with the compilation and submission of your thesis/dissertation.

We are the preferred service provider to, many of the top South African academic institutions. As a result we are are able to offer students and faculties/departments a convenient nationwide service, which recognises the importance and time sensitive nature of this academic piece of work.

Through the multitude of online and social communication channels we offer, completing your thesis or dissertation is easier than ever!

“Honours, Masters, Doctoral candidate?”

Thesis binding and printing. Quick, easy, and delivered straight to your door! Our thesis packages have proved a phenomenal success, as we are also able to provide a one-stop-online portal for students who may not be in the vicinities of their academic institutions, locally or abroad. We reduce the stress associated with the compilation and submission of your thesis/dissertation.

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Dissertation Bindings

Let your dissertation binding convey the value of your thesis. Print Britannia provides top-quality dissertation printing and binding services for thesis, PhD dissertations, and books with hard covers at the best price.

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Professional Quality Dissertation Bindings Service Online

Whether it's a thesis paper, research project or journal, it demands an outstanding quality binding that will represent the value of the content. Print Britannia recognizes the hard work of students; hence we are providing journal and thesis binding services at the most competitive rate. 

Dissertation binding 

Any academic work must have a professional-looking cover. Considering this matter, we are offering hardcover binding for dissertations, thesis, books or any research projects that require binding. The hardcover not only makes the booklet sturdy and reader-friendly but also brings an elegant and professional appearance. Below you can learn more about our available binding formats. 

A4 Plain Hard Cover Binding

The most preferred binding style is plain hardcover binding. For plain cover binding, you can choose the paper type from 80gsm and 120 gsm bond paper. Then, you can also print on the spine, which will represent the title when you put it on the bookshelf. The best aspect of plain binding is that it's affordable and complements any thesis work. 

Foil Printed A4 Hard Cover Dissertations Binding Printing

If you want a little more luxurious appearance on the dissertation cover, then you can choose the foil printed option. For this, we will provide the highest quality 170 gsm bond paper. Moreover, the available cover colour for you to choose from is black and blue. However, you cannot print on the spine for foil printed hard cover binding. 

So, if you want to place an order for a bound dissertation right now, then send us the file in A4 portrait format. The file must be in the single-page format as well. And the booklet must contain a minimum of 50 pages and a maximum of 500 pages. If there is any additional specification you want on the cover, send us your requirements via email. We will meet all your expectations.  

As you place an order, you can get the delivery within 2 days in our premium delivery service. Otherwise, you can get your complete bound dissertation within 5 days in our standard service. For any queries or discussions, feel free to write to us! 

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An Intoxicating 500-Year-Old Mystery

The Voynich Manuscript has long baffled scholars—and attracted cranks and conspiracy theorists. Now a prominent medievalist is taking a new approach to unlocking its secrets.

Listen to more stories on curio

L isa Fagin Davis was starting her medieval-studies Ph.D. at Yale in 1989 when she got a part-time job at the university’s Beinecke Rare Book & Manuscript Library. Her boss was the curator of early books and manuscripts, and he stuck her with an unenviable duty: answering letters from the cranks, conspiracists, and truthers who hounded the library with questions about its most popular holding.

In the library catalog, the book— a parchment codex the size of a hardcover novel —had a simple, colorless title: “Cipher Manuscript.” But newspapers tended to call it the “Voynich Manuscript,” after the rare-books dealer Wilfrid Voynich, who acquired it from a Jesuit collection in Italy around 1912. An heir sold the manuscript to another dealer, who donated it to Yale in 1969.

Explore the September 2024 Issue

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Davis grew up in Oklahoma City, transfixed by the fantasy worlds of J. R. R. Tolkien and Dungeons & Dragons. When the Beinecke curator first showed her the Voynich Manuscript, she thought, This is the coolest thing I’ve ever seen.

Its 234 pages contained some 38,000 words, but not one of them was readable. The book’s unnamed author had written it, likely with a quill pen, in symbols never before seen. Did they represent a natural language, such as Latin? A constructed language, like Esperanto? A secret code? Gibberish? Scholars had no real idea. To Davis, however, the manuscript felt alive with meaning.

Flowering through the indecipherable script were otherworldly illustrations: strange, prehistoric-looking plants with leaves in dreamy geometries; oversize pages that folded out to reveal rosettes, zodiacs, stars, the cosmos; lists of apparent medicinal formulas alongside drawings of herbs and spindly bottles. Most striking of all were the groups of naked women. They held stars on strings, like balloons, or stood in green pools fed by trickling ducts and by pipes that looked like fallopian tubes . Many of the women, arms outstretched, seemed less to be bathing than working, as plumbers in some primordial waterworks.

Although the book’s parchment and pigments looked medieval, the drawings of the women had no close cultural parallel, in any era. Even the plants—which appeared to have the stems of one species and the roots of another—resisted identification.

Davis, then 23 years old, with a rosy sense of the world’s knowability, wanted to figure out what the Voynich Manuscript was, what it meant, where it came from. But people in her field saw the Voynich as a waste of time, a house-of-curiosities gewgaw unworthy of the serious scholar, especially when so many legible manuscripts begged for study.

From the June 2020 issue: Ariel Sabar on a biblical mystery at Oxford

In any case, scholars had already tried. The manuscript had reeled them in with what one cryptanalyst called a “surface appearance of simplicity”: letters that looked glancingly Latin, words that repeated with language-like regularity, handwriting that had the easy flow of a long-established script. But Renaissance-era intellectuals, Ivy League professors, and spy-agency code breakers—including William Friedman, who cracked Japan’s World War II “Purple” cipher before becoming the National Security Agency’s chief cryptographer—all toiled in vain to unlock the Voynich’s secrets. So many headline-making “solutions” had been debunked over the years that the text had earned a reputation, in the words of a Beinecke librarian, as “the place where academic careers go to die.”

Read: “Pure poison” for a scholarly career

For all anyone knew, the manuscript was nothing more than the ravings of a lunatic, or a hoax to dupe some fool into paying a fortune for it. In his magisterial history of code breaking , the writer David Kahn called the Voynich “the longest, the best known, the most tantalizing, the most heavily attacked, the most resistant” of cryptographic puzzles. H. P. Kraus, the dealer who donated the manuscript to Yale, once likened it to the mythical Sphinx, “its lair strewn with the bones of those who failed to solve the riddle, and still awaiting the Oedipus who will give the right answer.”

To the aspirants who wrote to the Beinecke, Davis sent minimalist replies: prints, from microfilm, of whatever pages they requested, without comment. The Beinecke got more than enough attention from unstable-seeming “Voynich people.” Davis was careful not to encourage them, or to betray her own fascination. When she began checking out books on the manuscript—to feed her own curiosity—she didn’t tell her boss, a medievalist who would soon become her dissertation adviser. “What I wanted more than anything,” she told me, “was for him to respect me.” But the further along she got in graduate school, the less she thought about the Voynich, until she scarcely thought of it at all. If her field saw the manuscript as beneath its dignity, then perhaps she should too.

I met Davis in Boston this past March, some 35 years after her youthful infatuation with the manuscript. She had risen to one of her discipline’s most visible posts: executive director of the Medieval Academy of America, the premier professional organization for North American medievalists, which she has led for more than a decade. Its offices are a 20-minute walk from her penthouse condo, where she lives with her husband, Dan Davis, a finance executive. Their balcony overlooks Boston Harbor and the meeting of the Charles and Mystic Rivers, with Old North Church in the distance.

Davis, 58, has the air of the college roommate you could spend hours staring at the stars with, casually unraveling the meaning of the universe. She has a cascade of dark corkscrew curls, and wears purple-lensed glasses—indoors and out—that “pretty much everyone,” she said, mistakes for an affectation. In fact, she has a rare disorder that causes double vision, and the tinted lenses stabilize her sight. Eventually, “I’ll just start wearing an eye patch,” she said, and “go the pirate route.”

My visit came after an unexpected turn of events. The Voynich Manuscript had reentered Davis’s life, forcing her to reconsider almost everything she thought she knew about it. The manuscript’s notoriety—as history’s hardest puzzle; as grist for unhinged conspiracies—had for many years scared scholars away. But what if you looked past its extravagant strangeness? What if you focused instead on the things—little noticed—that it shared with countless other manuscripts?

Could the ordinary illuminate the extraordinary? Davis resolved to find out.

The youngest of three siblings, and the only girl, Davis grew up in a home suffused with serendipitous discovery. Floor tiles in the family room doubled as a chessboard. Posters designed by her mother, a poet, took common exclamations, such as “Good God,” and split them (“Good / God”) to inspire alternative readings.

When Davis wasn’t singing in school musicals—her star turn was as Annie Oakley in Annie Get Your Gun —she buried herself in the Lord of the Rings trilogy and recited poems in Tolkien’s Elvish. She loved the backstories that Tolkien created for his made-up languages. “The invention of languages is the foundation,” Tolkien once wrote. “The ‘stories’ were made rather to provide a world for the languages than the reverse.”

Girls in Davis’s middle school didn’t tend to share these interests. When her geeky older brothers played Dungeons & Dragons, she waitressed their games, as “the beer wench.” At 13, “I was like, ‘Screw this,’ ” she recalled. She got her own dungeon, and led adventures for a group of fellow eighth graders, all boys.

During college, at Brown, she spent a summer singing show tunes on dinner cruises in Boston Harbor. She’d hoped to become a professional actress. But after struggling to land roles in college plays, she took classes on the history of theater, where she found herself drawn to medieval drama—which fused her childhood interests. She majored in medieval studies, and in a senior-year class, she ran her fingers across medieval parchment for the first time. I’m touching something that somebody touched 800 years ago , she thought. The connection felt immediate, she told me, and “magical and really powerful.”

At Yale, Davis answered letters to the library about the Voynich, but she abandoned her own research on it. She had failed to hook even her own brother. Barry Fagin, then a young computer-engineering professor at Dartmouth, had a background in cryptology but gave up on the Voynich after a few tries. “You can beat your head against these kinds of problems for years,” he told me, “and then you wake up one morning and you find you’ve wasted your life.”

Davis’s boss at the Beinecke introduced her to a 12th-century liturgical manuscript known as the Gottschalk Antiphonary, and Davis wrote her dissertation on it. The Gottschalk was the sort of text—Latin, Christian, European—on which medievalists built respectable careers. Davis earned her Ph.D. in 1993 and became a sought-after consultant, cataloging medieval manuscripts for some of the country’s top collections and compiling, with her colleague Melissa Conway, the definitive directory of such manuscripts in North America, a project Davis chronicled on her blog, Manuscript Road Trip.

Then, in 2014, the Medieval Academy of America hired her as its executive director. She became the public face of a field that wanted little to do with the Voynich. But the Voynich wasn’t done with her.

When Davis opened her email in February 2016, the message from Yale University Press surprised her. It asked if she would peer-review the essays in a forthcoming “facsimile edition” of the Voynich Manuscript, a coffee-table book that featured high-resolution, life-size images of every one of its pages.

The Beinecke’s then-director, Edwin C. Schroeder, had grown frustrated by the constant questions his staff got about the Voynich: Its popularity, he told me, was “orders of magnitude” greater than anything else at the library. The Beinecke—a marble-paned building somewhere between modernist cathedral and spaceship—held more than 1 million genuinely meaningful texts, among them a Shakespeare First Folio, a Gutenberg Bible, the papers of Edith Wharton, and a third-century fragment of a Pauline Epistle.

But sometimes it felt as if the only text that visitors cared about was the one nobody could read. And too often, the way they cared about it was to proclaim that they’d solved it. “Part of the challenge,” Schroeder told me, “was that people were regularly contacting us saying, ‘Here’s my theory, what’s my reward?’ ” The Beinecke didn’t offer rewards, the librarians would have to explain, and it didn’t judge theories. But with little rigorous scholarship to point people to, wild ideas bloomed.

A New Jersey doctor argued that the Voynich was a manual, in Flemish creole, of death rites for an ancient cult of Isis. A Texas chemist spied what she took to be the signature of Leonardo da Vinci. The author of a guide to the end of the world theorized that a “Semite” had written the Voynich in scrambled Hebrew, to record a message from extraterrestrials about “our future doom.” A man writing from jail believed that the manuscript was a childhood project of his from the 1980s, written in his own blood. “He kept telling us he was coming to get it,” a Yale official told me. (The library contacted the campus police.)

The manuscript’s unintelligibility had made it a blank screen, onto which people freely projected their own fantasies. When Beinecke officials permitted one self-proclaimed scholar to examine the Voynich—only to see a social-media post afterward about her conducting some sort of séance—“it was like, ‘All right,’ ” Schroeder recalled, “ ‘we need to change some of the conversation.’ ”

Schroeder hoped that a high-quality reproduction, surrounded by accessible essays, would shift interest away from “Break the code!” and toward questions of history. Who might have produced such a work, and why? What do the drawings reveal about the illustrator’s understanding of botany, astronomy, and biology? What kinds of knowledge did earlier cultures encrypt, and how did they do it?

In its email asking Davis to vet the book before publication, the Yale press wrote, “We know that you are an expert in the subject.” That was news to Davis. True, while blogging about the Beinecke a year earlier, she had written a jokey post on the Voynich , warning readers about the “dark scary corner of the internet” where the manuscript’s obsessives lurked. But since leaving graduate school and her Beinecke job more than two decades earlier, she had rarely given it a thought, much less studied it.

But when she read the essays, she felt her broader training as a medievalist kick in. The book treated the Voynich not as some alien vessel of dangerous secrets, but as any other historical manuscript with a physical reality and a past. The volume’s editor was the Beinecke’s new early-books-and-manuscripts curator, a historian named Raymond Clemens. Times had changed.

One essay told of how Wilfrid Voynich remade himself from a Polish revolutionary into a charming New York antiquarian. Another documented the Voynich’s suspected provenance, with evidence suggesting that the manuscript had been owned by the 16th-century Holy Roman Emperor Rudolf II before passing through the hands of a court pharmacist, a Prague alchemist, a Bohemian doctor, and a German polymath on its way to the Jesuits in Italy. There were reports on recent radiocarbon tests dating the calfskin parchment to between 1404 and 1438, and on the University of Pennsylvania philosopher William Romaine Newbold, who in 1921 became the first of many Voynich theorists to succumb to grandiose delusions of having solved it. Newbold’s code-breaking key involved so many freewheeling steps that one could make the text say practically anything. Newbold was convinced that the wily 13th-century friar Roger Bacon had not only written the manuscript but illustrated it with things—the Andromeda galaxy, spermatozoa—that he’d glimpsed through a telescope or microscope hundreds of years before those instruments were thought to have been invented.

Davis’s response to Yale University Press was a rave. The existing Voynich literature contained so much “unscientific and unsupported rubbish” that people couldn’t tell fact from fiction, she wrote. A book of sound, citable research was “long-overdue.”

Titled The Voynich Manuscript and priced at $50, the book would sell some 55,000 copies. (“For a rare-book library, that’s best-seller land,” Schroeder told me.) But if the Beinecke’s leaders thought it would change the conversation or slow the influx of questions, they had miscalculated. The ranks of enthusiasts—or “Voynicheros,” as they’re sometimes called—appeared only to grow. Over the next few years, new theories spread from the internet into the pages of venerable publications.

In 2017, the Times Literary Supplement ran a cover story titled simply “Voynich Manuscript: The Solution,” by the author of a book on how to write and sell TV screenplays. The man, who said he had a “commission from a television production company to analyse the illustrations of the Voynich manuscript,” announced that each character represented an abbreviated Latin word. The text, he argued, was a health manual , complete with recipes, for “the more well to do women in society.”

Read: Has the Voynich manuscript really been solved?

The next year, a headline in The Times of Israel declared, “Scientists Claim to Crack an Elusive Centuries-Old Code—And It’s Hebrew.” The article cited a study by a pair of non-Hebrew-speaking computer scientists who claimed that the Voynich’s author used anagrams and an alphabetic-substitution cipher, even though the resulting “Hebrew” made almost no sense.

Around the same time, a Canadian civil engineer concluded that the Voynich was a Tibetan Bible, while a Russian electrical engineer glimpsed an algorithm, according to one news report, “for conducting a ritual that protected women from sexual violence by vampires.”

Committed to its no-comment policy, the Beinecke started referring Voynich theorists—and the reporters who covered them—to Davis. Again the library was sending her its Voynich headaches, much as it had some 25 years earlier, when she was a student-worker there.

This time, however, Davis had the stature, and the freedom, to tell people what she really thought.

In May 2019, the University of Bristol issued an eye-catching news release: A biological scientist named Gerard Cheshire had used “lateral thinking and ingenuity” to identify the Voynich’s language (“proto-Romance,” he termed it). It had taken him, he said, just two weeks. “I experienced a series of ‘eureka’ moments whilst deciphering the code, followed by a sense of disbelief and excitement when I realised the magnitude of the achievement.” He concluded that Dominican nuns had compiled the manuscript as a medical and astrological reference for Maria of Castile, a great-aunt of King Henry VIII’s first wife.

The manuscript, Cheshire wrote, was “dominated by female issues, activities and adventures” because the men in Maria’s castle were off to battle, “leaving the women and girls sexually and emotionally frustrated, so they amused and distracted themselves whilst they waited and yearned for male attention to return.”

Cheshire had written to Davis more than a year before the news release, asking if she could help him publish his paper. “You may indeed be on to something,” Davis had replied politely. But in careful, line-by-line notes, she identified what she saw as significant errors in his logic, methods, and history.

Like so many others, she thought, he had pronounced a solution and then produced evidence for it, rather than working open-mindedly from facts to theory. At best, his ideas were a “hypothesis,” she told him; they weren’t a solution.

But Davis had found that most Voynicheros didn’t want nuanced critique; they wanted blanket affirmation—or, as Davis put it one morning as we walked to her office in downtown Boston, “Oh my God! You did it! Here’s a cookie!” When she quibbled with a man who’d argued that some of the Voynich’s letterforms represented dance choreography, he retorted, “Now I understand what Galileo must have gone through.” Cheshire grew similarly hostile after failing to convert Davis. “Try to shake off the Voynich spell,” he wrote to her. “I don’t want you to lose face when the penny eventually drops.”

When the University of Bristol announced Cheshire’s solution, it generated credulous headlines, in part because a peer-reviewed journal had published his article. Davis, stunned, slammed it in the media and on Twitter : “Sorry, folks, ‘proto-Romance language’ is not a thing. This is just more aspirational, circular, self-fulfilling nonsense.”

An attack by the head of the Medieval Academy was no small matter. The University of Bristol deleted its news release, distanced itself from Cheshire’s paper, and issued a statement saying that “following media coverage, concerns have been raised about the validity of this research.” Cheshire defended his work as ahead of its time, but the university’s about-face made international news.

Davis was imposing a reputational cost on what she saw as bad Voynich research. She tweeted about the manuscript more than 100 times in 2019. Her posts—some whimsical, others cutting—swelled her Twitter following from a few hundred to more than 10,000.

Her frustrations boiled over in an August 2019 op-ed she wrote for The Washington Post . “We watch ‘Game of Thrones,’ we read ‘Lord of the Rings,’ we play medieval-themed video games, and therefore we think we know something about the Middle Ages,” she wrote. The fantasies that pass for medieval history in popular culture had come for the Voynich, fueling media coverage of shoddy research and “turning an authentic and fascinating medieval manuscript into a caricature of itself.”

But after a couple of years, Davis developed second thoughts about her social-media smackdowns. It was less the hate mail she got from “Voynich bros,” as she called the men who dominated online forums—though that didn’t help. She’d just begun to feel unkind, as though she were punching down at people genuinely inspired by the manuscript’s mysteries. Hadn’t she once been one of them? Her regrets grew after a YouTube channel produced a video of failed Voynich solutions that identified her as “executive director of the Medieval Academy of America and Reigning Queen of Academic Burns.”

If she wanted to dignify the manuscript as worthy of serious scholarship, she realized, she would need to be more than just a critic.

Late in the summer of 2018, an announcement went out about the following year’s International Congress on Medieval Studies: Organizers were soliciting papers for a panel on ciphers, scripts, and shorthands. When Davis replied with a proposal on the Voynich, “it just wasn’t what I was expecting,” Carson Koepke, one of the panel’s organizers, told me. “If it was somebody of a lower caliber than Lisa, I think we would have been much more skeptical.” But Davis was known for painstaking scholarship, and her proposal was accepted.

Davis knew well the Voynich’s reputation as a career killer. But she’d reached a point in her own career where she felt that she could take the risk. Still, she chose to be cautious. Neither a linguist nor a cryptanalyst, she would make no attempt to decode it, she decided. She would instead confine her study to her deepest specializations.

Davis is an elected member of the Comité International de Paléographie Latine, a prestigious guild of the world’s top paleographers and codicologists—experts in, by turns, ancient handwriting and the physical properties of old books. Of the Paris-based society’s 67 members, Davis is one of only four to be admitted from the United States.

She had never conducted a paleographic study of an illegible manuscript, and she wasn’t sure at first that she could. She couldn’t use the Voynich’s handwriting style to place or date it, because there was nothing in history to compare it to. Nor could she avail herself of the most basic paleographic skill: making sense of a scribe’s letterforms, abbreviations, and punctuation—the skill, that is, of reading. How could you read something whose alphabet lacked any known precedent?

That left a single, slim line of attack: counting the manuscript’s hands. Even if a language was unreadable, a good paleographer could spot small, stylistic tells distinguishing one scribe from the next.

Did one person create the Voynich? At first glance, it seemed so: “The handwriting is incredibly consistent throughout,” a onetime Army code breaker had observed in 1946. If the language existed in a kind of vacuum, beyond history’s reach, logic suggested that its creator did too: a hoaxer working furtively in a private office or some lone genius in an attic, disgorging bizarro visions onto parchment by candlelight.

But as Davis magnified the handwriting, she noticed subtle variations. In certain places, the script was more cramped or more likely to slant as it crossed the page. She tested this observation by picking a letter that didn’t appear often and tracking it across the manuscript’s pages. Its style, she saw, varied among groups of pages but not within those groups. This suggested that the differences—larger or smaller loops, straighter or curvier crossbars, longer or shorter feet—were the product of different scribes rather than of one scribe writing the same letter in different ways.

To reduce the possibility of selection bias, Davis examined other letters and found that their styles shifted in lockstep with the first letter. After months of analysis, she concluded that even if the Voynich had a single guiding vision, it was the handiwork of five different scribes.

The book’s physical condition filled in more of the picture. Even before anyone wrote on it, the calfskin parchment had holes where scabs, wounds, or insects had stricken the animal it had come from—one of several signs that the manuscript’s makers couldn’t afford, or didn’t need, the finest materials. The pigments were ordinary, and luxuries, such as gold leaf, were wholly absent. Stains darkened the tops of the manuscript’s first 100-odd pages, from an apparent water spill. Beneath Davis’s fingers, the parchment felt soft, almost cloth-like, a familiar texture in books that were once heavily thumbed. “This is not a manuscript that was meant to be a precious object on a book stand for people to go, ‘Ooooh,’ ” Davis told me. Like a manual of anatomy or an almanac of the stars, it was meant to be flipped through and used.

Davis presented her findings at the medieval-studies conference and published them in 2020 in the journal Manuscript Studies . She had hardly solved the Voynich, but she’d opened it to new kinds of investigation. If five scribes had come together to write it, the manuscript was probably the work of a community, rather than of a single deranged mind or con artist. Why the community used its own language, or code, remains a mystery. Whether it was a cloister of alchemists, or mad monks, or a group like the medieval Béguines—a secluded order of Christian women—required more study. But the marks of frequent use signaled that the manuscript served some routine, perhaps daily function.

Davis’s work brought like-minded scholars out of hiding. In just the past few years, a Yale linguist named Claire Bowern had begun performing sophisticated analyses of the text, building on the efforts of earlier scholars and on methods Bowern had used with undocumented Indigenous languages in Australia. At the University of Malta, computer scientists were figuring out how to analyze the Voynich with tools for natural-language processing. Researchers found that the manuscript’s roughly 38,000 words—and 9,000-word vocabulary—had many of the statistical hallmarks of actual language. The Voynich’s most common word, whatever it meant, appeared roughly twice as often as the second-most-common word and three times as often as the third-commonest, and so on—a touchstone of natural language known as Zipf’s law. The mix of word lengths and the ratio of unique words to total words were similarly language-like. Certain words, moreover, seemed to follow one another in predictable order, a possible sign of grammar.

Finally, each of the text’s sections —as defined by the drawings of plants, stars, bathing women, and so on—had different sets of overrepresented words, just as one would expect in a real book whose chapters focused on different subjects.

Spelling was the chief aberration. The Voynich alphabet—if that’s what it was—appeared to have a conventional 20-odd letters. But compared with known languages, too many of those letters repeated in the same order, both within words and across neighboring words, like a children’s rhyme. In some places, the spellings of adjacent words so converged that a single word repeated two or three times in a row. A rough English equivalent might be something akin to “She sells sea shells by the sea shore.” Another possibility, Bowern told me, was something like pig Latin, or the Yiddishism—known as “shm-reduplication”—that begets phrases such as fancy shmancy and rules shmules .

No known cipher—certainly none from the early 1400s—could produce the Voynich’s overly repetitive letter sequences and its language-like word and letter frequencies. To pull off something similar in English, Bowern and a graduate student found, you’d have to do strange things, like replace all the vowels in a word with a single, catchall character; or anagram the letters of each word into alphabetical order; or lard the text, in some yet-to-be-determined fashion, with nonsense characters, or “nulls.”

But if Voynichese was some reclusive group’s invention, why would its scribes take the extra step of scrambling its letters? Why riddle a puzzle? And yet that’s what the Voynich did, over and over again. The moment you felt you were getting somewhere, it coiled in on itself, retreating from your grasp, into another disguise.

This shape-shifting—this inability to see it from any one angle—persuaded the Malta computer scientists, led by Colin Layfield, to assemble a multidisciplinary team. So little was known about the underlying language—if it was a language—that even artificial intelligence, in its current state, lacked the models to decode it. Good AI requires “massive amounts of data to learn from,” Layfield told me. “We simply don’t have that luxury with the text in the Voynich.” In 2021, Layfield recruited Davis, Bowern, and other specialists, and they began meeting online to develop ideas for collaboration. In late 2022, the Voynich Research Group, as it became known, held its first conference, with 16 peer-reviewed papers , touching on history, literature, paleography, linguistics, cryptology, and—because of some of the drawings—medieval gynecology. Davis was invited to give the closing keynote.

Scholars inside and outside the group are now pressing in a variety of directions. Some are using mathematical tools to hunt for “cribs”: words whose meanings can be inferred because they consistently appear, like labels, beside certain illustrated objects.

Others are reevaluating the alphabets that earlier scholars created to convert the Voynichese letterforms into machine-readable ASCII text—the raw data for computational studies of the language. AI might be unable to decrypt the Voynich, but it could contribute in other ways, once enough of the world’s hundreds of thousands of medieval manuscripts are digitally imaged and accessible. Models trained on those images may eventually develop the power to spot visual similarities to the Voynich—the curvature of a particular pen stroke, the shades of certain pigments—that have eluded the human eye. Those similarities could help scholars identify writing communities with possible ties to the Voynich.

Still conspicuously missing from the research are professional art historians. Scholars of medieval art could bring a whole new field to bear on the Voynich’s illustrated world, but like other medievalists, they have been reluctant to engage.

In a 2020 article in the journal Cryptologia , a pair of European scientists argued that someone could have used a simple formula to give strings of meaningless symbols the structure of language. The Voynich, in their view, is little more than artfully constructed nonsense. But Davis has come to believe that the manuscript has meaning, and that scholars will one day find it. She thinks that an individual is less likely to hit on the solution than a cross-disciplinary team, whose members will turn small, hard-won discoveries into a coherent picture. “A lot of people try to make the argument that surely it would have been read by now if it could be read,” she told me. “But that’s just not enough of a reason to give up hope.” Egypt’s hieroglyphs and the Mycenaean script known as Linear B were also notoriously indecipherable—until the Rosetta Stone and a British genius produced working keys.

But what if the Voynich remains unsolvable? What if the manuscript is in some sense smarter than us all, its anonymous author, or authors, laughing from the grave at the hubris of reason? When I posed these questions to one of Bowern’s graduate students, she recited a Robert Frost poem about all human quests for understanding: “We dance round in a ring and suppose, / But the Secret sits in the middle and knows.”

On a sunny day this past April, I walked into the Beinecke with Davis and Bowern and descended the steps to a basement classroom, where a librarian had set the Voynich on a pillow that keeps stresses off the book’s old body. It was open to a page where a block of inscrutable text is pierced by a plant with leaves that resemble origami frogs.

Bowern teaches an undergraduate Yale linguistics class on the Voynich, and today was her students’ one chance to see it in the flesh. Hands clasped behind their back, many of them leaned gingerly toward its open pages, as if in the presence of something sublime.

From the December 2021 issue: Inside the Manhattan DA’s Antiquities Trafficking Unit

At times Davis, too, still feels the tug of the manuscript’s ineffable magic. But today she had come from Boston to ground Bowern’s students in its hard, physical facts: the parchment thumbed to the softness of felt. The blotches where some ancient reader may have spilled her water jug. The ellipsis of pinpricks where someone with needle and thread had tried, long ago, and without success, to mend one of the parchment’s many holes.

A year earlier, while lecturing at a different college, Davis had fielded a question about what made the Voynich “so sensational.” Was it that some band of medieval women might have come together to preserve their secrets? Was it the text’s spirituality, or the possibility that it said something about the Holy Grail or the Living Water?

Davis gently steered her questioner away from speculation. The Voynich is “not imaginary,” Davis said. “It’s an actual object, it exists in space and time, it has a history, it has physical characteristics, and because of that, it has a true story. We just don’t know what that true story is yet.”

This article appears in the September 2024 print edition with the headline “An Intoxicating 500-Year-Old Mystery.”

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What books are on your night stand?

I’m working my way through a delicious pile of historical nonfiction titles: “Shakespeare’s Book,” by Chris Laoutaris; “All That She Carried,” by Tiya Miles; and “Secret Voices,” a wonderful collection of excerpts from women’s diaries, edited by Sarah Gristwood. The passages are arranged by date, and I read that day’s entries each night. It’s fascinating to read about someone’s day centuries ago.

Describe your ideal reading experience.

In the morning, in Duke Humfrey’s Library in Oxford, with a 16th-century manuscript in front of me, deciphering each word.

What books are you embarrassed not to have read yet?

I’ve not read a single word of Jane Austen. By admitting that, I fear I will be drummed out of the Novelists’ Corps.

Do you count any books as guilty pleasures?

Books are never guilty pleasures. You should never, ever feel guilty about reading something — not even the cereal box.

How did your reading life change as you were recovering from cancer?

I couldn’t escape into fictional worlds as I’d hoped, but was surprisingly drawn to biographies and diaries, which I found inspiring and comforting, especially World War II diaries. If people survived the Blitz in London, surely I could survive cancer.

Did illness have an influence on the story you wanted to tell in the new book?

Absolutely. Ironically, I’ve been writing for years about fictional characters with genetic mutations. Once doctors diagnosed me as having the BRCA gene mutation and the ovarian cancer that in my case goes with it, I wanted to dive back into family history in “The Black Bird Oracle.”

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