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Literary Research: Psychoanalytic Criticism

What is psychoanalytic criticism.

"According to psychoanalytic criticism, readers can reach more insightful conclusions by considering the subconscious motivations of fictional characters and of the authors of texts. Psychoanalytic criticism also urges readers to consider how environmental factors impact characters and their development. Likewise, practitioners believe that certain texts have the potential to impact the reader on a psychological level, sometimes satisfying significant emotional and intellectual needs."

Brief Overviews:

  • Psychoanalytic criticism (A Dictionary of Critical Theory)
  • Psychoanalytic Theory and Criticism (The Johns Hopkins Guide to Literary Theory and Criticism)
  • Psychoanalysis and Literature (Twentieth-Century Literary Criticism)

Major Figures

Sigmund Freud

  • The Freud Reader (various editions)
  • Meisel, Perry. The Literary Freud . Routledge, 2007.
  • The Essential Jung . Princeton University Press, 1983.
  • Rowland, Susan. Jungian Literary Criticism: the Essential Guide . Routledge, 2019.

Sugg, Richard P. Jungian Literary Criticism . Northwestern University Press, 1992.

Melanie Klein

  • The Selected Melanie Klein . Free Press, 1987.
  • Essential Readings from the Melanie Klein Archives: Original Papers and Critical Reflections . Edited by Jane Milton, Routledge, 2020.

Jacques Lacan

  •   Écrits (various editions)

Murray, Martin. Jacques Lacan: A Critical Introduction . Pluto Press, 2015.

Introductions & Anthologies

Cover Art

Find more books on Psychoanalysis and literature and psychoanalytic interpretation of literature at UW Libraries.

Definition: "psychoanalytic criticism." The Concise Oxford Companion to American Literature. Eds. Hart, James D., Wendy Martin, and Danielle Hinrichs. Oxford University Press, 2021.

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Table of Contents

Collaboration, information literacy, writing process, psychological criticism.

  • © 2023 by Angela Eward-Mangione - Hillsborough Community College

Psychological Criticism is

  • a research method , a type of textual research , that literary critics use to interpret texts
  • a genre of discourse employed by literary critics used to share the results of their interpretive efforts.

Psychological criticism, or psychoanalytic criticism, took off in popularity in the early decades of the twentieth century. Sigmund Freud, who based some of his theories on analyses of literature, particularly Sophocles’ Oedipus Rex , is the figure primarily associated with psychological criticism, though Jacques Lacan and Carl Jung have played key roles as well. Psychological criticism frequently addresses human behavior—at the conscious and/or unconscious level—as well as the development of characters through their actions. For example, according to Freud in The Ego and the Id, a work of literature is an external expression of the author’s unconscious mind.

Key Terms: Dialectic ; Hermeneutics ; Semiotics ; Text & Intertextuality ; Tone

Foundational Questions of Psychological Criticism

  • What motivates the speaker or protagonist? Does the speaker or protagonist appear to be consciously or unconsciously motivated?
  • How do desires and wishes manifest in the text? Do they remain largely fulfilled or unfilled? How does their fulfillment, or lack thereof, affect the character’s development?
  • Does the text chart the emotional development of a character? How?
  • How do the characters in the text evoke archetypal figures such as the Great or Nurturing Mother, the Wounded Child, the Whore, the Crone, the Lover, or the Destroying Angel)?

Brevity - Say More with Less

Brevity - Say More with Less

Clarity (in Speech and Writing)

Clarity (in Speech and Writing)

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Coherence - How to Achieve Coherence in Writing

Diction

Flow - How to Create Flow in Writing

Inclusivity - Inclusive Language

Inclusivity - Inclusive Language

Simplicity

The Elements of Style - The DNA of Powerful Writing

Unity

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  • How to Cite
  • Language & Lit
  • Rhyme & Rhythm
  • The Rewrite
  • Search Glass

Why Write Love Poems?

Start brainstorming, choose a rhyme scheme, review your poem, present your poem, what is a sestina, example of a sestina:, a red, red rose by robert burns, how to write love poems to your partner.

Writing a love poem to your significant other is a romantic idea for any special occasion. Not only does it show them you are thinking about them, it also shows that you put serious thought into your relationship and what you may love about the other person. It doesn’t have to take place on a special occasion though, like Valentine’s Day or an anniversary, but can be on any day that you feel like making them feel special.

Writing a poem is largely abstract, so you will have to get in touch with your emotions to write a poem about love. If you’re not the best at creative writing or this is your first time writing a love poem, don’t worry! The good news is, writing a love poem is easy once you have your ideas down. Below are some writing tips, suggestions and example rhyme schemes for writing a great romantic love poem.

Start by writing a list of things you like about your girlfriend, boyfriend or partner. Writing a poem is much easier if you know what words or ideas you want to incorporate. Think about your significant other and the things that set them apart from other people in your life. Try to avoid clichés as you brainstorm ideas, as this will make the poem feel more specific and personal. This person isn’t just a family member, loved one or friend, they could be your true love, so treat them like it!

There are many poetic forms to choose from, so whether you want to master the art of rhyme or write freely there is one for you. From free verse, to a couplet or haiku, the best love poems just show someone that you love them. Your partner will know how much effort you put into the poem based on the quality of the rhymes and content of the poem.

You do not have to be a critically acclaimed wordsmith to make something rhyme, either. Stick to words that are easy to rhyme, like heart, love, swoon or eyes. Finding synonyms for words can also help, or searching for similes to words and phrases could be a big help as well. Do not try to get too advanced or you will tie yourself up in contradictions or phrases that do not make sense.

Read each line aloud after you write it. This will give you a better idea of the meter in your poem. If a poem is more lyrical, it will sound lovelier to the reader. Poems that are choppy and poorly structured will just look hasty and boring. Study up on the standard classics of poetry meter such as iambic pentameter or iambic tetrameter, both of which are often used in love poetry from masters such as William Shakespeare and Emily Dickenson.

Present the poem in a romantic fashion. Simply giving them the poem on a sheet of loose-leaf paper could show a general lack of concern or effort. You’d be better off to write it on a meaningful card or a piece of parchment, which you can find at any crafts store. You could even paint the poem in an artistic way on a piece of canvas.

Your significant other will honestly know if the poem was hastily thrown together. Start writing well in advance of the date you plan to present the poem, giving yourself plenty of time to craft a lyrical poem of the highest quality. At the end of the day, they probably just want to hear “I love you” and see that love put into words or actions.

A sestina is a short poem with a fixed verse form consisting of six stanzas of six lines each Words that end each line of the first stanza are used as line endings in the following stanzas.

Sestina: Altaforte BY EZRA POUND

LOQUITUR: En Betrans de Born.

Dante Alighieri put this man in hell for that he was a stirrer-up of strife.

Have I dug him up again?

The scene is his castle, Altaforte. “Papiols” is his jongleur. “The

Leopard,” the device of Richard (Cœur de Lion).

Damn it all! all this our South stinks peace.

You whoreson dog, Papiols, come! Let’s to music!

I have no life save when the swords clash.

But ah! when I see the standards gold, vair, purple, opposing

And the broad fields beneath them turn crimson,

Then howl I my heart nigh mad with rejoicing.

In hot summer have I great rejoicing

When the tempests kill the earth’s foul peace,

And the light’nings from black heav’n flash crimson,

And the fierce thunders roar me their music

And the winds shriek through the clouds mad, opposing,

And through all the riven skies God’s swords clash.

Hell grant soon we hear again the swords clash!

And the shrill neighs of destriers in battle rejoicing,

Spiked breast to spiked breast opposing!

Better one hour’s stour than a year’s peace

With fat boards, bawds, wine and frail music!

Bah! there’s no wine like the blood’s crimson!

And I love to see the sun rise blood-crimson.

And I watch his spears through the dark clash

And it fills all my heart with rejoicing

And prys wide my mouth with fast music

When I see him so scorn and defy peace,

His lone might ’gainst all darkness opposing.

The man who fears war and squats opposing

My words for stour, hath no blood of crimson

But is fit only to rot in womanish peace

Far from where worth’s won and the swords clash

For the death of such sluts I go rejoicing;

Yea, I fill all the air with my music.

Papiols, Papiols, to the music!

There’s no sound like to swords swords opposing,

No cry like the battle’s rejoicing

When our elbows and swords drip the crimson

And our charges ’gainst “The Leopard’s” rush clash.

May God damn for ever all who cry “Peace!”

And let the music of the swords make them crimson

Hell blot black for always the thought “Peace”!

Example of Short Love Poems

Roses are red, violets are blue, and I'll never ever, ever stop loving you.

How Do I Love Thee? (Sonnet 43) Elizabeth Barrett Browning - 1806-1861

How do I love thee? Let me count the ways.

I love thee to the depth and breadth and height

My soul can reach, when feeling out of sight

For the ends of being and ideal grace.

I love thee to the level of every day's

Most quiet need, by sun and candle-light.

I love thee freely, as men strive for right.

I love thee purely, as they turn from praise.

I love thee with the passion put to use

In my old griefs, and with my childhood's faith.

I love thee with a love I seemed to lose

With my lost saints. I love thee with the breath,

Smiles, tears, of all my life; and, if God choose,

I shall but love thee better after death.

O my Luve is like a red, red rose

That’s newly sprung in June;

O my Luve is like the melody

That’s sweetly played in tune.

So fair art thou, my bonnie lass,

So deep in luve am I;

And I will luve thee still, my dear,

Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,

And the rocks melt wi’ the sun;

I will love thee still, my dear,

While the sands o’ life shall run.

And fare thee weel, my only luve!

And fare thee weel awhile!

And I will come again, my luve,

Though it were ten thousand mile.

  • Poetry Foundation: How to Write Love Poems
  • Your girlfriend will know if the poem was hastily thrown together. Start writing well in advance of the date you plan to present the poem, giving yourself plenty of time to craft a lyrical poem of the highest quality.

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Psychoanalytic Criticism and The Turn of the Screw

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  • Henry James &
  • Peter G. Beidler 2  

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It seems natural to think about literature in terms of dreams. Like dreams, literary works are fictions, inventions of the mind that, although based on reality, are by definition not literally true. Like a literary work, a dream may have some truth to tell, but, like a literary work, it may need to be interpreted before that truth can be grasped. We can live vicariously through romantic fictions, much as we can through daydreams. Terrifying novels and nightmares affect us in much the same way, plunging us into an atmosphere that continues to cling, even after the last chapter has been read — or the alarm clock has sounded.

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Ellis, Havelock. “Auto-Erotism.” Studies in the Psychology of Sex . 2 vols. New York: Random, 1936. 1, pt. 1: 163–283.

Fielding, Henry. Amelia . Middletown: Wesleyan UP, 1983.

Huntley, H. Robert. “James’s The Turn of the Screw : Its ‘Fine Machinery.”’ American Imago 34 (1977): 224–37.

James, Henry. The Portrait of a Lady . Norton Critical Edition. Ed. Robert D. Bamberg. New York: Norton, 1975.

Lavater, J. C. Essays on Physiognomy; for the Promotion of Knowledge and the Love of Mankind . Trans. Thomas Holcroft. 3 vols. London: Robinson, 1789.

Mantegazza, Paolo. Physiognomy and Expression . New York: Scribner’s, 1914.

Nardin, Jane. “The Turn of the Screw : The Victorian Background.” Mosaic 12 (1978): 131–42.

Rudwin, Maximilian. The Devil in Legend and Literature . Chicago and London: Open Court, 1931.

Ryburn, May L. “The Turn of the Screw and Amelia : A Source for Quint?” Studies in Short Fiction 16 (1979): 235–37.

Sheppard, E[lizabeth]. A. Henry James and ’“The Turn of the Screw.” Auckland: Auckland UP, 1974.

Siegel, Paul N. ‘Miss Jessel’: Mirror Image of the Governess. Literature and Psychology 18 (1968): 30–38.

Simms, Joseph. Physiognomy Illustrated; or Nature’s Revelation of Character . New York: Murray, 1889.

Swift, Jonathan. Gulliver’s Travels . Norton Critical Edition. Ed. Robert A. Greenberg. New York: Norton, 1961.

Thackeray, William Makepeace. Vanity Fair . Riverside Edition. Boston: Houghton, 1963.

Tyler, Graeme. Physiognomy in the European Novel: Faces and Fortunes . Princeton: Princeton UP, 1982.

Wells, H. G. Ann Veronica . New York: Smith, 1932.

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James, H., Beidler, P.G. (1995). Psychoanalytic Criticism and The Turn of the Screw . In: Beidler, P.G. (eds) The Turn of the Screw. Case Studies in Contemporary Criticism. Palgrave, London. https://doi.org/10.1007/978-1-349-13713-8_7

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39 Practicing Psychological Criticism

Now that you’ve learned about psychological theory, practiced this method of analysis with “A Narrow Fellow in the Grass,” and reviewed some examples, you will complete a theoretical response to a text using reader response as your approach. You will read three different texts below. Choose one text and respond to the questions in a short essay (500-750 words).

I have included questions to guide your reading. You may choose to respond to some or all of these questions; however, your response should be written as a short essay, and you will need to come up with a thesis statement about your chosen text. Post your short essay as a response to the Psychological Criticism Theoretical Response discussion board. I have included the theoretical response assignment instructions at the end of this chapter.

Checklist for Practicing Psychological Criticism

Psychological criticism applies one psychological theory to a text. Here’s a checklist that may help you. You do not need to address every item on this list.

  • Choose a Theoretical Approach: Identify the psychological theory or framework you will apply (e.g., Freudian psychoanalysis, Jungian archetypes, cognitive psychology, etc.). Understanding the chosen approach will guide your analysis.
  • Character Analysis: Examine the characters in the text, considering their motivations, behaviors, and conflicts. Look for signs of psychological complexity, trauma, or unconscious desires.
  • Author’s Background: Research the author’s life and background to gain insights into how personal experiences, relationships, or psychological states might have influenced the creation of the text. You can also consider what the text tells us or reinforces about the author’s state of mind.
  • Symbolism and Imagery: Analyze symbols and imagery, exploring how they may represent psychological concepts or emotions. Consider how recurring symbols contribute to the overall psychological impact of the text.
  • Archetypal Analysis (if using Jung): If applying Jungian psychology, identify archetypal elements in characters or symbols. Explore universal patterns and symbols that may be present in the narrative.
  • Psychoanalytic Concepts (if using Freud): If applying Freudian psychoanalysis, explore concepts such as repression, desire, id, ego, and superego. Analyze how these concepts manifest in characters’ thoughts and actions.
  • Themes and Motifs: Identify recurring themes and motifs in the text. Explore how these elements reflect psychological concepts or theories, contributing to the overall psychological dynamics of the narrative.
  • Psychological Trajectories: Trace the psychological development of characters throughout the narrative. Identify key moments or events that shape their personalities and behaviors.

Macbeth Act V Scene 1.  Dunsinane. Ante-room in the castle.

Enter a Doctor of Physic and a Waiting-Gentlewoman
I have two nights watched with you, but can perceive no truth in your report. When was it she last walked?

Gentlewoman

Since his majesty went into the field, I have seen her rise from her bed, throw her night-gown upon her, unlock her closet, take forth paper, fold it, write upon’t, read it, afterwards seal it, and again return to bed; yet all this while in a most fast sleep.
A great perturbation in nature, to receive at once the benefit of sleep, and do the effects of watching! In this slumbery agitation, besides her walking and other actual performances, what, at any time, have you heard her say?
That, sir, which I will not report after her.
You may to me: and ’tis most meet you should.
Neither to you nor any one; having no witness to confirm my speech. Enter LADY MACBETH, with a taper Lo you, here she comes! This is her very guise; and, upon my life, fast asleep. Observe her; stand close.
How came she by that light?
Why, it stood by her: she has light by her continually; ’tis her command.
You see, her eyes are open.
Ay, but their sense is shut.
What is it she does now? Look, how she rubs her hands.
It is an accustomed action with her, to seem thus washing her hands: I have known her continue in this a quarter of an hour.

LADY MACBETH

Yet here’s a spot.
Hark! she speaks: I will set down what comes from her, to satisfy my remembrance the more strongly.
Out, damned spot! out, I say!–One: two: why, then, ’tis time to do’t.–Hell is murky!–Fie, my lord, fie! a soldier, and afeard? What need we fear who knows it, when none can call our power to account?–Yet who would have thought the old man to have had so much blood in him.
Do you mark that?
The thane of Fife had a wife: where is she now?– What, will these hands ne’er be clean?–No more o’ that, my lord, no more o’ that: you mar all with this starting.
Go to, go to; you have known what you should not.
She has spoke what she should not, I am sure of that: heaven knows what she has known.
Here’s the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh!
What a sigh is there! The heart is sorely charged.
I would not have such a heart in my bosom for the dignity of the whole body.
Well, well, well,–
Pray God it be, sir.
This disease is beyond my practise: yet I have known those which have walked in their sleep who have died holily in their beds.
Wash your hands, put on your nightgown; look not so pale.–I tell you yet again, Banquo’s buried; he cannot come out on’s grave.
To bed, to bed! there’s knocking at the gate: come, come, come, come, give me your hand. What’s done cannot be undone.–To bed, to bed, to bed! Exit
Will she go now to bed?
Foul whisperings are abroad: unnatural deeds Do breed unnatural troubles: infected minds To their deaf pillows will discharge their secrets: More needs she the divine than the physician. God, God forgive us all! Look after her; Remove from her the means of all annoyance, And still keep eyes upon her. So, good night: My mind she has mated, and amazed my sight. I think, but dare not speak.
Good night, good doctor. Exeunt

Macbeth by William Shakespeare is in the Public Domain.

  • Repression and Symbolism: Lady Macbeth’s sleepwalking and her obsessive hand-washing are classic signs of guilt and repressed emotions. How do her actions in this scene symbolize the repression of guilt and the psychological consequences of committing heinous acts?
  • The Unconscious Mind and Sleepwalking: Freud believed that the unconscious mind expresses itself in dreams and behaviors like sleepwalking. How does Lady Macbeth’s sleepwalking serve as a manifestation of her unconscious mind, and what repressed desires or fears might be surfacing in her somnambulant state?
  • Guilt and the Superego: Lady Macbeth’s guilt is evident in her repeated attempts to cleanse her hands. How does this ritualistic behavior reflect the internal conflict between her actions (id) and her moral conscience (superego)? How does the superego contribute to her psychological distress?
  • Psychological Impact of Guilt on the Body: In Freudian terms, how does Lady Macbeth’s guilt manifest physically? Consider her exclamation, “Out, damned spot!” and her intense focus on the imagined stain. What does this reveal about the psychological impact of guilt on the body, as Freud would interpret it?
  • The Role of Dreams and Nightmares: Freud argued that dreams provide a window into the unconscious. Lady Macbeth’s speech about Banquo’s burial and the inability to undo past deeds occurs in a dreamlike state. How does the scene demonstrate Freud’s concept of dreams as a pathway to repressed thoughts and unresolved conflicts?

2. Stopping by Woods on a Snowy Evening (1923)

“Stopping by the Woods on a Snowy Evening”  by Robert Frost is in the Public Domain.

Use Carl Jung’s theory of archetypes to analyze this poem. Here are some questions that can guide you. You do not need to use all of the questions in your response.

  • Archetypal Landscape: How do the woods in the poem represent archetypal elements such as the unconscious or the unknown? Are there symbolic aspects of the woods that evoke universal images or themes found in Jungian archetypes, such as the shadow or the collective unconscious?
  • The Hero’s Journey: Considering the journey motif in Jungian archetypes, how does the speaker’s progression through the snowy woods reflect the stages of the hero’s journey? Are there moments in the poem that correspond to the hero’s encounter with challenges, the unknown, or a transformative experience?
  • Symbolism of the Horse: In Jungian psychology, animals can represent aspects of the unconscious. How might the speaker’s “little horse” symbolize the instinctual or intuitive aspects of the psyche? Does the horse’s reaction to stopping in the woods reveal anything about the speaker’s inner conflicts or desires?
  • The Archetypal Dark and Deep: The line “The woods are lovely, dark and deep” suggests a rich and mysterious aspect of the unconscious. How does this imagery connect with Jung’s concept of the shadow or the hidden aspects of the self? What might the speaker be confronting or avoiding in the depths of the woods?
  • Cyclic Archetypal Motif: The repetition of the final lines, “And miles to go before I sleep,” suggests a cyclical motif. How does this repetition connect with Jungian ideas of the eternal return or the circular nature of psychological development? Does the speaker’s journey through the woods symbolize an ongoing process within the psyche?

3. “Caged Bird” (1983)

Dr. Joy DeGruy , author of  Post Traumatic Slave Syndrome , developed a theory that explains the etiology of many of the adaptive survival behaviors in African American communities throughout the United States. 9  She explains that it is a condition that exists as a consequence of multigenerational oppression of Africans and their descendants resulting from centuries of chattel slavery, a form of slavery which was predicated on the belief that Africans were inherently genetically and biologically inferior to White people. As such, Africans were dehumanized as being without spirit, emotions, soul, desires and rights. However, once chattel slavery was abolished and dismantled, African Americans became the targets of institutionalized racism which continues to perpetuate injury today. DeGruy’s research lead her to the acronym M.A.P. which concludes that 1)  M ultigenerational trauma together with continued oppression leads to 2)  A bsence of opportunity to heal or access the benefits available in the society which ultimately leads to 3)  P ost Traumatic Slave Syndrome or PTSS. She also proposed that the ability to identify a shared cultural experience and have a descriptive term—Post Traumatic Slave Syndrome—allows for individuals to identify the experience, articulate it, and express it without guilt, fear, blame, or anger and is a source of healing and strengthening within the African American Community (Grayson et al.).

Theoretical Response Assignment Instructions

Instructions.

  • 15 points: theoretical response
  • 10 points: online discussion (5 points per response) OR class attendance.

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  • > The Cambridge History of Literary Criticism
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Book contents

  • Frontmatter
  • Introduction
  • MARXISM AND POST-MARXISM
  • FROM CULTURAL POETICS TO CULTURAL STUDIES
  • PSYCHOANALYTIC APPROACHES
  • 14 Literary criticism and psychoanalytic positions
  • GENDER AND SEXUALITY
  • COLONIALISM, POST-COLONIALITY, NATION AND RACE
  • MODERNITY AND POSTMODERNISM
  • PHILOSOPHY, AESTHETICS AND LITERARY CRITICISM
  • INTERDISCIPLINARY APPROACHES
  • Bibliography

14 - Literary criticism and psychoanalytic positions

from PSYCHOANALYTIC APPROACHES

Published online by Cambridge University Press:  28 March 2008

Storytelling is the obvious link between psychoanalysis and literature. Sixty years before Jacques Lacan described the unconscious as structured like a language, its method was labelled the ‘talking cure’ by an early patient. Most psychoanalytic methods produce texts, and most use texts such as dreams, narratives, slips of the tongue, jokes, but also bodily symptoms for their investigations. Freud employs Greek myths (most prominently Oedipus and Narcissus) for his crucial concepts. Jung scrutinises fairy tales and folklore, eastern and western religion, even alchemy. Neither differentiates between stories by actual patients and those inherited by literature and culture. This trend continues into the late twentieth century, as is evident in Lacan's analysis of Edgar Allan Poe's story ‘The Purloined Letter’. Eventually, psychoanalytic texts themselves have become objects of analysis, as in the writings of Abraham and Torok, who analyse Freud's analysis of the pathological case study the ‘Wolf-Man’.

Text-based in its methods, psychoanalysis shares with literature the poiesis of images and expressions, the poetics of their arrangement, the grammar of narratives, but also a theory of interpretation. The latter frequently abandons the idea of an origin of symptoms (in empirical fact or transcendent metaphysics) and instead refers to other texts, previous traumas or archetypal images and stories that are closely related to myths. Modern literary theory calls this ‘intertextuality’. Psychoanalytic theories also refer to their material in literary terms: the poetry of dreams, the drama of ur-scenes, and the narratives that emerge from them.

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  • Literary criticism and psychoanalytic positions
  • By Rainer Emig
  • Edited by Christa Knellwolf , Australian National University, Canberra , Christopher Norris , University of Wales College of Cardiff
  • Book: The Cambridge History of Literary Criticism
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521300148.016

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Literary Theory and Criticism

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15 Freud and psychoanalysis

  • Published: January 2006
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Psychoanalytic literary criticism emerges specifically from a therapeutic technique which the Viennese neurologist Sigmund Freud developed for the treatment of hysteria and neurosis at the end of the nineteenth century. A description of the cure, which one of Freud’s patients ingeniously called ‘the talking cure’, gives an idea of the unusual origin of this approach to literature. The therapy evolved from the initial observation that patients were relieved of their neurotic symptoms by recalling the memory of certain events and ideas related to infantile sexuality. During the cure, which consists of an interchange of words between a patient and an analyst, the latter draws the patient’s attention to signs of forgotten or repressed memories which perturb his or her speech. But, for the therapy to work, the patient must obey the fundamental rule: namely, he or she must say everything that comes into his or her mind, ‘even if it is disagreeable , even if it seems unimportant or actually nonsensical’. A first difficulty lies in the fact that I am pressed to tell embarrassing thoughts which I would rather keep quiet about.

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This is “Psychoanalytic Literary Criticism: A Process Approach”, section 3.7 from the book Creating Literary Analysis (v. 1.0). For details on it (including licensing), click here .

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write essay on psychoanalytic criticism

3.7 Psychoanalytic Literary Criticism: A Process Approach

When you write a critical paper using a psychoanalytic approach, you need to determine the focus you will use. Will you focus on the author? On the characters or the narrator? On the formal construction of the text? Often, a reading will draw from all three levels (as does Waldoff’s interpretation of Keats). Since psychoanalyzing an author requires considerable biographical research, many students opt to focus on character, theme, or text. You should also be guided by the following:

  • You must clearly define your psychoanalytic approach to the work—Freudian, Lacanian, Jungian, or some combination. You could explore ideas in a journal entry to help you focus on your critical approach. You should then construct a working thesis that will be your guide. Ask yourself the following: How does my psychoanalytic approach help my reader better understand the work I am interpreting? Is my application of psychoanalytic theory too reductive or forced onto the literary work?
  • You then need to reread the text through the psychoanalytic lens, taking notes and jotting down quotations that can be used for support in your paper. At this stage you should be amassing evidence to support your working thesis.
  • You should then construct a more concrete working thesis and informal organizational plan that will guide you as you write your draft. Remember, your paper must be organized around a clear focus/thesis.
  • You should finally get some feedback on your paper by sharing your draft with your instructor and classmates. Use this feedback for revision.

Peer Reviewing

After you have written a first draft, you should get some feedback from classmates. Use the relevant peer-review guide found in Chapter 10 "Appendix A: Peer Review Sheets" .

write essay on psychoanalytic criticism

100 Psychoanalysis Essay Topic Ideas & Examples

🏆 best psychoanalysis topic ideas & essay examples, 📌 most interesting psychoanalysis topics to write about, 👍 good research topics about psychoanalysis, ❓ questions about psychoanalysis.

  • Psychoanalysis: Strengths and Weaknesses Report Convincing the patients involves asking the group to behave in a manner that can assure the patients that they are ready to help them handle their problems. The other core responsibility of the therapist is […]
  • Fromm’s Humanistic Psychoanalysis In regard to the frame of orientation, Jeff and Ann view the natural world as a place that requires more development. Jeff and Ann have to assimilate and accommodate living in a new environment that […]
  • Psychoanalysis and Madness by Freud and Lacan The human body structure, the way one thinks and the way human beings relate with each other are the structures that dictate the phenomenon of madness.
  • Psychoanalysis and the Adlerian Theory Comparison Psychoanalysis and the Adlerian theory are some of the most influential existing psychological theories, and both are used by therapists and counselors in their practice.
  • Freud’s Psychoanalysis for Schizophrenia Patients In this paper, the author’s approaches to this ailment are considered, and the ways of applying the specific observations of human behavior are discussed. Freud’s contribution to the development of psychoanalysis is significant, and his […]
  • Classical Psychoanalysis: Sigmund Freud Drives and instincts are connected with the human personal experiences, and the id associated with the human unconscious nature is oriented to pleasure and satisfying the sex instinct and to satisfying the aggression instinct.
  • Sigmund Freud and Psychoanalysis of “Saw II”Movie When in the beginning of the movie Michael has a head trap on and must use a scalpel to cut own eye, his survival instinct is fighting with the instinct of self preservation.
  • Curtis Flowers Psychoanalysis The court’s failure to discover the crucial piece of evidence – the rifle and its rounds – prompted them to question the case’s substance.
  • An Outline of Psychoanalysis by Sigmund Freud The main principles of Freud’s approach explained in An Outline of Psychoanalysis are focused on the “three forces of the psychical apparatus”: the id, the ego, and the superego.
  • Interpersonal Psychoanalysis: Personality and Personification Children did not have a father figure in the family, which affected the personality of Stacy. The main task of an individual is to develop a personality that is related to the industry.
  • Adlerian Theory of Psychoanalysis in Psychotherapy The paper is focusing on describing the key issues and treatment needs of the patient in relation to the key concepts, processes, techniques, and procedures according to the theory.
  • Psychoanalysis and Domestic Interior Architecture In modern days, priorities have shifted to the interior furnishing of houses which is contrary to the ancient priorities where the focus was majorly placed on the exterior setting of buildings.
  • Jung’s and Freud’s Approaches to Psychoanalysis The concept of the unconscious mind as the cornerstone of the study of the human psyche and core psychological changes represents the principal similarity between the two theories.
  • The Summerland Film and Carl Jung’s Psychoanalysis This premise served as a narrative for both Summerland and LWW children arrive in the countryside and have to adapt to new surroundings.
  • The Interpretation of Dreams and Psychoanalysis I can kind of feel that it is going to happen, and that a person is trying to kill me even before they attempt to do anything, but it seems inevitable.
  • Metapsychology as an Element of Freud’s Psychoanalysis This paper tries to relate between theory and practice of Freud’s psychoanalysis by explaining; the main goals of Freud’s psychoanalysis theory and practice, Freud in Beyond the pleasure principle, the models of the human mind, […]
  • Existential Theory of Psychoanalysis in Psychotherapy The paper is focusing on describing the key issues and treatment needs of the patient in relation to the key concepts, processes, techniques, and procedures according to the theory.
  • Bloody Mary Ritual Under Alan Dundes’ Psychoanalysis Alan Dundes defines the subject of Bloody Mary in a standard way while sketching a psychoanalytic theory to explain the folklore.
  • The Application of Psychoanalysis in Feminist Theories The concepts of psychoanalytic theories have become effective tools for understanding the main underpinnings of the feminist movement, its place in the lives of individual women, and post-feminism symptoms.
  • Feminist Psychoanalysis From McRobbie’s Perspective Butler and Rabine, for instance, had a distinct view of the concept though Angela was able to analyse their notions in a psychoanalytic manner.
  • Psychoanalysis in Art, Design, and Literature In the context of art and design, modernism can be used to describe the emergence of these aspects in the world of arts.
  • Lee Kuan Yew’s Life in “Wild Psychoanalysis” In fact, Lee Kuan Yew never made a secret of his admiration of the British, because of these people’s ability to act as the “natural-born masters” in their colonies, before the disintegration of the “classical” […]
  • Psychoanalysis and Psychiatric Treatment Methods The project evolved in Austria, in the first part of the 20th century and the practice was rapidly overtaken by the British and Hungarian medical institutions.
  • Psychoanalysis of Lacanian Theory and Practice In this case, the child’s attraction to the mother can be perceived as a way of seeking safety and comfort rather than sexual attraction.
  • Counselling Theory of Freudian Psychoanalysis Even though that from a Christian point of view, there is indeed a number of discursive controversies to the theory of psychoanalysis, there can be little doubt as to the fact that it was specifically […]
  • Applying Psychoanalysis in the Real Life In ‘The Mirror Stage as Formative of the Function of the ‘I”, as revealed in the psychoanalytic experience of Jacques, the main argument centers on the cognitive development of a child.
  • Saussurean and Psychoanalysis in Power of Horror Kristeva developed the theory of semiotics which emphasizes on the nature of poetic language and the structural notion of the sign while also including the extra-linguistic factors of psychology, history and gender.
  • Erik Erikson’s Life and Contributions to Psychoanalysis The aim of this essay is to present a bio-sketch of Erik Erikson, to characterize his contribution to the development of psychoanalysis and the understanding of human personality.
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  • The Grand Challenge for Psychoanalysis and Neuropsychoanalysis: A Science of the Subject
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  • The Fundamentals And Evolution Of Psychoanalysis
  • Psychologically Analyzing Sigmund Freud, the Father of Psychoanalysis
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  • Gender Development and Its Association With Psychoanalysis
  • Reasons Why Psychoanalysis And Psychodynamic Psychotherapy Are Becoming Rare
  • Psychoanalysis and Psychodynamic Psychotherapy as Endangered Species
  • The Neuropsychoanalytic Approach: Using Neuroscience as the Basic Science of Psychoanalysis
  • The Psychoanalysis and the Behavior Therapies by Albert Ellis
  • Psychoanalysis And The Social And Civil Situation Of Women
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Frederick Crews, Withering Critic of Freud’s Legacy, Dies at 91

A literary critic, essayist and author, he was a leading voice among revisionist skeptics who saw Freud as a charlatan and psychoanalysis as a pseudoscience.

A close-up black and white photo of a youthful-looking man with dark hair that covered his ears. He wore eyeglasses and jacket over a dark turtleneck sweater and was looking off to the right.

By Scott Veale

Frederick Crews, a literary critic and a leading skeptic in the contentious scholarly debate over the achievements and legacy of Sigmund Freud, died on Friday in Oakland, Calif. He was 91.

His wife, Elizabeth Crews, on Monday confirmed the death.

Mr. Crews, a professor emeritus of English at the University of California, Berkeley, was the author of more than a dozen books. Most recently, he wrote “Freud: The Making of an Illusion,” a deeply researched evisceration of Freud’s reputation and therapeutic insights that drew wide critical attention when it came out in 2017.

He was a longtime contributor to The New York Review of Books, where his essays and reviews explored the works Melville, Twain and Flannery O’Connor, among other authors. He also examined broader subjects like recovered memory therapy, the Rorschach test, alien abduction cases and, particularly, psychoanalysis, which he considered a pseudoscience, as well as the scourge of what he called Freudolatry.

As a young professor at Berkeley, Mr. Crews made a splash in 1963 with “The Pooh Perplex,” a best-selling collection of satirical essays lampooning popular schools of literary criticism of the time; they carried titles like “A Bourgeois Writer’s Proletarian Fables” and “A.A. Milne’s Honey-Balloon-Pit-Gun-Tail-Bathtubcomplex.”

Writing in The New York Times Book Review, Gerald Gardner called it a “virtuoso performance” and “a withering attack on the pretensions and excesses of academic criticism.” (In 2001, Professor Crews published “Postmodern Pooh,” a fresh takedown of lit-crit theories.)

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COMMENTS

  1. What Is Psychological Criticism?

    Psychological criticism is a critical approach to literature that employs psychological theories to examine aspects of a literary work as a way to better understand both the author's mind and the characters, themes, and other elements of the text. Thus, the mind is at the center of our target as we learn more about psychological criticism.

  2. 3.2: Psychoanalytic Literary Criticism: An Overview

    Psychoanalytical literary criticism, on one level, concerns itself with dreams, for dreams are a reflection of the unconscious psychological states of dreamers. Freud, for example, contends that dreams are "the guardians of sleep" where they become "disguised fulfillments of repressed wishes."Sigmund Freud. The Interpretation of Dreams ...

  3. 3.7: Psychoanalytic Literary Criticism: A Process Approach

    You should also be guided by the following: You must clearly define your psychoanalytic approach to the work—Freudian, Lacanian, Jungian, or some combination. You could explore ideas in a journal entry to help you focus on your critical approach. You should then construct a working thesis that will be your guide.

  4. Library Guides: Literary Research: Psychoanalytic Criticism

    Psychoanalytic criticism also urges readers to consider how environmental factors impact characters and their development. Likewise, practitioners believe that certain texts have the potential to impact the reader on a psychological level, sometimes satisfying significant emotional and intellectual needs."

  5. Psychoanalytic literary criticism

    Psychoanalytic literary criticism. Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud . Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a ...

  6. Psychoanalytic Criticism

    Psychoanalytic criticism adopts the methods of "reading" employed by Freud and later theorists to interpret texts. It argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the author, that a literary work is a manifestation of the author's own neuroses. One may psychoanalyze a particular character ...

  7. Psychological Criticism

    Psychological Criticism is. a research method, a type of textual research, that literary critics use to interpret texts. a genre of discourse employed by literary critics used to share the results of their interpretive efforts. Psychological criticism, or psychoanalytic criticism, took off in popularity in the early decades of the twentieth ...

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    Many Lacanian critics understand literature itself as way to fill in "lacks" or "gaps" to fulfill unconscious desires. The key point is that psychoanalytic criticism looks at the unconscious ...

  9. PDF The Idea of a Psychoanalytic Literary Criticism

    336 Peter Brooks Psychoanalytic Literary Criticism. The conjunction has almost always implied a relation of privilege of one. term to the other, a use of psychoanalysis as a conceptual system in terms of which to analyze: and explain literature, rather than an encounter and confrontation between the two. The reference to psychoanalysis has tra ...

  10. How to Write a Psychoanalytic Criticism Paper

    Step 5. Study your notes and speculations and write an alternate account of the text you've studied, focusing on the attempted textual closures, the emotions stirred in you (and why) and the ideas your free speculation has generated in response. The alternative meanings you generate constitute the outcome of psychoanalytic criticism. References.

  11. PDF Psychoanalytic Criticism and Jane Eyre

    But it also led him to write creative literary criticism of his own, including an influential essay on "The Relation of a Poet to Daydreaming" (1908) and "The Uncanny" (1919), a provocative psychoanalytic reading of E. T. A. Hoff-mann's supernatural tale "The Sandman." Freud's application of psychoanalytic theory to literature quickly caught on.

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    rld thinks about itself. Psychoanalytic criticism has influenced the teachers our teachers studied with, the works of scholarship and criticism they read, and the critical and creative. writers we read as well.What Freud did was develop a language that described, a model that explained, a theory that enco.

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    Psychoanalytic Criticism. Psychoanalytical literary criticism, on one level, concerns itself with dreams, for dreams are a reflection of the unconscious psychological states of dreamers. ... How to Write A Psychoanalytic Literary Essay. Choose three authors and/or literary works that you think might be fruitful for applying the three ...

  14. Practicing Psychological Criticism

    Archetypal Analysis (if using Jung): If applying Jungian psychology, identify archetypal elements in characters or symbols. Explore universal patterns and symbols that may be present in the narrative. Psychoanalytic Concepts (if using Freud): If applying Freudian psychoanalysis, explore concepts such as repression, desire, id, ego, and superego ...

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    Eventually, psychoanalytic texts themselves have become objects of analysis, as in the writings of Abraham and Torok, who analyse Freud's analysis of the pathological case study the 'Wolf-Man'. Text-based in its methods, psychoanalysis shares with literature the poiesis of images and expressions, the poetics of their arrangement, the ...

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    Psychoanalytic literary criticism emerges specifically from a therapeutic technique which the Viennese neurologist Sigmund Freud developed for the treatment of hysteria and neurosis at the end of the nineteenth century. A description of the cure, which one of Freud's patients ingeniously called 'the talking cure', gives an idea of the ...

  17. Psychoanalytic Literary Criticism: A Process Approach

    You should also be guided by the following: You must clearly define your psychoanalytic approach to the work—Freudian, Lacanian, Jungian, or some combination. You could explore ideas in a journal entry to help you focus on your critical approach. You should then construct a working thesis that will be your guide.

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    This page titled 6.4: Psychoanalytic Criticism is shared under a CC BY-NC license and was authored, remixed, and/or curated by Heather Ringo & Athena Kashyap (ASCCC Open Educational Resources Initiative) .

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    This task requires students to write an essay using psychoanalytic criticism to interpret Lord of the Flies. Students must cite specific evidence from the novel and resources provided by the instructor to support their interpretation in their essays. Objectives. In this extended writing task, students will read, analyze, and gather relevant ...

  22. 100 Psychoanalysis Topic Ideas to Write about & Essay Samples

    Classical Psychoanalysis: Sigmund Freud. Drives and instincts are connected with the human personal experiences, and the id associated with the human unconscious nature is oriented to pleasure and satisfying the sex instinct and to satisfying the aggression instinct. Sigmund Freud and Psychoanalysis of "Saw II"Movie.

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  25. Frederick Crews, literary critic and steely Freud skeptic, dies at 91

    Dr. Crews was a two-time finalist for the National Book Critics Circle Award for criticism, for the essay collections "The Critics Bear It Away" (1992) and "Follies of the Wise" (2006 ...

  26. Frederick Crews, Withering Critic of Freud's Legacy, Dies at 91

    But he gradually began to question the merits of Freudian theory, revealing his skepticism in a 1975 essay collection, "Out of My System: Psychoanalysis, Ideology, and Critical Method."