Queen Elizabeth On 'The King's Speech': 'Moved,' Reacts Favorably

king's speech queen elizabeth

So what's The Queen's Review of 'The King's Speech'?

Two royal thumbs up.

Queen Elizabeth II of England, depicted as the young daughter of King George VI (played by Colin Firth) in the Oscar-nominated film 'The King's Speech,' received a screening about her father's struggle with public speaking and his eventual triumph in inspiring his nation in the face of a German invasion. According to producers The Weinsten Company, she was "moved" by the movie.

The film was only made following the death of her mother, The Queen Mum, who is played by Helena Bonham Carter in the film. She asked writer David Seidel to refrain from committing his screenplay to film until her passing, as it was too painful for her to watch.

Firth has won all the major film awards thus far, including the Golden Globe , for his role as King George VI, and the film, nominated for 12 Oscars , is considered by some to be the favorite after a number of Guild wins over 'The Social Network.'

Here's the full release from The Weinstein Company.

New York, NY, February 4, 2011 - The Weinstein Company (TWC) is honored to learn that Her Royal Highness, Queen Elizabeth , has enjoyed a private screening of THE KING'S SPEECH, as reported by Duncan Larcombe, Royal Editor, in today's edition of The Sun. The film, directed by Tom Hooper and written by David Seidler, tells the story of Her Majesty's father, King George VI, as he struggles to overcome a crippling speech impediment while grappling with his sudden, unexpected ascension to throne and the mounting danger of Nazi Germany. THE KING'S SPEECH stars Colin Firth as King George VI, Geoffrey Rush as the King's speech therapist, Lionel Logue, and Helena Bonham Carter as Queen Elizabeth, the Queen Mother. THE KING'S SPEECH has been seen and admired by many notable public figures, including British Prime Minister David Cameron, who hosted a private screening at his home over the Christmas holidays; Prince Andrew; Lord and Lady William Astor; Lord Edward Spencer-Churchill; and Edwina Sandys, the granddaughter of Winston Churchill (portrayed in the film by Timothy Spall). Screenwriter David Seidler said, "To learn Her Majesty has seen the film, and was moved, in turn moves and humbles me greatly. When, thirty years ago, the Queen Mother asked me to wait and not tell this story during her lifetime, because the memory of these events was still too painful, I realized the depths of the emotions involved. Now this story has been written and filmed with a great deal of love, admiration, and respect for Her Majesty's father. That Her Majesty has responded favorably to this, is wonderfully gratifying." Said Harvey Weinstein, TWC co-Chairman and executive producer of THE KING'S SPEECH, "On behalf of the director Tom Hooper; the producers, Iain Canning, Emile Sherman, Gareth Unwin; Colin Firth, Geoffrey Rush, Helena Bonham Carter and our entire ensemble cast: we are deeply honored and humbled by Her Majesty's appreciation of the film. It was a labor of love for all of us and this is high praise, indeed."

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The True Story Behind "The King's Speech"

George VI during the 1940s

"The King's Speech" is a 2010 dramatic biographical film, recounting the friendship between King George VI of England and his Australian speech therapist, Lionel Logue. The film also covers Edward VIII's 1936 abdication, and George VI's subsequent coronation and shouldering of responsibility during World War II. George VI ultimately must conquer his stammer to assist and guide Britain during the war.

As a film, "The King's Speech" takes a few liberties with the historical timeline and in regards to simplifying certain characters. One element historians took particular umbrage with was the depiction of Winston Churchill . However, overall it is fairly faithful to the historical record. For one thing, George VI really did have a speech impediment since the age of eight, and Lionel Logue did work with him for several years. They did stay friends until they both died. Certain scenes, such as George VI's coronation, were praised for their accurate recapturing of the feel of the 1930s.

The main concept the film changed was simply adding drama to certain scenes, such as the speech announcing war with Germany towards the end. It also condensed the historical timeline significantly, shortening events. This was mostly done for the sake of keeping the narrative moving. Overall, however, " The King's Speech " is a fairly accurate, heartwarming rendering of George VI and Lionel Logue's friendship.

Prince Albert had a stutter as a child

Edward VII, George V, Edward VIII and George VI as boys

Prince Albert, later George VI, developed a stutter when he was eight that he carried through to his early adult life. His parents were not terribly affectionate with him, and he was susceptible to tears and tantrums – traits he also carried through his adult years, writes Biography . Given that many of his public duties required speeches, Albert needed to – and worked tirelessly – to fix his stammer with multiple doctors and therapists, writes Stuttering Help . He wasn't successful with any speech therapies until he worked with elocutionist and informal speech therapist Lionel Logue, beginning in the 1920s.

When Logue saw the then-Duke of York give a speech, he said to his son, "He's too old for me to manage a complete cure. But I could very nearly do it. I'm sure of that." (via Stuttering Help ). He was right, and his positive attitude helped the duke recover from previous failures that had made him believe the problem caused him to be mentally deficient instead of simply physically injured. Despite how long they worked together, the duke's speech issues had more to do with how held his jaw and pronounced words; the result was that his stammer was mainly cleared up in a matter of months as opposed to years.

Lionel Logue was a self-taught speech therapist

Adelaide, South Australia, in 1896

Lionel Logue was an Australian speech therapist who, not being formally trained, used methods he had discovered and created on his own. He worked as an elocutionist first, but fell into helping Australian World War I veterans with speech defects, writes The ASHA Leader . No one else was doing what he was with the veterans, and speech therapy and audiology programs didn't even get off the ground until the 1940s (via UNC Health Sciences Library ). Logue was even a founder of the College of Speech Therapists.

Just before World War I, Logue worked a variety of jobs as a teacher of elocution and drama, theater manager, and reciter of Shakespeare and Dickens (via Speech Language Therapy's Caroline Bowen, a speech language pathologist ). Logue worked with patients on their speech, but also on confidence and the self-belief that they could accomplish what they set out to do. He was empathetic with his patients, and learned from each case he worked on. Logue originally tried out as an actor, and as a result, his manner was somewhere between a teacher and an artist. He was serious about his life's work and resolved to avoid cheapening it by writing a book about his efforts with the king.

Logue began working with Prince Albert in 1926

the Duke and Duchess of York, 1927

Elizabeth, the Duchess of York, first encouraged her husband to work with Lionel Logue, though the meeting as depicted in the film between Elizabeth and Logue likely didn't happen (via Logue and Conradi's "The King's Speech" ). Logue thus began working with the Duke of York in October 1926, soon after he opened his London practice on Harley Street. Logue first diagnosed the Duke with, according to CNN , acute nervous tension and the habit of closing the throat, which caused him to clip words out.

Logue met with him daily for the next two or three months (in advance of a visit to Australia), and his stammer was gone (for the most part) within that time frame; it didn't take years of treatment (via Speech Language Therapy ). Unlike in the film, in reality, the Duke and Logue weren't necessarily aiming for complete fluency. However, they did continue to work together for the next two decades, mainly on the royal's speeches.

Logue worked with Albert for over 15 years

modern day Harley St., where Logue had his practice

Though the film condenses the timeline to make it seem as though everything takes place over just a few years, Logue and Albert worked together for decades (via CNN ). "The King's Speech" begins in 1925 with the close of the British Empire Exhibition, which would be historically accurate, but time simply speeds by until the film depicts the abdication of Edward VIII in 1936 and later the outbreak of war in 1939 in just a few hours; it doesn't really feel as though a decade and a half have passed.

Regardless, Logue and the duke worked together on speeches even after the duke had mostly mastered his stammer. Lionel Logue's methods were unorthodox and primarily self-taught. He never specifically said what course of treatment he worked on with the duke, saying, according to The ASHA Leader : "...on the matter of Speech Defects, when so much depends on the temperament and individuality, a case can always be produced that can prove you are wrong. That is why I won't write a book." Much of the ideas for the therapy sessions depicted in the film come from Logue's diaries (though plenty of the dialogue was invented), which were inherited by his grandson Mark. They were used in the film, though the director only saw them late in the film's production.

Any sort of therapy is inherently individual, not to mention personal (via Psychiatric Times ). It's no wonder that Logue decided to avoid writing about his work.

Wallis Simpson was a more complex person than the film indicates

Wallis Simpson and Edward VIII in 1935

King Edward VIII was crowned in January 1936 and abdicated in December of the same year in order to marry Wallis Simpson , who had been twice divorced (via History ). His younger brother was proclaimed king the next day. The film is sympathetic to George VI and Elizabeth, and Wallis Simpson is cast as a vaguely Nazi-supporting villain; there is little depth to her character. However, her life and motivations were shrouded in rumors from the British upper classes and the media.

The upper classes, who learned about the Edward-Wallis romance before the British media, in particular saw her as an uncouth American divorcee, and had a hard time figuring out why Edward wanted to be with her. When the media did find out, in December 1936, she was both ruined and revered by them, according to History Extra . However, after moving overseas more-or-less permanently she faded from the spotlight. Her unfortunate reputation from the nobles stuck with her.

Ultimately, George VI didn't allow his brother and sister-in-law, who had moved to France, to be productive for the royal family; they asked multiple times for jobs and were denied (via History Extra ). Awful rumors followed Wallis Simpson even past her death in the 1980s, including one that stated she would do anything to become queen of England. Though it's clear both on and off screen that she and Elizabeth disliked each other, Wallis was more than a king-stealing villain.

Churchill was actually opposed to Edward VIII's abdication

Winston Churchill in 1918, with female workers at a filing works in Glasgow

One major element of the film that historians had trouble with is Churchill's abrupt support of George VI, writes Daily History . In real life, he encouraged Edward VIII not to abdicate in 1936, and remained a supporter of the royal, believing something could be worked out without having to resort to abdication. George VI and Elizabeth didn't fully support Churchill later in life due to his actions during the abdication. However, Churchill was later knighted by Elizabeth II (via Biography ).

This element is likely written as such for the film due to the writers having a hard time writing someone as beloved as Churchill with actual flaws. The writers of "Saving Mr. Banks" had a similar issue with Walt Disney and his flaws. As a result, it is one of the only concrete historical aspects that left historians scratching their heads in confusion. Everything else that is changed in the film is mainly done for the sake of adaptation, drama, and the good of the narrative. This change seems to be for the sake of preserving Churchill's reputation. Considering the film's lead-up of events to World War II, and Churchill's role in Britain's survival, it isn't that surprising.

King George VI's coronation was less fraught than the film depicts

Darlington Town Hall, decorated for the 1937 coronation

Logue worked with George VI on his coronation speech in 1937. Five days afterward, the king wrote a heartfelt thank you letter for the assistance (via Tatler ), attributing the success to Logue's "expert supervision and unfailing patience." Just as in the film, Logue and his wife are seated in the royal box, so high up that Myrtle Logue needed to use opera glasses in order to see, writes CNN .

However, by this time, the king had mostly mastered his speech impediment, and the dramatic scene in the film with Logue and St. Edward's chair is likely fictional. It was written for the sake of the narrative of George VI realizing he does have a voice. Reality isn't necessarily so cinematic, and after weeks of working on the speech with Logue, George VI delivered it flawlessly. Regardless, according to Daily History , the film accurately conveys the atmosphere of the 1930s and the coronation of a new king. In reality, the king and Logue likely didn't have the same miscommunication as they do in the film, and it is doubly heartwarming that Logue and his wife were seated with the royal family, just because of the services Logue had rendered the new king.

Logue was more deferential to his royal patient

Marleybone, where Logue's Harley St. office was

Geoffrey Rush's portrayal is much more animated than Logue likely was in reality. Logue certainly addressed Prince Albert respectfully, and the scenes of swearing in Logue's office are likely invented. Logue also never referred to the prince by a nickname, much less one used exclusively by the family. They were friends in real life, but their relationship was more realistically distant.

According to CNN , the letters Logue wrote to the king are addressed to "Your Royal Highness". On the other hand, the king signed his letters with his first name, indicating a measure of friendship between the two men. Logue also apparently allowed George VI to set treatment goals due to his position. Though they did end up being friends, Logue never forgot who exactly his patient was, and treated him accordingly (via Daily History ). Historical films always add heart-to-heart speeches between people which probably never actually happened but work for the sake of drama and the narrative. "The King's Speech" is no exception.

The speech announcing war with Germany was less dramatic

Queen and Princess Elizabeth speak to paratroopers in preparation for D-Day

Lionel Logue further assisted George VI during the 1939 speech when he announced Britain was at war with Germany. However, Logue wasn't actually in the room with him, as the film depicts, and only wrote notes on places for the king to pause to collect himself when speaking or on which words to stress, according to CNN . Keep in mind that by this point in time, 13 years after meeting Logue, the king had essentially mastered his stammer. George VI also stood to give the speech, though photographs show him in full military uniform and sitting down.

Lionel Logue's diaries also answered a previously unknown question about the speech that was added to the film. George VI stammered on some of the W's in the speech, and according to a comment he made to Logue, it was so the people would recognize him, writes CNN .

The film turns the event into a climactic event, as a culmination of the years of work the king and Logue have put into his affliction – and which the audience has just watched on screen for the past two hours. Also, though it is unlikely the information was revealed at this exact time in real life, the character of Winston Churchill tells the king just before this speech that he, too, was a stammerer as a child, writes The Lancet . This element is true, though it is positioned for the sake of cinematic drama.

George and Logue's friendship didn't fracture over credentials

Cover of the Radio Times, 7 May 1937 edition, marking the Coronation of George VI of the United Kingdom; with a painting by Christopher Richard Wynne Nevinson

In the film, coronation preparations pause when the archbishop of Canterbury, Cosmo Lang, mentions that Logue doesn't have any formal training. Not having known this beforehand, George VI becomes outraged and only calms after Logue provokes him into speaking without stammering, causing him to realize that he actually can speak accurately. This entire element is invented for the film, presumably for the sake of drama (and humor).

By this point, the two men had known each other for over a decade and were friends. Though their relationship was primarily professional, in scouting out Logue's help, the king must have understood his credentials and it didn't bother him; after all, he worked with Logue, voluntarily, for decades (via Daily History ). Logue's formality likely kept their friendship professional enough that they probably had few personal disagreements.

Logue and the king wrote letters back and forth for years; the earlier letters were signed "Albert" and the later letters "George" by the king, according to CNN , indicating a measure of friendship that was likely meted out to few people. When Logue asked the king in 1948 if he would serve as patron of the College of Speech Therapists, George VI immediately agreed and it became known as the Royal College of Speech Therapy, writes The ASHA Leader .

The film has an obvious pro-George VI bias

The Roosevelts and the king and queen in 1939

Due to being written from a historical perspective, "The King's Speech" supports George VI, Logue, Elizabeth, and even Winston Churchill as characters and historical figures much more than it does George V, Edward VIII, or Wallis Simpson. The film has an agenda and a narrative it set out to tell: the story of how George VI overcame his stammer and led a nation successfully through a war.

According to The Gazette , the film's textual inclusion of Logue's appointment as a Member of the Royal Victorian Order is accurate. The king appreciated his services enough to reward him with a title for them, and this element certainly adds to the theme of friendship the film is so fond of.

In another interesting example of bias, however, the film omits Edward VIII's Nazi sympathies entirely, though Simpson is written to seem like an outsider to the royals. This was likely done for the sake of Edward's surviving family, though it was a slightly odd omission considering the context of the film. Edward isn't cast as a villain, however, he doesn't quite seem to realize what he's forcing his brother to step into. Though he immediately supports George, Edward doesn't seem to comprehend the royal family's – and the film's – endless demand of duty.

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king's speech queen elizabeth

The King's Speech

king's speech queen elizabeth

  • Us Weekly Thelma Adams A charming, personal period drama.
  • Fort Worth Star-Telegram/DFW.com Christopher Kelly A polite, occasionally rousing, and more often than not, boring affair.
  • New York Post Lou Lumenick The King's Speech is the rare work of art that's also an immense crowdpleaser.
  • AV Club Tasha Robinson The King's Speech is admirably free of easy answers and simple, happy endings; it's a skewed, awards-ready version of history, but one polished to a fine, satisfying shine.
  • Entertainment Weekly Lisa Schwarzbaum The King's Speech is simultaneously cozy and majestic.
  • San Diego Reader David Elliott The film is richly rooted, with splendid trappings, including pea-soup fogs. For all the pomp and protocol, it's an intimate story about a scared man who must find his voice if he is to rise, in regal stature, above his epaulets.
  • St. Louis Post-Dispatch Joe Williams The King's Speech is the epitome of prestige cinema, an impeccably crafted and emotionally compelling drama that deserves the many laurels it surely will receive.
  • Film Comment Magazine Scott Foundas Hooper...has become something of a specialist in exhuming British history from the mothballs of Masterpiece Theatre.
  • Newsday Rafer Guzman A powerful back story does not necessarily improve a movie, but The King's Speech has a pretty irresistible one. It might even end with a dramatic night at the Oscars in February.
  • Detroit News Tom Long Classic, rousing entertainment loaded with both humor and poignancy.
  • New York Times Manohla Dargis Too ingratiating to resonate deeply.
  • IFC.com Matt Singer It's hard to imagine a much better film being made from this material.
  • Beliefnet Nell Minow The true story of a man who had to literally and metaphorically find his voice, with in a very real sense the fate of the world depending on it.
  • Austin Chronicle Marc Savlov he King's Speech brings a country's amorphous fear of war and a sudden king's dread of his hesitant supremacy into perfect, uncommon focus.
  • Arizona Republic Bill Goodykoontz OK, sure, "The King's Speech" obviously is feel-good Oscar bait, but who cares? It's also a terrific movie with two fantastic performances at its heart.
  • Shockya.com Perri Nemiroff The combination of spectacular performances and masterful direction turns this true story into an all-consuming emotional experience.
  • Denver Post Lisa Kennedy It is an intelligent, winning drama fit for a king -- and the rest of us. And this year, there were far too few of those coming from Hollywood.
  • Seattle Times Moira MacDonald "The King's Speech" is old-fashioned filmmaking at its best: a good story, elegantly told, and a joy to watch.
  • Houston Chronicle Amy Biancolli The King's Speech is a warm, wise film -- the best period movie of the year and one of the year's best movies, period.
  • Tribune News Service Roger Moore A feel-good movie with a hearty dose of history and a hint of edge, a most-deserving Oscar winner

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king's speech queen elizabeth

The King's Speech (2010)

Full cast & crew.

king's speech queen elizabeth

Directed by 

Writing Credits  

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Produced by 

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... associate producer
... co-producer
... executive producer
... co-producer / line producer
... co-executive producer
... executive producer
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Music by 

Cinematography by .

... director of photography

Editing by 

Casting by , production design by , art direction by .

... supervising art director

Set Decoration by 

Costume design by , makeup department .

... crowd hair & make up artist: daily (as Faye Aydin Le Jeune)
... hair stylist: second unit / makeup artist: second unit
... hair stylist: second unit / makeup artist: second unit
... hair stylist: second unit / makeup artist: second unit
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... crowd supervisor (uncredited)
... makeup artist (uncredited) / makeup trainee (uncredited)
... prosthetics supplier (uncredited)
... wigmaker (uncredited)
... crowd hair stylist: dailies (uncredited)
... crowd makeup artist (uncredited)
... hair artist: crowd (uncredited)

Production Management 

... unit manager (as Dave Bell)
... production manager
... head of production: UK Film Council
... post-production manager
... post-production supervisor
... executive in charge of post-production (uncredited)

Second Unit Director or Assistant Director 

... third assistant director: second unit
... third assistant director
... first assistant director
... first assistant director: second unit
... assistant director: crowd, Yorkshire
... third assistant director: second unit
... third assistant director: second unit (as Andy Mannion)
... second assistant director: second unit crowd
... second assistant director
... assistant director: crowd
... crowd third assistant director (uncredited)
... daily crowd assistant director (uncredited)
... daily crowd assistant director (uncredited)
... second assistant director: second unit (uncredited)
... third assistant director: crowd (uncredited)
... daily crowd assistant director (uncredited)
... additional assistant director: dailies (uncredited)

Art Department 

... property master
... production buyer (as Corinna Floyd)
... art department coordinator
... stand-by art director
... construction manager
... carpenter
... dressing propman
... stand-by propman (as Andy Forrest)
... stand-by painter
... stand-by rigger
... dressing propman
... chargehand carpenter
... storyboard artist
... stand-by carpenter (as David 'Ned' Kelly)
... carpenter
... scenic painter
... graphic designer
... stand-by propman
... art department assistant
... art department runner
... painter
... head of painting
... carpenter
... dressing propman / storeman
... art department runner
... stagehand
... art department runner (as Rebecca Walker)
... drapesmaster (uncredited)
... additional propsman (uncredited)
... set dec assistant (uncredited)
... portrait artist (uncredited)
... painter (uncredited)
... propmaker (uncredited)
... set decorating assistant (uncredited)
... set decorating assistant (uncredited)
... drapemaster (uncredited)

Sound Department 

... foley artist
... cable/3rd person
... assistant sound editor
... foley artist (as Andi Derrick)
... sound effects editor
... cable/3rd person
... re-recording mixer
... sound effects editor
... re-recording mixer
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... adr mixer / assistant sound re-recording mixer
... sound maintenance
... dialogue editor
... sound mixer: second unit
... dialogue editor (as Matt Skelding)
... foley editor / foley recordist
... assistant dialogue editor
... supervising sound editor
... adr mixer (uncredited)
... adr mixer (uncredited)
... adr mixer (uncredited)
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... sound assistant (uncredited)
... datasat sound mastering engineer (uncredited)
... adr recordist (uncredited)
... adr coordinator (uncredited)

Special Effects by 

... special effects supervisor
... special effects senior technician
... special effects floor supervisor
... special effects technician (uncredited)

Visual Effects by 

... 2d artist: Molinare London
... cg artist: Pixion
... on-set visual effects supervisor: Molinare London (as Philip Attfield)
... 2d artist: Pixion (as Debashish Bora)
... 2d artist: Pixion (as Rito Chourasia)
... additional on-set visual effects supervisor: Molinare London
... visual effects line producer: Molinare London
... 2d artist: Pixion (as Abhijit)
... 2d artist: Pixion (as Sreekanth)
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... 2d artist: Molinare London
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... visual effects production coordinator: Molinare London
... visual effects producer: Molinare London (as Tom Horton) / visual effects supervisor: Molinare London (as Tom Horton)
... 2d artist: Molinare London
... senior cg artist: Molinare London
... 2d artist: Pixion
... senior 2d artist: Molinare London
... 2d lead: Molinare London
... 2d artist: Molinare London
... 2d artist: Molinare London
... 2d artist: Pixion
... 2d lead: Pixion
... cg artist: Pixion (as Neha)
... 2d artist: Pixion (as Abhiman Nimaan)
... visual effects editor: Molinare London
... 2d artist
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... 2d supervisor: Pixion (as Ranadheer Reddy 'Rana')
... 2d artist: Pixion (as Saarika Ali)
... matchmover: Pixion
... matte painter: Molinare London
... cg supervisor: Pixion
... 2d artist: Pixion / visual effects
... visual effects editor (as Tony Trompetto)
... visual effects data operator: Molinare London
... 2d artist: Pixion
... visual effects head of production: Molinare London (as Sal Urmeji)
... matte painter: Molinare London
... senior 2d artist: Molinare London
... visual effects supervisor (uncredited)
... digital compositor (uncredited)
... visual effects coordinator (uncredited)
... visual effects line producer: Molinare London (uncredited)
... compositor: LOOK! Effects, Inc. (uncredited)
... digital compositor (uncredited)
... compositing supervisor: Look Effects (uncredited)
... digital compositor (uncredited)
... senior animator (uncredited)
... visual effects editor (uncredited)
... roto/paint artist (uncredited)
... visual effects artist (uncredited)
... matchmover (uncredited)
... visual effects editor (uncredited)
... digital compositor (uncredited)
... visual effects production manager (uncredited)
... visual effects producer: Look FX (uncredited)
... junior compositor (uncredited)

Camera and Electrical Department 

... focus puller: "a" camera
... clapper loader: "a" camera
... clapper loader: second unit (as a different name)
... focus puller: second unit
... camera operator: "b" camera
... electrical rigger
... focus puller: second unit
... video playback operator: second unit
... electrician
... camera trainee
... grip: "b" camera
... electrician
... clapper loader: "b" camera
... focus puller: "b" camera
... electrician
... grip: second unit
... electrician
... video playback operator
... best boy
... director of photography: second unit
... grip: second unit
... focus puller: second unit
... focus puller: second unit
... video playback operator: second unit
... gaffer
... grip: second unit
... camera trainee: second unit
... grip: "a" camera
... camera operator: "a" camera / steadicam operator
... still photographer
... clapper loader: second unit (as Chloe Thomson)
... airstar head technician
... airstar head technician
... additional electrician (uncredited)
... practical electrician (uncredited)
... electrician: second unit (uncredited)
... sparks rigger (uncredited)
... electrician (uncredited)
... crane technician: dailies (uncredited)

Casting Department 

... casting assistant
... extras casting assistant (uncredited)
... adr voice casting (uncredited)
... casting assistant (uncredited)

Costume and Wardrobe Department 

... costume assistant: second unit
... assistant costume designer
... costume assistant: second unit (as Ann Cartwright)
... costume assistant: second unit
... costume assistant: second unit
... costume stand-by (as Katherine Greenacre)
... costume assistant
... costume assistant: second unit
... costume stand-by
... costume supervisor
... costume assistant: second unit
... costume assistant: second unit (as Tim Aslam)
... assistant costume designer
... costume assistant: second unit
... dresser (uncredited)

Editorial Department 

... digital film technician
... post-production coordinator
... film consultant
... digital film technician
... digital film supervisor
... digital intermediate conform editor
... digital film consultant
... digital intermediate conform editor
... on-line editor
... colorist
... digital intermediate conform editor
... digital intermediate conform editor
... digital film technician (uncredited)
... digital intermediate consultant (uncredited)
... color timer (uncredited)
... post-production assistant (uncredited)

Location Management 

... assistant location manager
... location manager
... assistant location manager
... locations
... location manager
... location assistant
... location scout
... location assistant
... locations (uncredited)
... additional location assistant (uncredited)
... additional location assistant (uncredited)
... location scout (uncredited)
... location assistant (uncredited)
... location scout (uncredited)

Music Department 

... musician: piano solo (as Dave Arch)
... music recording and mixing assistant
... orchestrator
... musician: violin solos / orchestra leader
... music editor
... score mixer (as Pete Cobbin) / score recordist (as Pete Cobbin)
... conductor: source music
... conductor / orchestrator
... source music mixer / source music recordist
... music score coordinator for composer
... score orchestra contractor
... music librarian
... orchestra leader: The London Symphony Orchestra
... musicians
... musician: soloist, The London Symphony Orchestra
... supervising music editor
... music recording and mixing assistant
... musician: soloist, The London Symphony Orchestra
... music supervisor
... music preparation: score (as Jill Streeter)
... assistant orchestra contractor
... assistant music supervisor
... musician: violin (uncredited)
... orchestrator (uncredited)
... music department (uncredited)
... musician: harp (uncredited)
... musician: double bass (uncredited)
... orchestrator (uncredited)
... musician: violin (uncredited)
... assistant scoring engineer (uncredited)
... musician: flute (uncredited)
... musician: double bass (uncredited)
... musician: viola (uncredited)
... musician: violin (uncredited)

Script and Continuity Department 

... script supervisor

Transportation Department 

... driver: minibus
... driver: minibus
... unit driver
... driver: Mr. Rush
... driver: Mr. Pearce
... transportation captain
... driver: Mr. Hooper
... picture car coordinator (as Mark-Oliver-Tlo)
... driver: construction (as Billy Pidgley)
... unit driver
... driver: Ms. Bonham Carter
... driver: Mr. Firth
... picture car coordinator (uncredited)
... unit driver (uncredited)
... transportation captain: facilities (uncredited)
... facility driver (uncredited)

Additional Crew 

... international sales agent: FilmNation Entertainment
... commercial manager: Aegis Film Fund
... stand-in: King George VI (as Roy Borrett)
... office executive: Aegis Film Fund
... production executive: UK, See-Saw Films
... military and ceremonial advisor
... director's assistant
... insurance broker: Media and Entertainment Insurance Services
... head of premier fund: UK Film Council
... catering manager: Premier Caterers (as Kevin Chamberlin)
... production accountant: Aegis Film Fund
... producer: print international, the ant farm
... first assistant accountant
... international sales agent: Filmnation Entertainment
... health and safety officer
... public relations
... unit publicist
... office production assistant
... investor: Aegis Film Fund
... security
... animal consultant
... development
... post production accountant
... production assistant: Bedlam Productions (as Will Emsworth)
... head of business affairs: UK Film Council
... senior vice president: production and development, The Weinstein Company
... military advisor
... production coordinator
... location scout
... production accountant
... inflatable crowd supervisor
... press: international
... script clearance and archive research: The Clearing House
... chef: Premier Caterers
... completion guarantor
... head of production finance: UK Film Council
... assistant production coordinator
... assistant: Mr Rush
... armourer
... unit nurse
... company accountant: Bedlam Productions
... legal and business affairs: Momentum Pictures
... International Sales
... head of administration: Aegis Film Fund (as Clare Kennedy)
... initial development: Wild Thyme Productions
... assistant accountant
... president: Momentum Pictures
... manager, marketing, publicity and distribution
... consultant: Logue family
... choreographer
... dubbing director
... president of international distribution: Momentum Pictures
... production runner
... director of legal and business affairs: Europe, Momentum Pictures
... health and safety officer
... catering assistant: Premier Caterers
... film executive: Molinare London
... director: Molinare London
... stand-in: Lionel Logue
... Acquisition Executive
... production executive: Australia, See-Saw Films
... auditor: RSM Tenon (as Moses Nyache)
... delivery paperwork coordinator
... catering assistant: Premier Caterers
... senior vice president: business affairs and acquisitions, The Weinstein Company (as Michal Podall Steinberg)
... floor runner
... development and support: RPTA
... office manager: Bedlam Productions
... health and safety officer
... legal and business affairs: See-Saw Films
... catering assistant: Premier Caterers
... director of film finance: Aegis Film Fund
... stand-in: Queen Elizabeth
... dialect coach
... commercial director: Aegis Fiulm Fund
... production legal: Olswang
... proprietor: Premier Caterers
... historical advisor
... SVP of worldwide acquisitions: Momentum Pictures
... accountant: See-Saw Films
... stand-in: utility (as Richard Manlove)
... public relations (uncredited)
... creative editor: UK Film Council (uncredited)
... crowd runner (uncredited)
... dubbing supervisor (uncredited)
... director of business and legal affairs: The Weinstein Company (uncredited)
... executive: Molinare (uncredited)
... utility stand in/runner (uncredited)
... runner (uncredited)
... production accountant: Prescience (uncredited)
... runner (uncredited)
... production assistant (uncredited)
... production executive (uncredited)
... stand-in: Helena Bonham Carter (uncredited)
... legal advisor to molinaire (uncredited)
... production legal (uncredited)
... cast security (uncredited)
... studio assistant: Harvey Weinstein (uncredited)

Thanks 

... special thanks (as Rebecca Pick)
... thanks
... dedicated to the memory of
... special thanks
... special thanks
... special thanks
... special thanks
... special thanks

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King Charles III’s historic first speech in full following death of his mother Queen Elizabeth II

New monarch offers ‘promise of lifelong service’ in emotional address, article bookmarked.

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King Charles made his historic first speech after the death of his mother, Queen Elizabeth II, to an audience of millions around the world on Friday.

As well as being broadcast on television it was displayed to mourners at a special memorial service at St Paul’s Cathedral in London.

Here is the king's address in full:

“I speak to you today with feelings of profound sorrow. Throughout her life, Her Majesty the Queen – my beloved Mother – was an inspiration and example to me and to all my family, and we owe her the most heartfelt debt any family can owe to their mother; for her love, affection, guidance, understanding and example.

“Queen Elizabeth was a life well lived; a promise with destiny kept and she is mourned most deeply in her passing. That promise of lifelong service I renew to you all today.

“Alongside the personal grief that all my family are feeling, we also share with so many of you in the United Kingdom, in all the countries where the Queen was head of state, in the Commonwealth and across the world, a deep sense of gratitude for the more than 70 years in which my Mother, as Queen, served the people of so many nations.

“In 1947, on her 21st birthday, she pledged in a broadcast from Cape Town to the Commonwealth to devote her life, whether it be short or long, to the service of her peoples.

“That was more than a promise: it was a profound personal commitment which defined her whole life. She made sacrifices for duty.

“Her dedication and devotion as sovereign never waivered, through times of change and progress, through times of joy and celebration, and through times of sadness and loss.

“In her life of service we saw that abiding love of tradition, together with that fearless embrace of progress, which make us great as nations. The affection, admiration and respect she inspired became the hallmark of her reign.

“And, as every member of my family can testify, she combined these qualities with warmth, humour and an unerring ability always to see the best in people.

“I pay tribute to my Mother’s memory and I honour her life of service. I know that her death brings great sadness to so many of you and I share that sense of loss, beyond measure, with you all.

“When the Queen came to the throne, Britain and the world were still coping with the privations and aftermath of the Second World War, and still living by the conventions of earlier times.

“In the course of the last 70 years we have seen our society become one of many cultures and many faiths.

“The institutions of the state have changed in turn. But, through all changes and challenges, our nation and the wider family of Realms – of whose talents, traditions and achievements I am so inexpressibly proud – have prospered and flourished. Our values have remained, and must remain, constant.

“The role and the duties of monarchy also remain, as does the sovereign's particular relationship and responsibility towards the Church of England – the church in which my own faith is so deeply rooted.

“In that faith, and the values it inspires, I have been brought up to cherish a sense of duty to others, and to hold in the greatest respect the precious traditions, freedoms and responsibilities of our unique history and our system of parliamentary government.

“As the Queen herself did with such unswerving devotion, I too now solemnly pledge myself, throughout the remaining time God grants me, to uphold the constitutional principles at the heart of our nation.

“And wherever you may live in the United Kingdom, or in the realms and territories across the world, and whatever may be your background or beliefs, I shall endeavour to serve you with loyalty, respect and love, as I have throughout my life.

“My life will of course change as I take up my new responsibilities.

“It will no longer be possible for me to give so much of my time and energies to the charities and issues for which I care so deeply. But I know this important work will go on in the trusted hands of others.

“This is also a time of change for my family. I count on the loving help of my darling wife, Camilla.

“In recognition of her own loyal public service since our marriage 17 years ago, she becomes my Queen Consort.

“I know she will bring to the demands of her new role the steadfast devotion to duty on which I have come to rely so much.

“As my heir, William now assumes the Scottish titles which have meant so much to me.

“He succeeds me as Duke of Cornwall and takes on the responsibilities for the Duchy of Cornwall which I have undertaken for more than five decades.

“Today, I am proud to create him Prince of Wales, Tywysog Cymru, the country whose title I have been so greatly privileged to bear during so much of my life and duty.

“With Catherine beside him, our new Prince and Princess of Wales will, I know, continue to inspire and lead our national conversations, helping to bring the marginal to the centre ground where vital help can be given.

“I want also to express my love for Harry and Meghan as they continue to build their lives overseas.

“In a little over a week's time we will come together as a nation, as a Commonwealth and indeed a global community, to lay my beloved mother to rest.

“In our sorrow, let us remember and draw strength from the light of her example.

“On behalf of all my family, I can only offer the most sincere and heartfelt thanks for your condolences and support.

“They mean more to me than I can ever possibly express.

“And to my darling Mama, as you begin your last great journey to join my dear late Papa, I want simply to say this: thank you.

“Thank you for your love and devotion to our family and to the family of nations you have served so diligently all these years.

“May ‘flights of Angels sing thee to thy rest’.”

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Watch CBS News

Why "The King"s Speech" Couldn't Be Made While the Queen Mother Was Alive

By Neil Sean

September 29, 2010 / 3:52 PM EDT / CBS News

Actor Colin Firth speaks at 'The King's Speech' press conference during the 2010 Toronto International Film Festival at the Hyatt Regency on September 11, 2010 in Toronto, Canada. (Photo by Alberto E. Rodriguez/Getty Images)

LONDON (CBS) It may be getting a lot of Oscar buzz this season, but the soon-to-be-released Colin Firth movie, "The King's Speech," has no fans in Buckingham Palace.

The movie , directed by Tom Hooper, chronicles the life of Britain's King George VI, father of the current monarch, Queen Elizabeth II.

As the title suggests, the film centers on the king's effort to overcome a childhood stutter, once he assumed the throne after his brother, King Edward VIIL. abdicated.

The script by David Seidler is based on never-before-published medical notes on George VI's battle with his stammer. It also focuses on how the late Queen Mother's beloved "Bertie" was suddenly thrust into the spotlight, making his stammer all the more noticeable in endless World War II radio broadcasts heard by millions around the world.

The Queen Mother often referred to her husband's stammer as "dreadfully painful."

Although insiders of the Royal palaces have yet to see the final cut of the movie, it is not, I can reveal, going down that well within Royal circles. The Queen, in particular, is less than thrilled with the idea of her beloved father, whom she cared for so deeply, becoming an "open book" for the world to view.

Palace insiders also believe the movie could never have been made while the Queen Mother was still alive. The Queen Mother was the most loved member of the royal family and even the mere mention of her name today can bring a misty-eyed tear to her greatest fan, the Prince of Wales.

To be released in late November, the movie stars Firth as the king and Helen Bonham Carter as the Queen Mother. Guy Pearce is King Edward VIII, known as the Duke of Windsor after his abdication, and Geoffrey Rush plays the speech therapist called in to aid the king.

Firth has said he almost begged to play the role and he thinks that " it will bring a greater understanding to the royal family and their own plights that, of course, have remained private for many years."

More from CBS News

King Charles III Addresses the UK After Queen Elizabeth II's Death: Read His Full Speech

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King Charles III  publicly addressed the nation and the world following the death of his mother , Queen Elizabeth II . The 73-year-old former Prince of Wales, who will officially be proclaimed as the new sovereign king on Saturday, spoke about his late mother’s historic legacy in a public address on Friday evening in a pre-recorded message from Buckingham Palace. 

In the speech, Charles acknowledged the "profound sorrow" both he and his family and the world were feeling in the wake of the queen's death. He also vowed as king to "endeavor to serve you with loyalty, respect and love as I have throughout my life." On a personal note, he proudly announced that his eldest son, Prince William, and daughter-in-law, Kate Middleton, would be the new Prince and Princess of Wales, titles he and the late Princess Diana previously held. He also referenced his younger son, Prince Harry, who stepped down from royal life in 2021, saying, "I want to also express my love for Harry and Meghan as they continue to build their lives overseas." 

Read King Charles III's speech in full:

I speak to you today with feelings of profound sorrow. 

Throughout her life, Her Majesty the queen, my beloved mother was an inspiration and example to me and to all my family, and we owe her the most heartfelt debt any family could owe to their mother for her love, affection, guidance, understanding and example. 

Queen Elizabeth's was a life well lived, a promise of destiny kept and she is mourned most deeply in her passing. That promise of lifelong service, I renew to all today. 

Alongside the personal grief that all my family are feeling, we also share with so many of you in the United Kingdom, in all the countries where the queen is head of state in the Commonwealth and across the world, a deep sense of gratitude for the more than 70 years in which my mother as queen served the people of so many nations. 

In 1947 on her 21st birthday, she pledged in a broadcast from Cape Town to the Commonwealth to devote her life, whether it be short or long, to the service of her peoples. That was more than a promise, it was a profound personal commitment, which defined her whole life. She made sacrifices for duty. Her dedication and devotion for sovereign, never wavered through times of change and progress, through times of joy and celebration, and through times of sadness and loss. 

In her life of service, we saw that abiding love of tradition along with that fearless embrace of progress, which makes us great as a nation. The affection, admiration, and respect she inspired, became the hallmark of her reign. And as every member of my family can testify, she combined these qualities with warmth, humor and an unerring ability to always see the best in people. 

I pay tribute to my mother's memory and I honor her life of service. I know that her death brings great sadness to so many of you. And I share that sense of loss beyond measure with you all. 

When the queen came to the throne, Britain and the world was still coping with the privations and aftermath of the second World War and still living with the conventions of earlier times. 

In the course of the last 70 years, we have seen our society become one of many cultures and many faiths. The institutions of the state have changed in turn, but through all changes and challenges, our nation and the wider family of realms of whose talents, traditions and achievements I'm so inexpressibly proud of, have prospered and flourished. Our values have remained and must remain constant. 

The role and the duties of monarchy also remain, as does the sovereign's particular relationship and responsibility toward the Church of England, the church in which my own faith is so deeply rooted. In that faith, and the values it inspires, I've been brought up to cherish a sense of duties to others and to hold in the greatest respect, the precious traditions, freedoms and responsibilities of our unique history and our system of Parliamentary government. 

As the queen herself did with such unswerving devotion, I too now solemnly pledge myself throughout the remaining time God grants me, to uphold the Constitutional principles at the heart of our nation. And wherever you may live in the United Kingdom or in the realms or territories across the world and whatever may be your background or beliefs, I shall endeavor to serve you with loyalty, respect and love as I have throughout my life. 

My life will, of course, change as I take up my new responsibilities. It will no longer be possible for me to give so much of my time and energies to the charities and issues to which I care so deeply, but I know this important work will go on in the trusted hands of others. 

This is also a time of change for my family. I count on the loving help of my darling wife, Camilla, in recognition of her own loyal public service since our marriage 17 years ago, she becomes my Queen Consort. I know she will bring to the demands of her new role the steadfast devotion to duty of which I have come to rely so much. 

As my heir, William now assumes the Scottish titles which have meant so much to me. He succeeds me as Duke of Cornwall and takes on the responsibilities to the duchy of Cornwall which I have undertaken for more than five decades. Today I am proud to create him Prince of Wales, Tywysog Cymru,  the country whose title I've been so proud to bear. With Catherine beside him, our new Prince and Princess of Wales will, I know, continue to inspire and lead our national conversations, helping to bring the marginal to the center ground where vital help can be given. 

I want to also express my love for Harry and Meghan as they continue to build their lives overseas. 

In a little over a week's time, we will come together as a nation, as a Commonwealth, and indeed a global community to lay my beloved mother to rest. In our sorrow let us remember and draw strength from the light of her example. On behalf of all my family, I can only offer my most sincere and heartfelt thanks for your condolences and support. They mean more to me than I can ever possibly express. And to my darling, Mama to join my late Papa I want simply to say this, 'Thank you, thank you for your love and devotion to our family and to the family of nations you have served so diligently all these years. May flights of angels send thee to thy rest.'  

The speech came after Charles left Balmoral Castle in Scotland, traveling to London to greet mourners outside of Buckingham Palace. He also met with British Prime Minister Liz Truss at Buckingham Palace for the first time as king.  ET previously confirmed that Charles and his wife, Camilla, who is now the Queen Consort, were two of just three members of the royal family to see the queen before she died. Her Majesty’s death was confirmed by Buckingham Palace on Sept. 8. She was 96.  

"The death of my beloved Mother, Her Majesty The Queen, is a moment of the greatest sadness for me and all members of my family," Charles said in a statement on Thursday after the news was announced. "We mourn profoundly the passing of a cherished Sovereign and a much-loved Mother. I know her loss will be deeply felt throughout the country, the Realms and the Commonwealth, and by countless people around the world."

Prior to his speech on Friday, King Charles declared a period of royal mourning , which will last until seven days after the queen's yet-to-be-announced funeral date. Flags on royal residences are flying at half-mast and there was a gun salute at two locations in London on Friday, one round fired for each year of the queen's reign. 

The queen celebrated her Platinum Jubilee in June 2022, marking 70 years on the throne. The honor made her the first monarch in the U.K. to celebrate the occasion. Her Majesty succeeded to the throne at the age of 25 in 1952, following the death of her father, King George VI. She held the title until her death. 

For updates on Queen Elizabeth's death, check out ET's  ongoing coverage here .

Updates on Celebrity News, TV, Fashion and More!

RELATED CONTENT:

King Charles Declares 'Royal Mourning' Period After Queen's Death

King Charles Declares 'Royal Mourning' Period After Queen's Death

King Charles III Reacts to Queen Elizabeth II's Death

King Charles III Reacts to Queen Elizabeth II's Death

Prince Charles Proclaimed Britain's King After Queen Elizabeth's Death

Prince Charles Proclaimed Britain's King After Queen Elizabeth's Death

king's speech queen elizabeth

  • Queen Elizabeth II
  • King Charles III

Facts.net

30 Facts About The Movie The King’s Speech

Arlene Steelman

Written by Arlene Steelman

Modified & Updated: 30 Jul 2024

Sherman Smith

Reviewed by Sherman Smith

30-facts-about-the-movie-the-kings-speech

The King’s Speech is a critically acclaimed film that has captivated audiences since its release. Directed by Tom Hooper, this historical drama takes us on a journey through the life of King George VI, the father of Queen Elizabeth II, as he struggles with a debilitating stammer. The movie explores the unlikely friendship between the reluctant monarch and his eccentric speech therapist, Lionel Logue.

With its stellar cast, including Colin Firth, Geoffrey Rush, and Helena Bonham Carter , The King’s Speech has received numerous accolades, including four Academy Awards. Beyond the captivating performances, the film offers a compelling story filled with emotional depth and historical significance. In this article, we delve into 30 fascinating facts about the making of The King’s Speech, shedding light on its production, casting decisions, and its impact on audiences worldwide.

Key Takeaways:

  • The King’s Speech is a movie based on the true story of King George VI’s struggle with a speech impediment. It won four Academy Awards and highlighted the importance of effective communication and perseverance.
  • The film’s success sparked conversations about speech disorders and inspired audiences worldwide with its powerful portrayal of courage and determination.

Box Office Success

The King’s Speech was a critically acclaimed film that also performed well at the box office, grossing over $400 million worldwide.

Historical Accuracy

The movie portrays the true story of King George VI’s struggle with a speech impediment and his efforts to overcome it.

Oscar-Winning Performances

The film won four Academy Awards, including Best Picture, Best Director for Tom Hooper, Best Actor for Colin Firth, and Best Original Screenplay.

Colin Firth’s Preparation

Colin Firth spent months working with a speech therapist to accurately portray King George VI’s stammer.

Geoffrey Rush’s Role

Geoffrey Rush played the role of Lionel Logue, the speech therapist who helped King George VI overcome his speech impediment.

Historical Significance

The movie sheds light on the importance of effective communication and how speech can impact leadership and self-confidence.

Multiple Nominations

The King’s Speech received a total of 12 nominations at the Academy Awards, the most of any film that year.

Supporting Cast

The film also features stellar performances from Helena Bonham Carter, who played Queen Elizabeth, and Guy Pearce , who portrayed King Edward VIII.

Royal Approval

The Queen Mother, who was King George VI’s wife, reportedly gave her endorsement for the film.

Accents and Dialects

The actors underwent extensive training to master the British accents and dialects of the time period.

Emotional Journey

The movie takes viewers on an emotional journey as they witness King George VI’s struggle and eventual triumph.

Historical Context

The film is set against the backdrop of the abdication crisis of 1936, when King Edward VIII gave up the throne to marry Wallis Simpson.

Collaboration

The King’s Speech was a collaborative effort between British and Australian filmmakers, showcasing the talent from both countries.

Real Speech Recordings

The filmmakers used actual recordings of King George VI’s speeches to ensure accuracy in the movie.

Costume Design

The film’s costume designer , Jenny Beavan, won an Academy Award for her work in recreating the fashion of the 1930s.

Film Locations

The King’s Speech was primarily filmed in England and Scotland, adding to the authenticity of the period setting.

Critical Acclaim

The movie was praised by critics for its performances, screenplay, and historical accuracy.

Audience Response

The King’s Speech resonated with audiences worldwide, connecting on a human level with its themes of perseverance and self-belief.

The movie has left a lasting impact on the film industry, inspiring others to tell stories of triumph over adversity.

International Success

The King’s Speech was not only a hit in English-speaking countries but also gained popularity in international markets.

The film’s score, composed by Alexandre Desplat, received critical acclaim and added depth to the storytelling.

Positive Reviews

The King’s Speech holds a high rating on review aggregator sites like Rotten Tomatoes, with praise for its performances and storytelling.

The movie received a rating of 12A in the United Kingdom, making it suitable for a wide range of audiences.

Cultural Impact

The King’s Speech sparked conversations about speech disorders and increased awareness of the challenges faced by those who stammer.

Educational Value

The film has been used as a teaching tool in various educational institutions to explore topics such as leadership, communication, and overcoming obstacles.

Film Adaptation

The movie is based on a stage play of the same name, which was also highly acclaimed.

International Accolades

In addition to the Academy Awards, The King’s Speech received numerous accolades from film festivals around the world.

Inspirational Story

The film serves as a reminder that anyone, regardless of their status or background, can overcome personal challenges and achieve greatness.

Historical Detail

The King’s Speech captures the essence of the time period, immersing viewers in the world of British royalty during a pivotal point in history.

Lasting Legacy

The King’s Speech will continue to be remembered as a powerful and touching portrayal of courage and determination.

In conclusion, The King’s Speech is a remarkable film that captivates audiences with its gripping story and exceptional performances. Through its portrayal of King George VI’s struggle to overcome his speech impediment, the movie showcases the power of determination and the importance of finding one’s voice. With a brilliant cast led by Colin Firth , Geoffrey Rush, and Helena Bonham Carter, The King’s Speech earned critical acclaim and numerous accolades, including four Academy Awards. The film’s masterful direction, compelling script, and stunning production design make it a must-watch for any movie enthusiast. Whether you’re a fan of historical dramas, inspiring stories, or top-notch acting, The King’s Speech is sure to captivate and leave a lasting impression.

1. Who directed The King’s Speech?

The King’s Speech was directed by Tom Hooper .

2. Is The King’s Speech based on a true story?

Yes, The King’s Speech is based on the true story of King George VI of the United Kingdom and his struggle with a speech impediment.

3. How many Academy Awards did The King’s Speech win?

The King’s Speech won four Academy Awards, including Best Picture, Best Director, Best Actor (Colin Firth), and Best Original Screenplay.

4. Who played King George VI in the movie?

Colin Firth portrayed King George VI in The King’s Speech.

5. What is the significance of the title “The King’s Speech”?

The title refers to the pivotal speech that King George VI delivers to inspire and rally the British people during World War II.

6. What impact did The King’s Speech have on raising awareness about speech impediments ?

The movie shed light on the struggles faced by people with speech impediments and helped raise awareness about the importance of empathy and understanding towards individuals dealing with such challenges.

7. Was the stuttering portrayed accurately in the movie?

Geoffrey Rush worked closely with speech experts to accurately portray the challenges faced by those with speech impediments. The film’s depiction of stuttering was highly praised for its authenticity.

8. Are there any other notable performances in The King’s Speech?

In addition to Colin Firth’s memorable portrayal of King George VI, Geoffrey Rush’s performance as Lionel Logue, the speech therapist, and Helena Bonham Carter’s portrayal of Queen Elizabeth were also highly praised by audiences and critics alike.

9. What awards did The King’s Speech receive?

Aside from its Academy Awards, The King’s Speech also received numerous other accolades, including multiple BAFTA Awards, Golden Globe Awards, and Screen Actors Guild Awards.

10. Can I watch The King’s Speech online?

Yes, The King’s Speech is available for streaming on various platforms, including Netflix and Amazon Prime Video.

If you enjoyed learning about "The King's Speech," why not explore other captivating topics? Discover the powerful historical drama "The Passion of Joan of Arc," which tells the story of a French heroine. Delve into the fascinating world of the British monarchy with intriguing facts about the Queen Victoria Statue. And for a touching tale of perseverance, read about country music legend Mel Tillis, who overcame a speech impediment to achieve great success. Each of these subjects offers a unique and engaging perspective that will leave you informed and inspired.

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Late Queen's heartbreaking six words after Prince Philip's death

After the death of Prince Philip, the late Queen Elizabeth had a totally heartbreaking six-word reaction to the loss of her husband, who she had been married to for nearly 74 years

Queen Elizabeth

  • 02:00, 30 Aug 2024

When Prince Philip died the late Queen Elizabeth lost her partner of nearly 74 years. She had described the Duke of Edinburgh as her constant "strength and stay" during their long marriage.

Whilst Philip always deferred to the late monarch in their public duties, due to the nature of her role as head of state, behind closed doors he wasn't afraid to tell his wife his opinions in a typically "forthright manner" - as the Queen admitted during a speech celebrating their 50th wedding anniversary. After Philip's death in 2021, the late Queen had a totally heartbreaking reaction that expressed the difficulty of grief in just six simple words, a royal expert has revealed since her death.

The royal expert - Gyles Brandreth, former MP and royal author - was closely acquainted with both Prince Philip and Queen Elizabeth for decades, made the revelation in his book Elizabeth: An Intimate Portrait, which was released after the death of the former monarch. Brandreth wrote about the late Queen's reaction to Philip's death, and the contrast between how she coped behind closed doors compared to when she was conducting her royal duties. "Her grieving was private, but in public the Queen was determined to carry on as normal. 'Life goes on,' she said. 'It has to,'" the expert claimed.

The expert also compared Elizabeth's reaction to that of her famous ancestor Queen Victoria. "When Prince Albert died, Queen Victoria retreated from the world . When Prince Philip died, Queen Elizabeth II went towards it. She knew it was her Christian duty to carry on as best as she could. 'There is no magic formula that will transform sorrow into happiness,' she said, 'but being busy helps.'"

The late Queen continued to carry out as many of her duties as she was able in the final 17 months of her life after Philip's death, including a pared-back Trooping the Colour just a few weeks after the loss of her husband, which had been scaled down because of the social distancing restrictions that were in place due to the COVID-19 pandemic.

Brandreth also revealed that the day that Prince Philip passed away, he believed that the late Queen heartbreakingly was not by his side at the end - despite reports that claimed she was there. "The Queen was reported to have been at her husband's bedside when he died on the morning of April 9, 2021. In fact, I don't believe she was," he wrote, claiming instead she was only called after a doctor had confirmed Philip's death.

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IMAGES

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  2. [The King's Speech]

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COMMENTS

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  2. The King's Speech

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  7. The King's Speech (10/12) Movie CLIP

    Though his stutter soon raises concerns about his leadership skills, King George VI eventually comes into his own with the help of unconventional speech therapist Lionel Logue (Geoffrey Rush).

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