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52 Journal Prompts For College Students

Journaling as a college student is a very underrated way to manage your stress and stay mindful when in college. But thinking of prompts that are the best for you can be difficult! So I am sharing a big list of 52 Journal Prompts For College Students.

I would also say most of these prompts would work really well for any young adults who want to work on journaling more often (or starting!).

So if you are interested in learning about what journal prompts for college students I recommend then keep reading! Also, check out my YouTube channel here for more tips and tricks for living your best life!

52 Journal Prompts For College Students

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  • Where would you love to see yourself after college?
  • When do you feel the most confident?
  • What parts of college have you enjoyed the most?
  • What was the biggest lesson you learned in high school?
  • List things you wish you knew before your first day of college?
  • What stress management techniques do you currently use?
  • Talk about what are your favorite and least favorite classes so far?
  • What is a goal you didn’t achieve?
  • Who inspires you the most?
  • What would you tell a college freshman who is scared about college?
  • Are there any areas of your life stressing you out?
  • What things are the most motivating to you?
  • What part of college still scares you?
  • How have you grown as a person since starting college?
  • Do you use screen time to improve yourself?
  • List out some bad habits you would like to break.
  • Talk about your work ethic and any changes you want to work on.
  • How do you spend your spare time?
  • What would you classify as a productive day for a college student?
  • What do you want to be your legacy?
  • How are you doing self care while in college?
  • What is your favorite relationships you have formed so far?
  • Who do you admire in your career field?
  • What parts of yourself are the most interesting?
  • What made you truly decide on your major?
  • Where do I see myself in 10 years from now?
  • What activity makes you the happiest?
  • Create a bucket list for the rest of this year.
  • What things are you the most grateful?
  • What things can I do outside of coursework to improve my career?
  • How can I start to prioritize my mental health?
  • How can I manage my money better?
  • Use 10 words to describe yourself.
  • What daily routines can I improve? and how?
  • How do I define success in my life?
  • Am I happy with my college experience so far?
  • What are my current short term goals?
  • How do I feel about the direction my life is going?
  • What things would I like to do more of in college?
  • What will I do this semester to get closer to my dreams?
  • Which career would I want if money wasn’t an object?
  • How to I speak about myself to myself?
  • How can I get out of my comfort zone this year?
  • What am I willing to sacrifice after college for my career?
  • What unique trait do I admire the most about myself?
  • How do I cope when things go wrong?
  • If I could teach a skill to others what would it be?
  • What is my favorite things to talk about?
  • What things make me feel the most useful?
  • List out things I see in others lives that I want for my own.
  • If I were fearless for one day what would I try?
  • What is the most important lesson I have learned recently?

Journaling in college is a great way to stay in touch with your emotions, thoughts, dreams, frustrations, and keep an eye on your mental health.

With so many great benefits I do hope you will consider starting a journey of daily journaling to help you stay in a better mental state! If you have any questions for me or tips for others make sure to share them in the comment section!

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If you liked this post on journal prompts for college student then you probably (hopefully!) will like these too:

  • 40 Journal Prompts For When You Are Stressed
  • 11 Tips For Saving Money In College
  • 75 Self Improvement Journal Prompts: how journaling leads to self improvement.
  • 7 Tips For Using A College Planner
  • 15 Tips For An Amazing Essay in College

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Journaling and the Discipline of Creativity

Or, what journaling taught me, and how you can start.

college essays about journaling

Photo by “lilartsy” on Unsplash.

This post was written by Justice Flint, a second-year master’s student in the English Department.

I am a semi-obsessive journaler. The habit began slowly, almost imperceptibly, in the nebulous fog of my early teen years, without a clear purpose or intent. At the time, I had no inkling that what I was doing would be of any academic benefit to me, and even the personal benefits seemed uncertain, beyond the fact that having thorough records enabled me to win family disagreements and solidify my own sense of memory. However, with the benefit of 11 years of hindsight, I can now see how journaling has profoundly impacted my ability to be a successful writer—in college, in grad school, and in life.

Looking at my written evidence, the practice seems to have grown out of my compulsion to make notes in a pocket calendar. By the time I was 15, I was in the habit of making daily entries in a leather-bound journal book (the classiest one I could find at Walmart). Once I began, I pressured myself not to stop. I knew writing “when I felt like it” would easily devolve into going weeks without writing and then despairing of starting an entry at all because I felt like too much preliminary contextual information would be necessary to explain any events. Slowly, I developed the discipline of forcing myself to write something—anything!—every. single. day. Even if that thing was just a sentence saying how I didn’t have anything to say, or that I was too tired to write. Driven by my innate perfectionism, I soon adopted the mental attitude of “chaining myself to my desk” (or my bed, where I preferred to write) every day until I had something on the page. A surprising number of times when I thought I had nothing to say, I’d look up from my journal an hour later and find I’d filled a whole page. These unexpected outpourings of thought weren’t necessarily worthwhile reading later, but they offered catharsis in the moment, and demonstrated the power of having a creative practice that functioned independently of my subjective feelings of inspiration. Below are just a few of the lessons journaling has taught me:

How to face the blank page: By the time I began college, I quickly realized that I was not so intimidated by a blank Word document as I otherwise might have been, thanks to journaling. I knew how to sit down and begin writing, regardless of how inspired I was feeling or how large the task seemed. I knew through long practice that just beginning was half the battle, and that direction and purpose could be found later, once I had some material on the page to look over How to experiment with vocabulary: At some point, I began to consciously treat my journal as a space to stretch my vocabulary, writing with a thesaurus at hand to help me find new and creative ways to describe my experiences, observations, and ideas. I had an innate aversion to using the same terms more than once in an entry, or in two entries close together, and this led me to reach for innovation and nuance in my writing. I was aware at the time that I may not have always been using words correctly, especially if they were ones I had only seen in the thesaurus and not heard in context, but I did my best, and in retrospect, I can see that I largely succeeded. I have little doubt that my private experimentation with words helped my ability to be comfortable in assuming the level of formal diction required in college essays. How to imagine an audience: Journaling showed me the importance of writing with a reader in mind, even if such a practice felt especially vain or silly in the context of a journal. Over time, I developed the habit of generally approaching journaling like I was writing a novel, imagining a reader who was unfamiliar with the settings and characters in my life and using the opportunity to weave in descriptive language to paint the best picture I could. This tied in well with my low-key mission to gain more vocabulary dexterity; I often spent an embarrassing amount of time flipping through the thesaurus to find the perfect words to describe events or people that were meaningful to me. How to play around with genre and tone: Unconstrained by the strictures of writing a cohesive work for publication, I knew I could change genre and tone as the mood took me. At times I consciously devoted a day’s entry to being a “reflective essay” on my thoughts about some abstract idea, rather than describe anything that happened that day. Other times, I slipped into movie review mode; even now, I find it interesting to look back on my initial thoughts concerning films that have since become favorites. I was able to do these things without fear of a poor grade or of incorrect structure; after all, no one would read it but me. I didn’t realize it at the time, but this self-aware shifting of genre would serve me well in college, as I found it fairly intuitive to adjust my work for different assignments. Journaling, I found, was an excellent playground to imitate the writing styles I saw elsewhere. Even if my own content was lacking in polish or popular interest, the mental motions of working in these different frameworks built a solid cognitive muscle that I was later able to employ to better use as my understanding of good writing improved.

Though I began journaling independent of any idea that it would improve my academic life or even my personal prowess with words, I would now recommend the practice for both of those reasons, as well as for its psychological benefits (about which an entirely separate blog post could be written). For those who may want to start journaling but feel too busy or don’t know how, I offer the following advice:

Start small: My own descent into the madness of becoming a compulsive journaler began innocently enough, with daily notes in a pocket calendar. If the idea of having to write a mini essay every day intimidates you, forget about your mental image of writing eloquent sentences in a large blank book. If you already have a day planner, try shifting from only marking down plans to noting intriguing or significant incidents after the fact. Filling out short notes like “Hung out with [friend]” or “Watched [insert movie name]” only takes 5 minutes before bed, and you may find it leads to the desire to elaborate more (in which case, you’ll eventually need a bigger book to write in). Even if you never become a prolific writer, the mere habit of recording a few reflective daily sentences primes your mind to more readily express ideas via writing, a skill which will assist you in any school or professional assignment. Don’t worry about being good, but always strive to be better: Most of your journal entries will be, quite frankly, inane and ill-constructed. Let’s face it, those words also describe many of our experiences of daily life, and it’s only natural that our attempts to write about our lives will also lack intrigue and structure. Embrace this, but also work towards improvement. One mark of a good writer is someone who can make the mundane remarkable through their descriptions. As a low-pressure exercise, occasionally think about ways to describe ordinary events in your life with the detail and dimension of a novelist. Not only will this challenge you to find angles of interest on things that may seem unremarkable, a skill which will serve you well when faced with a boring essay assignment, but it will also give you opportunity to expand your repertoire of descriptive words not necessarily used in common conversation, which will develop your skill in expression generally. Another useful occasional exercise is creating a sense of “completeness” in your individual entries. One way to do this is to pick a subject that is already on your mind and adopt a “reflection essay” approach to exploring it—opening with an explanation of what the concept is and why it matters to you, moving through supporting points of experience or knowledge you have pertaining to the subject, and finishing with a concluding opinion (or set of opinions) informed by the exploration you have just done. Think of your entry as a blog post or op-ed, if that helps. The point is to practice taking fragmentary thoughts or experiences and creating a piece that connects them, showing the thorough development of a single theme. This type of writing is extremely helpful for improving your personal reflection habits, but it also trains you for brainstorming for assignments and for thinking in terms of polished, self-contained work. Write about what interests you: While it is good practice to treat journaling as a “writing gym” on occasion, don’t feel guilty about also treating it as a “writing playground.” Both approaches involve exercise; the important thing is to write regularly. Doing so will be easier if you don’t feel beholden to some invisible directive to write only about “what is important” in your life or to always consciously “have a goal” in mind when writing. Use things you enjoy or find meaningful as the raw material to facilitate your writing experiments; if you do so, you will have more fun in the process than if you feel duty-bound to write an autobiography or to explain life realities that drain you.

Journaling is an excellent way to develop your own ability to generate, shape, and convey ideas, and it simultaneously provides a record of where you’ve been and how you’ve developed. Regardless of topic or approach, you will look back at your writing later and likely find much of it embarrassing or pointless. This is normal. Much of the point lies in the practice, not the outcome.

On the other hand, you may surprise yourself. The ramblings you write today may reflect an interest that becomes a professional pursuit a decade later. Even if they do not, time spent writing privately is essential preparation for fluency in writing “publicly,” for professors, bosses, and colleagues. It can even help you generate a blog post. 😉

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8 Tips on How to Write College Essay About Journaling

Students write essays about various subjects and topics. Each may become a significant challenge or a stroll in a local park. Journalism is one of the most captivating and pretty challenging directions. If you feel a college essay about journaling may become an absolute nightmare for you, read this helpful blog post to the end. It was prepared by a friendly team of Writemyessays.com . It highlights practical ways to write this essay perfectly.

Why Is Journalism a Popular Direction to Cover?

The first tip is always to cover only relevant and exciting topics in whatever essays you need to write. Journalism is undoubtedly one of them. Why is it that popular? This direction has been crucial for many years because people are curious about their nature. They want to know about different kinds of events. Besides, a person who follows the latest news is wise. He or she is aware of all the happenings to draw the correct conclusions and use them to his or her advantage (if possible). Here are 8 tips that will be covered in our blog post:

  • Specific angle
  • Personal experiences
  • A thesis statement

Identify a Specific Angle

It’s necessary to select a specific angle that will predispose how your story will be told. You are supposed to select a unique, catchy, and relevant topic. It must not be too broad because your time and word count are limited. You must narrow down your topic. 

You need to be choosy when you select a topic. If you want to write college essay about journaling and get the highest grade, you are supposed to cover something meaningful to your potential audience. Here is a list of our exciting ideas for topics on journalism:  

  • What are the main benefits of journaling for mental health? 
  • What is the role of journaling in personal growth?
  • When journalism is used inappropriately?
  • Imagine a world without journalism.
  • What makes a good journalist?
  • Cases when it is dangerous to work as a journalist.
  • The primary purpose and benefits of journalism for humankind.
  • Why is it reasonable to highlight news?
  • Why is it intriguing to be a journalist?
  • How can journalism change one’s life?
  • Where do journalistic ethics end?

You are free to use any of these suggestions. They all focus on exciting cases related to journalism. It’s also necessary to understand how to choose the right topic.

It must be currently relevant. It means you need to find a point that is interesting now and which will be interesting for several months or years at the least. You are supposed to focus on a problem that either has no solutions or those solutions are weak. Be helpful to your readers and offer the right solutions.

At times, you may even choose pretty popular topics that have already been highlighted many times. If you have reviewed them from new yet unstudied angles, you can cover them again. An uncommon and fresh view of a well-known problem is always captivating for many people.

Decide on the Purpose of the Essay

You need to decide what purpose your essay should have. It helps to determine the structure and content of the writing. Each purpose has its own peculiarities and may potentially induce some problems. That is why you need to know the meaning of each option.

There are several ways to use the purpose and thus impact the entire storytelling. Let’s check the most popular and effective ones:

  • Persuade. You can choose a strategy for persuading. Choose a standpoint and defend it with firm arguments. Use the correct facts and examples to prove that your point of view is correct.
  • Compare and contrast. This purpose helps to understand a problem and find a solution to it when you compare at least two objects, terms, events, or phenomena. Commonly, they are quite the opposite of each other. The difference is the contrast that shows why something is unique and either helpful or harmful. It depends on your standpoint.
  • Reflect. You may also get deeply personal when you choose a reflexive purpose. It means you should reflect on your experiences related to the topic you highlight in your journalism essay. Make sure you have the right story to relate to the central question of your project.
  • Describe. It’s also possible to use a descriptive style. You are to describe the selected topic in vivid detail to create a complete picture of what matters. Let your readers feel what you feel through the use of precise words.
  • Show cause and consequence. Finally, you can reveal your topic by offering the cause and consequence. Show how something caused the changes and analyze the consequences. Thus, you can teach your readers that every action must be taken seriously and responsibly. It may lead to good or bad outcomes.

Reflect on Personal Experiences

Oftentimes, articles in newspapers are pretty personal. Although you must study and highlight news impersonally, many journalists likewise add their opinion about a concrete case. This habit is welcomed by their readers.

One of the ways to connect your writing to your readers is to add an anecdote. Most of you know what it means. Nonetheless, we think it would be helpful to remind you of its meaning and value once again. An anecdote is a personal story that happened either to you or to people you know. It must always be related to the topic you cover. Otherwise, it makes no sense.

Let’s check a few versions of how to use personal anecdotes effectively:

  • As my article is about life in the ghetto, I need to tell a short story about my personal experience.
  • I used to deal with guns too. Thus, this story is personal as well. Here is what I’ve faced in my childhood…

Incorporate Research

When you write an essay on journalism, you simply have no right to write from your own experience. You must use proven sources of information because of several reasons. First, every essay offering evidence must be researched because only proven facts, theorems, suggestions, theories, or assumptions can confirm that your point is 100% correct.

Secondly, journalism itself is, so to speak, a serious direction. Its primary purpose is to highlight current news and offer only pure facts. Yes, you are free to add your own opinion. Nonetheless, it only follows your investigation. You must operate with facts. Otherwise, your readers will not trust you.

You should do in-depth research every time you write an essay or article. Use only trustworthy sources of information. Commonly, these are websites that end with .edu, .org, and .gov. Make sure you verify the reputation of every website you visit. If you prefer an old-mannered way of going to a local library, we have nothing against it. It undoubtedly contains reliable evidence. Of course, you ought to understand that some sources may be outdated. Besides, surfing the Internet is always more convenient and fast. Here is a list of trustworthy sources you can use in your essays about journalism: 

  • Academic journals;
  • Scientific articles;
  • Results of studies and experiments;
  • Surveys, etc.

Be sure you verify every source you’re reading to cover your topic and intend to use it in your text. Make notes, refine them, and select the most appropriate ones. Thus, you will surely prove all your theories.

Use Clear and Concise Language

It’s vital to use clear and concise language. It helps to communicate ideas effectively. You are expected to create readable and comprehensive texts. The task isn’t easy at all because many people may have great ideas, but they cannot reflect them on paper.

First, we would like to start with a few examples. They will show the way you can write clearly and without getting too long or tedious. Read our suggestions on how to use plain language to convey complex ideas:

  • The main goal of journalism is to highlight important events. Yet, a journalist must not cross the line between telling the truth and destroying someone’s reputation.
  • If you want to be a good journalist, you should be diligent and honest, but sometimes a little bit cruel, to get the news you need.
  • The best reporters have no fear when digging out the truth. We know that it may be a difficult challenge. People in this profession have the heart to withstand all kinds of threats.

As you can see, there is nothing complicated in our examples. You dwell upon really significant points that are explained plainly.

We must focus on smart ways to make texts easier to read and comprehend. Many writers make the same mistakes that spoil the readability of their writings. Make allowances for their mistakes and our explanations:

  • Too long sentences and paragraphs

You should not write too many sentences that are too long. Besides, the whole text must be divided into pretty short paragraphs. Thus, your text will be much easier and faster to read and understand. If you make everything too long, you may confuse your readers. They may forget your point at the end of the sentence or paragraph.

  • The use of the wrong lexicon

Watch the language you’re using. If you want to be clear, use everyday speech. Use words that are well-known to the majority of people. No matter what topic you highlight, they must be in every essay or article. Yet, don’t forget to use the particular terminology of journalists and a few terms of the topic you highlight because you may be busy with various fields – crime, politics, technology, etc.

  • Overuse of the passive voice

It’s not good when you use passive construction too frequently. The passive voice requires more words to be completed. As a result, your sentences and paragraphs become longer. Prefer the active voice in most cases. It requires fewer words and uses a dynamic lexicon. Thus, your texts will be livelier and more pleasant to read.

  • Over-explanations

A good journalist always knows how to explain any concept quickly and in a single try. If you start to add 2 and more explanations to the same concept, you fail. Your readers will understand that cannot be concise and clear.

  • Abrupt transitions

It’s no good to be hasty. What do we mean? Many students, and later journalists, make abrupt transitions from one point to another. It’s a terrible mistake because any point you implement must be ended and explained logically. Make sure you clarify one point before you go to another. Make smooth and logical transitions from one thesis to another.

  • The use of clichés

You should also remember that stereotypical thinking is your enemy. Your readers expect to read something fresh and original. Express your thoughts in uncommon ways, and do not use clichés. They show that you cannot be creative in your writing.

Focus on Specific Examples

When you write a journal paper, it’s necessary to use specific examples. They let you connect your experiences and emotions with your readers. If you generalize your statements, you detach your audience. Use specific sentences in every paragraph. Check the following examples of how to use specific examples effectively in a college essay about journaling:

  • I cannot tell that this topic isn’t related to me personally because I’ve been through the same trouble a couple of years ago…
  • To understand the value of this topic, we need to check a concrete example of one region in South Africa…
  • At times, the simplest things you don’t commonly ponder are decisive.

Write a Strong Thesis Statement

The importance of a good thesis statement is hard to underestimate. This is the central point of the entire essay, even though it’s commonly only one sentence. Its primary purpose is to explain to your readers the purpose of your essay and why it is so important.

Not all students can write good thesis statements. We can help them with this issue as well Here are a few great tips on how to craft a powerful thesis statement:

  • Be straight to the point.
  • Use words that fully reflect your intentions.
  • Your thesis must be related to your topic.
  • Make it catchy and convincing.

Revise Everything

Your last stage must be the post-writing or revision stage. This is the stage when you need to check your own text. Thus, you are supposed to use editing and proofreading skills. Editing skills are responsible for being sure that the text really “flows” and is easy to comprehend. Proofreading skills are responsible for checking grammar, punctuation, and spelling mistakes. As you can see, both skills must be used as a combo.

To be sure you have spotted all mistakes, you must undertake certain measures. These are as follows:

  • Read the text at least twice. When you read the text more than once, you increase the chance to spot vulnerable parts in it.
  • Use various reading methods. You can read in your head and aloud. Each method has its pros. Besides, you can read from the last line to the first line. Although it may slow you down a bit, it helps to improve concentration and thus spot more errors.
  • Ask someone to help. If you have reliable and skilled friends, ask them to read your essay at least once. Another person commonly has a better chance to detect drawbacks.
  • Apply technology. You should not deny the power of technology. There are smart editors and grammar checkers that help to detect all kinds of mistakes. They commonly run online and scan the text in 10–30 seconds. They provide full feedback on your drawbacks and offer their corrections. Thus, you can correct your mistakes by clicking on the suggested corrections.

Do not skip this stage for your own sake! If you do that, you will never find some of your drawbacks. Don’t be too self-confident because no one is perfect. Even if you are a skilled writer and know the topic well, it doesn’t mean you won’t make some mistakes. Spend a few minutes to reread your essay at least 2 times to be sure it’s perfect.

The Bottom Line

We hope that our blog post was beneficial for your academic aims. Journalism is one of the fascinating topics a student could cover. It has a lot of directions that can be studied, discussed, and used with a good purpose. You should not be afraid of covering essays on journalism when you have our smart tips. They are universal and suit whatever topic you want to cover. Use them every time you write an essay, and we promise that you’ll be successful. Quite soon, you’ll be using them without checking this blog post. They will be pictured in your memory.

Lesley Hummings

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college essays about journaling

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college essays about journaling

Journal Writing

View in pdf format, common goals of a journal.

  • To encourage regular writing
  • To make connections between class material, lectures, and personal observations
  • To raise questions and issues that can fuel classroom discussions
  • To generate ideas for future paper topics
  • To provide a forum for inquiry, analysis, and evaluation of ideas
  • Write regularly
  • Try to make concrete connections between journal entries
  • Link personal reactions to the class material
  • Approach the exercise with the intention of being challenged
  • Present your ideas in a coherent and thought-provoking manner
  • Ignore basic rules of grammar and punctuation
  • Write to fill pages; the process is more important than the product
  • Wait until the last minute to make your entries
  • Confuse your journal with a personal diary. Although this is your journal, the main focus should be on class assignments and their connections. Try not to focus too much on your personal feelings, such as whether or not you liked the book or the film. Instead concentrate on why your professor assigned the material.
  • Simply summarize — analyze. Avoid describing what you have read. Ask probing questions: are the points well-argued? Does the writer come to a logical conclusion? What other issues should be considered?

Take your journal seriously. Keeping a journal helps develop writing, reading, analytical and critical skills that are necessary in all disciplines.  

Faculty Comments on the Value of Journal Writing

“I’ll be looking for evidence of thought and clarity of expression. The journal needn’t be polished to gem-like lustre, but it should be coherent and, I hope, thought-provoking.” — Richard Decker, Professor of Computer Science “Journals are ultimately very useful for developing good work habits by providing a venue and location for thinking through ideas in an ongoing and consistent way.” — Ella Gant, Professor of Art

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A simple path to keeping a college journal, by pat fredshaw.

College is an amazing time.  You’ll make new friends, push your boundaries, and learn things that you’ll help you for years and years after you’ve graduated.  It’s also a place that can force you to face more stresses than you’ve ever had to before and that in turn can get your mind spinning in ways that inhibit your happiness and productivity.

And that’s why incorporating a journal into your day-to-day collegiate life is a great way to assist you in organizing your thoughts, overcoming obstacles, or to simply prioritize on paper what your values are so you can stay focused on what matters.

However, while it’s one thing to thing about starting a journal, it’s another to actually get started with it.  So if you need a little help getting going, have no fear.  Here’s a series of steps to bringing journaling into your life when you’re in college.

Find Yourself The Right Journal

Journaling is a very personal thing, so finding the proper journal or journals that inspire you to write is crucial.  You want a journal that’s not only a place to record your innermost thoughts, but also one that sparks you to do so.   One that excites you and visually reflects who you are so that you’ll be all the more motivated to stick with your new journaling habit.

With almost countless styles and designs out there, including plenty of inexpensive journals that you can design yourself, you should have no problem finding a journal that matches what you’re looking for.

Figuring Out Want You Want To Write

Being in college, you should have plenty of stimuli to work from and you could very well want multiple journals to help organize your varying thoughts and moods.  Each journal will then serve its own purpose which should make your writings as therapeutic and constructive as possible.  Here are some examples of things you can write about while you’re away at school:

  • Your life prior to college – While it might seem strange to focus on things that happened before you got to school, doing so can help you better understand who you are and help keep you grounded as you take in more and more college life experiences.  And when things start to feel a little too crazy or overwhelming, your writings in this will be something that you can go back to and reflect up to improve your level of calmness and feeling one with yourself.
  • Things You Feel Fortunate To Have – With thousands of students around you it can be really easy to feel insecure or even unlucky, and writing about the stuff you’re grateful for can help you keep a healthy sense of perspective and your mood elevated.  This shifts your mind to focusing on what makes you happy, thus knocking out worrying or troubling thoughts which can drain your energy and interfere with your schoolwork and social life.
  • Your Ideas – You can have cool and brilliant things bouncing around your head all day long, but if you don’t write them down it’s real easy for them to slip out of your mind forever.  Journaling about your ideas is not only an awesome way to get those flashes of brilliance down on paper but tapping into your mind’s creative side without having to filter anything is also an amazing way to release tension and generate a sense of calm.
  • Root Out Your Worries – Although there are sites like Essay Supply that are one of the best writing sites for help, between research papers, exams, labs, and just the stresses of dealing with life and other students, it’s pretty easy for nagging, worrying thoughts to sneak into your subconscious to start creating all sorts of disruptive havoc.  Thanks to journaling, though, you can stop worrisome thoughts from spiraling through your mind by getting them out in the open on paper.  This allows you to objectively look at what’s bothering you in a clear, calm light which can have a tremendous benefit for your sense of well-being.
  • Make Your Dreams Realer –  By creating a college journal for your goals and dreams, you take them from just being abstractions flowing in and out of your mind and make them much more concrete.  This lets you focus your power and intention on them so you can take serious steps toward achieving them.  Even better, once you accomplish what you’ve set out to do, you can look back at your journal to see where the road to success all began.

No Judgement

A key aspect of journaling is to just let the thoughts and words flow.  The last thing you want to do is to stifle yourself which will only spike your anxiety and defeat a major purpose of journaling in the first place.  Put on some relaxing music if it helps you.  Shut off any distractions.  Breath deep.  Remember, journaling is a tool for getting in touch with yourself and is for you and you only.  You might sometimes be stunned at what you put onto paper and other times you’ll be amazed, but as long as you’re not blocking yourself you’ll find you have plenty of insightful, uplifting moments.

Pat Fredshaw is a freelance writer and contributing blogger from Oakland who works for Essay Supply and writes her own book. Her articles related to such areas as blogging, psychology, personal growth, and education.

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college essays about journaling

21 Stellar Common App Essay Examples to Inspire Your College Essay

What’s covered:, what makes a good common app essay, is your common app essay strong enough.

When you begin writing your Common App essay, having an example to look at can help you understand how to effectively write your college essay so that it stands apart from others. 

These Common App essay examples demonstrate a strong writing ability and answer the prompt in a way that shows admissions officers something unique about the student. Once you’ve read some examples and are ready to get started, read our step-by-step guide for how to write a strong Common App essay.  

Please note: Looking at examples of real essays students have submitted to colleges can be very beneficial to get inspiration for your essays. You should never copy or plagiarize from these examples when writing your own essays. Colleges can tell when an essay isn’t genuine and will not view students favorably if they plagiarized. 

Read our Common App essay breakdown to get a comprehensive overview of this year’s supplemental prompts.

It’s Personal

The point of the Common App essay is to humanize yourself to a college admissions committee. The ultimate goal is to get them to choose you over someone else! You will have a better chance of achieving this goal if the admissions committee feels personally connected to you or invested in your story. When writing your Common App essay, you should explore your feelings, worldview, values, desires, and anything else that makes you uniquely you.

It’s Not Cliché

It is pretty easy to resort to clichés in college essays. This should be actively avoided! CollegeVine has identified the immigrant’s journey, sports injuries, and overcoming a challenging course as cliché topics . If you write about one of these topics, you have to work harder to stand out, so working with a more nuanced topic is often safer and easier.

It’s Well-Done

Colleges want good writers. They want students who can articulate their thoughts clearly and concisely (and creatively!). You should be writing and rewriting your essays, perfecting them as you go. Of course, make sure that your grammar and spelling are impeccable, but also put in time crafting your tone and finding your voice. This will also make your essay more personal and will make your reader feel more connected to you!

It’s Cohesive

Compelling Common App essays tell a cohesive story. Cohesion is primarily achieved through effective introductions and conclusions , which often contribute to the establishment of a clear theme or topic. Make sure that it is clear what you are getting at, but also don’t explicitly state what you are getting at—a successful essay speaks for itself.

Common App Essay Examples

Here are the current Common App prompts. Click the links to jump to the examples for a specific prompt, or keep reading to review the examples for all the prompts.

Prompt #1 :  Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

Prompt #2 :  The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

Prompt #3 :  Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?

Prompt #4 : Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you? (NOTE: We only have an example for the old prompt #4 about solving a problem, not this current one)

Prompt #5 :  Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

Prompt #6 :  Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

Prompt #7 :  Share an essay on any topic of your choice. It can be one you’ve already written, one that responds to a different prompt, or one of your own design.

Note: Names have been changed to protect the identity of the author and subjects.

Prompt #1: Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

Prompt #1, example #1.

The room was silent except for the thoughts racing through my head. I led a spade from my hand and my opponent paused for a second, then played a heart. The numbers ran through my mind as I tried to consider every combination, calculating my next move. Finally, I played the ace of spades from the dummy and the rest of my clubs, securing the contract and 620 points when my partner ruffed at trick five. Next board.

It was the final of the 2015 United States Bridge Federation Under-26 Women’s Championship. The winning team would be selected to represent the United States in the world championship and my team was still in the running.

Contract bridge is a strategic and stochastic card game. Players from around the world gather at local clubs, regional events, and, in this case, national tournaments.

Going into the tournament, my team was excited; all the hours we had put into the game, from the lengthy midnight Skype sessions spent discussing boards to the coffee shop meetings spent memorizing conventions together, were about to pay off.

Halfway through, our spirits were still high, as we were only down by fourteen international match points which, out of the final total of about four hundred points, was virtually nothing and it was very feasible to catch up. Our excitement was short-lived, however, as sixty boards later, we found that we had lost the match and would not be chosen as the national team.

Initially, we were devastated. We had come so close and it seemed as if all the hours we had devoted to training had been utterly wasted. Yet as our team spent some time together reflecting upon the results, we gradually realized that the true value that we had gained wasn’t only the prospect of winning the national title, but also the time we had spent together exploring our shared passion. I chatted with the winning team and even befriended a few of them who offered us encouragement and advice.

Throughout my bridge career, although I’ve gained a respectable amount of masterpoints and awards, I’ve realized that the real reward comes from the extraordinary people I have met. I don’t need to travel cross-country to learn; every time I sit down at a table whether it be during a simple club game, a regional tournament or a national event, I find I’m always learning. 

I nod at the pair that’s always yelling at each other. They teach me the importance of sportsmanship and forgiveness.

I greet the legally blind man who can defeat most of the seeing players. He reminds me not to make excuses.

I chat with the friendly, elderly couple who, at ages ninety and ninety-two, have just gotten married two weeks ago. They teach me that it’s never too late to start anything.

I talk to the boy who’s attending Harvard and the girl who forewent college to start her own company. They show me that there is more than one path to success.

I congratulate the little kid running to his dad, excited to have won his very first masterpoints. He reminds me of the thrill of every first time and to never stop trying new things.

Just as much as I have benefitted from these life lessons, I aspire to give back to my bridge community as much as it has given me. I aspire to teach people how to play this complicated yet equally as exciting game. I aspire to never stop improving myself, both at and away from the bridge table.

Bridge has given me my roots and dared me to dream. What started as merely a hobby has become a community, a passion, a part of my identity. I aspire to live selflessly and help others reach their goals. I seek to take risks, embrace all results, even failure, and live unfettered from my own doubt.

This student draws readers in with a strong introduction. The essay starts ambiguous—“I led with a spade”—then intrigues readers by gradually revealing more information and details. This makes the reader want to keep reading (which is super important!) As the writer continues, there is a rather abrupt tone shift from suspenseful to explanatory with statements like “It was the final of the 2015 United States Bridge Federation Under-26 Women’s Championship” and “Contract bridge is a strategic and stochastic card game.” If you plan to start with an imagery-heavy, emotional, suspenseful, or dramatic introduction, you will need to transition to the content of your essay in a way that does not feel abrupt. 

You will often hear that essays need to “show, not tell.” This essay actually does both. First, the student tells readers the importance of bridge, saying “we gradually realized that the true value that we had gained wasn’t only the prospect of winning the national title, but also the time we had spent together exploring our shared passion” and “I’ve realized that the real reward comes from the extraordinary people I have met.” Then, the student shows the lessons they have learned from bridge through a series of parallel sentences: “I nod… sportsmanship and forgiveness” “I greet… not to make excuses” “I chat… it’s never too late to start anything” and so on. This latter strategy is much more effective than the former and is watered down because the student has already told us what we are supposed to get out of these sentences. Remember that your readers are intelligent and can draw their own conclusions. Avoid summarizing the moral of your story for them!

Overall, this essay is interesting and answers the prompt. We learn the importance of bridge to this student. The student has a solid grasp of language, a high-level vocabulary, and a valuable message, though they would be better off if they avoided summarizing their point and created more seamless transitions. 

Prompt #1, Example #2

Growing up, I always wanted to eat, play, visit, watch, and be it all: sloppy joes and spaetzle, Beanie Babies and Steiff, Cape Cod and the Baltic Sea, football and fussball, American and German.

My American parents relocated our young family to Berlin when I was three years old. My exposure to America was limited to holidays spent stateside and awfully dubbed Disney Channel broadcasts. As the few memories I had of living in the US faded, my affinity for Germany grew. I began to identify as “Germerican,” an ideal marriage of the two cultures. As a child, I viewed my biculturalism as a blessing. I possessed a native fluency in “Denglisch” and my family’s Halloween parties were legendary at a time when the holiday was just starting to gain popularity outside of the American Sector.

Insidiously, the magic I once felt in loving two homes was replaced by a deep-­rooted sense of rootlessness. I stopped feeling American when, while discussing World War II with my grandmother, I said “the US won.” She corrected me, insisting I use “we” when referring to the US’s actions. Before then, I hadn’t realized how directly people associated themselves with their countries. I stopped feeling German during the World Cup when my friends labeled me a “bandwagon fan” for rooting for Germany. Until that moment, my cheers had felt sincere. I wasn’t part of the “we” who won World Wars or World Cups. Caught in a twilight of foreign and familiar, I felt emotionally and psychologically disconnected from the two cultures most familiar to me.

After moving from Berlin to New York at age fifteen, my feelings of cultural homelessness thrived in my new environment. Looking and sounding American furthered my feelings of dislocation. Border patrol agents, teachers, classmates, neighbors, and relatives all “welcomed me home” to a land they could not understand was foreign to me. Americans confused me as I relied on Urban Dictionary to understand my peers, the Pledge of Allegiance seemed nationalistic, and the only thing familiar about Fahrenheit was the German after whom it was named. Too German for America and too American for Germany, I felt alienated from both. I wanted desperately to be a member of one, if not both, cultures.

During my first weeks in Scarsdale, I spent my free time googling “Berlin Family Seeks Teen” and “New Americans in Scarsdale.” The latter search proved most fruitful: I discovered Horizons, a nonprofit that empowers resettled refugees, or “New Americans,” to thrive. I started volunteering with Horizon’s children’s programs, playing with and tutoring young refugees.

It was there that I met Emily, a twelve­-year-­old Iraqi girl who lived next to Horizons. In between games and snacks, Emily would ask me questions about American life, touching on everything from Halloween to President Obama. Gradually, my confidence in my American identity grew as I recognized my ability to answer most of her questions. American culture was no longer completely foreign to me. I found myself especially qualified to work with young refugees; my experience growing up in a country other than that of my parents’ was similar enough to that of the refugee children Horizons served that I could empathize with them and offer advice. Together, we worked through conflicting allegiances, homesickness, and stretched belonging.

Forging a special, personal bond with young refugees proved a cathartic outlet for my insecurities as it taught me to value my past. My transculturalism allowed me to help young refugees integrate into American life, and, in doing so, I was able to adjust myself. Now, I have an appreciation of myself that I never felt before. “Home” isn’t the digits in a passport or ZIP code but a sense of contentedness. By helping a young refugee find comfort, happiness, and home in America, I was finally able to find those same things for myself.

Due to their endearing (and creative) use of language—with early phrases like “sloppy joes and spaetzle” as well as  “Germerican” and “Denglisch”—readers are inclined to like this writer from the get-go. Though the essay shifts from this lighthearted introduction to more serious subject matter around the third paragraph, the shift is not abrupt or jarring. This is because the student invites readers to feel the transition with them through their inclusion of various anecdotes that inspired their “feelings of cultural homelessness.” And our journey does not end there—we go back to America with the student and see how their former struggles become strengths.

Ultimately, this essay is successful due to its satisfying ending. Because readers experience the student’s struggles with them, we also feel the resolution. The conclusion of this essay is a prime example of the “Same, but Different” technique described in our article on How to End Your College Essay . As the student describes how, in the end, their complicated cultural identity still exists but transitions to a source of strength, readers are left feeling happy for the student. This means that they have formed a connection with the student, which is the ultimate goal!

Prompt #1, Example #3

“1…2…3…4 pirouettes ! New record!” My friends cheered as I landed my turns. Pleased with my progress, I gazed down at my worn-out pointe shoes. The sweltering blisters, numbing ice-baths, and draining late-night practices did not seem so bad after all. Next goal: five turns.

For as long as I can remember, ballet, in all its finesse and glamor, had kept me driven day to day. As a child, the lithe ballerinas, donning ethereal costumes as they floated across the stage, were my motivation. While others admired Messi and Adele, I idolized Carlos Acosta, principal dancer of the Royal Ballet. 

As I devoted more time and energy towards my craft, I became obsessed with improving my technique. I would stretch for hours after class, forcing my leg one inch higher in an effort to mirror the Dance Magazine cover girls . I injured my feet and ruined pair after pair of pointe shoes, turning on wood, cement, and even grass to improve my balance as I spun. At competitions, the dancers with the 180-degree leg extensions, endless turns, and soaring leaps—the ones who received “Bravos!” from the roaring audience—further pushed me to refine my skills and perfect my form. I believed that, with enough determination, I would one day attain their level of perfection. Reaching the quadruple- pirouette milestone only intensified my desire to accomplish even more. 

My efforts seemed to have come to fruition two summers ago when I was accepted to dance with Moscow’s Bolshoi Ballet at their renowned New York City summer intensive. I walked into my first session eager to learn from distinguished ballet masters and worldly dancers, already anticipating my improvement. Yet, as I danced alongside the accomplished ballerinas, I felt out of place. Despite their clean technique and professional training, they did not aim for glorious leg extensions or prodigious leaps. When they performed their turn combinations, most of them only executed two turns as I attempted four. 

“Dancers, double- pirouettes only.” 

Taken aback and confused, I wondered why our teacher expected so little from us. The other ballerinas seemed content, gracing the studio with their simple movements. 

As I grew closer with my Moscow roommates, I gradually learned that their training emphasized the history of the art form instead of stylistic tricks. Rather than show off their physical ability, their performances aimed to convey a story, one that embodied the rich culture of ballet and captured both the legacy of the dancers before them and their own artistry. As I observed my friends more intently in repertoire class, I felt the pain of the grief-stricken white swan from Swan Lake , the sass of the flirtatious Kitri from Don Quijote, and I gradually saw what I had overlooked before. My definition of talent had been molded by crowd-pleasing elements—whirring pirouettes , gravity-defying leaps, and mind-blowing leg extensions. This mindset slowly stripped me from the roots of my passion and my personal connection with ballet. 

With the Bolshoi, I learned to step back and explore the meaning behind each step and the people behind the scenes. Ballet carries history in its movements, from the societal values of the era to each choreographer’s unique flair. As I uncovered the messages behind each pirouette, kick, and jump, my appreciation for ballet grew beyond my obsession with raw athleticism and developed into a love for the art form’s emotive abilities in bridging the dancers with the audience. My journey as an artist has allowed me to see how technical execution is only the means to a greater understanding between dancer and spectator, between storyteller and listener. The elegance and complexity of ballet does not revolve around astonishing stunts but rather the evocative strength and artistry manifested in the dancer, in me. It is the combination of sentiments, history, tradition, and passion that has allowed ballet and its lessons of human connection to become my lifestyle both on and off stage.

The primary strength of this essay is the honesty and authenticity of the student’s writing. It is purposefully reflective. Intentional language creates a clear character arc that begins with an eager young ballerina and ends with the student reflecting on their past. 

Readers are easily able to picture the passion and intensity of the young dancer through the writer’s engagement with words like “obsessed,” “forcing,” and “ruined” in the second paragraph. Then, we see how intensity becomes pride as they “wondered why our teacher expected so little from us.” And ultimately, we see the writer humbled as they are exposed to the deeper meaning behind what they have worked so hard for. This arc is outstanding, and the student’s musings about ballet in the concl usion position them as vulnerable and reflective (and thus, appealing to admissions officers!)

The main weakness of this essay (though this is a stellar essay) is its formulaic beginning. While dialogue can be an effective tool for starting your essay, this student’s introduction feels a bit stilted as the dialogue does not match the overall reflective tone of the essay. Perhaps, in place of “Next goal: five turns,” the student could have posed a question or foreshadowed the growth they ultimately describe.

Prompt #1, Example #4

My paintbrush dragged a flurry of acrylic, the rich colors attaching to each groove in my canvas’s texture. The feeling was euphoric.

From a young age, painting has been my solace. Between the stress of my packed high school days filled with classes and extracurriculars, the glide of my paintbrush was my emotional outlet.

I opened a fresh canvas and began. The amalgamation of assorted colors in my palette melded harmoniously: dark and light, cool and warm, brilliant and dull. They conjoined, forming shades and surfaces sharp, smooth, and ridged. The textures of my paint strokes — powdery, glossy, jagged — gave my painting a tone, as if it had a voice of its own, sometimes shrieking, sometimes whispering.

Rough indigo blue. The repetitive upward pulls of my brush formed layers on my canvas. Staring into the deep blue, I felt transported to the bottom of the pool I swim in daily. I looked upward to see a layer of dense water between myself and the person I aspire to be, an ideal blurred by filmy ripples. Rough blue encapsulates my amorphous, conflicting identity, catalyzed by words spewed by my peers about my “oily hair” and “smelly food”. They caused my ever present disdain toward cultural assemblies; the lehenga I wore felt burdensome. My identity quivers like the indigo storm I painted — a duel between my self-deprecating, validation-seeking self, and the proud self I desire to be. My haphazard paint strokes released my internal turbulence.

Smooth orange-hued green. I laid the color in melodious strokes, forming my figure. The warmer green transitions from the rough blue — while they share elements, they also diverge. My firm brushstrokes felt like the way I felt on my first day as a media intern at KBOO, my local volunteer-driven radio station, committed to the voices of the marginalized. As a naturally introverted speaker, I was forced out of my comfort zone when tasked with documenting a KBOO art exhibition for social media, speaking with hosts to share their diverse, underrepresented backgrounds and inspirations. A rhythmic green strength soon shoved me past internal blue turbulence. My communication skills which were built by two years of Speech and Debate unleashed — I recognized that making a social change through media required amplifying unique voices and perspectives, both my own and others. The powerful green strokes that fill my canvas entrench my growth.

Bright, voluminous coral, hinted with magenta and yellow. I dabbed the color over my figure, giving my painting dimension. The paint, speckled, added depth on every inch it coated. As I moved the color in random but purposeful movements, the vitality ushered into my painting brought a smile across my face. It reminded me of the encounters I had with my cubicle-mate in my sophomore year academic autism research internship, seemingly insignificant moments in my lifelong journey that, in retrospect, wove unique threads into my tapestry. The kindness she brought into work inspired my compassion, while her stories of struggling with ADHD in the workplace bolstered my empathy towards different experiences. Our conversations added blobs of a nonuniform bright color in my painting, binding a new perspective in me.

I added in my final strokes, each contributing an element to my piece. As I scanned my canvas, I observed these elements. Detail added nuance into smaller pictures; they embodied complexities within color, texture, and hue, each individually delivering a narrative. But together, they formed a piece of art— art that could be interpreted as a whole or broken apart but still delivering as a means of communication.

I find beauty in media because of this. I can adapt a complex narrative to be deliverable, each component telling a story. Appreciating these nuances — the light, dark, smooth, and rough — has cultivated my growth mindset. My life-long painting never finishes. It is ever-expanding, absorbing the novel textures and colors I encounter daily.

This essay is distinct from others due to its melodic, lyrical form. This is primarily achieved because the student’s form follows the movements of the paintbrush that they use to scaffold their essay. As readers, we simply flow through the essay, occasionally picking up bits of information about its creator. Without even realizing it, by the end of the essay, admissions officers will know that this student is a swimmer, was in Speech and Debate, is Indian, and has had multiple internships.

A major strength of this essay is the command of language that the student demonstrates. This essay was not simply written, it was crafted. Universities are, of course, interested in the talents, goals, and interests of applicants, but an essay being well-written can be equally important. Writing skills are important because your reader will not learn about your talents, goals, and interests if they aren’t engaged in your essay, but they are also important because admissions officers know that being able to articulate your thoughts is important for success in all future careers.

While this essay is well-written, there are a few moments where it falls out of the flow and feels more like a student advertising their successes. For example, the phrases “media intern at KBOO” and “autism research internship” work better on a resume than they do in this essay. Admissions officers have a copy of your resume and can check your internship experiences after reading your essay! If you are going to use a unique writing style or narrative form, lean into it; don’t try to hybridize it with the standard college essay form. Your boldness will be attractive to admissions officers.

college essays about journaling

Readers are easily able to picture the passion and intensity of the young dancer through the writer’s engagement with words like “obsessed,” “forcing,” and “ruined” in the second paragraph. Then, we see how intensity becomes pride as they “wondered why our teacher expected so little from us.” And ultimately, we see the writer humbled as they are exposed to the deeper meaning behind what they have worked so hard for. This arc is outstanding, and the student’s musings about ballet in the conclusion position them as vulnerable and reflective (and thus, appealing to admissions officers!)

Prompt #2: The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

Prompt #2, example #1.

“You ruined my life!” After months of quiet anger, my brother finally confronted me. To my shame, I had been appallingly ignorant of his pain.

Despite being twins, Max and I are profoundly different. Having intellectual interests from a young age that, well, interested very few of my peers, I often felt out of step in comparison with my highly-social brother. Everything appeared to come effortlessly for Max and, while we share an extremely tight bond, his frequent time away with friends left me feeling more and more alone as we grew older.

When my parents learned about The Green Academy, we hoped it would be an opportunity for me to find not only an academically challenging environment, but also – perhaps more importantly – a community. This meant transferring the family from Drumfield to Kingston. And while there was concern about Max, we all believed that given his sociable nature, moving would be far less impactful on him than staying put might be on me.

As it turned out, Green Academy was everything I’d hoped for. I was ecstatic to discover a group of students with whom I shared interests and could truly engage. Preoccupied with new friends and a rigorous course load, I failed to notice that the tables had turned. Max, lost in the fray and grappling with how to make connections in his enormous new high school, had become withdrawn and lonely. It took me until Christmas time – and a massive argument – to recognize how difficult the transition had been for my brother, let alone that he blamed me for it.

Through my own journey of searching for academic peers, in addition to coming out as gay when I was 12, I had developed deep empathy for those who had trouble fitting in. It was a pain I knew well and could easily relate to. Yet after Max’s outburst, my first response was to protest that our parents – not I – had chosen to move us here. In my heart, though, I knew that regardless of who had made the decision, we ended up in Kingston for my benefit. I was ashamed that, while I saw myself as genuinely compassionate, I had been oblivious to the heartache of the person closest to me. I could no longer ignore it – and I didn’t want to.

We stayed up half the night talking, and the conversation took an unexpected turn. Max opened up and shared that it wasn’t just about the move. He told me how challenging school had always been for him, due to his dyslexia, and that the ever-present comparison to me had only deepened his pain.

We had been in parallel battles the whole time and, yet, I only saw that Max was in distress once he experienced problems with which I directly identified. I’d long thought Max had it so easy – all because he had friends. The truth was, he didn’t need to experience my personal brand of sorrow in order for me to relate – he had felt plenty of his own.

My failure to recognize Max’s suffering brought home for me the profound universality and diversity of personal struggle; everyone has insecurities, everyone has woes, and everyone – most certainly – has pain. I am acutely grateful for the conversations he and I shared around all of this, because I believe our relationship has been fundamentally strengthened by a deeper understanding of one another. Further, this experience has reinforced the value of constantly striving for deeper sensitivity to the hidden struggles of those around me. I won’t make the mistake again of assuming that the surface of someone’s life reflects their underlying story.

Here is a prime example that you don’t have to have fabulous imagery or flowery prose to write a successful Common App essay. You just have to be clear and say something that matters. This essay is simple and beautiful. It almost feels like having a conversation with a friend and learning that they are an even better person than you already thought they were.

Through this narrative, readers learn a lot about the writer—where they’re from, what their family life is like, what their challenges were as a kid, and even their sexuality. We also learn a lot about their values—notably, the value they place on awareness, improvement, and consideration of others. Though they never explicitly state it (which is great because it is still crystal clear!), this student’s ending of “I won’t make the mistake again of assuming that the surface of someone’s life reflects their underlying story” shows that they are constantly striving for improvement and finding lessons anywhere they can get them in life.

The only part of this essay that could use a bit of work is the introduction. A short introduction can be effective, but this short first paragraph feels thrown in at the last minute and like it is missing its second half. If you are keeping your introduction short, make it matter.

Prompt #2, Example #2

Was I no longer the beloved daughter of nature, whisperer of trees? Knee-high rubber boots, camouflage, bug spray—I wore the garb and perfume of a proud wild woman, yet there I was, hunched over the pathetic pile of stubborn sticks, utterly stumped, on the verge of tears. As a child, I had considered myself a kind of rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free. I knew the cracks of the earth like the scars on my own rough palms. Yet here I was, ten years later, incapable of performing the most fundamental outdoor task: I could not, for the life of me, start a fire. 

Furiously I rubbed the twigs together—rubbed and rubbed until shreds of skin flaked from my fingers. No smoke. The twigs were too young, too sticky-green; I tossed them away with a shower of curses, and began tearing through the underbrush in search of a more flammable collection. My efforts were fruitless. Livid, I bit a rejected twig, determined to prove that the forest had spurned me, offering only young, wet bones that would never burn. But the wood cracked like carrots between my teeth—old, brittle, and bitter. Roaring and nursing my aching palms, I retreated to the tent, where I sulked and awaited the jeers of my family. 

Rattling their empty worm cans and reeking of fat fish, my brother and cousins swaggered into the campsite. Immediately, they noticed the minor stick massacre by the fire pit and called to me, their deep voices already sharp with contempt. 

“Where’s the fire, Princess Clara?” they taunted. “Having some trouble?” They prodded me with the ends of the chewed branches and, with a few effortless scrapes of wood on rock, sparked a red and roaring flame. My face burned long after I left the fire pit. The camp stank of salmon and shame. 

In the tent, I pondered my failure. Was I so dainty? Was I that incapable? I thought of my hands, how calloused and capable they had been, how tender and smooth they had become. It had been years since I’d kneaded mud between my fingers; instead of scaling a white pine, I’d practiced scales on my piano, my hands softening into those of a musician—fleshy and sensitive. And I’d gotten glasses, having grown horrifically nearsighted; long nights of dim lighting and thick books had done this. I couldn’t remember the last time I had lain down on a hill, barefaced, and seen the stars without having to squint. Crawling along the edge of the tent, a spider confirmed my transformation—he disgusted me, and I felt an overwhelming urge to squash him. 

Yet, I realized I hadn’t really changed—I had only shifted perspective. I still eagerly explored new worlds, but through poems and prose rather than pastures and puddles. I’d grown to prefer the boom of a bass over that of a bullfrog, learned to coax a different kind of fire from wood, having developed a burn for writing rhymes and scrawling hypotheses. 

That night, I stayed up late with my journal and wrote about the spider I had decided not to kill. I had tolerated him just barely, only shrieking when he jumped—it helped to watch him decorate the corners of the tent with his delicate webs, knowing that he couldn’t start fires, either. When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.

This Common App essay is well-written. The student is showing the admissions officers their ability to articulate their points beautifully and creatively. It starts with vivid images like that of the “rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free.” And because the prose is flowery, the writer can get away with metaphors like “I knew the cracks of the earth like the scars on my own rough palms” that might sound cheesy without the clear command of the English language that the writer quickly establishes.

In addition to being well-written, this essay is thematically cohesive. It begins with the simple introduction “Fire!” and ends with the following image: “When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.” This full-circle approach leaves readers satisfied and impressed.

While dialogue often comes off as cliche or trite, this student effectively incorporates their family members saying “Where’s the fire, Princess Clara?” This is achieved through the apt use of the verb “taunted” to characterize the questioning and through the question’s thematic connection to the earlier image of the student as a rustic princess. Similarly, rhetorical questions can feel randomly placed in essays, but this student’s inclusion of the questions “Was I so dainty?” and “Was I that incapable?” feels perfectly justified after they establish that they were pondering their failure.

Quite simply, this essay shows how quality writing can make a simple story outstandingly compelling.

Prompt #2, Example #3

The muffled voices behind thin walls heralded trouble.

They were fighting about money.

It wasn’t the first time this had happened and it wasn’t going to be the last. It was one of those countless nights I had to spend curled up under the blanket while pretending to be asleep. My father had been unemployed for five years now, and my mother, a local kindergarten teacher, was struggling to support the family alone. Our situation was bleak: Savings had run out and my parents could no longer hide our lack of money from me. To make matters worse, I was a few weeks away from starting high school, which would inevitably lead to college, yet another financial stressor for my family.

The argument didn’t sound like it would end soon.

“Why did you spend money on that?” my mother said, with an elongated sigh.

“I had to,” my father said, decidedly.

Every fight over the years had left me in despair and the idea of going through another fight daunted me. I had looked forward to my teen years all my life, an age that allows, for the first time, more responsibility. Indeed, after this fateful night, after my fourteenth birthday, I felt a mounting responsibility to help my family, and started brainstorming.

Always being fascinated by computers, I spent my childhood burying myself under computer cabinets, experimenting with computer parts. Naturally, I wondered if my skills in this area might be marketable.

The next morning, my friend, Naba, mentioned that her computer wasn’t working. A tuk-tuk ride later, and I was at her doorstep, and her mother was leading me to her room. I was off to work: I began examining her computer, like a surgeon carefully manages his scalpels and tools. A proper diagnosis was not far from reach, as I realized a broken pin in her computer’s SATA slot. After an hour of work, and a short trip to the hardware store, I successfully fixed the computer. To my pleasant surprise, Naba’s mother drew out two fresh 500 Rupee notes. One covered the cost of the parts I bought and the other was a token of appreciation. Bidding her goodbye, I went straight back home and put one of the 500 Rupee notes inside my family’s “savings-jar.”

Later that day, I devised a plan. I told my friends to spread the word that I was available to fix computers. At first, I got only one or two calls per week. I would pick up the computer from my client’s home, fix it quickly, and return it, thus earning myself a commission. While I couldn’t market my services at a competitive price, because I wasn’t able to buy the parts wholesale, I compensated by providing convenience. All my clients had to do was call me once and the rest was taken care of. Thus, my business had the best customer service in town.

At the beginning of my junior year, after two years of expanding my business through various avenues, I started buying computer parts from hardware suppliers in bulk at a cheaper rate. My business grew exponentially after that. 

Before long, I was my town’s go-to tech person. In this journey throughout high school, I started realizing that I had to create my own opportunities and not just curl up under a blanket, seeking only comfort, as I used to. Interacting with people from all walks of life became my forte and a sense of work ethic developed in me. My business required me to be an all-rounder– have the technical skills, be an easily approachable person, and manage cash flow. Slowly becoming better at this, I even managed to sway admins of a local institution to outsource their computer hardware purchases and repairs through me. As my business upsized throughout the years, I went from being helpless to autonomous – the teenager I always aspired to be.

This essay truly feels like a story—almost making you forget you are reading a college essay. The student’s voice is strong throughout the entire essay and they are able to give us insight into their thoughts, feelings, and motivations at every step of the story. Letting the reader into personal challenges like financial struggles can be daunting in a college essay, but the way this student used that setback to establish an emotional ethos to their narrative was well done.

Because the essay is essentially just telling a story, there’s a very natural flow that makes it enjoyable and easy to read. The student establishes the conflict at the beginning, then describes their solution and how they implemented it, and finally concludes with the lessons they took away from this experience. Transitions at the beginning of paragraphs effortlessly show the passage of time and how the student has progressed through the story.

Another reason this essay is so successful is because of the abundance of details. The reader truly feels like they are hiding in the room with the student as their parents yell because of the inclusion of quotes from the argument. We understand the precision and care they have for fixing computers because of the allusion to a surgeon with their scalpel. Not only does this imagery make the story more enticing, it also helps the reader gain a deeper appreciation for the type of person this student is and the adversity they have overcome.

If there were one thing this essay could do to improve, it would be to include a resolution to the conflict from the beginning. The student tells us how this business helped them grow as a person, but we don’t ever get to find out if they were able to lessen the financial burden on their parents or if they continued to struggle despite the student working hard. It doesn’t have to be a happy ending, but it would be nice to return to the conflict and acknowledge the effect they had on it, especially since this prompt is all about facing challenges.

Prompt #3: Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?

Prompt #3, example #1.

When I was younger, I was adamant that no two foods on my plate touch. As a result, I often used a second plate to prevent such an atrocity. In many ways, I learned to separate different things this way from my older brothers, Nate and Rob. Growing up, I idolized both of them. Nate was a performer, and I insisted on arriving early to his shows to secure front row seats, refusing to budge during intermission for fear of missing anything. Rob was a three-sport athlete, and I attended his games religiously, waving worn-out foam cougar paws and cheering until my voice was hoarse. My brothers were my role models. However, while each was talented, neither was interested in the other’s passion. To me, they represented two contrasting ideals of what I could become: artist or athlete. I believed I had to choose.

And for a long time, I chose athlete. I played soccer, basketball, and lacrosse and viewed myself exclusively as an athlete, believing the arts were not for me. I conveniently overlooked that since the age of five, I had been composing stories for my family for Christmas, gifts that were as much for me as them, as I loved writing. So when in tenth grade, I had the option of taking a creative writing class, I was faced with a question: could I be an athlete and a writer? After much debate, I enrolled in the class, feeling both apprehensive and excited. When I arrived on the first day of school, my teacher, Ms. Jenkins, asked us to write down our expectations for the class. After a few minutes, eraser shavings stubbornly sunbathing on my now-smudged paper, I finally wrote, “I do not expect to become a published writer from this class. I just want this to be a place where I can write freely.”

Although the purpose of the class never changed for me, on the third “submission day,” – our time to submit writing to upcoming contests and literary magazines – I faced a predicament. For the first two submission days, I had passed the time editing earlier pieces, eventually (pretty quickly) resorting to screen snake when hopelessness made the words look like hieroglyphics. I must not have been as subtle as I thought, as on the third of these days, Ms. Jenkins approached me. After shifting from excuse to excuse as to why I did not submit my writing, I finally recognized the real reason I had withheld my work: I was scared. I did not want to be different, and I did not want to challenge not only others’ perceptions of me, but also my own. I yielded to Ms. Jenkin’s pleas and sent one of my pieces to an upcoming contest.

By the time the letter came, I had already forgotten about the contest. When the flimsy white envelope arrived in the mail, I was shocked and ecstatic to learn that I had received 2nd place in a nationwide writing competition. The next morning, however, I discovered Ms. Jenkins would make an announcement to the whole school exposing me as a poet. I decided to own this identity and embrace my friends’ jokes and playful digs, and over time, they have learned to accept and respect this part of me. I have since seen more boys at my school identifying themselves as writers or artists.

I no longer see myself as an athlete and a poet independently, but rather I see these two aspects forming a single inseparable identity – me. Despite their apparent differences, these two disciplines are quite similar, as each requires creativity and devotion. I am still a poet when I am lacing up my cleats for soccer practice and still an athlete when I am building metaphors in the back of my mind – and I have realized ice cream and gummy bears taste pretty good together.

This essay is cohesive as it centers around the theme of identity and the ability for two identities to coexist simultaneously (an interesting theme!). It uses the Full Circle ending strategy as it starts with a metaphor about food touching and ends with “I have realized ice cream and gummy bears taste pretty good together.”

The main issue with this essay is that it could come off as cliché, which could be irritating for admissions officers. The story described is notably similar to High School Musical (“I decided to own this identity and embrace my friends’ jokes and playful digs, and over time, they have learned to accept and respect this part of me”) and feels slightly overstated. 

At times, this essay is also confusing. In the first paragraph, it feels like the narrative is actually going to be about separating your food (and is somehow going to relate to the older brothers?). It is not entirely clear that this is a metaphor. Also, when the writer references the third submission day and then works backward to explain what a submission day is and that there are multiple throughout the semester, the timeline gets unnecessarily confusing. Reworking the way this paragraph unfolded would have been more compelling and less distracting.

Overall, this essay was interesting but could have been more polished to be more effective.

Prompt #3, Example #2

I walked into my middle school English class, and noticed a stranger behind my teacher’s desk. “Hello,” she said. “Today I will be your substitute teacher.” I groaned internally. “Let me start off by calling roll. Ally?” “Here!” exclaimed Ally. “Jack?” “Here.” “Rachel?” “Here.” “Freddie?” “Present.” And then– “…?” The awkward pause was my cue. “It’s Jasina,” I started. “You can just call me Jas. Here.” “Oh, Jasina. That’s unique.” The word “unique” made me cringe. I slumped back in my seat. The substitute continued calling roll, and class continued as if nothing had happened. Nothing had happened. Just a typical moment in a middle school, but I hated every second of it.

My name is not impossible to pronounce. It appears challenging initially, but once you hear it, “Jas-een-a”, then you can manage it. My nickname, Jas (pronounced “Jazz”), is what most people call me anyway, so I don’t have to deal with mispronunciation often. I am thankful that my parents named me Jasina (a Hebrew name), but whenever someone hears my name for the first time, they comment, and I assume they’re making assumptions about me. “Wow, Jas is a cool name.” She must be pretty cool.“I’ve never heard the name Jasina before.” She must be from somewhere exotic. “Jas, like Jazz?” She must be musical and artsy. None of these assumptions are bad, but they all add up to the same thing: She must be unique. 

When I was little, these sentiments felt more like commands than assumptions. I thought I had to be the most unique child of all time, which was a daunting task, but I tried. I was the only kid in the second grade to color the sun red. I knew it was really yellow, but you could always tell which drawings were mine. During snack time, we could choose between apple juice and grape juice. I liked apple juice more, but if everyone else was choosing apple, then I had to choose grape. This was how I lived my life, and it was exhausting. I tried to continue this habit into middle school, but it backfired. When everyone became obsessed with things like skinny jeans and Justin Bieber and blue mascara (that was a weird trend), my resistance of the norm made me socially awkward. I couldn’t talk to people about anything because we had nothing in common. I was too different. 

After 8th grade, I moved to Georgia, and I was dreading being the odd one out among kids who had grown up together. Then I discovered that my freshman year would be Cambridge High School’s inaugural year. Since there were students coming in from 5 different schools, there was no real sense of “normal”. I panicked. If there was no normal, then how could I be unique? That’s when I realized that I had spent so much energy going against the grain that I had no idea what my true interests were or what I really cared about. 

It was time to find out. I stopped concentrating on what everyone else was doing and started to focus on myself. I joined the basketball team, I performed in the school musical, and I enrolled in Chorus, all of which were firsts for me. I took art classes, joined clubs, and did whatever I thought would make me happy. And it paid off. I was no longer socially awkward. In fact, because I was involved in so many unrelated activities, I was socially flexible. My friends and I had things in common, but there was no one who could say that I was exactly like anyone else. I had finally become my own person.

My father named me Jasina because he wanted my nickname to be “Jazz.” According to Webster, “jazz” is “music characterized by syncopated rhythms, improvisation, and deliberate distortions of pitch.” Basically, jazz is music that is off-beat and unpredictable. It cannot be strictly defined. 

That sounds about right. 

Right off the bat, this essay starts extremely strong. The description of attendance in a class with ample quotes, awkward pauses, and the student’s internal dialogue immediately puts us in the middle of the action and establishes a lot of sympathy for this student before we’ve learned anything else. 

The strength of this essay continues into the second paragraph where the use of quotes, italics, and interjections from the student continues. All of these literary tools help the student express her voice and allow the reader to understand what this student goes through on a daily basis. Rather than just telling the reader people make assumptions about her name, she shows us what these assumptions look and sound like, and exactly how they make her feel.

The essay further shows us how the student approached her name by providing concrete examples of times she’s been intentionally unique throughout her life. Describing her drawing red suns and choosing grape juice bring her personality to life and allow her to express her deviance from the “norm” in a much more engaging and visual way than simply telling the reader she would go against the grain to be different on purpose.

One part of the essay that was a bit weaker than the others was the paragraph about her in high school. Although it was still well written and did a nice job of demonstrating how she got involved in multiple groups to find her new identity, it lacked the same level of showing employed in previous paragraphs. It would have been nice to see what “socially flexible” means either through a conversation she had with her friends or an example of a time she combined her interests from different groups in a way that was uniquely her.

The essay finishes off how it started: extremely strong. Taking a step back to fully explain the origin of her name neatly brings together everything mentioned in this essay. This ending is especially successful because she never explicitly states that her personality aligns with the definition of jazz. Instead, she relies on the points she has made throughout the essay to stick in the reader’s memory so they are able to draw the connection themselves, making for a much more satisfying ending for the reader.

Prompt #4 (OLD PROMPT; NOT THE CURRENT PROMPT): Describe a problem you’ve solved or a problem you’d like to solve. It can be an intellectual challenge, a research query, an ethical dilemma – anything that is of personal importance, no matter the scale. Explain its significance to you and what steps you took or could be taken to identify a solution.

Prompt #4, example #1.

“Advanced females ages 13 to 14 please proceed to staging with your coaches at this time.” 

Skittering around the room, eyes wide and pleading, I frantically explained my situation to nearby coaches. The seconds ticked away in my head; every polite refusal increased my desperation. 

Despair weighed me down. I sank to my knees as a stream of competitors, coaches, and officials flowed around me. My dojang had no coach, and the tournament rules prohibited me from competing without one. 

Although I wanted to remain strong, doubts began to cloud my mind. I could not help wondering: what was the point of perfecting my skills if I would never even compete? The other members of my team, who had found coaches minutes earlier, attempted to comfort me, but I barely heard their words. They couldn’t understand my despair at being left on the outside, and I never wanted them to understand. 

Since my first lesson 12 years ago, the members of my dojang have become family. I have watched them grow up, finding my own happiness in theirs. Together, we have honed our kicks, blocks, and strikes. We have pushed one another to aim higher and become better martial artists. Although my dojang had searched for a reliable coach for years, we had not found one. When we attended competitions in the past, my teammates and I had always gotten lucky and found a sympathetic coach. Now, I knew this practice was unsustainable. It would devastate me to see the other members of my dojang in my situation, unable to compete and losing hope as a result. My dojang needed a coach, and I decided it was up to me to find one. 

I first approached the adults in the dojang – both instructors and members’ parents. However, these attempts only reacquainted me with polite refusals. Everyone I asked told me they couldn’t devote multiple weekends per year to competitions. I soon realized that I would have become the coach myself. 

At first, the inner workings of tournaments were a mystery to me. To prepare myself for success as a coach, I spent the next year as an official and took coaching classes on the side. I learned everything from motivational strategies to technical, behind-the-scenes components of Taekwondo competitions. Though I emerged with new knowledge and confidence in my capabilities, others did not share this faith. 

Parents threw me disbelieving looks when they learned that their children’s coach was only a child herself. My self-confidence was my armor, deflecting their surly glances. Every armor is penetrable, however, and as the relentless barrage of doubts pounded my resilience, it began to wear down. I grew unsure of my own abilities. 

Despite the attack, I refused to give up. When I saw the shining eyes of the youngest students preparing for their first competition, I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was. The knowledge that I could solve my dojang’s longtime problem motivated me to overcome my apprehension. 

Now that my dojang flourishes at competitions, the attacks on me have weakened, but not ended. I may never win the approval of every parent; at times, I am still tormented by doubts, but I find solace in the fact that members of my dojang now only worry about competing to the best of their abilities. 

Now, as I arrive at a tournament with my students, I close my eyes and remember the past. I visualize the frantic search for a coach and the chaos amongst my teammates as we competed with one another to find coaches before the staging calls for our respective divisions. I open my eyes to the exact opposite scene. Lacking a coach hurt my ability to compete, but I am proud to know that no member of my dojang will have to face that problem again.

This essay is great because it has a strong introduction and a strong conclusion. The introduction is notably suspenseful and draws readers into the story. Because we know it is a college essay, we can assume that the student is one of the competitors, but at the same time, this introduction feels intentionally ambiguous as if the writer could be a competitor, a coach, a sibling of a competitor, or anyone else in the situation.

As we continue reading the essay, we learn that the writer is, in fact, the competitor. Readers also learn a lot about the student’s values as we hear their thoughts: “I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was.” Ultimately, the conflict and inner and outer turmoil is resolved through the “Same, but Different” ending technique as the student places themself in the same environment that we saw in the intro, but experiencing it differently due to their actions throughout the narrative. This is a very compelling strategy!

The main weakness of this essay is that it is slightly confusing at times—how the other students found coaches feels unintentionally under-explained (a simple phrase like “through pleading and attracting sympathy” in the fourth paragraph could have served the writer well) and a dojang is never defined. Additionally, the turn of the essay or “volta” could’ve packed a bigger punch. It is put quite simply with “I soon realized that I would have become the coach myself.” A more suspenseful reveal could’ve served the author well because more drama did come later.

Prompt #5: Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

Prompt #5, example #1.

Tears streamed down my face and my mind was paralyzed with fear. Sirens blared, but the silent panic in my own head was deafening. I was muted by shock. A few hours earlier, I had anticipated a vacation in Washington, D.C., but unexpectedly, I was rushing to the hospital behind an ambulance carrying my mother. As a fourteen-year-old from a single mother household, without a driver’s license, and seven hours from home, I was distraught over the prospect of losing the only parent I had. My fear turned into action as I made some of the bravest decisions of my life. 

Three blood transfusions later, my mother’s condition was stable, but we were still states away from home, so I coordinated with my mother’s doctors in North Carolina to schedule the emergency operation that would save her life. Throughout her surgery, I anxiously awaited any word from her surgeon, but each time I asked, I was told that there had been another complication or delay. Relying on my faith and positive attitude, I remained optimistic that my mother would survive and that I could embrace new responsibilities.

My mother had been a source of strength for me, and now I would be strong for her through her long recovery ahead. As I started high school, everyone thought the crisis was over, but it had really just started to impact my life. My mother was often fatigued, so I assumed more responsibility, juggling family duties, school, athletics, and work. I made countless trips to the neighborhood pharmacy, cooked dinner, biked to the grocery store, supported my concerned sister, and provided the loving care my mother needed to recover. I didn’t know I was capable of such maturity and resourcefulness until it was called upon. Each day was a stage in my gradual transformation from dependence to relative independence.

Throughout my mother’s health crisis, I matured by learning to put others’ needs before my own. As I worried about my mother’s health, I took nothing for granted, cherished what I had, and used my daily activities as motivation to move forward. I now take ownership over small decisions such as scheduling daily appointments and managing my time but also over major decisions involving my future, including the college admissions process. Although I have become more independent, my mother and I are inseparably close, and the realization that I almost lost her affects me daily. Each morning, I wake up ten minutes early simply to eat breakfast with my mother and spend time with her before our busy days begin. I am aware of how quickly life can change. My mother remains a guiding force in my life, but the feeling of empowerment I discovered within myself is the ultimate form of my independence. Though I thought the summer before my freshman year would be a transition from middle school to high school, it was a transformation from childhood to adulthood.

This essay feels real and tells readers a lot about the writer. To start at the beginning, the intro is 10/10. It has drama, it has emotions, and it has the reader wanting more.

And, when you keep going, you get to learn a lot about a very resilient and mature student. Through sentences like “I made countless trips to the neighborhood pharmacy, cooked dinner, biked to the grocery store, supported my concerned sister, and provided the loving care my mother needed to recover” and “Relying on my faith and positive attitude, I remained optimistic that my mother would survive and that I could embrace new responsibilities,” the reader shows us that they are aware of their resilience and maturity, but are not arrogant about it. It is simply a fact that they have proven!

Sometimes writing about adversity can feel exploitative or oddly braggy. This student backs up everything they say with anecdotes that prove and show their strength and resilience, rather than just claiming their strengths. When I read this essay, I want to cheer for its writer! And I want to be able to continue cheering for them (perhaps, if I were an admissions officer, that would make me want them at my school!).

Prompt #5, Example #2

Armed with a red pen, I slowly walked across the room to a small, isolated table with pink stools. Swinging her legs, my young student beamed and giggled at me, slamming her pencil bag on the table and bending over to pick up one of her toys. Natalie always brought some new toy with her to lessons—toys which I would sternly take away from her and place under the table until she finished her work. At the tutoring center where I work, a strict emphasis on discipline leaves no room for paper crowns or rubber chickens. 

Today, she had with her a large stuffed eagle from a museum. As she pulled out her papers, I slid the eagle to the other side of the table. She looked eagerly around, attempting to chat with other students as I impatiently called her attention to her papers. “I should name my eagle,” she chimed, waving her pencil in the air. I cringed—there was no wondering why Natalie always had to sit by herself. She was the antithesis of my academic values, and undoubtedly the greatest adversary of my teaching style.  

As the lesson progressed, Natalie became more fitful; she refused to release her feathered friend, and kept addressing the bird for help with difficult problems. We both grew increasingly more frustrated. Determined to tame this wryly, wiggling student, I stood my ground, set on converting this disobedient child to my calm, measured ways of study.  

As time slowly crept by, I noticed that despite Natalie’s cheerful tone and bright smile, the stuffed eagle was troublesomely quiet and stern-faced. Much like myself. Both the eagle and I were getting nowhere in this lesson—so we hatched a quick plan. Lifting the eagle up in the air, I started reading in my best impersonation of an eagle, squawking my way through a spelling packet. The result provided a sense of instant gratification I never knew I needed. She sang out every letter, clapped her hands at every page, and followed along with the eagle, stopping at every few letters to declare that “E is for eagle” and pet her teacher fondly on the beak.  

Despite my ostensibly dissatisfied attitude toward my students, I did not join the tutoring center simply to earn money. I had always aspired to help others achieve their fullest potential. As a young adult, I felt that it was time for me to step out of the role of a pupil and into the influential role of a teacher, naively believing that I had the maturity and skill to adapt to any situation and help these students reach their highest achievements academically. For the most part, the role of a stern-faced, strict instructor helped me get by in the workplace, and while my students never truly looked happy, I felt that it was part of the process of conditioning a child to learn. 

Ironically, my transition to adulthood was the result of a stuffed animal. It was indisputable that I always had the skill to instruct others; the only thing needed to instruct someone is knowledge of the subject. However, it was only upon being introduced to a stuffed bird in which I realized that students receive the most help not from instructors, but teachers. While almost anyone can learn material and spit it back out for someone, it takes the maturity and passion of a teacher not only to help students improve in their students, but also to motivate them and develop them into better citizens. From my young pupil and her little bird, I have undergone a change in attitude which reflects a growth in maturity and ability to improve the lives of others that I hope to implement in my future role as a student, activist, and physician. My newfound maturity taught me that the letter “e” stands for many things: empathy, experience, enthusiasm, and eagle.

In this essay, the student effectively explores their values (and how they learned them!) then identifies these values through a reflective conclusion. While the writer humbly recognizes the initial faults in their teaching style, they do not position their initial discipline or rigidity as mean or poorly intentioned—simply ineffective. This is important because, when you are discussing a transition like this, you don’t want admissions officers to think of you as having been a bad person. 

My favorite part about this essay is its subtlety. The major shift in the essay comes through the simple sentence “The result provided a sense of instant gratification I never knew I needed.” The facts of this narrative are not too complicated. Simply put, the writer was strict then learned that it’s sometimes more effective not to be strict. The complexity of this narrative comes through reflection. Notably, through the ending, the student identifies their values (which they hadn’t given a name to before): “it takes the maturity and passion of a teacher not only to help students improve in their students, but also to motivate them and develop them into better citizens.” 

The final sentence of this essay ties things up very nicely. Readers are left satisfied with the essay and convinced that its writer is a kind human with a large capacity for reflection and consideration. That is a great image to paint of yourself!

Prompt #5, Example #3

When it’s quiet, I can still hear the Friday night gossip and giggles of my friends. It’s a stark contrast from the environment I’ve known all my life, my home. My family has always been one to keep to themselves; introverts with a hard-working mentality—my father especially. He spent most of his time at work and growing up without him around, I came to be at peace with the fact that I’d probably never really get to know him. The thought didn’t bother me at the time because I felt that we were very different. He was stoic and traditional; I was trying to figure out who I was and explore my interests. His disapproval of the American music I listened to and my penchant for wearing hand-me-downs made me see him as someone who wanted to restrain my individuality. That explains why I relied heavily on my friends throughout middle and high school; they liked me for who I was. I figured I would get lonely without my friends during quarantine, but these last few months stuck at home gave me the time to make a new friend: my father. 

It was June. I had the habit of sleeping with my windows open so I wouldn’t need to set an alarm; the warmth of the sun and the sounds of the neighborhood children playing outside would wake me. One morning, however, it was not the chirping of birds or the laughter of children I awoke to, but the shrill of a saw. Through the window screen, on the grass below, my father stood cutting planks of wood. I was confused but didn’t question him—what he did with his time was none of my business. It was not until the next day, when I was attempting to work on a sculpture for an art class, that the sounds of hammering and drills became too much to ignore. Seeking answers, I trudged across my backyard towards the corner he was in. On that day, all there was to see was the foundation of what he was building; a shed. My intrigue was replaced with awe; I was impressed by the precision of his craft. Sharp corners, leveled and sturdy, I could imagine what it would look like when the walls were up and the inside filled with the tools he had spread around the yard. 

Throughout the week, when I was trying to finish my sculpture for art class—thinking about its shape and composition—I could not help but think of my father. Art has always been a creative outlet for me, an opportunity to express myself at home. For my dad, his craftsmanship was his art. I realized we were not as different as I had thought; he was an artist like me. My glue and paper were his wood and nails.

That summer, I tried to spend more time with my dad than I have in all my 18 years of life. Waking up earlier than usual so we could have our morning coffees together and pretending to like his favorite band so he’d talk to me about it, I took advantage of every opportunity I had to speak with him. In getting to know him, I’ve recognized that I get my artistry from him. 

Reflecting on past relationships, I feel I am now more open to reconnecting with people I’ve perhaps misjudged. In reconciling, I’ve realized I held some bitterness towards him all these years, and in letting that go, my heart is lighter. Our reunion has changed my perspective; instead of vilifying him for spending so much time at work, I can appreciate how hard he works to provide for our family. When I hear him tinkering away at another home project, I can smile and look forward to asking him about it later.

This is an outstanding example of the great things that can be articulated through a reflective essay. As we read the essay, we are simply thinking alongside its author—thinking about their past relationship with their father, about their time in quarantine, about aspects of themselves they think could use attention and growth. 

While we reflect, we are also centered by the student’s anecdote about the sculpture and the shed during quarantine. By centering us in real-time, the student keeps us engaged in the reflection.

The main strength here is the maturity we see on the part of its writer. The student doesn’t say “and I realized my father was the best dad in the world;” they say “and I realized my father didn’t have to be the best dad in the world for me to give him a chance.” Lots of students show themselves as motivated, curious, or compassionate in their college essays, but a reflective essay that ends with a discussion of resentment and forgiveness shows true maturity.

Prompt #5, Example #4

As a wide-eyed, naive seven-year-old, I watched my grandmother’s rough, wrinkled hands pull and knead mercilessly at white dough until the countertop was dusted in flour. She steamed small buns in bamboo baskets, and a light sweetness lingered in the air. Although the mantou looked delicious, their papery, flat taste was always an unpleasant surprise. My grandmother scolded me for failing to finish even one, and when I complained about the lack of flavor she would simply say that I would find it as I grew older. How did my adult relatives seem to enjoy this Taiwanese culinary delight while I found it so plain?

During my journey to discover the essence of mantou, I began to see myself the same way I saw the steamed bun. I believed that my writing would never evolve beyond a hobby and that my quiet nature crippled my ambitions. Ultimately, I thought I had little to offer the world. In middle school, it was easy for me to hide behind the large personalities of my friends, blending into the background and keeping my thoughts company. Although writing had become my emotional outlet, no matter how well I wrote essays, poetry, or fiction, I could not stand out in a sea of talented students. When I finally gained the confidence to submit my poetry to literary journals but was promptly rejected, I stepped back from my work to begin reading from Whitman to Dickinson, Li-Young Lee to Ocean Vuong. It was then that I realized I had been holding back a crucial ingredient–my distinct voice. 

Over time, my taste buds began to mature, as did I. Mantou can be flavored with pork and eggplant, sweetened in condensed milk, and moistened or dried by the steam’s temperature. After I ate the mantou with each of these factors in mind, I noticed its environment enhanced a delicately woven strand of sweetness beneath the taste of side dishes: the sugar I had often watched my grandmother sift into the flour. The taste was nearly untraceable, but once I grasped it I could truly begin to cherish mantou. In the same way the taste had been lost to me for years, my writer’s voice had struggled to shine through because of my self-doubt and fear of vulnerability.

As I acquired a taste for mantou, I also began to strengthen my voice through my surrounding environment. With the support of my parents, peer poets, and the guidance of Amy Tan and the Brontё sisters, I worked tirelessly to uncover my voice: a subtle strand of sweetness. Once I stopped trying to fit into a publishing material mold and infused my uninhibited passion for my Taiwanese heritage into my writing, my poem was published in a literary journal. I wrote about the blatant racism Asians endured during coronavirus, and the editor of Skipping Stones Magazine was touched by both my poem and my heartfelt letter. I opened up about being ridiculed for bringing Asian food to school at Youth Leadership Forum, providing support to younger Asian-American students who reached out with the relief of finding someone they could relate to. I embraced writing as a way to convey my struggle with cultural identity. I joined the school’s creative writing club and read my pieces in front of an audience, honing my voice into one that flourishes out loud as well.

Now, I write and speak unapologetically, falling in love with a voice that I never knew I had. It inspires passion within my communities and imparts tenacity to Asian-American youth, rooting itself deeply into everything I write. Today, my grandmother would say that I have finally unearthed the taste of mantou as I savor every bite with a newfound appreciation. I can imagine her hands shaping the dough that has become my voice, and I am eager to share it with the world.

This essay is structurally-sound, with the student’s journey learning to savor mantou and their journey trying to find their voice serving as outstanding parallels. Additionally, as they describe the journey to find a voice in their writing, they definitely show off their voice! The clear introduction provides a great image and draws us in with an intriguing question. Additionally, their little inserts like “a strand of sweetness” and “falling in love with a voice that I never knew I had” work very well.

When the student describes their first published poem, however, their writing gets a little more stilted. This is a common error students make when writing about their achievements. If this student is writing about the craft that goes into writing, we should hear the details of the craft that went into the poem, instead of simply learning that they “opened up about being ridiculed for bringing Asian food to school at Youth Leadership Forum.” This is interesting information but would be stronger if it were supplemented by descriptions of the voice they created, comparisons to the styles of other poets, and analysis of their stylistic choices. This would make the essay feel more cohesive, centering entirely around concepts of voice and style.

Prompt #6: Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

Note: We don’t have a stellar example for this prompt, so instead, we’re sharing a couple examples that need improvement, and what can be done to make the essays more engaging. 

Prompt #6, Example #1

What factors shape the depth and allure of a literary character? This is the exact question I asked myself as my eyes riveted on the white pages covered with little black letters.

I was reading my old novels. I’ve written three novels and many short stories. Each of them repetitively portrayed the hero as intelligent and funny, and the antagonists as cold and manipulative. I came to the appalling realization that my characters were flat, neither exciting nor original. They just didn’t stand out! 

As Oscar Wilde said, ‘Vice and virtue are to the artist material to an art.’ Their mixing makes a novel addictive because its plot is rich with turnarounds and its characters more engaging. In his famous work The Picture of Dorian Gray , Wilde deconstructs the psyche of his characters. He brilliantly plays with the protagonist’s youthful appearance and the decaying portrait to build a truly unique idiosyncratic identity. The persona of Dorian Gray is so complicated a psychologist could analyze it for hours on end!

Inspired by this character, It was my turn to explore good and evil into characters to make my stories more enthralling. I skillfully played with vice and virtue, separating, merging them… My latest novel is the fruit of this exercise. I chose to set it in 20th century London. Its opium dens and exclusive salons; middle-class workers, peasants and politicians breathed the same newly industrialized air; modernity in Blackfriars bridge and tradition in St Paul’s Cathedral; all of these contrasts set the perfect environment for my characters to grow. Following Laclos’ Valmont, Maupassant’s Georges Duroy and Duffy’s Myra Hindley, I played with those contrasts to present an intricate character, truly creative – unlike my previous ones. Insanity, religion, depravity and love are merged into each character, reflecting Edwardian London. As I reflected on my work, I realized vice and virtue altogether made them more human and credible. These characters stood out, they were interesting, I even wanted to know more about them! 

After rewriting, erasing, typing, and thinking countless times, I realized writing is a unique exercise. Nothing is definite when you are holding a fountain pen, hearing its screeching sound on the white paper and watching the ebony ink forming letters. When I wasn’t too happy about a change I made in my story, I simply erased and rewrote it. Everything I imagined could happen: white pages are the only place the mouse eats the cat or the world is taken by a zombie attack! 

This exact exercise of diversifying my characters satisfied my relentless curiosity. Asking myself ‘how could this character be if she had lost her parents in a maritime tragedy?’ allowed me to view the world from different perspectives (some very dissimilar to my own) and considering how each character would react to different situations brought them to life. As I was writing, I was aiming to change the usual narratives I had previously traversed. I loved experimenting with countless personality traits in my characters – minutes flowing, my hand dancing on the paper as my mind was singing words coming alive….

There were times where my hand just stopped writing and my mind stopped raging. I tried thinking differently, changing a character’s background, the story, the setting. I was inspired by Zola, A.Carter, Fitzgerald, the Brontë sisters… I could observe the different reactions of their characters, and reflect on mine theoretically. But it was only part one of the work: I then had to write, sometimes aimlessly, sometimes frantically, always leading to fresh ideas – I was exploring the practical, trying, erasing and rewriting. Both theory and practice are required to gain intellectual independence and experience, in writing and more globally: before I can change a character, I have to understand it. Before we can change the world, we have to understand it.

The main strength of this essay is the authenticity of the topic the student chose. They aren’t making anything up or stretching the truth. Writing is something that captivates them, and that captivation shines through—particularly through their fourth paragraph (where they geek out over specific plots and characters) and their fifth paragraph (where they joyfully describe how writing has no limitations). Admissions officers want to see this passion and intensity in applicants! The fact that this student has already written three novels also shows dedication and is impressive.

The main weakness of this essay is its structure. Ironically, it is not super captivating. The essay would have been more compelling if the student utilized a “anecdote – answer – reflection” structure. This student’s current introduction involves a reflective question, citations about their past writing experience, then their thoughts on Oscar Wilde’s Dorian Gray. Instead, this student could’ve provided one cohesive (and powerful!) image of them being frustrated with their own writing then being inspired by Dorian Gray. This would look something like:

“I stayed up three nights in a row studying my own writing—bored by my own writing. The only thing more painful than seeing failure in the fruits of your labor is not seeing a path for improvement. I had written three novels and numerous short stories, and all I could come up with was funny and intelligent heroes going up against cold and manipulative villains. What kind of writer was so consistently cliche? On the third night, I wandered over to my bookshelf. Mrs. Dalloway caught my eye (it has such a beautiful cover). I flipped through. Then, I grabbed Giovanni’s Room . I was so obsessed with my shortcomings that I couldn’t even focus long enough to see what these authors were doing right. I picked up The Picture of Dorian Gray and decided to just start reading. By the end of the night, I was captivated.”

An introduction like this would flow nicely into the student describing their experience with Dorian Gray then, because of that experience, describing how they have altered their approach to writing. The conclusion of this essay would then be this student’s time for reflection. Instead of repeating content about their passion—“I then had to write, sometimes aimlessly, sometimes frantically” and “I was exploring the practical, trying, erasing and rewriting”—, the student could dedicate their conclusion to reflecting on the reasons that writing is so captivating or the ways that (until the day they die) writers will always be perfecting their craft.

This essay is a great example of how important it is to pick a topic that truly excites you. It also illustrates how important it is to effectively structure that excitement.

Prompt #6, Example #2

Astonished by the crashing sound of waves in my ear, I was convinced this magical shell actually held the sound of the big blue sea — my six-year-old self was heartbroken when I couldn’t take the thirty-dollar artificial shell from SeaWorld’s gift shop . It distinctly reminded me of the awestruck feeling I had when I witnessed the churning waves of a windy night by the ocean the previous weekend; I lost track of time gazing at the distant moonlit border dividing our world from the ever-growing black void. Turning to my mom, I inquired curiously, “Can we go to the place where the water ends one day?”

She explained to me I could never reach the end of the ocean because the harsh line I had seen was actually an illusion called the horizon —  there was no material end to the ocean. For a mind as young as mine was, the idea of infinity was incomprehensible. As my infatuation with the ocean continued to grow, I finally understood that regardless of how far I travel, the horizon is unattainable because it’s not a physical limit. This idea is why the ocean captivates me — no matter how much you discover, there is always more to explore. 

Learning about and exploring the ocean provided an escape from one reality into another; though we are on the same planet, it’s an entirely separate world. Through elementary and middle school, I devoted vast amounts of my free time to learning about simpler concepts like a dolphin’s ability to echolocate and coral reef ecosystems. I rented countless documentaries and constantly checked out books from my local library — my all-time favorite was an episode of the television series Cosmos: A Spacetime Odyssey titled “The Lost Worlds of Planet Earth.” This episode remained memorable because it was centered around the impacts of fossil fuels on marine animals; it was the first time I’d learned about the impending crisis we are faced with due to the human mistreatment of our planet.

Prior to viewing that episode, I relied on the ocean as an outlet — I fueled all of my emotions into studying marine organisms. Once I learned of its grave future, I delved into the world of environmental activism. This path was much more disheartening than studying echolocation — inevitable death due to climate change took a toll on my mental health. I attended two climate strikes in November of my sophomore year. Following the strikes, I joined Sunrise Movement Sacramento, a youth-led climate justice organization advocating for the Green New Deal. While analyzing legislation and organizing protests were significant takeaways from my experience with climate activism, they were not the most important. I became an organizer because of my love for the ocean and I remain an organizer because of my passion for dissolving the disproportionalities marginalized groups face due to the sacrificing of people’s livelihood for the sake of profit. The more I learned about our modern society, the more hopeless I grew that I could see any significant change within my lifetime.

However, this hopelessness comes in waves; every day, I remind myself of the moment I discovered the horizon. Or the moment I first dove into the beautiful waters of the Hawaiian coast and immediately was surrounded by breathtaking seas of magnificent creatures and coral gardens — life felt ethereal and beautiful. I remind myself that like the ocean, the vast majority of the universe has yet to be discovered; that distant border holds infinite opportunity to learn. In a universe as vast as ours, and life as rare as ours, individuals still choose to prioritize avarice over our planet. Despite this grave individualism, the ocean reminds me every day there is hope in the fight for a better world. Though I will never discover every inch of the ocean’s floor, I will forever envision and reach for new horizons.

Sometimes the path to a great essay is taking something normal and using it to show admissions officers who you are and what you value—that is precisely this student’s approach! Finding the ocean fascinating is not unique to this student. Tons of kids (and adults, too!) are obsessed with the ocean. What this student does is take things a step further as they explain their curiosity about the ocean in relation to their pain about the destruction of the environment. This capacity for reflection is great!

This student shows a good control of language through their thematic centering on ocean and horizons that carries through their essay—with ”this hopelessness comes in waves” and “I will forever envision and reach for new horizons.” The details provided throughout are also effective at keeping readers engaged—things like “ my six-year-old self was heartbroken when I couldn’t take the thirty-dollar artificial shell from SeaWorld’s gift shop” and “ my all-time favorite was an episode of the television series Cosmos: A Spacetime Odyssey titled “The Lost Worlds of Planet Earth.”

The main weakness of this essay is the lack of reflection when the student discusses environmental activism. There’s reflection on the student’s connection to the ocean and horizons at the beginning and at the end, but when the student discusses activism, the tone shifts from focusing on their internal thoughts to their external actions. Remember, a lot of students write about environmental activism, but not a lot of students write about an emotional connection to the ocean as an impetus for environmental activism. This student would stand out more to admissions officers if they had dug into questions of what the ocean means to them (and says about them) in the paragraphs beginning “Learning about and exploring the ocean…” and “Prior to viewing that episode.”

Prompt #7: Share an essay on any topic of your choice. It can be one you’ve already written, one that responds to a different prompt, or one of your own design.

Prompt #7, example #1.

Scalding hot water cascades over me, crashing to the ground in a familiar, soothing rhythm. Steam rises to the ceiling as dried sweat and soap suds swirl down the drain. The water hisses as it hits my skin, far above the safe temperature for a shower. The pressure is perfect on my tired muscles, easing the aches and bruises from a rough bout of sparring and the tension from a long, stressful day. The noise from my overactive mind dies away, fading into music, lyrics floating through my head. Black streaks stripe the inside of my left arm, remnants of the penned reminders of homework, money owed and forms due. 

It lacks the same dynamism and controlled intensity of sparring on the mat at taekwondo or the warm tenderness of a tight hug from my father, but it’s still a cocoon of safety as the water washes away the day’s burdens. As long as the hot water is running, the rest of the world ceases to exist, shrinking to me, myself and I. The shower curtain closes me off from the hectic world spinning around me. 

Much like the baths of Blanche DuBois, my hot showers are a means of cleansing and purifying (though I’m mostly just ridding myself of the germs from children at work sneezing on me). In the midst of a hot shower, there is no impending exam to study for, no newspaper deadline to meet, no paycheck to deposit. It is simply complete and utter peace, a safe haven. The steam clears my mind even as it clouds my mirror. 

Creativity thrives in the tub, breathing life into tales of dragons and warrior princesses that evolve only in my head, never making their way to paper but appeasing the childlike dreamer and wannabe author in me all the same. That one calculus problem that has seemed unsolvable since second period clicks into place as I realize the obvious solution. The perfect concluding sentence to my literary analysis essay writes itself (causing me to abruptly end my shower in a mad dash to the computer before I forget it entirely).  

Ever since I was old enough to start taking showers unaided, I began hogging all the hot water in the house, a source of great frustration to my parents. Many of my early showers were rudely cut short by an unholy banging on the bathroom door and an order to “stop wasting water and come eat dinner before it gets cold.” After a decade of trudging up the stairs every evening to put an end to my water-wasting, my parents finally gave in, leaving me to my (expensive) showers. I imagine someday, when paying the water bill is in my hands, my showers will be shorter, but today is not that day (nor, hopefully, will the next four years be that day). 

Showers are better than any ibuprofen, the perfect panacea for life’s daily ailments. Headaches magically disappear as long as the water runs, though they typically return in full force afterward. The runny nose and itchy eyes courtesy of summertime allergies recede. Showers alleviate even the stomachache from a guacamole-induced lack of self-control. 

Honestly though, the best part about a hot shower is neither its medicinal abilities nor its blissful temporary isolation or even the heavenly warmth seeped deep into my bones. The best part is that these little moments of pure, uninhibited contentedness are a daily occurrence. No matter how stressful the day, showers ensure I always have something to look forward to. They are small moments, true, but important nonetheless, because it is the little things in life that matter; the big moments are too rare, too fleeting to make anyone truly happy. Wherever I am in the world, whatever fate chooses to throw at me, I know I can always find my peace at the end of the day behind the shower curtain.

This essay is relatable yet personal! The writer makes themself supremely human through discussing the universal subject of showering. That being said, an essay about showering could easily turn boring while still being relatable. This writer keeps its relatable moments interesting and fun through vivid descriptions of common feelings including “causing me to abruptly end my shower in a mad dash to the computer before I forget it entirely” and “the stomachache from a guacamole-induced lack of self-control.”

While describing a universal feeling, this student also cleverly and intentionally mentions small facts about their life through simple phrases like “I’m mostly just ridding myself of the germs from children at work sneezing on me” and “the childlike dreamer and wannabe author in me.” To put it simply, though we are talking about a shower, we learn about so much more!

And, at the end, the student lets us know that that is exactly why they love showers. Showers are more than meets the eye! With this insightful and reflective ending (“the big moments are too rare, too fleeting to make anyone truly happy”), readers learn about this student’s capacity for reflection, which is an important capacity as you enter college.

The one major error that this writer commits is that of using a trite transition. The inclusion of “Honestly though” at the beginning of this student’s ending detracts from what they are trying to say and sticks out in their writing.

Prompt #7, Example #2

Steam whooshed from the pot as I unveiled my newest creation: duck-peppercorn-chestnut dumplings. The spicy, hearty aroma swirled into the kitchen, mingling with the smell of fresh dough. Grinning, I grabbed a plump dumpling with chopsticks, blew carefully, and fed it into the waiting mouth of my little sister. Her eyes widening, she vigorously nodded and held up five stubby fingers. I did a little happy dance in celebration and pulled my notebook out of my apron pocket. Duck-peppercorn-chestnut: five stars.

In my household, dumplings are a far cry from the classic pork and cabbage. Our menu boasts everything from the savory lamb-bamboo shoot-watercress to the sweet and crispy apple-cinnamon-date. A few years ago, my sister claimed she was sick of eating the same flavors over and over. Refusing to let her disavow our family staple, I took her complaint as a challenge to make the tastiest and most unconventional dumplings to satisfy her. With her as my taste tester and Mum in charge of dough, I spent months experimenting with dozens of odd ingredient combinations. 

During those days spent covered in flour, my dumplings often reminded me of myself—a hybrid of ingredients that don’t usually go together. I am the product of three distinct worlds: the suburbs of Boston, the rural Chinese village of [location removed], and the coastal city of [location removed]. At school, I am both the STEM nerd with lightning-fast mental math and the artistic plant mom obsessed with funky earrings. I love all that is elegant, from Chinese calligraphy to the rolling notes of the Gourd flute, yet I can be very not elegant, like when my sister and I make homemade slime. When I’m on the streets, marching for women’s rights and climate action, I’m loud, bellowing from the bottom of my gut. In the painting studio, though, I don’t speak unless spoken to, and hours can slip by like minutes. I’m loud and quiet. Elegant and messy. Nerdy and artistic. Suburban, rustic, and metropolitan.

While I’m full of odd combinations, they are only seemingly contradictory. Just as barbeque pork and pineapple can combine beautifully in a dumpling wrapper, different facets of my identity also converge. After my tenth-grade summer, when I spent six weeks studying design at art school and another three researching the brain at Harvard Med, I began asking myself: What if I mixed art and neuroscience together? That fall, I collaborated with my school’s art museum for an independent research project, exploring two questions: How are aesthetic experiences processed in the brain? And how can neuroscience help museums design exhibits that maximize visitor engagement? I combed through studies with results from tightly controlled experiments, and I spent days gathering my own qualitative data by observing museum visitors and asking them questions. With the help of my artistic skills, I could identify the visual and spatial elements of the exhibits that best held visitors’ attention. 

By synergizing two of the ingredients that make me who I am—art and neuroscience—I realized I shouldn’t see the different sides of myself as separate. I learned to instead seek the intersections between aspects of my identity. Since then, I have mixed art with activism to voice my opinions nonverbally, created Spotify playlists with both Chinese and western pop, and written flute compositions using music theory and math. In the future, by continuing to combine my interests, I want to find my niche in the world. I can make a positive impact on society without having to choose just one passion. As of now, my dream is to be a neuroscientist who designs art therapy treatments for mental health patients. Who knows though? Maybe my calling is to be a dim sum chef who teaches pottery on the side. I don’t know where I’ll go, but one thing’s for sure—being a standard pork and cabbage dumpling is definitely not my style.

This essay is outstanding because the student seems likable and authentic. With the first image of the student’s little sister vigorously nodding and holding up “five stubby fingers,” we find ourselves intrigued by the student’s daily life. They additionally show the importance of family, culture, and creativity in their life—these are great things to highlight in your essay!

After the introduction, the student uses their weird dumpling anecdote to transition to a discussion of their unique intersections. This is achieved smoothly because weirdness/uniqueness is the focus of both of these topics. Additionally, the comparison is not awkward because dumplings are used as more than just a transition, but rather are the through-line of the essay—the student weaves in little phrases like “Just as barbeque pork and pineapple can combine beautifully in a dumpling wrapper,” “By synergizing two of the ingredients that make me who I am,” and “being a standard pork and cabbage dumpling is definitely not my style.” This gives the essay its cohesive feel.

Authenticity comes through in this essay as the student recognizes that they don’t know what the future holds. They just know what kind of a person they are—a passionate one! 

One change that would improve this student’s essay would be focusing on fewer intersections in their third and last paragraph. The student mentions STEM, music, family activities, activism, and painting, which makes it feel like a distraction in middle of the essay. Focus on the most important things you want to show admissions officers—you can sit at intersections, but you can’t be interested in everything.

Prompt #7, Example #3

“Everyone follow me!” I smiled at five wide-eyed skaters before pushing off into a spiral. I glanced behind me hopefully, only to see my students standing frozen like statues, the fear in their eyes as clear as the ice they swayed on. “Come on!” I said encouragingly, but the only response I elicited was the slow shake of their heads. My first day as a Learn-to-Skate coach was not going as planned. 

But amid my frustration, I was struck by how much my students reminded me of myself as a young skater. At seven, I had been fascinated by Olympic performers who executed thrilling high jumps and dizzying spins with apparent ease, and I dreamed to one day do the same. My first few months on skates, however, sent these hopes crashing down: my attempts at slaloms and toe-loops were shadowed by a stubborn fear of falling, which even the helmet, elbow pads, and two pairs of mittens I had armed myself with couldn’t mitigate. Nonetheless, my coach remained unfailingly optimistic, motivating me through my worst spills and teaching me to find opportunities in failures. With his encouragement, I learned to push aside my fears and attack each jump with calm and confidence; it’s the hope that I can help others do the same that now inspires me to coach. 

I remember the day a frustrated staff member directed Oliver, a particularly hesitant young skater, toward me, hoping that my patience and steady encouragement might help him improve. Having stood in Oliver’s skates not much earlier myself, I completely empathized with his worries but also saw within him the potential to overcome his fears and succeed. 

To alleviate his anxiety, I held Oliver’s hand as we inched around the rink, cheering him on at every turn. I soon found though, that this only increased his fear of gliding on his own, so I changed my approach, making lessons as exciting as possible in hopes that he would catch the skating bug and take off. In the weeks that followed, we held relay races, played “freeze-skate” and “ice-potato”, and raced through obstacle courses; gradually, with each slip and subsequent success, his fear began to abate. I watched Oliver’s eyes widen in excitement with every skill he learned, and not long after, he earned his first skating badge. Together we celebrated this milestone, his ecstasy fueling my excitement and his pride mirroring my own. At that moment, I was both teacher and student, his progress instilling in me the importance of patience and a positive attitude. 

It’s been more than ten years since I bundled up and stepped onto the ice for the first time. Since then, my tolerance for the cold has remained stubbornly low, but the rest of me has certainly changed. In sharing my passion for skating, I have found a wonderful community of eager athletes, loving parents, and dedicated coaches from whom I have learned invaluable lessons and wisdom. My fellow staffers have been with me, both as friends and colleagues, and the relationships I’ve formed have given me far more poise, confidence, and appreciation for others. Likewise, my relationships with parents have given me an even greater gratitude for the role they play: no one goes to the rink without a parent behind the wheel! 

Since that first lesson, I have mentored dozens of children, and over the years, witnessed tentative steps transform into powerful glides and tears give way to delighted grins. What I have shared with my students has been among the greatest joys of my life, something I will cherish forever. It’s funny: when I began skating, what pushed me through the early morning practices was the prospect of winning an Olympic medal. Now, what excites me is the chance to work with my students, to help them grow, and to give back to the sport that has brought me so much happiness. 

A major strength of this essay comes in its narrative organization. When reading this first paragraph, we feel for the young skaters and understand their fear—skating sounds scary! Then, because the writer sets us up to feel this empathy, the transition to the second paragraph where the student describes their empathy for the young skaters is particularly powerful. It’s like we are all in it together! The student’s empathy for the young skaters also serves as an outstanding, seamless transition to the applicant discussing their personal journey with skating: “I was struck by how much my students reminded me of myself as a young skater.”

This essay positions the applicant as a grounded and caring individual. They are caring towards the young skaters—changing their teaching style to try to help the young skaters and feeling the young skaters’ emotions with them—but they are also appreciative to those who helped them as they reference their fellow staffers and parents. This shows great maturity—a favorable quality in the eyes of an admissions officer.

At the end of the essay, we know a lot about this student and are convinced that they would be a good addition to a college campus!

Prompt #7, Example #4

Flipping past dozens of colorful entries in my journal, I arrive at the final blank sheet. I press my pen lightly to the page, barely scratching its surface to create a series of loops stringing together into sentences. Emotions spill out, and with their release, I feel lightness in my chest. The stream of thoughts slows as I reach the bottom of the page, and I gently close the cover of the worn book: another journal finished.

I add the journal to the stack of eleven books on my nightstand. Struck by the bittersweet sensation of closing a chapter of my life, I grab the notebook at the bottom of the pile to reminisce.

“I want to make a flying mushen to fly in space and your in it” – October 2008

Pulling back the cover of my first Tinkerbell-themed diary, the prompt “My Hopes and Dreams” captures my attention. Though “machine” is misspelled in my scribbled response, I see the beginnings of my past obsession with outer space. At the age of five, I tore through novels about the solar system, experimented with rockets built from plastic straws, and rented Space Shuttle films from Blockbuster to satisfy my curiosities. While I chased down answers to questions as limitless as the universe, I fell in love with learning. Eight journals later, the same relentless curiosity brought me to an airplane descending on San Francisco Bay.

“I wish I had infinite sunsets” – July 2019

I reach for the charcoal notepad near the top of the pile and open to the first page: my flight to the Stanford Pre-Collegiate Summer Institutes. While I was excited to explore bioengineering, anxiety twisted in my stomach as I imagined my destination, unsure of whether I could overcome my shyness and connect with others.

With each new conversation, the sweat on my palms became less noticeable, and I met students from 23 different countries. Many of the moments where I challenged myself socially revolved around the third story deck of the Jerry house. A strange medley of English, Arabic, and Mandarin filled the summer air as my friends and I gathered there every evening, and dialogues at sunset soon became moments of bliss. In our conversations about cultural differences, the possibility of an afterlife, and the plausibility of far-fetched conspiracy theories, I learned to voice my opinion. As I was introduced to different viewpoints, these moments challenged my understanding of the world around me. In my final entries from California, I find excitement to learn from others and increased confidence, a tool that would later allow me to impact my community.

“The beauty in a tower of cans” – June 2020

Returning my gaze to the stack of journals, I stretch to take the floral-patterned book sitting on top. I flip through, eventually finding the beginnings of the organization I created during the outbreak of COVID-19. Since then, Door-to-Door Deliveries has woven its way through my entries and into reality, allowing me to aid high-risk populations through free grocery delivery.

With the confidence I gained the summer before, I took action when seeing others in need rather than letting my shyness hold me back. I reached out to local churches and senior centers to spread word of our services and interacted with customers through our website and social media pages. To further expand our impact, we held two food drives, and I mustered the courage to ask for donations door-to-door. In a tower of canned donations, I saw the value of reaching out to help others and realized my own potential to impact the world around me.

I delicately close the journal in my hands, smiling softly as the memories reappear, one after another. Reaching under my bed, I pull out a fresh notebook and open to its first sheet. I lightly press my pen to the page, “And so begins the next chapter…”

The structuring of this essay makes it easy and enjoyable to read. The student effectively organizes their various life experiences around their tower of journals, which centers the reader and makes the different stories easy to follow. Additionally, the student engages quotes from their journals—and unique formatting of the quotes—to signal that they are moving in time and show us which memory we should follow them to.

Thematically, the student uses the idea of shyness to connect the different memories they draw out of their journals. As the student describes their experiences overcoming shyness at the Stanford Pre-Collegiate Summer Institutes and Door-to-Door Deliveries, this essay can be read as an Overcoming Obstacles essay.

At the end of this essay, readers are fully convinced that this student is dedicated (they have committed to journaling every day), thoughtful (journaling is a thoughtful process and, in the essay, the student reflects thoughtfully on the past), and motivated (they flew across the country for a summer program and started a business). These are definitely qualities admissions officers are looking for in applicants!

Prompt #7, Example #5

“We’re ready for take-off!” 

The tires hit the tarmac and began to accelerate, and I just realized what I had signed up for. For 24 hours straight, I strapped myself into a broken-down SUV whereas others chose the luxury of soaring through the skies for a mere two hours. Especially with my motion sickness and driving anxiety, I would call myself crazy too.

To say I have always remained in my comfort zone is an understatement. Did I always order chicken fingers and fries at a restaurant? Yup! Sounds like me. Did I always create a color-coded itinerary just for a day trip? Guilty as charged. Did I always carry a first-aid kit at all times? Of course! I would make even an ambulance look unprepared. And yet here I was, choosing 1,000 miles of misery from Las Vegas to Seattle despite every bone in my body telling me not to.

The sunlight blinded my eyes and a wave of nausea swept over me. Was it too late to say I forgot my calculator? It was only ten minutes in, and I was certain that the trip was going to be a disaster. I simply hoped that our pre-drive prayer was not stuck in God’s voicemail box. 

All of a sudden, I noticed brightly colored rocks in the distance, ones I had been dying to see for years. Their fluorescence popped amongst the magnificent winding hills as the sunset became romantic in hue. The desert glistened with mirages of deep blue water unlike anything I had ever seen. Nevada was home, but home always seemed to be just desert and casinos. For once, I looked forward to endless desert outside my window rather than a sea of clouds.

I never realized how little I discovered of the world beyond home. For years I complained about how there was nothing to do or discover outside. Not once did I set out to prove myself wrong. Instead, I chose a daily routine of homework at the kitchen table and late-night TV. However, as summer vacation ended, I decided to set my stubbornness aside and finally give this drive back home a chance. Little did I know that it would turn out to be my favorite trip of all time. 

As we drove along, the world chose to prove me wrong when I discovered Heaven on Earth along Shasta Lake. I stood out of the sunroof, surrounded by lush green mountains and fog. I extended my arms out and felt a sense of flight that no plane could ever take me on. As the water vapor kissed my face, I floated into a dreamland I never wanted to leave. I didn’t have to go to great lengths to discover the beauty of the world; it was right in front of me.  From this moment on, comfort and convenience would no longer be my best friends. Rather than only looking for famous travel destinations or following carefully mapped-out routes, I would let curiosity lead the way. 

Since then, my daily life has been anything but routine. I’m proud to boast of my family’s homemade kombucha attempts, of flights purchased and taken in one day, and of a home flooded with knick-knacks from thrifting trips. Every day I set out to try something new, see a different perspective, and go beyond normal. Whether it is by trying a new recipe using taro, making a risky fashion choice with wide-legged pants, or listening to a new music genre in Spanish, I always act with curiosity first.

Over the years, I have devoted my time towards learning Swedish, building computers, and swimming. Although my accent is horrid, some computers almost broke, and even a starfish would outswim me, I continue to enjoy activities I once criticized. For me, there is no enjoyment without some risk. Nobody I know is a kazoo-playing, boogie-board loving, boba connoisseur like me.

This essay is an Overcoming Challenges story that centers around a single anecdote. The structure works nicely as the student describes what they were like before their road trip, what happened on the road trip, and what they were like after. 

The most major improvement that this essay needs is better-communicated authenticity. At the beginning, it feels a bit gimmicky. The student describes their preparedness, particularly the fact that they always carry a first aid kit, and it’s not super believable. Then, when they write “Was it too late to say I forgot my calculator?” it feels like we are in a sitcom and the student is that funny obsessive kid. Sitcom characters don’t feel real and you want to make yourself appear profoundly real.

On a similar note, the narrative arc of this essay isn’t entirely believable. The student describes a large personality and value shift but doesn’t describe any struggles that accompany the shift. A quick shift like that is far from easy. On the other hand, if the immediacy of the shift was easy, they could write about moments after their shift in mindset when they have felt troubled by residual desires to stay in their comfort zone, instead of writing “I always act with curiosity first.”

The greatest strength of this essay is the paragraphs beginning “I never realized how little…” and “As we drove along…” The fixation on comfort seems much more believable when it involves “homework at the kitchen table and late-night TV.” The descriptions of the drive provide beautiful, evocative imagery. And it’s topped off with some nice reflection! Digging into this great portion of the essay would make this an even stronger essay!

Want to see more examples? Check out this post with 16 strong essay examples from top schools , including common supplemental essay questions.

At selective schools, your essays account for around 25% of your admissions decision. That’s more than grades (20%) and test scores (15%), and almost as much as extracurriculars (30%). Why is this? Most students applying to top schools will have stellar academics and extracurriculars. Your essays are your chance to stand out and humanize your application.

That’s why it’s vital that your essays are engaging, and present you as someone who would enrich the campus community.

Before submitting your application, you should have someone else review your essays. It’s even better if that person doesn’t know you personally, as they can best tell whether your personality shines through your essay. 

That’s why we created our free Peer Essay Review tool , where you can get a free review of your essay from another student. You can also improve your own writing skills by reviewing other students’ essays. 

If you want a college admissions expert to review your essay, advisors on CollegeVine have helped students refine their writing and submit successful applications to top schools. Find the right advisor for you to improve your chances of getting into your dream school!

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Journal Topics for College Students

journal topics for college students

Writing down your thoughts, feelings, and goals is a great way to develop a better understanding of yourself. In fact, many mental health professionals recommend keeping a daily journal as a way to keep a record of what's on your mind, what you're feeling, and your overall progress to self-improvement.

In this article, we will take a closer look at some journal topics for college students.

Keeping a journal while in college can offer many benefits for students. It can help get thoughts and ideas out of your head and onto paper, allowing your mind to clear. When your mind is clear, you can sleep better, improve memory skills, and stay focused.

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Journaling is a great way for students to become self-aware. Meaning, you can learn from your journal writing. Through the words you put on paper, you can see if there are personal or academic areas in need of improvement.

Furthermore, journaling can help you relieve stress. It can also help you improve motivation, physical health, and mental health . You can let out a range of emotions while writing, from anger to joy, and it will be kept private.

Aside from these benefits, keeping a journal in college can boost your writing skills, giving you more confidence in the classroom and with assignments such as research papers.

Here are some inspiring journal topics for college students.

Write About What?

Once you decide writing in a journal is something you want to try, the next step is to figure out what to write about. Some students prefer to just start writing and let the words flow. This is called free-form writing. Other students want specific topics to guide them in their daily writing task.

Some students prefer their entire journal be focused on a single topic. For instance, some keep a gratitude journal, success journal, or prayer journal. Others prefer their journals to be motivational and include quotes and inspirational messages.

If you are someone who needs a different topic each day, then having a list of journal topics is a better fit. Writing on journal topics is structured and can help you stay focused in your writing, a good skill to have in all areas of college life.

If you struggle with choosing journal topics, keep reading. Below are many topic examples you can use. Each has advantages to help you improve personally and academically.

Describe Your Future Self

This journal topic for college students helps students think about where they want to be in five, ten or twenty years. It can help students focus on short-term and long-term goals to help get them where they want to be.

This topic can also help students take a good look at their current situation and begin to make changes as needed, to help them reach their long-term goals.

Who Do You Hang With (And How Do They Influence You)?

This journal topic for college students prompts them to evaluate their friendships and whether those relationships are positive or negative. Students may not even realize the people they hang around can be negatively influencing them.

Reflecting on friendships can help students determine which ones are beneficial and which ones are detrimental. They can then make choices to separate from the people in their lives that are negative influences.

Who Is A Good Role Model in Your Field of Study?

Most college students have picked a major and are taking courses that will lead them to a specific field of study, and to a specific career. This journal topic for college students will help them reflect on their industry and the leaders within it.

Students can discuss the characteristics and traits of their role model, and the factors that make them a good role model.

It may even encourage them to think about what type of influence they want to be once working in the field.

What is the Biggest Success You Have Had So Far?

This journal topic for college students is all about keeping it positive. Students are asked to focus on their biggest success story to date. Just remembering the experience can bring back feelings of pride and happiness.

It can also give students a well-deserved ego boost, encouraging confidence and motivation to continue reaching for success. It reminds them that success is within reach. They have done it before, they can do it again.

On A Scale of 1 to 10…

On a scale of 1 to 10, how stressed do you feel? On a scale of 1 to 10, how anxious do you feel? These are journal topics for college students that can help them assess their own mental health. It can also help them recognize they need to seek help from a counselor trained to treat mental health issues .

Too often, college students don’t realize they have mental health issues because they are too busy trying to survive. They are focused on completing assignments, studying for exams, working, socializing and everything else involved with college life.

They forget to be mindful of their own physical and mental needs . This journal topic reminds them of that.

Why Will You Succeed?

Asking a college student to write about why they will succeed helps them evaluate their own characteristics and traits that will lead to graduating from college, starting a career, and moving up in life. This journal topic for college students also helps them discover areas within their life that may need improvement.

This journal topic can serve as an affirmation that builds confidence and self-esteem. It can give them a reminder that they have many great qualities.  Today, finishing college can be challenged due to finances or personal reasons.

Writing about success can help motivate students to overcome these obstacles.

How Do You Have Fun?

Discovering how to have fun is one of the most important journal topics for college students. Finding time to play, laugh and be social has so many positive benefits to your physical and mental health.

Research has proven that laughter can reduce anxiety and help reduce depressive symptoms . It boosts serotonin and other happy chemicals in the brain and gut and improves your mood, your energy levels and even your physical health.

These were just a few examples of journal topics for college students – there is no limit to what you can write about as you go through your college experience.

Writing about having fun can remind students that college life is not all about their academic studies, that it is about having fun too.

Start your writing journal today using these topics. Start learning more about yourself. Get help to change areas of your life that need improvement so you can have the great college experience you deserve.

college essays about journaling

Greater Good Science Center • Magazine • In Action • In Education

How Journaling Can Help You in Hard Times

On April 1, I had been quarantining in my downtown apartment for two weeks, and it was starting to become clear that this coronavirus thing wasn’t going away anytime soon.

As I often do in tough times, I turned to journaling. I decided I’d keep a record of my quarantine life through the month of April, a way to remember this crazy historical moment and process my feelings.

Now it’s August, and my daily journal continues. I’ve left my building about two dozen times since I started journaling, so its contents aren’t all that exciting—tidbits of everyday life, news about social distancing rules and reopening stages, moments of worry and loneliness and cabin fever and gratitude.

college essays about journaling

I know I’m not the only one with a pandemic journal. In fact, hundreds of people have written journal entries on the Pandemic Project website , a resource created by psychology researchers that offers writing prompts to help people explore their experiences and emotions around COVID-19.

At a time when the days blend into each other, journaling is helping people separate one from the next and clear out the distressing thoughts invading our heads (and our dreams ). Research also suggests it might be helping our health and immune systems, the very things many of us are worried about.

Although there are some pitfalls to journaling—ways of doing it that might backfire—it’s one of those rare and valuable mental health tools that doesn’t require you to leave your house or even see another human being.

The power of opening up

People had been keeping diaries long before scientists thought to put them under microscopes. But in the past 30 years, hundreds of studies have uncovered the benefits of putting pen to paper with your deepest thoughts and feelings.

According to that research, journaling may help ease our distress when we’re struggling. In a 2006 study , nearly 100 young adults were asked to spend 15 minutes journaling or drawing about a stressful event, or writing about their plans for the day, twice during one week. The people who journaled saw the biggest reduction in symptoms like depression, anxiety, and hostility, particularly if they were very distressed to begin with. This was true even though 80 percent had seldom journaled about their feelings and only 61 percent were comfortable doing so.

Why do we avoid journaling?

For one, it isn’t always pleasant; I know that I sometimes have to force myself to sit down and do it. Cathartic is probably a better word. In fact, some research suggests that we can feel more anxious , sad, or guilty right after we write.

But in the long term, we can expect to cultivate a greater sense of meaning as well as better health. Various studies have found that people who do a bout of journaling have fewer doctor visits in the following half year, and reduced symptoms of chronic disease like asthma and arthritis.

Can your diary keep you healthy?

Other research finds that writing specifically boosts our immune system, good news when the source of so much stress today is an infectious virus.

One older study even found that journaling could make vaccines more effective. In the experiment, some medical students wrote for four days in a row about their thoughts and feelings around some of the most traumatic experiences of their lives, from divorce to grief to abuse, while others simply wrote down their daily events and plans. Then, everyone received the hepatitis B vaccine and two booster shots.

According to blood tests, the group who journaled about upsetting experiences had higher antibodies right before the last dose and two months later. While the other group had a perfectly healthy response to the vaccine, the authors write, journaling could make an important difference for people who are immune-compromised or for vaccines that don’t stimulate the immune system as well. 

“Expression of emotions concerning stressful or traumatic events can produce measurable effects on human immune responses,” write the University of Auckland’s Keith J. Petrie and his colleagues.

college essays about journaling

Greater Good’s Guide to Well-Being During Coronavirus

Practices, resources, and articles for individuals, parents, and educators facing COVID-19

Journaling could also boost our immune system once we’ve been infected with a virus. In another study , researchers recruited undergraduate students who tested positive for the virus that causes mononucleosis, which persists in the body after infection and has the potential to flare up. Three times weekly for 20 minutes, some wrote about a stressful event—like a breakup or a death—while others wrote about their possessions.

Based on blood samples taken before and after, writing about stress increased people’s antibodies—an indication that the immune system has more control over the latent virus in the body—compared to more mundane writing. It also seemed to help them gain a deeper understanding of their stress and see more positives to it.

Why journaling works

What’s the secret to the humble diary? It turns out journaling works on two different levels, having to do with both our feelings and our thoughts.

First, it’s a way of disclosing emotions rather than stuffing them down, which is known to be harmful for our health. So many of us have secret pain or shame that we haven’t shared with others, swarming around our brains in images and emotions. Through writing, our pain gets translated into black-and-white words that exist outside of ourselves. 

“I’m able to organize thoughts and feelings on paper so they no longer take up room in my head,” says Allison Quatrini, an assistant professor at Eckerd College who has been journaling for years and started a COVID-19 journal in April. “If I get them out on the page and clear the mental decks, it sets up the rest of the day to not only be more productive but be more relaxed.”

On the thinking level, writing forces us to organize our experiences into a sequence, giving us a chance to examine cause and effect and form a coherent story. Through this process, we can also gain some distance from our experiences and begin to understand them in new ways, stumbling upon insights about ourselves and the world. While trauma can upset our beliefs about how life works, processing trauma through writing seems to give us a sense of control.

“Journaling is a tool to put our experiences, thoughts, beliefs, and desires into language, and in doing so it helps us understand and grow and make sense of them,” says Joshua Smyth, a distinguished professor of biobehavioral health and medicine at Penn State University, who coauthored the book Opening Up by Writing It Down with pioneering journaling researcher James Pennebaker.

How to start a journaling practice

While you can journal in many different ways, one of the most well-studied techniques is called Expressive Writing . To do this, you write continuously for 20 minutes about your deepest thoughts and emotions around an issue in your life. You can explore how it has affected you, or how it relates to your childhood or your parents, your relationships or your career.

Expressive Writing is traditionally done four days in a row, but there isn’t anything magical about this formula. Studies suggest you can journal a few days in a row, a couple times a week, or just once a week; you can write for 10 or 15 or 20 minutes; and you can keep journaling about the same topic or switch to different ones each time.

college essays about journaling

Expressive Writing

A simple, effective way to work through an emotional challenge

For example, the Pandemic Project offers several prompts to inspire your writing. You can write a basic entry about your general thoughts and feelings around COVID-19, or dig into more specific topics like the following:

  • Social life: How is your social world changing, how does that make you feel, and how are you handling it?
  • Work and money: How do you feel about your financial situation, and how has your job changed?
  • Uncertainty: Where is your anxiety and sense of uncertainty coming from, and how can you cope with it?

“Many people often start writing about COVID-19 and then begin writing about other topics that are bothering them more than they thought,” notes the Pandemic Project website, which was created by Pennebaker and his research team. “This is what expressive writing is good for. Use it to try to understand those problems that are getting under your skin.”

In my journal, I’ve found myself exploring the issue of control . My constant instinct is to organize and plan out life, but that’s been impossible in the midst of a massive, unpredictable crisis. Journaling also let me ponder the lessons I want to take away from this experience around flexibility, acceptance, and letting go.

The do’s and don’ts of a diary

A 2002 study does suggest that journalers should beware of rehashing the same difficult feelings over and over in writing.

In the experiment, over 120 college students journaled about a stressful or traumatic event they were experiencing, like troubles at school, conflicts with their partner, or a death in the family. They were instructed to write for at least 10 minutes, twice a week, over the course of a month. Some students wrote about their deepest thoughts and feelings—including how they try to make sense of the stress and what they tell themselves to cope with it—while others wrote about their feelings only.

During the month, the group who wrote about feelings and thoughts experienced more growth from the trauma: better relationships with others and a greater sense of strength, appreciation for life, and new possibilities for the future. They seemed to be more aware of the silver linings of the experience, while the group who focused on emotions expressed more negative emotions over time and even got sick more often that month.

The point here is that the most effective journaling moves from emotions to thoughts over time. We start expressing our feelings, allowing ourselves to name them; after all, jumping to thoughts too quickly could mean we’re over-analyzing or avoiding. But eventually, we do start to make observations, notice patterns, or set goals for the future.

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This has been the case for Allison Quatrini, who usually writes for a half hour in the morning about whatever’s going through her mind—from the losses she’s experiencing during the pandemic to her work or romantic relationship. It allows her to put into words how much her life has been disrupted, normalize the range of emotions she’s been feeling, and brainstorm ways forward.

“It helps me make sense of the way that I’m feeling right now,” she says. “Why do I feel not very motivated, why do I feel bored, why do I feel sad? It’s also useful in admitting to myself what is going on [and] why it’s been very challenging to deal with this.”

In addition to writing, you might also consider adding drawings to your journal. In a 2003 study , people either journaled, made drawings, or journaled and drew about a negative experience from the past that still upset them, like relationship troubles or loss. According to surveys before and after, the group who wrote and drew saw the biggest improvements in their mood after three weekly, 20-minute sessions. Drawing without writing actually made people’s moods worse, though. The researchers speculate it may have dredged up difficult feelings without offering a way to process them.

If writing is challenging, speaking your feelings aloud may work just as well. In that mono study, there was another group of students who recorded themselves talking about their stress. This group ended up showing the strongest immune responses to the dormant virus in their bodies. They also seemed to be doing the best psychologically, gaining insight and a positive perspective on their stress, improving in self-esteem, and engaging in healthier coping strategies. The researchers suspect that talking—even to a voice recorder—may feel similar to sharing our feelings with a loved one.

Freedom of expression

Sharing with a trusted confidant might seem even better than writing down feelings, as it serves a similar purpose and offers us warmth and validation that a piece of paper can’t provide. And that’s probably true, write Pennebaker and Smyth in Opening Up by Writing It Down .

One study , for example, found that people who talked to a therapist for four short daily sessions showed more positive emotion and less negative emotion. They gained understanding and perspective, and they made healthy behavior changes similar to people who journaled.

Therapy also seemed to be less unpleasant than writing. In fact, when Pennebaker originally envisioned journaling as a mental health exercise, he was inspired by the benefits of therapy—but mindful that not everyone has the means or the inclination to talk to a professional about their problems.

Of course, confessing to friends or partners isn’t without its complications. Sometimes our loved ones are overloaded by their own stresses, or they can’t offer the right kind of support—and may even make us feel worse. Other times, our secrets feel too vulnerable to speak out loud.

No matter what, if we’re talking to another human, our brains will be doing a constant calculation about what to say or not say, how they might react, and how we will be perceived, says Smyth. Confiding on paper can be a valuable alternative and a way to express ourselves with absolute freedom. Journaling lets us process secrets before we reveal them to others.

For Quatrini, who researches and teaches about China, the stress of the pandemic has an extra layer: With the disruption to U.S.-China relations and travel, she’s concerned about the future of her research. The immensity of that loss and uncertainty—and how it was affecting her day-to-day feelings and relationships—only became clear to her when she wrote about it.

“My entire life has been turned upside down and I don’t know if it will ever right itself,” she says. “Without the journal, I think I would not have figured that out.”

About the Author

Headshot of Kira M. Newman

Kira M. Newman

Kira M. Newman is the managing editor of Greater Good . Her work has been published in outlets including the Washington Post , Mindful magazine, Social Media Monthly , and Tech.co, and she is the co-editor of The Gratitude Project . Follow her on Twitter!

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college essays about journaling

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college essays about journaling

How to Journal Through Your Struggles

college essays about journaling

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/r/Journaling is a subreddit dedicated to those who keep a written Journal. Share photos of what you write, ask questions, and find inspiration here with like minded people. Whatever you need we're a happy bunch, ready to grab a cup of coffee and write! — Use an app? Check out r/digitaljournaling. Want to use Reddit as a journal? Check out r/DiaryofaRedditor. Make collages? Check out r/JournalingIsArt.

Essay about Journaling: Thoughts?

I've been working on this essay about journal writing for a short while. I'm wondering if any of it resonates with any of you:

Introduction

From 06.06.09: Recently, I’ve felt as if my journal writing has become stale. To combat this feeling I’ve been rereading my old journal entries and decided to try a quantitative analysis of my Plum Blossom journal. Besides discovering that my average entry was 2.26 pages and covered 1.59 topics I didn’t learn much more from the numbers. However, reading so many old entries gave me some ideas about what makes a good entry and what makes a bad one. My hope is that through this extended meditation I can improve my journaling practice.

I have kept a journal since middle school. The practice has brought me much joy over the years, but I've also struggled with the feeling that it is self-indulgent. What follows are my loosely held beliefs about keeping a journal.

Types of Journals

I prefer soft cover journals between 5.5" x 8" and 7" x 10". I like ones this size because they are easy to carry around. I don't work well with thick journals because my heavy hand struggles with the gutter, so I look for lay flat varieties or thin cashiers.

My Field Notes notebooks constitute a sort of journal. I got into this format because of the diminutive size and the unlined pages felt like an exploration. The utilitarian font and cardboard brown covers make the Field Notes notebooks feel like something Kerouac would have used in the 1950’s.

I filled a standard issue unlined notebook on my cross country trip in 2010. The "pertinent coordinates" still excite my imagination: Brooklyn, Chicago, Madison (briefly), the Badlands, Yellowstone, Bozeman, Glacier, Portland, the Redwood Forest, LA, return. I closed out the notebook on the plane ride back: “07-18-2010 / 30,000 ft”.

Electronic journals make it easier to incorporate pictures and links to past entries. I've used MS Word, Google Docs, and Evernote but for the last two years I've been using an app called Day One . I started to keep an electronic journal because I wanted a place to store my writing that I knew I couldn't destroy.

Journal Burning

I've kept a journal since middle school, but until recently I used to burn them every few years. It felt self-indulgent to keep my old journals around. So I would just tossed them into the fireplace.

I decided to try and stop the journal burning habit when I got back from my grand tour of South America because I thought some of my entries were fantastic and they might come in handy one day when I was ready to write my travel book. But a few years later, when I reread them, I realized that for every grand entry about Mendoza or Patagonia there were at least half a dozen about whatever pedestrian concerns were occupying my mind at the time. I was angry at myself for those wasted opportunities and the old habit exerted itself.

Sometimes, when I don't have access to a fireplace, I will drop a bad journal into the mail addressed to no one. That's how it went with the White Whale journal. Filled with such ugly things.

Sometimes I regret destroying all of that writing. I wonder what I wrote in all of those old journals. One entry from the Plum Blossom journal titled: 05.25.09 "Deep Reflection about Video" still haunts me.

But the fact that I felt so strongly compelled to destroy my old journals is also proof to me of the power of journaling.

The Purpose of Keeping a Journal

There are lots of good reasons to keep a journal. The most important is that it is the first step to making your dreams reality. There is a quote that I love and I apply to my practice:

"The discipline of writing something down is the first step toward making it happen." -- Lee Iacocca

A journal is also a daily notebook you keep in order to learn something about yourself. Sometimes I'll write about a difficult situation and then work my way through all of my thoughts and feelings until I arrive at a resolution. The technical term for this process of describing a situation and your reactions to it is Cognitive Journaling .

Since becoming a father I've come to see my journal as a place to record good memories. The process of writing about these moments makes me appreciate being present with my friends and family. I once heard it described as, "being alive twice."

Finally there is a simple joy of writing with a good pen on a nice piece of paper. Sometimes the flow of writing feels meditative, like Kerouac's "first thought, best thought." I'm not a dancer, but I imagine it's what dancing must feel like.

"You don't like to write, you like to collect your own handwriting." -- Tré Smith

My Specific Journals

I call my collection of original unedited journals the Continuum . These are my hand written journals, photographs of my handwritten journals that I use for archiving, and original digital entries in MS Word, Google Docs, or Evernote.

I call my edited entries the Retcon . Anything from my journals that I share is also considered Retcon; like my Luso-American Fellowship writing submission. Everything in Day One app is also Retcon because I rewrite these entries constantly.

The ethics of rewriting journal entries is a topic beyond the scope of this mediation. But in general I don't have a problem with this practice, because I see editing as a sign of respect for the reader. This idea was solidified for me when I learned that Che Guevara edited his journals before publishing The Motorcycle Diaries .

The evolving nature of my entries in the Day One app has made me curious about how they change over time. This has sparked my interest in Github. I can see the journal of the future incorporating elements of branching and commenting.

My most vexing journal is my work journal. It doesn't have any fancy name, it's just The Work Journal . I try to separate my work writing because I like to dip into my work journal for inspiration. Many of my blog posts started their life as work journal entries.

When I get an idea for my blog I often think that I have an old journal entry on that very topic. “It will be a quick copy & paste job,” I tell myself. Then I realize that it is only a fragment of what I need for a post and I feel frustrated because it’s not as easy as I thought. This demonstrates an unhelpful vision of the journal writing practice. A journal can be the place where ideas are born or developed, but it is not a place for the writing to be lifted from wholesale.

Whenever I travel I like to create a special journal just for that trip. Since I have burned all of the journals I kept during my Grand Tours (South America, Europe, Cross-Country) I often imagine a project where I recreate them from whatever pictures and documentation I have.

Feelings While Writing

I journal as often as I feel is right. Like the Zen master who sleeps when he's tired and eats when he's hungry. Sometimes that means I'll write in my journal two or three times a day, other times there will be large gaps between entries.

I don't beat myself up when there are large gaps of time between entries, but I feel the absence of my practice. I've also noticed that there is usually an inverse relationship between how often I write in my journal and how much is going on in my life. If I could be more aware of the times I feel rushed and don't journal, it would do me a lot of good to remember that the practice is something that helps me slow down, like meditation.

"When you can't write, you feel you've been banished from yourself." -- Jez Butterworth

There is a flow between entries over time. An individual entry may not stand tall, but together they give each other purpose. Some topics, like the "social actor" or the "sustainable lifestyle" have been developed over months or years, a testimony of a long evolving conversation with myself.

Sometimes I have difficulty starting a new journal, especially a beautiful one like a Leuchtturm. Those notebooks are so beautiful and I want my writing to be equally beautiful in form (i.e. neat handwriting and no scribbles) and content (i.e. having something poetic to say). I know that logically this is the antithesis of the journal as the first draft of expressing your feelings.

The unlined pages of a beautiful journal have so much potential. Ideas that can’t be contained to lined page can find a happy home here. But the limitless potential also hides many traps for a pen lover with messy handwriting like me. Blocks of text would find a happier home elsewhere.

Keeping a Journal is a practice. Like exercise or meditation it is never done. This essay serves as my advice on why you should keep a journal. I hope it helps guide your practice. This essay is also a reminder to myself of my intentions for keeping a journal.

Leaving a Legacy

Keeping a journal serves one last purpose: leaving a legacy behind. I struggle with this thought because most people just want to register their protest and I want my journals to be more than sound and fury. Maybe that's all there is.

“After the writer’s death, reading his journal is like receiving a long letter.” -- Jean Cocteau

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Journaling for Students: 6 Reasons It’s Worth the Effort

By Jeri Retzlaff on 06/03/2024

A student on a picnic blanket in the woods considers what to write

It’s no secret that college can be overwhelming. As a student, you might feel stress from an array of challenges, both in and out of the classroom. While there are plenty of good ways to help reduce your stress, journal writing can do more for your success beyond that.

Yes, you probably don’t have time for one more assignment, but think of this as a practice that will ultimately reduce your workload. It's like doing a little cleaning, every day, out of habit—instead of leaving things messy and dealing with the mess only when it gets out of hand.

The benefits of journaling can give you a competitive edge and increase productivity on classwork through better retention and understanding of new material. Ultimately, journal writing helps you become a stronger student.

How? Find out below, and get past that daunting first blank page.

Why is journaling a success tool for college students?

What do Leonardo da Vinci, Marie Curie, Bill Gates and Barack Obama have in common? Incredible success, yes. Also, they were known to keep a regular journal.

College students can use classroom journaling to collect information, process information, express emotions and jot down reminders. As a student, your brain and body need rest—journaling can be a helpful bridge to that state of recharging.

There is no prescribed or best format for journaling. You don't have to do it in any specific way. Your journaling process is about your goals and how you like to operate. A journal allows you to recognize your responses to everything from relationship difficulties to course material and understand them better.

What are the benefits of journaling?

Writing in a journal allows students to explore ideas. The practice will also bring overall mental health benefits such as...

1. Stress Relief

Journals help identify negative thoughts and organize your reactions and feelings; this helps ease anxiety and lets the mind rest.

2. Sharpened memory

A break in academic learning refreshes one’s mind and helps memory recall. Further, journaling encourages the processing of knowledge, improving problem-solving skills.

3. Increased self-awareness

By capturing thoughts and reactions to experiences or readings, you can find patterns in your thinking and behavior. Your journal writing reveals where ideas and even anxieties originate.

4. Improved self-confidence

Journaling about emotions can identify your strengths and recognize when you handled a situation well. This equips you to tackle similar events with more certainty.

5. Critical thinking skills

Students learn by applying classroom learning to real life. Journaling for students brings a stronger sense of how to process new ideas.

6. Writing skills

Consistent journaling benefits students through improved sentence structure, communication skills, and the ability to organize thoughts.

As you can see, the benefits of journaling go beyond a momentary relief from stress.

3 Types of journaling I recommend for college students

There are well over a dozen different journal forms, and while they all have their benefits, we’ll focus on three that are most applicable to college students.

1. Reflective journaling

This journal type is considered the classic style. Students can use reflective journals to examine their reactions to learning-related events.

You can reflect on a specific reading, ex: That perspective really rattled me, and I'm not sure why.

You could write about a project or assignment, ex: This seems so complicated. I don't know if I should break it into smaller pieces or reach out to someone for help.

You could reflect on a lecture, ex: Wow, people were really talkative when this topic came up, I wonder if...

Additionally, looking at how an event or idea impacts your career plans will build a stronger connection to that information. Plus, the increased relevance makes it more interesting and easier to recall.

Exploring concepts from classes and how they can transfer into your career strengthens the value of your academic journey.

There is no specific structure or format for reflective journaling. Choose short statements, long paragraphs, or even drawings to express yourself.

2. Gratitude journaling

You have probably heard about gratitude journals before. But if you haven't tried it yet, don't underestimate its power for your state of mind.

A standard method is to write about five things you are thankful for daily. You might explore whatever comes to mind, keeping an attitude of appreciation and thankfulness. Sometimes, being very specific helps. I'm thankful for the lilac bush I smell on my way to the coffee shop . Training your mind to recognize moments of joy will help those moments occur more often.

How does that work? Being grateful allows us to focus on positive things in life. A daily practice of gratitude lets you notice the progress in your life and builds positive self-talk. Appreciating opportunities can spur energy to address anxiety and improve mental health.

Writing in a gratitude journal can be bullet points or long lingering paragraphs.

3. Bullet journaling

Bullet journals are more similar to traditional diaries than other types of journals. Instead of starting with a blank page, a bullet journal begins with categories. Typically, it includes a place to write down your task list, school calendar, and short- and long-term goals.

As with all journaling, there are no rules. You can have any type of category you want here. As the name indicates, using short, bulleted thoughts is encouraged, but longer sections may be more useful at times.

The focus of bullet journaling for students is to boost productivity in daily life. A bullet journal can track assignment due dates, work schedules, budgets, and other mundane items.

You can also log sleep, moods, exercise, nutrition, and moments of gratitude in a bullet journal. Giving a specific place to talk about these personal areas can pull the information out of you consistently. If you have a creative streak, you could also have sections for songs you want to listen to, colors you are noticing, design plans for a garden, or great names for characters in a novel—there is no limit.

Over time, a bullet journal can also help to identify patterns. You might notice how a phone call to a family or friend energized you. Gleaning this data can help you tweak your activities and improve daily habits.

Unlike reflective and gratitude journals, bullet journals need some preparation to get started writing. Determining your topics can take time to develop and find what works for you, but don’t let that deter you.

The value of a bullet journal is in how it can encourage students to explore a variety of items. Since everything is listed or organized together, it also limits the inclination to ignore challenging areas.

How to get started writing in a journal

So, are you ready to begin? What do you need to get started on journaling? Consider these aspects of journal writing.

Choose between physical or digital formats

Journals can be handwritten or electronic. The benefits of journaling can be found in either method, so it's all down to your personal choice.

A digital method may fit better with a school schedule and allow time to jot down thoughts even in the classroom.

A physical notebook can give a creative feel to the expressions you want to share. It can help strengthen writing skills, and the physical act of writing can be soothing and reduce stress.

Either option can help with communication skills. Choose what will help you to feel confident and start journaling.

Choose your tools

To be clear, the only items needed to make a journal are pen and paper. But... What’s the fun in that?

Colored pens/pencils break up the monotony. They're a very affordable way to make things more appealing. You can find an array of interesting blank journals in stores or online. Stickers. Fancier pens. Go nuts.

Several apps are available in a range of prices. You can research apps to find which will provide the strongest benefits of journaling or which feel most intuitive to you.

Whatever you choose, consider what helps you create more confidence and progress in achieving goals.

Be careful not to get so caught up in the shopping that you delay getting started.

Choose a time

Sure, daily journaling is the target, but any level will benefit you. Select a time of day and set it aside for yourself. It might be first thing in the morning, before coffee. Or perhaps at the end of the day, instead of—gasp—screen time.

Build a daily habit. Start for a small chunk of time to write a brief journal entry.

Allow yourself grace if you miss an entry, but work to keep to your schedule. Consistency matters more than length.

Choose journal prompts

While bullet and gratitude journaling have some built-in writing prompts, the reflective style might sometimes leave you feeling stuck. Consider starting with a gratitude entry that day. Or simply begin with a summary of the day and let the reflective practice take over.

Adjust as you go

Over time, you might want to move from digital to paper, from reflective to bullet style, from writing at lunchtime to bedtime. Do what works for you, choosing where, when, and how you get the most out of it.

When you start to skip a habit, it’s a signal that you should adjust something. Make a change rather than quitting your journaling activities. The benefits of journaling come from the consistency of it.

Sustainable ways to take care of your mind

College students have a lot going on in their lives and in their minds. Journaling brings an outlet to process what often stays buried under the flow of information.

From time to time, go back and reread an entry. By rereading your journal entries, you can propel yourself to continue writing.

Don't even think about being perfect in your journal writing. No one is going to see this. Just. Start.

Today, tell yourself to write two thoughts. Let that simple journal entry be your accomplishment. Maybe tomorrow, you’ll aim for three. It’s never too late to start journaling. And it’s never too early to begin.

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About the author

Jeri Retzlaff

Jeri Retzlaff is a professor with the School of Business at Rasmussen University. Using her experience as a marketing manager and working for manufacturing companies, she teaches on the topics of management, diversity and inclusion, marketing, and just about anything her students want to discuss.

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How a Summer Journal Could be Your Ticket into College

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Now, that journal  full of precious childhood memories is probably forgotten at the bottom of your sock drawer or decomposing in a landfill somewhere. Let’s face it – what was important when you were five probably isn’t as important to you anymore. However, now that you’re starting your adult life, you’re probably having richer experiences than ever before. So, we suggest pulling that old, dusty notebook out, or picking up a new, fresh one and starting a summer journal! Not only will this help you to preserve all of the summer memories you make, but it will also make you a better writer and, oh yeah, help you with your college essay too! We’ve broken down the two most significant ways that keeping a summer journal is the key to mastering your college essay and landing you a spot at your dream school.

Keeping a summer journal can help you improve your personal storytelling.

Like all good writing, personal journal writing tells a story. Try to embellish on all of the details that you encounter and show don’t tell . Instead of saying “the beach was nice” say “the golden sun’s light glimmered off of the white sand as my toes sunk deeper into its warmth.” Can’t you just feel the sun beaming down on you? Can’t you just imagine the feel of the warm soft sand between the toes of your bare feet? Capturing the concrete details of your experiences will help you remember them better, and will also put your readers into the action. Use all of your five senses. Don’t say “the beach was windy,” say “the cool breeze kissed my skin and danced through my long hair.” Readers will know the exact way the wind felt against your skin and can imagine the sight of your hair moving through the wind. Illustrating your personal stories is exactly what you want to do when writing your college essay. Your journal is the perfect place to practice and perfect this skill.

You can use the experiences you write about in your journal as college essay topics.

If you’re like most seventeen year olds, then you probably haven’t had a million life changing experiences. If you have, that’s great! Maybe you know exactly what you’re going to write about in your college essay. In that case, you’re very lucky. However, the rest of us may not be able to think of the perfect topic off the bat. But when you look back at what you wrote down over the summer, you may find gold between the pages. Maybe you took a vacation with your family and unexpectedly befriended someone from a different country that told you all sorts of stories. Or perhaps you spent the summer perfecting your artwork and finally mastered the proportions of the human face. Either way, you may be able to write about how these experiences shaped you and changed you as a person in your college essay.

Don’t ever forget that you’re an exciting person! Everyone has something in their lives that can be translated into a winning college essay. Sometimes, it just takes a little digging. By keeping a summer journal, the digging is among the pages and in your own words. And if you happen to master the art of storytelling along the way, then that wouldn’t be so bad. Good luck and happy summer journaling!

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Tags: accepted , admissions help , College , college admissions , college essay , college essay advisors , college essay help , college essay ideas , college help , essay , essay tips , essay writing , journal , summer , summer journal

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College Essay Journal: A Mindful Manual for College Applications

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College Essay Journal: A Mindful Manual for College Applications Paperback – April 12, 2022

Amazon Best Seller in College Guides and Study Skills From college admissions and advising experts, Corinne Smith and Ann Merrell, comes a Mindful Manual ™ to help you navigate the college essay.

Thinking about your future and what you will accomplish in college and beyond is an exciting and thrilling endeavor. Yet, when it comes to college applications, often the most daunting task lies in writing the essays. With all the twists and turns of the college admissions process, writing your story should not be the most overwhelming and intimidating part of the journey.

Equipped with the College Essay Journal , you will become better prepared, focused, and organized as you begin applying to various colleges and universities. Infused with multiple positive and mindful techniques, the College Essay Journal helps you:

  • Gather application content and brainstorm essay topics that are important to you
  • Build the foundation of your essays by encouraging you to examine and share aspects of your identity, values, and goals through guided prompts
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  • Print length 264 pages
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college essays about journaling

The Writing Center • University of North Carolina at Chapel Hill

College Writing

What this handout is about.

This handout will help you figure out what your college instructors expect when they give you a writing assignment. It will tell you how and why to move beyond the five-paragraph essays you learned to write in high school and start writing essays that are more analytical and more flexible.

What is a five-paragraph essay?

High school students are often taught to write essays using some variation of the five-paragraph model. A five-paragraph essay is hourglass-shaped: it begins with something general, narrows down in the middle to discuss specifics, and then branches out to more general comments at the end. In a classic five-paragraph essay, the first paragraph starts with a general statement and ends with a thesis statement containing three “points”; each body paragraph discusses one of those “points” in turn; and the final paragraph sums up what the student has written.

Why do high schools teach the five-paragraph model?

The five-paragraph model is a good way to learn how to write an academic essay. It’s a simplified version of academic writing that requires you to state an idea and support it with evidence. Setting a limit of five paragraphs narrows your options and forces you to master the basics of organization. Furthermore—and for many high school teachers, this is the crucial issue—many mandatory end-of-grade writing tests and college admissions exams like the SAT II writing test reward writers who follow the five-paragraph essay format.

Writing a five-paragraph essay is like riding a bicycle with training wheels; it’s a device that helps you learn. That doesn’t mean you should use it forever. Once you can write well without it, you can cast it off and never look back.

Why don’t five-paragraph essays work well for college writing?

The way college instructors teach is probably different from what you experienced in high school, and so is what they expect from you.

While high school courses tend to focus on the who, what, when, and where of the things you study—”just the facts”—college courses ask you to think about the how and the why. You can do very well in high school by studying hard and memorizing a lot of facts. Although college instructors still expect you to know the facts, they really care about how you analyze and interpret those facts and why you think those facts matter. Once you know what college instructors are looking for, you can see some of the reasons why five-paragraph essays don’t work so well for college writing:

  • Five-paragraph essays often do a poor job of setting up a framework, or context, that helps the reader understand what the author is trying to say. Students learn in high school that their introduction should begin with something general. College instructors call these “dawn of time” introductions. For example, a student asked to discuss the causes of the Hundred Years War might begin, “Since the dawn of time, humankind has been plagued by war.” In a college course, the student would fare better with a more concrete sentence directly related to what he or she is going to say in the rest of the paper—for example, a sentence such as “In the early 14th century, a civil war broke out in Flanders that would soon threaten Western Europe’s balance of power.” If you are accustomed to writing vague opening lines and need them to get started, go ahead and write them, but delete them before you turn in the final draft. For more on this subject, see our handout on introductions .
  • Five-paragraph essays often lack an argument. Because college courses focus on analyzing and interpreting rather than on memorizing, college instructors expect writers not only to know the facts but also to make an argument about the facts. The best five-paragraph essays may do this. However, the typical five-paragraph essay has a “listing” thesis, for example, “I will show how the Romans lost their empire in Britain and Gaul by examining military technology, religion, and politics,” rather than an argumentative one, for example, “The Romans lost their empire in Britain and Gaul because their opponents’ military technology caught up with their own at the same time as religious upheaval and political conflict were weakening the sense of common purpose on the home front.” For more on this subject, see our handout on argument .
  • Five-paragraph essays are often repetitive. Writers who follow the five-paragraph model tend to repeat sentences or phrases from the introduction in topic sentences for paragraphs, rather than writing topic sentences that tie their three “points” together into a coherent argument. Repetitive writing doesn’t help to move an argument along, and it’s no fun to read.
  • Five-paragraph essays often lack “flow.” Five-paragraph essays often don’t make smooth transitions from one thought to the next. The “listing” thesis statement encourages writers to treat each paragraph and its main idea as a separate entity, rather than to draw connections between paragraphs and ideas in order to develop an argument.
  • Five-paragraph essays often have weak conclusions that merely summarize what’s gone before and don’t say anything new or interesting. In our handout on conclusions , we call these “that’s my story and I’m sticking to it” conclusions: they do nothing to engage readers and make them glad they read the essay. Most of us can remember an introduction and three body paragraphs without a repetitive summary at the end to help us out.
  • Five-paragraph essays don’t have any counterpart in the real world. Read your favorite newspaper or magazine; look through the readings your professors assign you; listen to political speeches or sermons. Can you find anything that looks or sounds like a five-paragraph essay? One of the important skills that college can teach you, above and beyond the subject matter of any particular course, is how to communicate persuasively in any situation that comes your way. The five-paragraph essay is too rigid and simplified to fit most real-world situations.
  • Perhaps most important of all: in a five-paragraph essay, form controls content, when it should be the other way around. Students begin with a plan for organization, and they force their ideas to fit it. Along the way, their perfectly good ideas get mangled or lost.

How do I break out of writing five-paragraph essays?

Let’s take an example based on our handout on thesis statements . Suppose you’re taking a course on contemporary communication, and the professor asks you to write a paper on this topic:

Discuss the impact of social media on public awareness.

Thanks to your familiarity with the five paragraph essay structure and with the themes of your course, you are able to quickly write an introductory paragraph:

Social media allows the sharing of information through online networks among social connections. Everyone uses social media in our modern world for a variety of purposes: to learn about the news, keep up with friends, and even network for jobs. Social media cannot help but affect public awareness. In this essay, I will discuss the impact of social media on public awareness of political campaigns, public health initiatives, and current events.

Now you have something on paper. But you realize that this introduction sticks too close to the five-paragraph essay structure. The introduction starts too broadly by taking a step back and defining social media in general terms. Then it moves on to restate the prompt without quite addressing it: while it’s reasserted that there is an impact, the impact is not actually discussed. And the final sentence, instead of presenting an argument, only lists topics in sequence. You are prepared to write a paragraph on political campaigns, a paragraph on public health initiatives, and a paragraph on current events, but you aren’t sure what your point will be.

So you start again. Instead of trying to come up with something to say about each of three points, you brainstorm until you come up with a main argument, or thesis, about the impact of social media on public awareness. You think about how easy it is to share information on social media, as well as about how difficult it can be to discern more from less reliable information. As you brainstorm the effects of social media on public awareness in connection to political campaigns specifically, you realize you have enough to say about this topic without discussing two additional topics. You draft your thesis statement:

Because not every voice on social media is reliable, people have become much more critical consumers of information, and thus, more informed voters.

Next you think about your argument’s parts and how they fit together. You read the Writing Center’s handout on organization . You decide that you’ll begin by addressing the counterargument that misinformation on social media has led to a less informed public. Addressing the counterargument point-by-point helps you articulate your evidence. You find it ends up taking more than one paragraph to discuss the strategies people use to compare and evaluate information as well as the evidence that people end up more informed as a result.

You notice that you now have four body paragraphs. You might have had three or two or seven; what’s important is that you allowed your argument to determine how many paragraphs would be needed and how they should fit together. Furthermore, your body paragraphs don’t each discuss separate topics, like “political campaigns” and “public health.” Instead they support different points in your argument. This is also a good moment to return to your introduction and revise it to focus more narrowly on introducing the argument presented in the body paragraphs in your paper.

Finally, after sketching your outline and writing your paper, you turn to writing a conclusion. From the Writing Center handout on conclusions , you learn that a “that’s my story and I’m sticking to it” conclusion doesn’t move your ideas forward. Applying the strategies you find in the handout, you may decide that you can use your conclusion to explain why the paper you’ve just written really matters.

Is it ever OK to write a five-paragraph essay?

Yes. Have you ever found yourself in a situation where somebody expects you to make sense of a large body of information on the spot and write a well-organized, persuasive essay—in fifty minutes or less? Sounds like an essay exam situation, right? When time is short and the pressure is on, falling back on the good old five-paragraph essay can save you time and give you confidence. A five-paragraph essay might also work as the framework for a short speech. Try not to fall into the trap, however, of creating a “listing” thesis statement when your instructor expects an argument; when planning your body paragraphs, think about three components of an argument, rather than three “points” to discuss. On the other hand, most professors recognize the constraints of writing blue-book essays, and a “listing” thesis is probably better than no thesis at all.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Blue, Tina. 2001. “AP English Blather.” Essay, I Say (blog), January 26, 2001. http://essayisay.homestead.com/blather.html .

Blue, Tina. 2001. “A Partial Defense of the Five-Paragraph Theme as a Model for Student Writing.” Essay, I Say (blog), January 13, 2001. http://essayisay.homestead.com/fiveparagraphs.html .

Denecker, Christine. 2013. “Transitioning Writers across the Composition Threshold: What We Can Learn from Dual Enrollment Partnerships.” Composition Studies 41 (1): 27-50.

Fanetti, Susan et al. 2010. “Closing the Gap between High School Writing Instruction and College Writing Expectations.” The English Journal 99 (4): 77-83.

Hillocks, George. 2002. The Testing Trap: How State Assessments Control Learning . New York and London: Teachers College Press.

Hjortshoj, Keith. 2009. The Transition to College Writing , 2nd ed. New York: Bedford/St Martin’s.

Shen, Andrea. 2000. “Study Looks at Role of Writing in Learning.” Harvard Gazette (blog). October 26, 2000. https://news.harvard.edu/gazette/story/2000/10/study-looks-at-role-of-writing-in-learning/ .

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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college essays about journaling

The Difficult Work of Academic Reform

New College of Florida enters its second year under new leadership.

A small public university on the coast of Sarasota, New College of Florida spent decades languishing as a left-wing activist haven. Its enrollment, test scores, and other measures steadily fell. Legislators in Tallahassee considered closing it.

Then suddenly, the school was in the news. In January 2023, Governor Ron DeSantis appointed a slate of new trustees, including me, to the New College board and tasked us with transforming the institution into a “classical liberal arts university.”

The media covered the event in dramatic style, with more than 1,000 stories targeting the college and its new leadership. We had drawn attention, but what was our plan for reform?

“Soldiers win battles,” an old military adage holds, “but logistics wins wars.” The same is true in universities. Political leaders can replace a board of trustees, select a new president, and unveil a vision for change. But the fate of any such project lies in the detailed work of administration: the thousands of small decisions that affect the culture of the university.

This is where we are now with New College. In the first year, we engineered our revolution: deposing the existing leadership, abolishing the DEI department, terminating the gender-studies program, and announcing a vision for transforming the institution. Now we are pursuing the hard work of reform. Under the leadership of President Richard Corcoran, we are making progress along three tracks: faculty hiring, curriculum design, and student recruiting.

First, faculty hiring. In year one, we witnessed unprecedented faculty turnover. Approximately 40 percent of existing faculty left the institution through resignation, nonrenewal, and other incentives. The press treated this as a failure— “exodus,” “chaos,” “brain drain,” read the headlines—but each departure created an opening for a better replacement.

This work is imminent. We expect soon to announce the hiring of up to 40 new professors, all sharing a commitment to the classical liberal arts. While we are careful to avoid partisan language, we freely admit that, in practice, this means that the faculty as a whole will shift rightward.

This should be celebrated. We will have the most balanced faculty of any state institution in Florida, with a wider range of opinion than our competitors. And we will have a strong contingent of faculty members who reflect the basic philosophical commitments of the people of Florida, who, it should be noted, generously fund our operation.

Second, as we welcome new faculty, we can begin to design the curriculum for all four years. Last term, President Corcoran announced the basic structure of the new curriculum, balancing the concepts of logos and techne , beginning with a mandatory humanities course on Homer’s Odyssey and continuing with courses in the applied arts, statistics, and data science.

This year, I hope to see the full elaboration of our core curriculum, with courses in the philosophy, history, science, and arts of the West. We hope to recruit a permanent provost with the pedagogical sophistication to design the curriculum and the professional network to recruit the faculty who will teach it.

New College has the opportunity to create a curriculum on par with our private-sector counterparts, such as Hillsdale College, and to demonstrate that public universities don’t have to succumb to left-wing ideological capture. With sufficient political will, they can govern themselves on a different set of principles entirely.

Finally, student recruiting. In the first year, President Corcoran organized a near-miracle. In a matter of months, he recruited the largest incoming class in New College’s history, without the benefit of a full admissions staff or a normal application cycle. He demonstrated to the legislature that, despite the churn, New College was growing.

The next step is to improve student culture and competitiveness. Each year, the number of students who matriculated here under the previous administration declines, while the number of students who entered under the current administration grows. The result is a gradual recomposition of the culture.

We believe that New College can be a destination for Florida families who value the Western tradition and that it will provide continuity for students with private, home-based, and religious high school backgrounds, in addition to those who have graduated from public institutions. Classical education, in particular, is the fastest-growing pedagogical approach in K–12 schools; we hope to earn the trust of those families as they consider their college choice.

In time, we hope that New College develops into the best classical institution of its kind, while also disproving the assumption that public universities must submit to DEI bureaucracies, grievance departments, and other left-wing staples. We want to demonstrate instead that the public—the voters of Florida, who express themselves through their elected representatives—rules public institutions.

Anything less will reflect a serious failure of leadership.

Christopher F. Rufo is a senior fellow at the Manhattan Institute and a contributing editor of City Journal .

Photo: Alaska Miller , CC BY-SA 4.0 , via Wikimedia Commons

City Journal is a publication of the Manhattan Institute for Policy Research (MI), a leading free-market think tank. Are you interested in supporting the magazine? As a 501(c)(3) nonprofit, donations in support of MI and City Journal are fully tax-deductible as provided by law (EIN #13-2912529).

Which Way the University? A symposium on higher education in the United States

A crisis on campus / brian c. anderson, third time’s a charm / john j. diiulio jr., free speech is not enough / wilfred m. mcclay, dei v. science / john tierney, demystify the ivies / allison schrager, is college still worth it / preston cooper, accreditation is broken; can it be fixed / andrew gillen, make schools bear some of the risk of student loans / tim rosenberger, the difficult work of academic reform / christopher f. rufo, building a new university on firm foundations / joe lonsdale.

college essays about journaling

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COMMENTS

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